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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF34F7 it is the complementary color #30CB08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF34F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF34F7 shade: #D434F2, #E546FF, #F658FF, #FF6AFF and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF34F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF34F7 shade: #CF34F7, #BE22E4, #AD10D1, #9C00BE and #8B00AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF34F7 shade: #CF36F7, #F736EA, #F736B6, #F73682 and #F7364F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF34F7 shade: #CF36F7, #9B36F7, #6736F7 and #3636F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF34F7 shade matches the following richer shades: #CF36F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF34F7 shade: #CF36F7, #C547E6, #BB58D5, #B169C4 and #A77AB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF34F7 shade: #6636F7, #9A36F7, #CD36F7, #F736ED and #F736BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF34F7 shade: #A809D2, #C60FF5, #CF36F7, #D95EF8 and #E285FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF34F7 shade: #CF34F7, #F73639 and #36F780

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF34F7 shade: #CF34F7, #F7CD36 and #36F7CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF34F7 shade: #CF34F7, #F73639, #60F736 and #36F7F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF34F7 shade: #CF34F7, #F76D36, #60F736 and #36C0F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 79 / 0 / 3

HEX #CF34F7

RGB 207 52 247

HSL 287.69, 0.92%, 0.59%

LAB 54.49, 82.23, -66.18

 

Complementary color

CMYK 76 / 0 / 96 / 20

HEX #30CB08

RGB 48 203 8

HSL 107.69, 0.92%, 0.41%

LAB 71.8, -68.59, 69.73

 

CMYK 12 / 79 / 0 / 5

HEX #D434F2

RGB 212 52 242

HSL 290.53, 0.88%, 0.58%

LAB 54.93, 82.24, -62.63

 

CMYK 10 / 73 / 0 / 0

HEX #E546FF

RGB 229 70 255

HSL 291.57, 1%, 0.64%

LAB 60.12, 82.27, -61.39

 

CMYK 4 / 65 / 0 / 0

HEX #F658FF

RGB 246 88 255

HSL 296.77, 1%, 0.67%

LAB 64.8, 79.57, -53.79

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 16 / 79 / 0 / 3

HEX #CF34F7

RGB 207 52 247

HSL 287.69, 0.92%, 0.59%

LAB 54.49, 82.23, -66.18

 

CMYK 17 / 85 / 0 / 11

HEX #BE22E4

RGB 190 34 228

HSL 288.25, 0.78%, 0.51%

LAB 49.12, 80.43, -64.29

 

CMYK 17 / 92 / 0 / 18

HEX #AD10D1

RGB 173 16 209

HSL 288.81, 0.86%, 0.44%

LAB 44.03, 77.58, -61.8

 

CMYK 18 / 100 / 0 / 25

HEX #9C00BE

RGB 156 0 190

HSL 289.26, 1%, 0.37%

LAB 39.22, 73.59, -58.67

 

CMYK 19 / 100 / 0 / 33

HEX #8B00AB

RGB 139 0 171

HSL 288.77, 1%, 0.34%

LAB 34.86, 67.89, -54.59

 

CMYK 16 / 78 / 0 / 3

HEX #CF36F7

RGB 207 54 247

HSL 287.56, 0.92%, 0.59%

LAB 54.68, 81.67, -65.87

 

CMYK 0 / 78 / 5 / 3

HEX #F736EA

RGB 247 54 234

HSL 304.04, 0.92%, 0.59%

LAB 60.21, 86.99, -49.41

 

CMYK 0 / 78 / 26 / 3

HEX #F736B6

RGB 247 54 182

HSL 320.21, 0.92%, 0.59%

LAB 57.84, 80.24, -23.52

 

CMYK 0 / 78 / 47 / 3

HEX #F73682

RGB 247 54 130

HSL 336.37, 0.92%, 0.59%

LAB 56.11, 75.1, 4.44

 

CMYK 0 / 78 / 68 / 3

HEX #F7364F

RGB 247 54 79

HSL 352.23, 0.92%, 0.59%

LAB 55.05, 71.82, 33.28

 

CMYK 16 / 78 / 0 / 3

HEX #CF36F7

RGB 207 54 247

HSL 287.56, 0.92%, 0.59%

LAB 54.68, 81.67, -65.87

 

CMYK 37 / 78 / 0 / 3

HEX #9B36F7

RGB 155 54 247

HSL 271.4, 0.92%, 0.59%

LAB 47.39, 73.22, -78.03

 

CMYK 58 / 78 / 0 / 3

HEX #6736F7

RGB 103 54 247

HSL 255.23, 0.92%, 0.59%

LAB 41.59, 66.48, -87.78

 

CMYK 78 / 78 / 0 / 3

HEX #3636F7

RGB 54 54 247

HSL 240, 0.92%, 0.59%

LAB 38.09, 62.4, -93.68

 

CMYK 16 / 78 / 0 / 3

HEX #CF36F7

RGB 207 54 247

HSL 287.56, 0.92%, 0.59%

LAB 54.68, 81.67, -65.87

 

CMYK 16 / 78 / 0 / 3

HEX #CF36F7

RGB 207 54 247

HSL 287.56, 0.92%, 0.59%

LAB 54.68, 81.67, -65.87

 

CMYK 14 / 69 / 0 / 10

HEX #C547E6

RGB 197 71 230

HSL 287.55, 0.76%, 0.59%

LAB 54.12, 71.07, -57.32

 

