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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF310F it is the complementary color #30CEF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF310F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF310F shade: #D4310A, #E5431D, #F65530, #FF6743 and #FF7956

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF310F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF310F shade: #CF310F, #BE1F00, #AD0D00, #9C0000 and #8B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF310F shade: #D13210 and #D11010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF310F shade: #D13210, #D16610, #D19A10, #D1CE10 and #9FD110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF310F shade matches the following richer shades: #D13210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF310F shade: #D13210, #BF3E22, #AC4934, #9A5546 and #886158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF310F shade: #D11056, #D11023, #D13010, #D16310 and #D19710

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF310F shade: #84200A, #AA290D, #D13210, #EE411C and #F16142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF310F shade: #CF310F, #8AD110 and #103DD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF310F shade: #CF310F, #10D130 and #3010D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF310F shade: #CF310F, #8AD110, #10B1D1 and #5610D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF310F shade: #CF310F, #50D110, #10B1D1 and #9010D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 93 / 19

HEX #CF310F

RGB 207 49 15

HSL 10.63, 0.86%, 0.44%

LAB 46.31, 59.78, 54.44

 

Complementary color

CMYK 80 / 14 / 0 / 6

HEX #30CEF0

RGB 48 206 240

HSL 190.63, 0.86%, 0.56%

LAB 76.72, -28.04, -28.01

 

CMYK 0 / 77 / 95 / 17

HEX #D4310A

RGB 212 49 10

HSL 11.58, 0.91%, 0.44%

LAB 47.26, 61.24, 56.96

 

CMYK 0 / 71 / 87 / 10

HEX #E5431D

RGB 229 67 29

HSL 11.4, 0.79%, 0.51%

LAB 52.69, 60.75, 55.76

 

CMYK 0 / 65 / 80 / 4

HEX #F65530

RGB 246 85 48

HSL 11.21, 0.92%, 0.58%

LAB 58.32, 59.84, 53.45

 

CMYK 0 / 60 / 74 / 0

HEX #FF6743

RGB 255 103 67

HSL 11.49, 1%, 0.63%

LAB 62.82, 55.96, 49.15

 

CMYK 0 / 53 / 66 / 0

HEX #FF7956

RGB 255 121 86

HSL 12.43, 1%, 0.67%

LAB 66.22, 48.58, 43.14

 

CMYK 0 / 76 / 93 / 19

HEX #CF310F

RGB 207 49 15

HSL 10.63, 0.86%, 0.44%

LAB 46.31, 59.78, 54.44

 

CMYK 0 / 84 / 100 / 25

HEX #BE1F00

RGB 190 31 0

HSL 9.79, 1%, 0.37%

LAB 41.1, 59.59, 54.48

 

CMYK 0 / 92 / 100 / 32

HEX #AD0D00

RGB 173 13 0

HSL 4.51, 1%, 0.34%

LAB 36.31, 58.29, 50.39

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 100 / 100 / 45

HEX #8B0000

RGB 139 0 0

HSL 0, 1%, 0.27%

LAB 28.08, 51.01, 41.29

 

CMYK 0 / 76 / 92 / 18

HEX #D13210

RGB 209 50 16

HSL 10.57, 0.86%, 0.44%

LAB 46.81, 60.09, 54.63

 

CMYK 0 / 92 / 92 / 18

HEX #D11010

RGB 209 16 16

HSL 0, 0.86%, 0.44%

LAB 44.18, 67.55, 52.95

 

CMYK 0 / 76 / 92 / 18

HEX #D13210

RGB 209 50 16

HSL 10.57, 0.86%, 0.44%

LAB 46.81, 60.09, 54.63

 

CMYK 0 / 51 / 92 / 18

HEX #D16610

RGB 209 102 16

HSL 26.74, 0.86%, 0.44%

LAB 55.17, 37.92, 60.31

 

CMYK 0 / 26 / 92 / 18

HEX #D19A10

RGB 209 154 16

HSL 42.9, 0.86%, 0.44%

LAB 67.05, 10.17, 68.93

 

CMYK 0 / 1 / 92 / 18

HEX #D1CE10

RGB 209 206 16

HSL 59.07, 0.86%, 0.44%

LAB 80.59, -16.9, 79.16

 

CMYK 24 / 0 / 92 / 18

HEX #9FD110

RGB 159 209 16

HSL 75.54, 0.86%, 0.44%

LAB 77.88, -38.94, 75.52

 

CMYK 0 / 76 / 92 / 18

HEX #D13210

RGB 209 50 16

HSL 10.57, 0.86%, 0.44%

LAB 46.81, 60.09, 54.63

 

CMYK 0 / 76 / 92 / 18

HEX #D13210

RGB 209 50 16

HSL 10.57, 0.86%, 0.44%

LAB 46.81, 60.09, 54.63

 

CMYK 0 / 68 / 82 / 25

HEX #BF3E22

RGB 191 62 34

HSL 10.7, 0.7%, 0.44%

LAB 45.13, 50.3, 44.33

 

CMYK 0 / 58 / 70 / 33

HEX #AC4934

RGB 172 73 52

HSL 10.5, 0.54%, 0.44%

LAB 43.92, 39.19, 32.39

 

