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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF242600 it is the complementary color #30DBD900. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF242600. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF242600 shade: #D4242100, #E5363400, #F6484700, #FF5A5A00 and #FF6C6D00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF242600. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF242600 shade: #CF242600, #BE121300, #AD000000, #9C000000 and #8B000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF242600 shade: #D02527 and #D02525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF242600 shade: #D02527, #D02555, #D02583, #D025B1 and #C125D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF242600 shade matches the following richer shades: #D02527 and #E41113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF242600 shade: #D02527, #BC393A, #A84C4D, #956061 and #817474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF242600 shade: #D02583, #D02555, #D02528, #D05025 and #D07D25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF242600 shade: #8A181A, #AD1F20, #D02527, #DD4142 and #E46465

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF242600 shade: #CF2426, #B1D025 and #256CD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF242600 shade: #CF2426, #28D025 and #2528D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF242600 shade: #CF2426, #B1D025, #25D0CD and #4425D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF242600 shade: #CF2426, #7DD025, #25D0CD and #7825D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #CF242600

RGBA 207 36 38 0

HSLA 359.3, 0.7%, 0.48%, 0

LABA 45.17, 63.83, 43.39, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #30DBD900

RGBA 48 219 217 0

HSLA 179.3, 0.7%, 0.52%, 0

LABA 79.78, -41.08, -11.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D4242100

RGBA 212 36 33 0

HSLA 1.01, 0.73%, 0.48%, 0

LABA 46.13, 65.09, 47.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E5363400

RGBA 229 54 52 0

HSLA 0.68, 0.77%, 0.55%, 0

LABA 51.32, 65.65, 43.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F6484700

RGBA 246 72 71 0

HSLA 0.34, 0.91%, 0.62%, 0

LABA 56.76, 65.56, 39.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF5A5A00

RGBA 255 90 90 0

HSLA 0, 1%, 0.68%, 0

LABA 61.05, 62.53, 34.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF6C6D00

RGBA 255 108 109 0

HSLA 359.59, 1%, 0.71%, 0

LABA 64.23, 56.07, 28.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CF242600

RGBA 207 36 38 0

HSLA 359.3, 0.7%, 0.48%, 0

LABA 45.17, 63.83, 43.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BE121300

RGBA 190 18 19 0

HSLA 359.65, 0.83%, 0.41%, 0

LABA 40.29, 62.35, 47.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AD000000

RGBA 173 0 0 0

HSLA 0, 1%, 0.34%, 0

LABA 35.76, 59.89, 50.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9C000000

RGBA 156 0 0 0

HSLA 0, 1%, 0.31%, 0

LABA 31.96, 55.5, 45.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8B000000

RGBA 139 0 0 0

HSLA 0, 1%, 0.27%, 0

LABA 28.08, 51.01, 41.29, 0

 

CMYK 0 / 82 / 81 / 18

HEX #D02527

RGB 208 37 39

HSL 359.3, 0.7%, 0.48%

LAB 45.47, 63.9, 43.21

 

CMYK 0 / 82 / 82 / 18

HEX #D02525

RGB 208 37 37

HSL 0, 0.7%, 0.48%

LAB 45.45, 63.84, 44.25

 

CMYK 0 / 82 / 81 / 18

HEX #D02527

RGB 208 37 39

HSL 359.3, 0.7%, 0.48%

LAB 45.47, 63.9, 43.21

 

CMYK 0 / 82 / 59 / 18

HEX #D02555

RGB 208 37 85

HSL 343.16, 0.7%, 0.48%

LAB 46.16, 65.99, 16.72

 

CMYK 0 / 82 / 37 / 18

HEX #D02583

RGB 208 37 131

HSL 327.02, 0.7%, 0.48%

LAB 47.46, 69.8, -9.72

 

CMYK 0 / 82 / 15 / 18

HEX #D025B1

RGB 208 37 177

HSL 310.88, 0.7%, 0.48%

LAB 49.38, 75.22, -34.26

 

CMYK 7 / 82 / 0 / 18

HEX #C125D0

RGB 193 37 208

HSL 294.74, 0.7%, 0.48%

LAB 48.53, 76.93, -53.8

 

CMYK 0 / 82 / 81 / 18

HEX #D02527

RGB 208 37 39

HSL 359.3, 0.7%, 0.48%

LAB 45.47, 63.9, 43.21

 

