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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF27B8 it is the complementary color #30D847. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF27B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF27B8 shade: #D427B3, #E539C6, #F64BD9, #FF5DEC and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF27B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF27B8 shade: #CF27B8, #BE15A5, #AD0392, #9C007F and #8B006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF27B8 shade: #CE27B7, #CE278A, #CE275D, #CE2730 and #CE2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF27B8 shade: #CE27B7, #B827CE, #8B27CE, #5E27CE and #3127CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF27B8 shade matches the following richer shades: #CE27B7 and #E113C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF27B8 shade: #CE27B7, #BA3BA8, #A64F9A, #92638C and #7E767D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF27B8 shade: #8B27CE, #B727CE, #CE27B7, #CE278B and #CE275F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF27B8 shade: #881A79, #AB2198, #CE27B7, #DB43C6 and #E266D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF27B8 shade: #CF27B8, #CE5F27 and #27CEA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF27B8 shade: #CF27B8, #B7CE27 and #27B7CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF27B8 shade: #CF27B8, #CE5F27, #27CE3D and #2796CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF27B8 shade: #CF27B8, #CE9127, #27CE3D and #2764CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 11 / 19

HEX #CF27B8

RGB 207 39 184

HSL 308.21, 0.68%, 0.48%

LAB 49.71, 75.52, -37.86

 

Complementary color

CMYK 78 / 0 / 67 / 15

HEX #30D847

RGB 48 216 71

HSL 128.21, 0.68%, 0.52%

LAB 76.19, -69.04, 57.45

 

CMYK 0 / 82 / 16 / 17

HEX #D427B3

RGB 212 39 179

HSL 311.45, 0.69%, 0.49%

LAB 50.34, 75.87, -33.89

 

CMYK 0 / 75 / 14 / 10

HEX #E539C6

RGB 229 57 198

HSL 310.81, 0.77%, 0.56%

LAB 55.75, 77.44, -36.23

 

CMYK 0 / 70 / 12 / 4

HEX #F64BD9

RGB 246 75 217

HSL 310.18, 0.9%, 0.63%

LAB 61.34, 78.31, -38.09

 

CMYK 0 / 64 / 7 / 0

HEX #FF5DEC

RGB 255 93 236

HSL 307.04, 1%, 0.68%

LAB 65.86, 76.77, -41.53

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 81 / 11 / 19

HEX #CF27B8

RGB 207 39 184

HSL 308.21, 0.68%, 0.48%

LAB 49.71, 75.52, -37.86

 

CMYK 0 / 89 / 13 / 25

HEX #BE15A5

RGB 190 21 165

HSL 308.88, 0.8%, 0.41%

LAB 44.52, 73, -35.03

 

CMYK 0 / 98 / 16 / 32

HEX #AD0392

RGB 173 3 146

HSL 309.53, 0.97%, 0.35%

LAB 39.62, 69.34, -31.49

 

CMYK 0 / 100 / 19 / 39

HEX #9C007F

RGB 156 0 127

HSL 311.15, 1%, 0.31%

LAB 35.2, 63.97, -26.93

 

CMYK 0 / 100 / 22 / 45

HEX #8B006C

RGB 139 0 108

HSL 313.38, 1%, 0.27%

LAB 30.81, 58.16, -22.01

 

CMYK 0 / 81 / 11 / 19

HEX #CE27B7

RGB 206 39 183

HSL 308.26, 0.68%, 0.48%

LAB 49.49, 75.18, -37.64

 

CMYK 0 / 81 / 33 / 19

HEX #CE278A

RGB 206 39 138

HSL 324.43, 0.68%, 0.48%

LAB 47.51, 69.58, -13.93

 

CMYK 0 / 81 / 55 / 19

HEX #CE275D

RGB 206 39 93

HSL 340.6, 0.68%, 0.48%

LAB 46.13, 65.51, 11.66

 

CMYK 0 / 81 / 77 / 19

HEX #CE2730

RGB 206 39 48

HSL 356.77, 0.68%, 0.48%

LAB 45.34, 63.12, 37.96

 

CMYK 0 / 81 / 81 / 19

HEX #CE2727

RGB 206 39 39

HSL 0, 0.68%, 0.48%

LAB 45.25, 62.83, 42.86

 

CMYK 0 / 81 / 11 / 19

HEX #CE27B7

RGB 206 39 183

HSL 308.26, 0.68%, 0.48%

LAB 49.49, 75.18, -37.64

 

CMYK 11 / 81 / 0 / 19

HEX #B827CE

RGB 184 39 206

HSL 292.1, 0.68%, 0.48%

LAB 47.1, 74.51, -55.02

 

CMYK 33 / 81 / 0 / 19

HEX #8B27CE

RGB 139 39 206

HSL 275.93, 0.68%, 0.48%

LAB 40.24, 66.95, -66.46

 

CMYK 54 / 81 / 0 / 19

HEX #5E27CE

RGB 94 39 206

HSL 259.76, 0.68%, 0.48%

LAB 34.57, 60.83, -75.97

 

CMYK 76 / 81 / 0 / 19

HEX #3127CE

RGB 49 39 206

HSL 243.59, 0.68%, 0.48%

LAB 30.78, 56.83, -82.36

 

CMYK 0 / 81 / 11 / 19

HEX #CE27B7

RGB 206 39 183

HSL 308.26, 0.68%, 0.48%

LAB 49.49, 75.18, -37.64

 

CMYK 0 / 92 / 12 / 12

HEX #E113C5

RGB 225 19 197

HSL 308.16, 0.84%, 0.48%

LAB 52.4, 84.06, -40.96

 

CMYK 0 / 81 / 11 / 19

HEX #CE27B7

RGB 206 39 183

HSL 308.26, 0.68%, 0.48%

LAB 49.49, 75.18, -37.64

 

