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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF2F5E it is the complementary color #30D0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF2F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF2F5E shade: #D42F59, #E5416C, #F6537F, #FF6592 and #FF77A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF2F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF2F5E shade: #CF2F5E, #BE1D4B, #AD0B38, #9C0025 and #8B0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF2F5E shade: #D02F5E, #D02F33 and #D02F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF2F5E shade: #D02F5E, #D02F8A, #D02FB5, #BF2FD0 and #942FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF2F5E shade matches the following richer shades: #D02F5E, #E41B56 and #F9064D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF2F5E shade: #D02F5E, #BB4467, #A7586F, #926D78 and #7D8280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF2F5E shade: #D02FB5, #D02F8A, #D02F5F, #D02F35 and #D0552F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF2F5E shade: #8D2040, #AE284F, #D02F5E, #D75178 and #DF7292

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF2F5E shade: #CF2F5E, #D0C02F and #2FA0D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF2F5E shade: #CF2F5E, #5FD02F and #2F5FD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF2F5E shade: #CF2F5E, #D0C02F, #2FD0A0 and #2F3FD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF2F5E shade: #CF2F5E, #B0D02F, #2FD0A0 and #4F2FD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 55 / 19

HEX #CF2F5E

RGB 207 47 94

HSL 342.38, 0.63%, 0.5%

LAB 47.11, 63.67, 12.44

 

Complementary color

CMYK 77 / 0 / 23 / 18

HEX #30D0A1

RGB 48 208 161

HSL 162.38, 0.63%, 0.5%

LAB 75.02, -51.12, 11.98

 

CMYK 0 / 78 / 58 / 17

HEX #D42F59

RGB 212 47 89

HSL 344.73, 0.66%, 0.51%

LAB 47.95, 64.7, 16.81

 

CMYK 0 / 72 / 53 / 10

HEX #E5416C

RGB 229 65 108

HSL 344.27, 0.76%, 0.58%

LAB 53.52, 65.15, 13.45

 

CMYK 0 / 66 / 48 / 4

HEX #F6537F

RGB 246 83 127

HSL 343.8, 0.9%, 0.65%

LAB 59.26, 65.09, 10.68

 

CMYK 0 / 60 / 43 / 0

HEX #FF6592

RGB 255 101 146

HSL 342.47, 1%, 0.7%

LAB 63.87, 62.25, 6.42

 

CMYK 0 / 53 / 35 / 0

HEX #FF77A5

RGB 255 119 165

HSL 339.71, 1%, 0.73%

LAB 67.4, 56.21, 0.69

 

CMYK 0 / 77 / 55 / 19

HEX #CF2F5E

RGB 207 47 94

HSL 342.38, 0.63%, 0.5%

LAB 47.11, 63.67, 12.44

 

CMYK 0 / 85 / 61 / 25

HEX #BE1D4B

RGB 190 29 75

HSL 342.86, 0.74%, 0.43%

LAB 41.74, 62.44, 16.39

 

CMYK 0 / 94 / 68 / 32

HEX #AD0B38

RGB 173 11 56

HSL 343.33, 0.88%, 0.36%

LAB 36.76, 60.07, 21.28

 

CMYK 0 / 100 / 76 / 39

HEX #9C0025

RGB 156 0 37

HSL 345.77, 1%, 0.31%

LAB 32.26, 56.31, 27.13

 

CMYK 0 / 100 / 87 / 45

HEX #8B0012

RGB 139 0 18

HSL 352.23, 1%, 0.27%

LAB 28.2, 51.33, 33.33

 

CMYK 0 / 77 / 55 / 18

HEX #D02F5E

RGB 208 47 94

HSL 342.48, 0.63%, 0.5%

LAB 47.3, 63.94, 12.73

 

CMYK 0 / 77 / 75 / 18

HEX #D02F33

RGB 208 47 51

HSL 358.51, 0.63%, 0.5%

LAB 46.55, 61.58, 37.68

 

CMYK 0 / 77 / 77 / 18

HEX #D02F2F

RGB 208 47 47

HSL 0, 0.63%, 0.5%

LAB 46.51, 61.43, 39.89

 

CMYK 0 / 77 / 55 / 18

HEX #D02F5E

RGB 208 47 94

HSL 342.48, 0.63%, 0.5%

LAB 47.3, 63.94, 12.73

 

CMYK 0 / 77 / 34 / 18

HEX #D02F8A

RGB 208 47 138

HSL 326.09, 0.63%, 0.5%

LAB 48.61, 67.96, -12.23

 

CMYK 0 / 77 / 13 / 18

HEX #D02FB5

RGB 208 47 181

HSL 310.06, 0.63%, 0.5%

LAB 50.43, 73.31, -34.97

 

CMYK 8 / 77 / 0 / 18

HEX #BF2FD0

RGB 191 47 208

HSL 293.66, 0.63%, 0.5%

LAB 49.09, 74, -52.93

 

CMYK 29 / 77 / 0 / 18

HEX #942FD0

RGB 148 47 208

HSL 277.64, 0.63%, 0.5%

LAB 42.59, 66.18, -63.74

 

CMYK 0 / 77 / 55 / 18

HEX #D02F5E

RGB 208 47 94

HSL 342.48, 0.63%, 0.5%

LAB 47.3, 63.94, 12.73

 

CMYK 0 / 88 / 62 / 11

HEX #E41B56

RGB 228 27 86

HSL 342.39, 0.79%, 0.5%

LAB 49.44, 73.12, 21.18

 

CMYK 0 / 98 / 69 / 2

HEX #F9064D

RGB 249 6 77

HSL 342.47, 0.95%, 0.5%

LAB 52.74, 79.88, 31.7

 

