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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF2FD6 it is the complementary color #30D029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF2FD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF2FD6 shade: #D42FD1, #E541E4, #F653F7, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF2FD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF2FD6 shade: #CF2FD6, #BE1DC3, #AD0BB0, #9C009D and #8B008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF2FD6 shade: #CF2ED6, #D62EB0, #D62E82, #D62E55 and #D62E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF2FD6 shade: #CF2ED6, #A22ED6, #742ED6, #472ED6 and #2E2ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF2FD6 shade matches the following richer shades: #CF2ED6, #E11AEA and #F406FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF2FD6 shade: #CF2ED6, #BC43C2, #AA57AD, #976B99 and #857F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF2FD6 shade: #742ED6, #A12ED6, #CD2ED6, #D62EB1 and #D62E85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF2FD6 shade: #8F1D94, #B124B7, #CF2ED6, #D751DD and #DF73E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF2FD6 shade: #CF2FD6, #D6472E and #2ED68A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF2FD6 shade: #CF2FD6, #D6CD2E and #2ED6CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF2FD6 shade: #CF2FD6, #D6472E, #37D62E and #2EBDD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF2FD6 shade: #CF2FD6, #D67A2E, #37D62E and #2E8AD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 78 / 0 / 16

HEX #CF2FD6

RGB 207 47 214

HSL 297.49, 0.67%, 0.51%

LAB 52.01, 78.04, -51.54

 

Complementary color

CMYK 77 / 0 / 80 / 18

HEX #30D029

RGB 48 208 41

HSL 117.49, 0.67%, 0.49%

LAB 73.48, -68.9, 65

 

CMYK 0 / 78 / 1 / 17

HEX #D42FD1

RGB 212 47 209

HSL 301.09, 0.66%, 0.51%

LAB 52.55, 78.22, -47.78

 

CMYK 0 / 72 / 0 / 10

HEX #E541E4

RGB 229 65 228

HSL 300.37, 0.76%, 0.58%

LAB 58.08, 79.45, -49.61

 

CMYK 0 / 66 / 0 / 3

HEX #F653F7

RGB 246 83 247

HSL 299.63, 0.91%, 0.65%

LAB 63.75, 80.08, -51.04

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 3 / 78 / 0 / 16

HEX #CF2FD6

RGB 207 47 214

HSL 297.49, 0.67%, 0.51%

LAB 52.01, 78.04, -51.54

 

CMYK 3 / 85 / 0 / 24

HEX #BE1DC3

RGB 190 29 195

HSL 298.19, 0.74%, 0.44%

LAB 46.67, 75.99, -49.29

 

CMYK 2 / 94 / 0 / 31

HEX #AD0BB0

RGB 173 11 176

HSL 298.91, 0.88%, 0.37%

LAB 41.62, 72.79, -46.37

 

CMYK 1 / 100 / 0 / 38

HEX #9C009D

RGB 156 0 157

HSL 299.62, 1%, 0.31%

LAB 36.93, 68.22, -42.65

 

CMYK 0 / 100 / 1 / 45

HEX #8B008A

RGB 139 0 138

HSL 300.43, 1%, 0.27%

LAB 32.53, 62.41, -38.22

 

CMYK 3 / 79 / 0 / 16

HEX #CF2ED6

RGB 207 46 214

HSL 297.5, 0.67%, 0.51%

LAB 51.92, 78.29, -51.68

 

CMYK 0 / 79 / 18 / 16

HEX #D62EB0

RGB 214 46 176

HSL 313.57, 0.67%, 0.51%

LAB 51.13, 74.21, -30.86

 

CMYK 0 / 79 / 39 / 16

HEX #D62E82

RGB 214 46 130

HSL 330, 0.67%, 0.51%

LAB 49.33, 68.9, -6.2

 

CMYK 0 / 79 / 60 / 16

HEX #D62E55

RGB 214 46 85

HSL 346.07, 0.67%, 0.51%

LAB 48.14, 65.27, 19.58

 

