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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF2AFE it is the complementary color #30D501. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF2AFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF2AFE shade: #D42AF9, #E53CFF, #F64EFF, #FF60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF2AFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF2AFE shade: #CF2AFE, #BE18EB, #AD06D8, #9C00C5 and #8B00B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF2AFE shade: #CF2AFE, #FE2AF4, #FE2ABB, #FE2A81 and #FE2A48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF2AFE shade: #CF2AFE, #962AFE, #5D2AFE and #2A2AFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF2AFE shade matches the following richer shades: #CF2AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF2AFE shade: #CF2AFE, #C53BED, #BC4DDB, #B25ECA and #A86FB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF2AFE shade: #5B2AFE, #942AFE, #CC2AFE, #FE2AF7 and #FE2ABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF2AFE shade: #A501D4, #C501FD, #CF2AFE, #D853FE and #E17CFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF2AFE shade: #CF2AFE, #FE2A31 and #2AFE78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF2AFE shade: #CF2AFE, #FECC2A and #2AFECC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF2AFE shade: #CF2AFE, #FE2A31, #5BFE2A and #2AFEF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF2AFE shade: #CF2AFE, #FE622A, #5BFE2A and #2AC5FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 83 / 0 / 0

HEX #CF2AFE

RGB 207 42 254

HSL 286.7, 0.99%, 0.58%

LAB 54.11, 85.91, -70.69

 

Complementary color

CMYK 77 / 0 / 100 / 16

HEX #30D501

RGB 48 213 1

HSL 106.7, 0.99%, 0.42%

LAB 74.96, -71.64, 73.01

 

CMYK 15 / 83 / 0 / 2

HEX #D42AF9

RGB 212 42 249

HSL 289.28, 0.95%, 0.57%

LAB 54.55, 85.85, -67.16

 

CMYK 10 / 76 / 0 / 0

HEX #E53CFF

RGB 229 60 255

HSL 292, 1%, 0.62%

LAB 59.08, 85.28, -63.07

 

CMYK 4 / 69 / 0 / 0

HEX #F64EFF

RGB 246 78 255

HSL 296.95, 1%, 0.65%

LAB 63.56, 83.07, -55.76

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 19 / 83 / 0 / 0

HEX #CF2AFE

RGB 207 42 254

HSL 286.7, 0.99%, 0.58%

LAB 54.11, 85.91, -70.69

 

CMYK 19 / 90 / 0 / 8

HEX #BE18EB

RGB 190 24 235

HSL 287.2, 0.84%, 0.51%

LAB 49.01, 83.42, -68.44

 

CMYK 20 / 97 / 0 / 15

HEX #AD06D8

RGB 173 6 216

HSL 287.71, 0.95%, 0.44%

LAB 44.19, 79.81, -65.56

 

CMYK 21 / 100 / 0 / 23

HEX #9C00C5

RGB 156 0 197

HSL 287.51, 1%, 0.39%

LAB 39.75, 74.81, -61.91

 

CMYK 22 / 100 / 0 / 30

HEX #8B00B2

RGB 139 0 178

HSL 286.85, 1%, 0.35%

LAB 35.41, 69.14, -57.89

 

CMYK 19 / 83 / 0 / 0

HEX #CF2AFE

RGB 207 42 254

HSL 286.7, 0.99%, 0.58%

LAB 54.11, 85.91, -70.69

 

CMYK 0 / 83 / 4 / 0

HEX #FE2AF4

RGB 254 42 244

HSL 302.83, 0.99%, 0.58%

LAB 61.01, 92.24, -53.65

 

CMYK 0 / 83 / 26 / 0

HEX #FE2ABB

RGB 254 42 187

HSL 318.96, 0.99%, 0.58%

LAB 58.33, 85.02, -25.54

 

CMYK 0 / 83 / 49 / 0

HEX #FE2A81

RGB 254 42 129

HSL 335.38, 0.99%, 0.58%

LAB 56.4, 79.54, 5.62

 

CMYK 0 / 83 / 72 / 0

HEX #FE2A48

RGB 254 42 72

HSL 351.51, 0.99%, 0.58%

LAB 55.27, 76.24, 37.92

 

CMYK 19 / 83 / 0 / 0

HEX #CF2AFE

RGB 207 42 254

HSL 286.7, 0.99%, 0.58%

LAB 54.11, 85.91, -70.69

 

CMYK 41 / 83 / 0 / 0

HEX #962AFE

RGB 150 42 254

HSL 270.57, 0.99%, 0.58%

LAB 46.04, 77.86, -84.2

 

CMYK 63 / 83 / 0 / 0

HEX #5D2AFE

RGB 93 42 254

HSL 254.43, 0.99%, 0.58%

LAB 39.81, 72.05, -94.67

 

CMYK 83 / 83 / 0 / 0

HEX #2A2AFE

RGB 42 42 254

HSL 240, 0.99%, 0.58%

LAB 36.56, 69.2, -100.17

 

CMYK 19 / 83 / 0 / 0

HEX #CF2AFE

RGB 207 42 254

HSL 286.7, 0.99%, 0.58%

LAB 54.11, 85.91, -70.69

 

CMYK 19 / 83 / 0 / 0

HEX #CF2AFE

RGB 207 42 254

HSL 286.7, 0.99%, 0.58%

LAB 54.11, 85.91, -70.69

 

CMYK 17 / 75 / 0 / 7

HEX #C53BED

RGB 197 59 237

HSL 286.52, 0.83%, 0.58%

LAB 53.07, 76.58, -62.94

 