CMYK 0 / 68 / 10 / 27

HEX #BA3BA8

RGB 186 59 168

HSL 308.5, 0.52%, 0.48%

LAB 47.49, 62.5, -32.19

 

CMYK 0 / 52 / 7 / 35

HEX #A64F9A

RGB 166 79 154

HSL 308.28, 0.36%, 0.48%

LAB 47.02, 45.96, -24.85

 

CMYK 0 / 32 / 4 / 43

HEX #92638C

RGB 146 99 140

HSL 307.66, 0.19%, 0.48%

LAB 48.17, 25.92, -14.97

 

CMYK 0 / 6 / 1 / 51

HEX #7E767D

RGB 126 118 125

HSL 307.5, 0.03%, 0.48%

LAB 50.54, 4.44, -2.74

 

CMYK 33 / 81 / 0 / 19

HEX #8B27CE

RGB 139 39 206

HSL 275.93, 0.68%, 0.48%

LAB 40.24, 66.95, -66.46

 

CMYK 11 / 81 / 0 / 19

HEX #B727CE

RGB 183 39 206

HSL 291.74, 0.68%, 0.48%

LAB 46.94, 74.33, -55.29

 

CMYK 0 / 81 / 11 / 19

HEX #CE27B7

RGB 206 39 183

HSL 308.26, 0.68%, 0.48%

LAB 49.49, 75.18, -37.64

 

CMYK 0 / 81 / 33 / 19

HEX #CE278B

RGB 206 39 139

HSL 324.07, 0.68%, 0.48%

LAB 47.54, 69.69, -14.48

 

CMYK 0 / 81 / 54 / 19

HEX #CE275F

RGB 206 39 95

HSL 339.88, 0.68%, 0.48%

LAB 46.18, 65.66, 10.49

 

CMYK 0 / 81 / 11 / 47

HEX #881A79

RGB 136 26 121

HSL 308.18, 0.68%, 0.32%

LAB 32.6, 54.42, -27.52

 

CMYK 0 / 81 / 11 / 33

HEX #AB2198

RGB 171 33 152

HSL 308.26, 0.68%, 0.4%

LAB 41.24, 64.9, -32.62

 

CMYK 0 / 81 / 11 / 19

HEX #CE27B7

RGB 206 39 183

HSL 308.26, 0.68%, 0.48%

LAB 49.49, 75.18, -37.64

 

CMYK 0 / 69 / 10 / 14

HEX #DB43C6

RGB 219 67 198

HSL 308.29, 0.68%, 0.56%

LAB 55.23, 72.04, -37.16

 

CMYK 0 / 55 / 8 / 11

HEX #E266D1

RGB 226 102 209

HSL 308.23, 0.68%, 0.64%

LAB 61.89, 61.39, -32.94

 

CMYK 0 / 81 / 11 / 19

HEX #CF27B8

RGB 207 39 184

HSL 308.21, 0.68%, 0.48%

LAB 49.71, 75.52, -37.86

 

CMYK 0 / 54 / 81 / 19

HEX #CE5F27

RGB 206 95 39

HSL 20.12, 0.68%, 0.48%

LAB 53.44, 40.78, 50.66

 

CMYK 81 / 0 / 22 / 19

HEX #27CEA1

RGB 39 206 161

HSL 163.83, 0.68%, 0.48%

LAB 74.28, -51.23, 10.92

 

CMYK 0 / 81 / 11 / 19

HEX #CF27B8

RGB 207 39 184

HSL 308.21, 0.68%, 0.48%

LAB 49.71, 75.52, -37.86

 

CMYK 11 / 0 / 81 / 19

HEX #B7CE27

RGB 183 206 39

HSL 68.26, 0.68%, 0.48%

LAB 78.67, -27.32, 72.39

 

CMYK 81 / 11 / 0 / 19

HEX #27B7CE

RGB 39 183 206

HSL 188.26, 0.68%, 0.48%

LAB 68.57, -28.28, -22.02

 

CMYK 0 / 81 / 11 / 19

HEX #CF27B8

RGB 207 39 184

HSL 308.21, 0.68%, 0.48%

LAB 49.71, 75.52, -37.86

 

CMYK 0 / 54 / 81 / 19

HEX #CE5F27

RGB 206 95 39

HSL 20.12, 0.68%, 0.48%

LAB 53.44, 40.78, 50.66

 

CMYK 81 / 0 / 70 / 19

HEX #27CE3D

RGB 39 206 61

HSL 127.9, 0.68%, 0.48%

LAB 72.83, -67.97, 57.72

 

CMYK 81 / 27 / 0 / 19

HEX #2796CE

RGB 39 150 206

HSL 200.12, 0.68%, 0.48%

LAB 58.7, -10.91, -37.29

 

CMYK 0 / 81 / 11 / 19

HEX #CF27B8

RGB 207 39 184

HSL 308.21, 0.68%, 0.48%

LAB 49.71, 75.52, -37.86

 

CMYK 0 / 30 / 81 / 19

HEX #CE9127

RGB 206 145 39

HSL 38.08, 0.68%, 0.48%

LAB 64.58, 14.26, 60.78

 

CMYK 81 / 0 / 70 / 19

HEX #27CE3D

RGB 39 206 61

HSL 127.9, 0.68%, 0.48%

LAB 72.83, -67.97, 57.72

 

CMYK 81 / 51 / 0 / 19

HEX #2764CE

RGB 39 100 206

HSL 218.08, 0.68%, 0.48%

LAB 44.24, 19.48, -60.32

 

Description

Color code: HEX #CF27B8 | qconv.com Color code: HEX #CF27B8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 39 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 39 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 11 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 11% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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