CMYK 0 / 79 / 79 / 16

HEX #D62E2E

RGB 214 46 46

HSL 0, 0.67%, 0.51%

LAB 47.56, 63.44, 41.89

 

CMYK 3 / 79 / 0 / 16

HEX #CF2ED6

RGB 207 46 214

HSL 297.5, 0.67%, 0.51%

LAB 51.92, 78.29, -51.68

 

CMYK 24 / 79 / 0 / 16

HEX #A22ED6

RGB 162 46 214

HSL 281.43, 0.67%, 0.51%

LAB 44.93, 70.13, -63.3

 

CMYK 46 / 79 / 0 / 16

HEX #742ED6

RGB 116 46 214

HSL 265, 0.67%, 0.51%

LAB 38.76, 62.91, -73.62

 

CMYK 67 / 79 / 0 / 16

HEX #472ED6

RGB 71 46 214

HSL 248.93, 0.67%, 0.51%

LAB 34.29, 57.65, -81.14

 

CMYK 79 / 79 / 0 / 16

HEX #2E2ED6

RGB 46 46 214

HSL 240, 0.67%, 0.51%

LAB 32.68, 55.75, -83.86

 

CMYK 3 / 79 / 0 / 16

HEX #CF2ED6

RGB 207 46 214

HSL 297.5, 0.67%, 0.51%

LAB 51.92, 78.29, -51.68

 

CMYK 4 / 89 / 0 / 8

HEX #E11AEA

RGB 225 26 234

HSL 297.4, 0.83%, 0.51%

LAB 54.75, 88.39, -58.33

 

CMYK 4 / 98 / 0 / 0

HEX #F406FE

RGB 244 6 254

HSL 297.58, 0.99%, 0.51%

LAB 58.53, 96.08, -63.27

 

CMYK 3 / 79 / 0 / 16

HEX #CF2ED6

RGB 207 46 214

HSL 297.5, 0.67%, 0.51%

LAB 51.92, 78.29, -51.68

 

CMYK 3 / 65 / 0 / 24

HEX #BC43C2

RGB 188 67 194

HSL 297.17, 0.51%, 0.51%

LAB 50.22, 64.16, -43.08

 

CMYK 2 / 50 / 0 / 32

HEX #AA57AD

RGB 170 87 173

HSL 297.91, 0.34%, 0.51%

LAB 49.95, 46.53, -31.45

 

CMYK 1 / 30 / 0 / 40

HEX #976B99

RGB 151 107 153

HSL 297.39, 0.18%, 0.51%

LAB 51.15, 25.6, -18.07

 

CMYK 0 / 5 / 0 / 48

HEX #857F85

RGB 133 127 133

HSL 300, 0.02%, 0.51%

LAB 53.88, 3.44, -2.44

 

CMYK 46 / 79 / 0 / 16

HEX #742ED6

RGB 116 46 214

HSL 265, 0.67%, 0.51%

LAB 38.76, 62.91, -73.62

 

CMYK 25 / 79 / 0 / 16

HEX #A12ED6

RGB 161 46 214

HSL 281.07, 0.67%, 0.51%

LAB 44.78, 69.96, -63.55

 

CMYK 4 / 79 / 0 / 16

HEX #CD2ED6

RGB 205 46 214

HSL 296.79, 0.67%, 0.51%

LAB 51.6, 77.92, -52.22

 

CMYK 0 / 79 / 17 / 16

HEX #D62EB1

RGB 214 46 177

HSL 313.21, 0.67%, 0.51%

LAB 51.18, 74.34, -31.38

 

CMYK 0 / 79 / 38 / 16

HEX #D62E85

RGB 214 46 133

HSL 328.93, 0.67%, 0.51%

LAB 49.43, 69.2, -7.87

 

