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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF343F it is the complementary color #30CBC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF343F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF343F shade: #D4343A, #E5464D, #F65860, #FF6A73 and #FF7C86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF343F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF343F shade: #CF343F, #BE222C, #AD1019, #9C0006 and #8B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF343F shade: #D03540 and #D03535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF343F shade: #D03540, #D03569, #D03593, #D035BD and #B835D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF343F shade matches the following richer shades: #D03540, #E4202E and #F80C1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF343F shade: #D03540, #BB4951, #A75D62, #937174 and #7F8585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF343F shade: #D03594, #D0356B, #D03541, #D05135 and #D07A35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF343F shade: #90222A, #B12A33, #D03540, #D7565F and #DF777F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF343F shade: #CF343F, #BDD035 and #357FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF343F shade: #CF343F, #41D035 and #3541D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF343F shade: #CF343F, #BDD035, #35D0C3 and #4735D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF343F shade: #CF343F, #8FD035, #35D0C3 and #7535D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 70 / 19

HEX #CF343F

RGB 207 52 63

HSL 355.74, 0.62%, 0.51%

LAB 47.08, 60.23, 31.25

 

Complementary color

CMYK 76 / 0 / 5 / 20

HEX #30CBC0

RGB 48 203 192

HSL 175.74, 0.62%, 0.49%

LAB 74.28, -40.99, -5.79

 

CMYK 0 / 75 / 73 / 17

HEX #D4343A

RGB 212 52 58

HSL 357.75, 0.65%, 0.52%

LAB 47.95, 61.49, 35.44

 

CMYK 0 / 69 / 66 / 10

HEX #E5464D

RGB 229 70 77

HSL 357.36, 0.75%, 0.59%

LAB 53.57, 61.36, 31.89

 

CMYK 0 / 64 / 61 / 4

HEX #F65860

RGB 246 88 96

HSL 356.96, 0.9%, 0.65%

LAB 59.36, 60.82, 28.84

 

CMYK 0 / 58 / 55 / 0

HEX #FF6A73

RGB 255 106 115

HSL 356.38, 1%, 0.71%

LAB 64, 57.4, 24.35

 

CMYK 0 / 51 / 47 / 0

HEX #FF7C86

RGB 255 124 134

HSL 355.42, 1%, 0.74%

LAB 67.57, 50.67, 18.45

 

CMYK 0 / 75 / 70 / 19

HEX #CF343F

RGB 207 52 63

HSL 355.74, 0.62%, 0.51%

LAB 47.08, 60.23, 31.25

 

CMYK 0 / 82 / 77 / 25

HEX #BE222C

RGB 190 34 44

HSL 356.15, 0.7%, 0.44%

LAB 41.65, 59.73, 35.33

 

CMYK 0 / 91 / 86 / 32

HEX #AD1019

RGB 173 16 25

HSL 356.56, 0.83%, 0.37%

LAB 36.6, 58.22, 39.82

 

CMYK 0 / 100 / 96 / 39

HEX #9C0006

RGB 156 0 6

HSL 357.69, 1%, 0.31%

LAB 31.99, 55.58, 43.5

 

CMYK 0 / 100 / 100 / 45

HEX #8B0000

RGB 139 0 0

HSL 0, 1%, 0.27%

LAB 28.08, 51.01, 41.29

 

CMYK 0 / 75 / 69 / 18

HEX #D03540

RGB 208 53 64

HSL 355.74, 0.62%, 0.51%

LAB 47.4, 60.25, 31.08

 

CMYK 0 / 75 / 75 / 18

HEX #D03535

RGB 208 53 53

HSL 0, 0.62%, 0.51%

LAB 47.25, 59.77, 37.31

 

CMYK 0 / 75 / 69 / 18

HEX #D03540

RGB 208 53 64

HSL 355.74, 0.62%, 0.51%

LAB 47.4, 60.25, 31.08

 

CMYK 0 / 75 / 50 / 18

HEX #D03569

RGB 208 53 105

HSL 339.87, 0.62%, 0.51%

LAB 48.23, 62.96, 7.29

 

CMYK 0 / 75 / 29 / 18

HEX #D03593

RGB 208 53 147

HSL 323.61, 0.62%, 0.51%

LAB 49.57, 67.19, -16.18

 

CMYK 0 / 75 / 9 / 18

HEX #D035BD

RGB 208 53 189

HSL 307.35, 0.62%, 0.51%

LAB 51.42, 72.75, -38.08

 

CMYK 12 / 75 / 0 / 18

HEX #B835D0

RGB 184 53 208

HSL 290.71, 0.62%, 0.51%

LAB 48.62, 70.82, -53.73

 

CMYK 0 / 75 / 69 / 18

HEX #D03540

RGB 208 53 64

HSL 355.74, 0.62%, 0.51%

LAB 47.4, 60.25, 31.08

 

CMYK 0 / 86 / 80 / 11

HEX #E4202E

RGB 228 32 46

HSL 355.71, 0.78%, 0.51%

LAB 49.16, 70.58, 44.41

 

CMYK 0 / 95 / 88 / 3

HEX #F80C1D

RGB 248 12 29

HSL 355.68, 0.94%, 0.51%

LAB 52.18, 77.86, 57

 

CMYK 0 / 75 / 69 / 18

HEX #D03540

RGB 208 53 64

HSL 355.74, 0.62%, 0.51%

LAB 47.4, 60.25, 31.08

 

