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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF2FC1 it is the complementary color #30D03E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF2FC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF2FC1 shade: #D42FBC, #E541CF, #F653E2, #FF65F5 and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF2FC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF2FC1 shade: #CF2FC1, #BE1DAE, #AD0B9B, #9C0088 and #8B0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF2FC1 shade: #D02FC2, #D02F96, #D02F6B, #D02F40 and #D02F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF2FC1 shade: #D02FC2, #B32FD0, #872FD0, #5C2FD0 and #312FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF2FC1 shade matches the following richer shades: #D02FC2, #E41BD3 and #F906E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF2FC1 shade: #D02FC2, #BB44B1, #A758A0, #926D8F and #7D827E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF2FC1 shade: #882FD0, #B22FD0, #D02FC2, #D02F98 and #D02F6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF2FC1 shade: #8D2083, #AE28A2, #D02FC2, #D751CC and #DF72D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF2FC1 shade: #CF2FC1, #D05D2F and #2FD09D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF2FC1 shade: #CF2FC1, #C2D02F and #2FC2D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF2FC1 shade: #CF2FC1, #D05D2F, #2FD03D and #2FA2D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF2FC1 shade: #CF2FC1, #D08D2F, #2FD03D and #2F72D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 7 / 19

HEX #CF2FC1

RGB 207 47 193

HSL 305.25, 0.63%, 0.5%

LAB 50.86, 74.82, -41.28

 

Complementary color

CMYK 77 / 0 / 70 / 18

HEX #30D03E

RGB 48 208 62

HSL 125.25, 0.63%, 0.5%

LAB 73.6, -67.39, 58.19

 

CMYK 0 / 78 / 11 / 17

HEX #D42FBC

RGB 212 47 188

HSL 308.73, 0.66%, 0.51%

LAB 51.45, 75.15, -37.39

 

CMYK 0 / 72 / 10 / 10

HEX #E541CF

RGB 229 65 207

HSL 308.05, 0.76%, 0.58%

LAB 57.02, 76.29, -39.38

 

CMYK 0 / 66 / 8 / 4

HEX #F653E2

RGB 246 83 226

HSL 307.36, 0.9%, 0.65%

LAB 62.74, 76.84, -40.96

 

CMYK 0 / 60 / 4 / 0

HEX #FF65F5

RGB 255 101 245

HSL 303.9, 1%, 0.7%

LAB 67.4, 75.04, -44.1

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 77 / 7 / 19

HEX #CF2FC1

RGB 207 47 193

HSL 305.25, 0.63%, 0.5%

LAB 50.86, 74.82, -41.28

 

CMYK 0 / 85 / 8 / 25

HEX #BE1DAE

RGB 190 29 174

HSL 305.96, 0.74%, 0.43%

LAB 45.47, 72.85, -38.87

 

CMYK 0 / 94 / 10 / 32

HEX #AD0B9B

RGB 173 11 155

HSL 306.67, 0.88%, 0.36%

LAB 40.39, 69.71, -35.74

 

CMYK 0 / 100 / 13 / 39

HEX #9C0088

RGB 156 0 136

HSL 307.69, 1%, 0.31%

LAB 35.69, 65.17, -31.77

 

CMYK 0 / 100 / 16 / 45

HEX #8B0075

RGB 139 0 117

HSL 309.5, 1%, 0.27%

LAB 31.29, 59.35, -27.02

 

CMYK 0 / 77 / 7 / 18

HEX #D02FC2

RGB 208 47 194

HSL 305.22, 0.63%, 0.5%

LAB 51.08, 75.17, -41.51

 

CMYK 0 / 77 / 28 / 18

HEX #D02F96

RGB 208 47 150

HSL 321.61, 0.63%, 0.5%

LAB 49.06, 69.32, -18.75

 

CMYK 0 / 77 / 49 / 18

HEX #D02F6B

RGB 208 47 107

HSL 337.64, 0.63%, 0.5%

LAB 47.63, 64.96, 5.21

 