CMYK 14 / 65 / 0 / 14

HEX #BC4DDB

RGB 188 77 219

HSL 286.9, 0.66%, 0.58%

LAB 53.07, 64.63, -52.85

 

CMYK 12 / 53 / 0 / 21

HEX #B25ECA

RGB 178 94 202

HSL 286.67, 0.5%, 0.58%

LAB 53.74, 50.88, -42.19

 

CMYK 9 / 40 / 0 / 27

HEX #A86FB9

RGB 168 111 185

HSL 286.22, 0.35%, 0.58%

LAB 55.27, 35.43, -30.13

 

CMYK 64 / 83 / 0 / 0

HEX #5B2AFE

RGB 91 42 254

HSL 253.87, 0.99%, 0.58%

LAB 39.64, 71.89, -94.96

 

CMYK 42 / 83 / 0 / 0

HEX #942AFE

RGB 148 42 254

HSL 270, 0.99%, 0.58%

LAB 45.78, 77.62, -84.63

 

CMYK 20 / 83 / 0 / 0

HEX #CC2AFE

RGB 204 42 254

HSL 285.85, 0.99%, 0.58%

LAB 53.65, 85.44, -71.45

 

CMYK 0 / 83 / 3 / 0

HEX #FE2AF7

RGB 254 42 247

HSL 301.98, 0.99%, 0.58%

LAB 61.17, 92.66, -55.06

 

CMYK 0 / 83 / 25 / 0

HEX #FE2ABE

RGB 254 42 190

HSL 318.11, 0.99%, 0.58%

LAB 58.46, 85.35, -27.08

 

CMYK 22 / 100 / 0 / 17

HEX #A501D4

RGB 165 1 212

HSL 286.64, 0.99%, 0.42%

LAB 42.42, 78.53, -66.2

 

CMYK 22 / 100 / 0 / 1

HEX #C501FD

RGB 197 1 253

HSL 286.67, 0.99%, 0.5%

LAB 50.67, 89.71, -75.79

 

CMYK 19 / 83 / 0 / 0

HEX #CF2AFE

RGB 207 42 254

HSL 286.7, 0.99%, 0.58%

LAB 54.11, 85.91, -70.69

 

CMYK 15 / 67 / 0 / 0

HEX #D853FE

RGB 216 83 254

HSL 286.67, 0.99%, 0.66%

LAB 59.84, 74.86, -61.4

 

CMYK 11 / 51 / 0 / 0

HEX #E17CFE

RGB 225 124 254

HSL 286.62, 0.98%, 0.74%

LAB 67.71, 58.72, -48.82

 

CMYK 19 / 83 / 0 / 0

HEX #CF2AFE

RGB 207 42 254

HSL 286.7, 0.99%, 0.58%

LAB 54.11, 85.91, -70.69

 

CMYK 0 / 83 / 81 / 0

HEX #FE2A31

RGB 254 42 49

HSL 358.02, 0.99%, 0.58%

LAB 55.02, 75.49, 50.31

 

CMYK 83 / 0 / 53 / 0

HEX #2AFE78

RGB 42 254 120

HSL 142.08, 0.99%, 0.58%

LAB 88.32, -75.63, 50.14

 

CMYK 19 / 83 / 0 / 0

HEX #CF2AFE

RGB 207 42 254

HSL 286.7, 0.99%, 0.58%

LAB 54.11, 85.91, -70.69

 

CMYK 0 / 20 / 83 / 0

HEX #FECC2A

RGB 254 204 42

HSL 45.85, 0.99%, 0.58%

LAB 84.19, 3.85, 78.72

 

CMYK 83 / 0 / 20 / 0

HEX #2AFECC

RGB 42 254 204

HSL 165.85, 0.99%, 0.58%

LAB 89.74, -59.55, 10.31

 

CMYK 19 / 83 / 0 / 0

HEX #CF2AFE

RGB 207 42 254

HSL 286.7, 0.99%, 0.58%

LAB 54.11, 85.91, -70.69

 

CMYK 0 / 83 / 81 / 0

HEX #FE2A31

RGB 254 42 49

HSL 358.02, 0.99%, 0.58%

LAB 55.02, 75.49, 50.31

 

CMYK 64 / 0 / 83 / 0

HEX #5BFE2A

RGB 91 254 42

HSL 106.13, 0.99%, 0.58%

LAB 88.58, -75.53, 78.84

 

CMYK 83 / 0 / 3 / 0

HEX #2AFEF7

RGB 42 254 247

HSL 178.02, 0.99%, 0.58%

LAB 90.82, -48.42, -10.4

 

CMYK 19 / 83 / 0 / 0

HEX #CF2AFE

RGB 207 42 254

HSL 286.7, 0.99%, 0.58%

LAB 54.11, 85.91, -70.69

 

CMYK 0 / 61 / 83 / 0

HEX #FE622A

RGB 254 98 42

HSL 15.85, 0.99%, 0.58%

LAB 61.63, 56.97, 59.61

 

CMYK 64 / 0 / 83 / 0

HEX #5BFE2A

RGB 91 254 42

HSL 106.13, 0.99%, 0.58%

LAB 88.58, -75.53, 78.84

 

CMYK 83 / 22 / 0 / 0

HEX #2AC5FE

RGB 42 197 254

HSL 196.13, 0.99%, 0.58%

LAB 74.56, -19.4, -38.85

 

Description

Color code: HEX #CF2AFE | qconv.com Color code: HEX #CF2AFE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 42 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 42 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 83 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 83% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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