CMYK 3 / 80 / 0 / 42

HEX #8F1D94

RGB 143 29 148

HSL 297.48, 0.67%, 0.35%

LAB 35.71, 59.46, -39.27

 

CMYK 3 / 80 / 0 / 28

HEX #B124B7

RGB 177 36 183

HSL 297.55, 0.67%, 0.43%

LAB 44.27, 70.14, -46.23

 

CMYK 3 / 79 / 0 / 16

HEX #CF2ED6

RGB 207 46 214

HSL 297.5, 0.67%, 0.51%

LAB 51.92, 78.29, -51.68

 

CMYK 3 / 63 / 0 / 13

HEX #D751DD

RGB 215 81 221

HSL 297.43, 0.67%, 0.59%

LAB 57.61, 69.56, -46.53

 

CMYK 2 / 49 / 0 / 11

HEX #DF73E3

RGB 223 115 227

HSL 297.86, 0.67%, 0.67%

LAB 64.56, 57.53, -38.89

 

CMYK 3 / 78 / 0 / 16

HEX #CF2FD6

RGB 207 47 214

HSL 297.49, 0.67%, 0.51%

LAB 52.01, 78.04, -51.54

 

CMYK 0 / 67 / 79 / 16

HEX #D6472E

RGB 214 71 46

HSL 8.93, 0.67%, 0.51%

LAB 50.69, 54.79, 45.09

 

CMYK 79 / 0 / 36 / 16

HEX #2ED68A

RGB 46 214 138

HSL 152.86, 0.67%, 0.51%

LAB 76.38, -58.67, 25.99

 

CMYK 3 / 78 / 0 / 16

HEX #CF2FD6

RGB 207 47 214

HSL 297.49, 0.67%, 0.51%

LAB 52.01, 78.04, -51.54

 

CMYK 0 / 4 / 79 / 16

HEX #D6CD2E

RGB 214 205 46

HSL 56.79, 0.67%, 0.51%

LAB 80.83, -13.57, 73.31

 

CMYK 79 / 0 / 4 / 16

HEX #2ED6CD

RGB 46 214 205

HSL 176.79, 0.67%, 0.51%

LAB 77.92, -42.43, -7.41

 

CMYK 3 / 78 / 0 / 16

HEX #CF2FD6

RGB 207 47 214

HSL 297.49, 0.67%, 0.51%

LAB 52.01, 78.04, -51.54

 

CMYK 0 / 67 / 79 / 16

HEX #D6472E

RGB 214 71 46

HSL 8.93, 0.67%, 0.51%

LAB 50.69, 54.79, 45.09

 

CMYK 74 / 0 / 79 / 16

HEX #37D62E

RGB 55 214 46

HSL 116.79, 0.67%, 0.51%

LAB 75.52, -69.41, 65.53

 

CMYK 79 / 12 / 0 / 16

HEX #2EBDD6

RGB 46 189 214

HSL 188.93, 0.67%, 0.51%

LAB 70.75, -28.07, -23.07

 

CMYK 3 / 78 / 0 / 16

HEX #CF2FD6

RGB 207 47 214

HSL 297.49, 0.67%, 0.51%

LAB 52.01, 78.04, -51.54

 

CMYK 0 / 43 / 79 / 16

HEX #D67A2E

RGB 214 122 46

HSL 27.14, 0.67%, 0.51%

LAB 60.26, 30.31, 54.48

 

CMYK 74 / 0 / 79 / 16

HEX #37D62E

RGB 55 214 46

HSL 116.79, 0.67%, 0.51%

LAB 75.52, -69.41, 65.53

 

CMYK 79 / 36 / 0 / 16

HEX #2E8AD6

RGB 46 138 214

HSL 207.14, 0.67%, 0.51%

LAB 55.7, -0.42, -46.49

 

Description

Color code: HEX #CF2FD6 | qconv.com Color code: HEX #CF2FD6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 47 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 47 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 78 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 78% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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