CMYK 0 / 77 / 69 / 18

HEX #D02F40

RGB 208 47 64

HSL 353.66, 0.63%, 0.5%

LAB 46.73, 62.13, 30.27

 

CMYK 0 / 77 / 77 / 18

HEX #D02F2F

RGB 208 47 47

HSL 0, 0.63%, 0.5%

LAB 46.51, 61.43, 39.89

 

CMYK 0 / 77 / 7 / 18

HEX #D02FC2

RGB 208 47 194

HSL 305.22, 0.63%, 0.5%

LAB 51.08, 75.17, -41.51

 

CMYK 14 / 77 / 0 / 18

HEX #B32FD0

RGB 179 47 208

HSL 289.19, 0.63%, 0.5%

LAB 47.2, 71.74, -56.06

 

CMYK 35 / 77 / 0 / 18

HEX #872FD0

RGB 135 47 208

HSL 272.8, 0.63%, 0.5%

LAB 40.8, 64, -66.73

 

CMYK 56 / 77 / 0 / 18

HEX #5C2FD0

RGB 92 47 208

HSL 256.77, 0.63%, 0.5%

LAB 35.72, 57.77, -75.25

 

CMYK 76 / 77 / 0 / 18

HEX #312FD0

RGB 49 47 208

HSL 240.75, 0.63%, 0.5%

LAB 32.35, 53.56, -80.93

 

CMYK 0 / 77 / 7 / 18

HEX #D02FC2

RGB 208 47 194

HSL 305.22, 0.63%, 0.5%

LAB 51.08, 75.17, -41.51

 

CMYK 0 / 88 / 7 / 11

HEX #E41BD3

RGB 228 27 211

HSL 305.07, 0.79%, 0.5%

LAB 54.01, 85.46, -46.43

 

CMYK 0 / 98 / 8 / 2

HEX #F906E4

RGB 249 6 228

HSL 305.19, 0.95%, 0.5%

LAB 57.91, 93.3, -49.65

 

CMYK 0 / 77 / 7 / 18

HEX #D02FC2

RGB 208 47 194

HSL 305.22, 0.63%, 0.5%

LAB 51.08, 75.17, -41.51

 

CMYK 0 / 64 / 5 / 27

HEX #BB44B1

RGB 187 68 177

HSL 305.04, 0.47%, 0.5%

LAB 49.34, 60.65, -34.57

 

CMYK 0 / 47 / 4 / 35

HEX #A758A0

RGB 167 88 160

HSL 305.32, 0.31%, 0.5%

LAB 49.17, 42.71, -25.06

 

CMYK 0 / 25 / 2 / 43

HEX #926D8F

RGB 146 109 143

HSL 304.86, 0.15%, 0.5%

LAB 50.72, 20.69, -12.87

 

CMYK 4 / 0 / 3 / 49

HEX #7D827E

RGB 125 130 126

HSL 132, 0.02%, 0.5%

LAB 53.85, -2.66, 1.51

 

CMYK 35 / 77 / 0 / 18

HEX #882FD0

RGB 136 47 208

HSL 273.17, 0.63%, 0.5%

LAB 40.93, 64.16, -66.51

 

CMYK 14 / 77 / 0 / 18

HEX #B22FD0

RGB 178 47 208

HSL 288.82, 0.63%, 0.5%

LAB 47.04, 71.55, -56.32

 

CMYK 0 / 77 / 7 / 18

HEX #D02FC2

RGB 208 47 194

HSL 305.22, 0.63%, 0.5%

LAB 51.08, 75.17, -41.51

 

CMYK 0 / 77 / 27 / 18

HEX #D02F98

RGB 208 47 152

HSL 320.87, 0.63%, 0.5%

LAB 49.14, 69.55, -19.82

 

CMYK 0 / 77 / 48 / 18

HEX #D02F6D

RGB 208 47 109

HSL 336.89, 0.63%, 0.5%

LAB 47.68, 65.13, 4.06

 