CMYK 0 / 61 / 57 / 27

HEX #BB4951

RGB 187 73 81

HSL 355.79, 0.46%, 0.51%

LAB 46.87, 46.6, 19.47

 

CMYK 0 / 44 / 41 / 35

HEX #A75D62

RGB 167 93 98

HSL 355.95, 0.3%, 0.51%

LAB 48.17, 30.67, 10.51

 

CMYK 0 / 23 / 21 / 42

HEX #937174

RGB 147 113 116

HSL 354.71, 0.14%, 0.51%

LAB 51.01, 13.88, 3.51

 

CMYK 5 / 0 / 0 / 48

HEX #7F8585

RGB 127 133 133

HSL 180, 0.02%, 0.51%

LAB 55.05, -2.21, -0.77

 

CMYK 0 / 75 / 29 / 18

HEX #D03594

RGB 208 53 148

HSL 323.23, 0.62%, 0.51%

LAB 49.61, 67.3, -16.72

 

CMYK 0 / 75 / 49 / 18

HEX #D0356B

RGB 208 53 107

HSL 339.1, 0.62%, 0.51%

LAB 48.28, 63.12, 6.14

 

CMYK 0 / 75 / 69 / 18

HEX #D03541

RGB 208 53 65

HSL 355.35, 0.62%, 0.51%

LAB 47.41, 60.3, 30.51

 

CMYK 0 / 61 / 75 / 18

HEX #D05135

RGB 208 81 53

HSL 10.84, 0.62%, 0.51%

LAB 51.33, 48.7, 41.78

 

CMYK 0 / 41 / 75 / 18

HEX #D07A35

RGB 208 122 53

HSL 26.71, 0.62%, 0.51%

LAB 59.51, 28.1, 50.38

 

CMYK 0 / 76 / 71 / 44

HEX #90222A

RGB 144 34 42

HSL 355.64, 0.62%, 0.35%

LAB 32.35, 45.81, 23.43

 

CMYK 0 / 76 / 71 / 31

HEX #B12A33

RGB 177 42 51

HSL 356, 0.62%, 0.43%

LAB 39.99, 53.87, 28.57

 

CMYK 0 / 75 / 69 / 18

HEX #D03540

RGB 208 53 64

HSL 355.74, 0.62%, 0.51%

LAB 47.4, 60.25, 31.08

 

CMYK 0 / 60 / 56 / 16

HEX #D7565F

RGB 215 86 95

HSL 355.81, 0.62%, 0.59%

LAB 53.95, 51.38, 21.38

 

CMYK 0 / 47 / 43 / 13

HEX #DF777F

RGB 223 119 127

HSL 355.38, 0.62%, 0.67%

LAB 62.01, 41.11, 14.03

 

CMYK 0 / 75 / 70 / 19

HEX #CF343F

RGB 207 52 63

HSL 355.74, 0.62%, 0.51%

LAB 47.08, 60.23, 31.25

 

CMYK 9 / 0 / 75 / 18

HEX #BDD035

RGB 189 208 53

HSL 67.35, 0.62%, 0.51%

LAB 79.72, -25.26, 69.45

 

CMYK 75 / 39 / 0 / 18

HEX #357FD0

RGB 53 127 208

HSL 211.35, 0.62%, 0.51%

LAB 52.39, 4.8, -48.35

 

CMYK 0 / 75 / 70 / 19

HEX #CF343F

RGB 207 52 63

HSL 355.74, 0.62%, 0.51%

LAB 47.08, 60.23, 31.25

 

CMYK 69 / 0 / 75 / 18

HEX #41D035

RGB 65 208 53

HSL 115.35, 0.62%, 0.51%

LAB 73.86, -65.38, 61.78

 

CMYK 75 / 69 / 0 / 18

HEX #3541D0

RGB 53 65 208

HSL 235.35, 0.62%, 0.51%

LAB 36.16, 43.83, -74.63

 

CMYK 0 / 75 / 70 / 19

HEX #CF343F

RGB 207 52 63

HSL 355.74, 0.62%, 0.51%

LAB 47.08, 60.23, 31.25

 

CMYK 9 / 0 / 75 / 18

HEX #BDD035

RGB 189 208 53

HSL 67.35, 0.62%, 0.51%

LAB 79.72, -25.26, 69.45

 

CMYK 75 / 0 / 6 / 18

HEX #35D0C3

RGB 53 208 195

HSL 174.97, 0.62%, 0.51%

LAB 75.95, -41.85, -4.94

 

CMYK 66 / 75 / 0 / 18

HEX #4735D0

RGB 71 53 208

HSL 246.97, 0.62%, 0.51%

LAB 34.88, 52.41, -76.69

 

CMYK 0 / 75 / 70 / 19

HEX #CF343F

RGB 207 52 63

HSL 355.74, 0.62%, 0.51%

LAB 47.08, 60.23, 31.25

 

CMYK 31 / 0 / 75 / 18

HEX #8FD035

RGB 143 208 53

HSL 85.16, 0.62%, 0.51%

LAB 76.81, -43.26, 65.66

 

CMYK 75 / 0 / 6 / 18

HEX #35D0C3

RGB 53 208 195

HSL 174.97, 0.62%, 0.51%

LAB 75.95, -41.85, -4.94

 

CMYK 44 / 75 / 0 / 18

HEX #7535D0

RGB 117 53 208

HSL 264.77, 0.62%, 0.51%

LAB 39.38, 58.65, -69.14

 

Description

Color code: HEX #CF343F | qconv.com Color code: HEX #CF343F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 52 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 52 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 70 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 70% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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