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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF2993 it is the complementary color #30D66C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF2993. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF2993 shade: #D4298E, #E53BA1, #F64DB4, #FF5FC7 and #FF71DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF2993. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF2993 shade: #CF2993, #BE1780, #AD056D, #9C005A and #8B0047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF2993 shade: #D12994, #D12967, #D1293A and #D12929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF2993 shade: #D12994, #D129C1, #B329D1, #8629D1 and #5929D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF2993 shade matches the following richer shades: #D12994, #E5159A and #F9019F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF2993 shade: #D12994, #BC3D8F, #A85289, #946683 and #807A7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF2993 shade: #B229D1, #D129C3, #D12996, #D12969 and #D1293D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF2993 shade: #8C1C63, #AE227C, #D12994, #DB48A6 and #E26BB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF2993 shade: #CF2993, #D18529 and #29D1C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF2993 shade: #CF2993, #96D129 and #2996D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF2993 shade: #CF2993, #D18529, #29D164 and #2975D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF2993 shade: #CF2993, #D1B829, #29D164 and #2942D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 29 / 19

HEX #CF2993

RGB 207 41 147

HSL 321.69, 0.67%, 0.49%

LAB 48.21, 70.32, -18.28

 

Complementary color

CMYK 78 / 0 / 50 / 16

HEX #30D66C

RGB 48 214 108

HSL 141.69, 0.67%, 0.51%

LAB 75.95, -63.75, 40.6

 

CMYK 0 / 81 / 33 / 17

HEX #D4298E

RGB 212 41 142

HSL 324.56, 0.68%, 0.5%

LAB 48.93, 70.94, -14.09

 

CMYK 0 / 74 / 30 / 10

HEX #E53BA1

RGB 229 59 161

HSL 324, 0.77%, 0.56%

LAB 54.41, 72.19, -16.79

 

CMYK 0 / 69 / 27 / 4

HEX #F64DB4

RGB 246 77 180

HSL 323.43, 0.9%, 0.63%

LAB 60.07, 72.77, -18.97

 

CMYK 0 / 63 / 22 / 0

HEX #FF5FC7

RGB 255 95 199

HSL 321, 1%, 0.69%

LAB 64.62, 70.78, -22.74

 

CMYK 0 / 56 / 15 / 0

HEX #FF71DA

RGB 255 113 218

HSL 315.63, 1%, 0.72%

LAB 68.12, 65.86, -28.02

 

CMYK 0 / 80 / 29 / 19

HEX #CF2993

RGB 207 41 147

HSL 321.69, 0.67%, 0.49%

LAB 48.21, 70.32, -18.28

 

CMYK 0 / 88 / 33 / 25

HEX #BE1780

RGB 190 23 128

HSL 322.28, 0.78%, 0.42%

LAB 42.94, 68.16, -15.05

 

CMYK 0 / 97 / 37 / 32

HEX #AD056D

RGB 173 5 109

HSL 322.86, 0.94%, 0.35%

LAB 38.02, 64.81, -10.98

 

CMYK 0 / 100 / 42 / 39

HEX #9C005A

RGB 156 0 90

HSL 325.38, 1%, 0.31%

LAB 33.58, 59.81, -5.83

 

CMYK 0 / 100 / 49 / 45

HEX #8B0047

RGB 139 0 71

HSL 329.35, 1%, 0.27%

LAB 29.27, 54.19, -0.06

 

CMYK 0 / 80 / 29 / 18

HEX #D12994

RGB 209 41 148

HSL 321.79, 0.67%, 0.49%

LAB 48.61, 70.9, -18.23

 

CMYK 0 / 80 / 51 / 18

HEX #D12967

RGB 209 41 103

HSL 337.86, 0.67%, 0.49%

LAB 47.13, 66.55, 6.98

 

CMYK 0 / 80 / 72 / 18

HEX #D1293A

RGB 209 41 58

HSL 353.93, 0.67%, 0.49%

LAB 46.24, 63.83, 33.3

 

CMYK 0 / 80 / 80 / 18

HEX #D12929

RGB 209 41 41

HSL 0, 0.67%, 0.49%

LAB 46.04, 63.22, 42.77

 

CMYK 0 / 80 / 29 / 18

HEX #D12994

RGB 209 41 148

HSL 321.79, 0.67%, 0.49%

LAB 48.61, 70.9, -18.23

 

CMYK 0 / 80 / 8 / 18

HEX #D129C1

RGB 209 41 193

HSL 305.71, 0.67%, 0.49%

LAB 50.68, 76.73, -41.55

 

CMYK 14 / 80 / 0 / 18

HEX #B329D1

RGB 179 41 209

HSL 289.29, 0.67%, 0.49%

LAB 46.68, 73.62, -57.48

 

CMYK 36 / 80 / 0 / 18

HEX #8629D1

RGB 134 41 209

HSL 273.21, 0.67%, 0.49%

LAB 40.01, 66.19, -68.6

 

CMYK 57 / 80 / 0 / 18

HEX #5929D1

RGB 89 41 209

HSL 257.14, 0.67%, 0.49%

LAB 34.63, 60.26, -77.64

 

CMYK 0 / 80 / 29 / 18

HEX #D12994

RGB 209 41 148

HSL 321.79, 0.67%, 0.49%

LAB 48.61, 70.9, -18.23

 

CMYK 0 / 91 / 33 / 10

HEX #E5159A

RGB 229 21 154

HSL 321.63, 0.83%, 0.49%

LAB 51.3, 79.59, -17.38

 

CMYK 0 / 100 / 36 / 2

HEX #F9019F

RGB 249 1 159

HSL 321.77, 0.99%, 0.49%

LAB 54.73, 85.81, -14.78

 