CMYK 12 / 59 / 0 / 16

HEX #BB58D5

RGB 187 88 213

HSL 287.52, 0.6%, 0.59%

LAB 54.39, 58.32, -47.35

 

CMYK 10 / 46 / 0 / 23

HEX #B169C4

RGB 177 105 196

HSL 287.47, 0.44%, 0.59%

LAB 55.52, 43.67, -35.97

 

CMYK 7 / 32 / 0 / 30

HEX #A77AB3

RGB 167 122 179

HSL 287.37, 0.27%, 0.59%

LAB 57.45, 27.69, -23.33

 

CMYK 59 / 78 / 0 / 3

HEX #6636F7

RGB 102 54 247

HSL 254.92, 0.92%, 0.59%

LAB 41.5, 66.37, -87.94

 

CMYK 38 / 78 / 0 / 3

HEX #9A36F7

RGB 154 54 247

HSL 271.09, 0.92%, 0.59%

LAB 47.27, 73.07, -78.25

 

CMYK 17 / 78 / 0 / 3

HEX #CD36F7

RGB 205 54 247

HSL 286.94, 0.92%, 0.59%

LAB 54.38, 81.33, -66.37

 

CMYK 0 / 78 / 4 / 3

HEX #F736ED

RGB 247 54 237

HSL 303.11, 0.92%, 0.59%

LAB 60.36, 87.42, -50.84

 

CMYK 0 / 78 / 25 / 3

HEX #F736BA

RGB 247 54 186

HSL 318.96, 0.92%, 0.59%

LAB 58, 80.71, -25.59

 

CMYK 20 / 96 / 0 / 18

HEX #A809D2

RGB 168 9 210

HSL 287.46, 0.92%, 0.43%

LAB 43.02, 77.8, -64.05

 

CMYK 19 / 94 / 0 / 4

HEX #C60FF5

RGB 198 15 245

HSL 287.74, 0.92%, 0.51%

LAB 50.62, 87.37, -71.39

 

CMYK 16 / 78 / 0 / 3

HEX #CF36F7

RGB 207 54 247

HSL 287.56, 0.92%, 0.59%

LAB 54.68, 81.67, -65.87

 

CMYK 13 / 62 / 0 / 3

HEX #D95EF8

RGB 217 94 248

HSL 287.92, 0.92%, 0.67%

LAB 61.25, 69.47, -55.82

 

CMYK 10 / 47 / 0 / 2

HEX #E285FA

RGB 226 133 250

HSL 287.69, 0.92%, 0.75%

LAB 69.36, 53.73, -44.03

 

CMYK 16 / 79 / 0 / 3

HEX #CF34F7

RGB 207 52 247

HSL 287.69, 0.92%, 0.59%

LAB 54.49, 82.23, -66.18

 

CMYK 0 / 78 / 77 / 3

HEX #F73639

RGB 247 54 57

HSL 359.07, 0.92%, 0.59%

LAB 54.77, 70.94, 45.39

 

CMYK 78 / 0 / 48 / 3

HEX #36F780

RGB 54 247 128

HSL 143.01, 0.92%, 0.59%

LAB 86.44, -71.02, 44.09

 

CMYK 16 / 79 / 0 / 3

HEX #CF34F7

RGB 207 52 247

HSL 287.69, 0.92%, 0.59%

LAB 54.49, 82.23, -66.18

 

CMYK 0 / 17 / 78 / 3

HEX #F7CD36

RGB 247 205 54

HSL 46.94, 0.92%, 0.59%

LAB 83.81, 0.73, 74.68

 

CMYK 78 / 0 / 17 / 3

HEX #36F7CD

RGB 54 247 205

HSL 166.94, 0.92%, 0.59%

LAB 87.83, -55.55, 7.08

 

CMYK 16 / 79 / 0 / 3

HEX #CF34F7

RGB 207 52 247

HSL 287.69, 0.92%, 0.59%

LAB 54.49, 82.23, -66.18

 

CMYK 0 / 78 / 77 / 3

HEX #F73639

RGB 247 54 57

HSL 359.07, 0.92%, 0.59%

LAB 54.77, 70.94, 45.39

 

CMYK 61 / 0 / 78 / 3

HEX #60F736

RGB 96 247 54

HSL 106.94, 0.92%, 0.59%

LAB 86.64, -71.66, 74.09

 

CMYK 78 / 0 / 2 / 3

HEX #36F7F3

RGB 54 247 243

HSL 178.76, 0.92%, 0.59%

LAB 88.82, -45.6, -11.29

 

CMYK 16 / 79 / 0 / 3

HEX #CF34F7

RGB 207 52 247

HSL 287.69, 0.92%, 0.59%

LAB 54.49, 82.23, -66.18

 

CMYK 0 / 56 / 78 / 3

HEX #F76D36

RGB 247 109 54

HSL 17.1, 0.92%, 0.59%

LAB 62.49, 49.91, 54.73

 

CMYK 61 / 0 / 78 / 3

HEX #60F736

RGB 96 247 54

HSL 106.94, 0.92%, 0.59%

LAB 86.64, -71.66, 74.09

 

CMYK 78 / 22 / 0 / 3

HEX #36C0F7

RGB 54 192 247

HSL 197.1, 0.92%, 0.59%

LAB 73.02, -18.11, -37.46

 

Description

Color code: HEX #CF34F7 | qconv.com Color code: HEX #CF34F7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 52 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 52 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 79 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 79% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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