CMYK 0 / 77 / 55 / 18

HEX #D02F5E

RGB 208 47 94

HSL 342.48, 0.63%, 0.5%

LAB 47.3, 63.94, 12.73

 

CMYK 0 / 64 / 45 / 27

HEX #BB4467

RGB 187 68 103

HSL 342.35, 0.47%, 0.5%

LAB 46.55, 50.79, 5.62

 

CMYK 0 / 47 / 34 / 35

HEX #A7586F

RGB 167 88 111

HSL 342.53, 0.31%, 0.5%

LAB 47.42, 35, 1.61

 

CMYK 0 / 25 / 18 / 43

HEX #926D78

RGB 146 109 120

HSL 342.16, 0.15%, 0.5%

LAB 49.98, 16.48, -0.36

 

CMYK 4 / 0 / 2 / 49

HEX #7D8280

RGB 125 130 128

HSL 156, 0.02%, 0.5%

LAB 53.9, -2.25, 0.43

 

CMYK 0 / 77 / 13 / 18

HEX #D02FB5

RGB 208 47 181

HSL 310.06, 0.63%, 0.5%

LAB 50.43, 73.31, -34.97

 

CMYK 0 / 77 / 34 / 18

HEX #D02F8A

RGB 208 47 138

HSL 326.09, 0.63%, 0.5%

LAB 48.61, 67.96, -12.23

 

CMYK 0 / 77 / 54 / 18

HEX #D02F5F

RGB 208 47 95

HSL 342.11, 0.63%, 0.5%

LAB 47.33, 64.02, 12.15

 

CMYK 0 / 77 / 75 / 18

HEX #D02F35

RGB 208 47 53

HSL 357.76, 0.63%, 0.5%

LAB 46.58, 61.65, 36.56

 

CMYK 0 / 59 / 77 / 18

HEX #D0552F

RGB 208 85 47

HSL 14.16, 0.63%, 0.5%

LAB 51.96, 46.63, 45.55

 

CMYK 0 / 77 / 55 / 45

HEX #8D2040

RGB 141 32 64

HSL 342.39, 0.63%, 0.34%

LAB 31.96, 47.06, 8.49

 

CMYK 0 / 77 / 55 / 32

HEX #AE284F

RGB 174 40 79

HSL 342.54, 0.63%, 0.42%

LAB 39.72, 55.37, 10.58

 

CMYK 0 / 77 / 55 / 18

HEX #D02F5E

RGB 208 47 94

HSL 342.48, 0.63%, 0.5%

LAB 47.3, 63.94, 12.73

 

CMYK 0 / 62 / 44 / 16

HEX #D75178

RGB 215 81 120

HSL 342.54, 0.63%, 0.58%

LAB 53.69, 55.77, 6.2

 

CMYK 0 / 49 / 35 / 13

HEX #DF7292

RGB 223 114 146

HSL 342.39, 0.63%, 0.66%

LAB 61.48, 45.77, 2.37

 

CMYK 0 / 77 / 55 / 19

HEX #CF2F5E

RGB 207 47 94

HSL 342.38, 0.63%, 0.5%

LAB 47.11, 63.67, 12.44

 

CMYK 0 / 8 / 77 / 18

HEX #D0C02F

RGB 208 192 47

HSL 54.04, 0.63%, 0.5%

LAB 76.87, -9.52, 69.28

 

CMYK 77 / 23 / 0 / 18

HEX #2FA0D0

RGB 47 160 208

HSL 197.89, 0.63%, 0.5%

LAB 61.91, -14.92, -33.38

 

CMYK 0 / 77 / 55 / 19

HEX #CF2F5E

RGB 207 47 94

HSL 342.38, 0.63%, 0.5%

LAB 47.11, 63.67, 12.44

 

CMYK 54 / 0 / 77 / 18

HEX #5FD02F

RGB 95 208 47

HSL 102.11, 0.63%, 0.5%

LAB 74.67, -58.95, 64.78

 

CMYK 77 / 54 / 0 / 18

HEX #2F5FD0

RGB 47 95 208

HSL 222.11, 0.63%, 0.5%

LAB 43.28, 24.27, -63.01

 

CMYK 0 / 77 / 55 / 19

HEX #CF2F5E

RGB 207 47 94

HSL 342.38, 0.63%, 0.5%

LAB 47.11, 63.67, 12.44

 

CMYK 0 / 8 / 77 / 18

HEX #D0C02F

RGB 208 192 47

HSL 54.04, 0.63%, 0.5%

LAB 76.87, -9.52, 69.28

 

CMYK 77 / 0 / 23 / 18

HEX #2FD0A0

RGB 47 208 160

HSL 162.11, 0.63%, 0.5%

LAB 74.98, -51.47, 12.46

 

CMYK 77 / 70 / 0 / 18

HEX #2F3FD0

RGB 47 63 208

HSL 234.04, 0.63%, 0.5%

LAB 35.43, 44.48, -75.85

 

CMYK 0 / 77 / 55 / 19

HEX #CF2F5E

RGB 207 47 94

HSL 342.38, 0.63%, 0.5%

LAB 47.11, 63.67, 12.44

 

CMYK 15 / 0 / 77 / 18

HEX #B0D02F

RGB 176 208 47

HSL 71.93, 0.63%, 0.5%

LAB 78.78, -30.82, 70.1

 

CMYK 77 / 0 / 23 / 18

HEX #2FD0A0

RGB 47 208 160

HSL 162.11, 0.63%, 0.5%

LAB 74.98, -51.47, 12.46

 

CMYK 62 / 77 / 0 / 18

HEX #4F2FD0

RGB 79 47 208

HSL 251.93, 0.63%, 0.5%

LAB 34.5, 56.25, -77.31

 

Description

Color code: HEX #CF2F5E | qconv.com Color code: HEX #CF2F5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 47 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 47 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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