CMYK 0 / 80 / 29 / 18

HEX #D12994

RGB 209 41 148

HSL 321.79, 0.67%, 0.49%

LAB 48.61, 70.9, -18.23

 

CMYK 0 / 68 / 24 / 26

HEX #BC3D8F

RGB 188 61 143

HSL 321.26, 0.51%, 0.49%

LAB 46.99, 58.65, -18.02

 

CMYK 0 / 51 / 18 / 34

HEX #A85289

RGB 168 82 137

HSL 321.63, 0.34%, 0.49%

LAB 47.19, 42.25, -14.39

 

CMYK 0 / 31 / 11 / 42

HEX #946683

RGB 148 102 131

HSL 322.17, 0.18%, 0.49%

LAB 48.81, 23.22, -8.62

 

CMYK 0 / 5 / 2 / 50

HEX #807A7E

RGB 128 122 126

HSL 320, 0.02%, 0.49%

LAB 51.85, 3.06, -1.37

 

CMYK 15 / 80 / 0 / 18

HEX #B229D1

RGB 178 41 209

HSL 288.93, 0.67%, 0.49%

LAB 46.52, 73.44, -57.74

 

CMYK 0 / 80 / 7 / 18

HEX #D129C3

RGB 209 41 195

HSL 305, 0.67%, 0.49%

LAB 50.78, 77.02, -42.55

 

CMYK 0 / 80 / 28 / 18

HEX #D12996

RGB 209 41 150

HSL 321.07, 0.67%, 0.49%

LAB 48.69, 71.13, -19.3

 

CMYK 0 / 80 / 50 / 18

HEX #D12969

RGB 209 41 105

HSL 337.14, 0.67%, 0.49%

LAB 47.19, 66.7, 5.83

 

CMYK 0 / 80 / 71 / 18

HEX #D1293D

RGB 209 41 61

HSL 352.86, 0.67%, 0.49%

LAB 46.28, 63.96, 31.57

 

CMYK 0 / 80 / 29 / 45

HEX #8C1C63

RGB 140 28 99

HSL 321.96, 0.67%, 0.33%

LAB 32.5, 51.73, -13.6

 

CMYK 0 / 80 / 29 / 32

HEX #AE227C

RGB 174 34 124

HSL 321.43, 0.67%, 0.41%

LAB 40.57, 61.6, -16.47

 

CMYK 0 / 80 / 29 / 18

HEX #D12994

RGB 209 41 148

HSL 321.79, 0.67%, 0.49%

LAB 48.61, 70.9, -18.23

 

CMYK 0 / 67 / 24 / 14

HEX #DB48A6

RGB 219 72 166

HSL 321.63, 0.67%, 0.57%

LAB 54.5, 65.8, -19.73

 

CMYK 0 / 53 / 19 / 11

HEX #E26BB7

RGB 226 107 183

HSL 321.68, 0.67%, 0.65%

LAB 61.74, 55.09, -18.42

 

CMYK 0 / 80 / 29 / 19

HEX #CF2993

RGB 207 41 147

HSL 321.69, 0.67%, 0.49%

LAB 48.21, 70.32, -18.28

 

CMYK 0 / 36 / 80 / 18

HEX #D18529

RGB 209 133 41

HSL 32.86, 0.67%, 0.49%

LAB 62.08, 22.13, 57.94

 

CMYK 80 / 0 / 4 / 18

HEX #29D1C8

RGB 41 209 200

HSL 176.79, 0.67%, 0.49%

LAB 76.22, -42.07, -7.26

 

CMYK 0 / 80 / 29 / 19

HEX #CF2993

RGB 207 41 147

HSL 321.69, 0.67%, 0.49%

LAB 48.21, 70.32, -18.28

 

CMYK 28 / 0 / 80 / 18

HEX #96D129

RGB 150 209 41

HSL 81.07, 0.67%, 0.49%

LAB 77.43, -41.68, 69.96

 

CMYK 80 / 28 / 0 / 18

HEX #2996D1

RGB 41 150 209

HSL 201.07, 0.67%, 0.49%

LAB 58.87, -9.66, -38.69

 

CMYK 0 / 80 / 29 / 19

HEX #CF2993

RGB 207 41 147

HSL 321.69, 0.67%, 0.49%

LAB 48.21, 70.32, -18.28

 

CMYK 0 / 36 / 80 / 18

HEX #D18529

RGB 209 133 41

HSL 32.86, 0.67%, 0.49%

LAB 62.08, 22.13, 57.94

 

CMYK 80 / 0 / 52 / 18

HEX #29D164

RGB 41 209 100

HSL 141.07, 0.67%, 0.49%

LAB 74.18, -64.09, 42.27

 

CMYK 80 / 44 / 0 / 18

HEX #2975D1

RGB 41 117 209

HSL 212.86, 0.67%, 0.49%

LAB 49.25, 10, -53.95

 

CMYK 0 / 80 / 29 / 19

HEX #CF2993

RGB 207 41 147

HSL 321.69, 0.67%, 0.49%

LAB 48.21, 70.32, -18.28

 

CMYK 0 / 12 / 80 / 18

HEX #D1B829

RGB 209 184 41

HSL 51.07, 0.67%, 0.49%

LAB 74.82, -5.17, 69.3

 

CMYK 80 / 0 / 52 / 18

HEX #29D164

RGB 41 209 100

HSL 141.07, 0.67%, 0.49%

LAB 74.18, -64.09, 42.27

 

CMYK 80 / 68 / 0 / 18

HEX #2942D1

RGB 41 66 209

HSL 231.07, 0.67%, 0.49%

LAB 35.93, 42.54, -75.61

 

Description

Color code: HEX #CF2993 | qconv.com Color code: HEX #CF2993 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 41 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 41 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 29 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 29% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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