CMYK 0 / 77 / 7 / 45

HEX #8D2083

RGB 141 32 131

HSL 305.5, 0.63%, 0.34%

LAB 34.67, 55.34, -30.46

 

CMYK 0 / 77 / 7 / 32

HEX #AE28A2

RGB 174 40 162

HSL 305.37, 0.63%, 0.42%

LAB 42.95, 65.13, -35.9

 

CMYK 0 / 77 / 7 / 18

HEX #D02FC2

RGB 208 47 194

HSL 305.22, 0.63%, 0.5%

LAB 51.08, 75.17, -41.51

 

CMYK 0 / 62 / 5 / 16

HEX #D751CC

RGB 215 81 204

HSL 304.93, 0.63%, 0.58%

LAB 56.77, 66.75, -38.21

 

CMYK 0 / 49 / 4 / 13

HEX #DF72D6

RGB 223 114 214

HSL 304.95, 0.63%, 0.66%

LAB 63.82, 55.75, -32.79

 

CMYK 0 / 77 / 7 / 19

HEX #CF2FC1

RGB 207 47 193

HSL 305.25, 0.63%, 0.5%

LAB 50.86, 74.82, -41.28

 

CMYK 0 / 55 / 77 / 18

HEX #D05D2F

RGB 208 93 47

HSL 17.14, 0.63%, 0.5%

LAB 53.43, 42.81, 47.04

 

CMYK 77 / 0 / 25 / 18

HEX #2FD09D

RGB 47 208 157

HSL 160.99, 0.63%, 0.5%

LAB 74.92, -52.17, 13.97

 

CMYK 0 / 77 / 7 / 19

HEX #CF2FC1

RGB 207 47 193

HSL 305.25, 0.63%, 0.5%

LAB 50.86, 74.82, -41.28

 

CMYK 7 / 0 / 77 / 18

HEX #C2D02F

RGB 194 208 47

HSL 65.22, 0.63%, 0.5%

LAB 80.06, -23.44, 71.74

 

CMYK 77 / 7 / 0 / 18

HEX #2FC2D0

RGB 47 194 208

HSL 185.22, 0.63%, 0.5%

LAB 72.06, -32.26, -17.82

 

CMYK 0 / 77 / 7 / 19

HEX #CF2FC1

RGB 207 47 193

HSL 305.25, 0.63%, 0.5%

LAB 50.86, 74.82, -41.28

 

CMYK 0 / 55 / 77 / 18

HEX #D05D2F

RGB 208 93 47

HSL 17.14, 0.63%, 0.5%

LAB 53.43, 42.81, 47.04

 

CMYK 77 / 0 / 71 / 18

HEX #2FD03D

RGB 47 208 61

HSL 125.22, 0.63%, 0.5%

LAB 73.58, -67.61, 58.53

 

CMYK 77 / 22 / 0 / 18

HEX #2FA2D0

RGB 47 162 208

HSL 197.14, 0.63%, 0.5%

LAB 62.51, -16, -32.45

 

CMYK 0 / 77 / 7 / 19

HEX #CF2FC1

RGB 207 47 193

HSL 305.25, 0.63%, 0.5%

LAB 50.86, 74.82, -41.28

 

CMYK 0 / 32 / 77 / 18

HEX #D08D2F

RGB 208 141 47

HSL 35.03, 0.63%, 0.5%

LAB 63.89, 17.58, 57.26

 

CMYK 77 / 0 / 71 / 18

HEX #2FD03D

RGB 47 208 61

HSL 125.22, 0.63%, 0.5%

LAB 73.58, -67.61, 58.53

 

CMYK 77 / 45 / 0 / 18

HEX #2F72D0

RGB 47 114 208

HSL 215.03, 0.63%, 0.5%

LAB 48.5, 12.13, -54.57

 

Description

Color code: HEX #CF2FC1 | qconv.com Color code: HEX #CF2FC1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 47 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 47 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 7 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 7% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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