CMYK 0 / 45 / 55 / 40

HEX #9A5546

RGB 154 85 70

HSL 10.71, 0.38%, 0.44%

LAB 43.96, 26.98, 21.29

 

CMYK 0 / 29 / 35 / 47

HEX #886158

RGB 136 97 88

HSL 11.25, 0.21%, 0.44%

LAB 44.93, 14.55, 11.4

 

CMYK 0 / 92 / 59 / 18

HEX #D11056

RGB 209 16 86

HSL 338.24, 0.86%, 0.44%

LAB 45.08, 70.05, 14.66

 

CMYK 0 / 92 / 83 / 18

HEX #D11023

RGB 209 16 35

HSL 354.09, 0.86%, 0.44%

LAB 44.3, 67.89, 44.31

 

CMYK 0 / 77 / 92 / 18

HEX #D13010

RGB 209 48 16

HSL 9.95, 0.86%, 0.44%

LAB 46.59, 60.71, 54.48

 

CMYK 0 / 53 / 92 / 18

HEX #D16310

RGB 209 99 16

HSL 25.8, 0.86%, 0.44%

LAB 54.57, 39.43, 59.89

 

CMYK 0 / 28 / 92 / 18

HEX #D19710

RGB 209 151 16

HSL 41.97, 0.86%, 0.44%

LAB 66.31, 11.79, 68.38

 

CMYK 0 / 76 / 92 / 48

HEX #84200A

RGB 132 32 10

HSL 10.82, 0.86%, 0.28%

LAB 29.31, 41.41, 37.58

 

CMYK 0 / 76 / 92 / 33

HEX #AA290D

RGB 170 41 13

HSL 10.7, 0.86%, 0.36%

LAB 38.13, 50.82, 46.22

 

CMYK 0 / 76 / 92 / 18

HEX #D13210

RGB 209 50 16

HSL 10.57, 0.86%, 0.44%

LAB 46.81, 60.09, 54.63

 

CMYK 0 / 73 / 88 / 7

HEX #EE411C

RGB 238 65 28

HSL 10.57, 0.86%, 0.52%

LAB 54.07, 64.23, 57.93

 

CMYK 0 / 60 / 73 / 5

HEX #F16142

RGB 241 97 66

HSL 10.63, 0.86%, 0.6%

LAB 59.57, 53.71, 45.48

 

CMYK 0 / 76 / 93 / 19

HEX #CF310F

RGB 207 49 15

HSL 10.63, 0.86%, 0.44%

LAB 46.31, 59.78, 54.44

 

CMYK 34 / 0 / 92 / 18

HEX #8AD110

RGB 138 209 16

HSL 82.07, 0.86%, 0.44%

LAB 76.7, -46.84, 74.08

 

CMYK 92 / 71 / 0 / 18

HEX #103DD1

RGB 16 61 209

HSL 226.01, 0.86%, 0.44%

LAB 34.09, 44.27, -78.67

 

CMYK 0 / 76 / 93 / 19

HEX #CF310F

RGB 207 49 15

HSL 10.63, 0.86%, 0.44%

LAB 46.31, 59.78, 54.44

 

CMYK 92 / 0 / 77 / 18

HEX #10D130

RGB 16 209 48

HSL 129.95, 0.86%, 0.44%

LAB 73.5, -71.73, 62.82

 

CMYK 77 / 92 / 0 / 18

HEX #3010D1

RGB 48 16 209

HSL 249.95, 0.86%, 0.44%

LAB 28.39, 65.72, -88.1

 

CMYK 0 / 76 / 93 / 19

HEX #CF310F

RGB 207 49 15

HSL 10.63, 0.86%, 0.44%

LAB 46.31, 59.78, 54.44

 

CMYK 34 / 0 / 92 / 18

HEX #8AD110

RGB 138 209 16

HSL 82.07, 0.86%, 0.44%

LAB 76.7, -46.84, 74.08

 

CMYK 92 / 15 / 0 / 18

HEX #10B1D1

RGB 16 177 209

HSL 189.95, 0.86%, 0.44%

LAB 66.64, -25.73, -26.65

 

CMYK 59 / 92 / 0 / 18

HEX #5610D1

RGB 86 16 209

HSL 261.76, 0.86%, 0.44%

LAB 31.7, 67.76, -82.5

 

CMYK 0 / 76 / 93 / 19

HEX #CF310F

RGB 207 49 15

HSL 10.63, 0.86%, 0.44%

LAB 46.31, 59.78, 54.44

 

CMYK 62 / 0 / 92 / 18

HEX #50D110

RGB 80 209 16

HSL 100.1, 0.86%, 0.44%

LAB 74.41, -64.28, 71.26

 

CMYK 92 / 15 / 0 / 18

HEX #10B1D1

RGB 16 177 209

HSL 189.95, 0.86%, 0.44%

LAB 66.64, -25.73, -26.65

 

CMYK 31 / 92 / 0 / 18

HEX #9010D1

RGB 144 16 209

HSL 279.79, 0.86%, 0.44%

LAB 39.42, 73.59, -69.51

 

Description

Color code: HEX #CF310F | qconv.com Color code: HEX #CF310F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 49 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 49 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 93 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 93% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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