CMYK 0 / 93 / 92 / 11

HEX #E41113

RGB 228 17 19

HSL 359.43, 0.86%, 0.48%

LAB 48.19, 72.3, 56.33

 

CMYK 0 / 82 / 81 / 18

HEX #D02527

RGB 208 37 39

HSL 359.3, 0.7%, 0.48%

LAB 45.47, 63.9, 43.21

 

CMYK 0 / 70 / 69 / 26

HEX #BC393A

RGB 188 57 58

HSL 359.54, 0.53%, 0.48%

LAB 44.12, 52.28, 29.82

 

CMYK 0 / 55 / 54 / 34

HEX #A84C4D

RGB 168 76 77

HSL 359.35, 0.38%, 0.48%

LAB 44.28, 37.95, 17.88

 

CMYK 0 / 36 / 35 / 42

HEX #956061

RGB 149 96 97

HSL 358.87, 0.22%, 0.48%

LAB 46.47, 21.72, 8.38

 

CMYK 0 / 10 / 10 / 49

HEX #817474

RGB 129 116 116

HSL 0, 0.05%, 0.48%

LAB 50, 5.03, 1.82

 

CMYK 0 / 82 / 37 / 18

HEX #D02583

RGB 208 37 131

HSL 327.02, 0.7%, 0.48%

LAB 47.46, 69.8, -9.72

 

CMYK 0 / 82 / 59 / 18

HEX #D02555

RGB 208 37 85

HSL 343.16, 0.7%, 0.48%

LAB 46.16, 65.99, 16.72

 

CMYK 0 / 82 / 81 / 18

HEX #D02528

RGB 208 37 40

HSL 358.95, 0.7%, 0.48%

LAB 45.48, 63.92, 42.68

 

CMYK 0 / 62 / 82 / 18

HEX #D05025

RGB 208 80 37

HSL 15.09, 0.7%, 0.48%

LAB 51.01, 48.58, 49.43

 

CMYK 0 / 40 / 82 / 18

HEX #D07D25

RGB 208 125 37

HSL 30.88, 0.7%, 0.48%

LAB 60.08, 25.89, 57.6

 

CMYK 0 / 83 / 81 / 46

HEX #8A181A

RGB 138 24 26

HSL 358.95, 0.7%, 0.32%

LAB 29.74, 46.46, 30.07

 

CMYK 0 / 82 / 82 / 32

HEX #AD1F20

RGB 173 31 32

HSL 359.58, 0.7%, 0.4%

LAB 37.79, 55.21, 37.11

 

CMYK 0 / 82 / 81 / 18

HEX #D02527

RGB 208 37 39

HSL 359.3, 0.7%, 0.48%

LAB 45.47, 63.9, 43.21

 

CMYK 0 / 71 / 70 / 13

HEX #DD4142

RGB 221 65 66

HSL 359.62, 0.7%, 0.56%

LAB 51.32, 60.15, 35.18

 

CMYK 0 / 56 / 56 / 11

HEX #E46465

RGB 228 100 101

HSL 359.53, 0.7%, 0.64%

LAB 58.55, 49.88, 24.37

 

CMYK 0 / 83 / 82 / 19

HEX #CF2426

RGB 207 36 38

HSL 359.3, 0.7%, 0.48%

LAB 45.17, 63.83, 43.39

 

CMYK 15 / 0 / 82 / 18

HEX #B1D025

RGB 177 208 37

HSL 70.88, 0.7%, 0.48%

LAB 78.81, -30.79, 72.85

 

CMYK 82 / 48 / 0 / 18

HEX #256CD0

RGB 37 108 208

HSL 215.09, 0.7%, 0.48%

LAB 46.54, 14.93, -57.74

 

CMYK 0 / 83 / 82 / 19

HEX #CF2426

RGB 207 36 38

HSL 359.3, 0.7%, 0.48%

LAB 45.17, 63.83, 43.39

 

CMYK 81 / 0 / 82 / 18

HEX #28D025

RGB 40 208 37

HSL 118.95, 0.7%, 0.48%

LAB 73.35, -70.13, 65.91

 

CMYK 82 / 81 / 0 / 18

HEX #2528D0

RGB 37 40 208

HSL 238.95, 0.7%, 0.48%

LAB 30.56, 56.32, -83.92

 

CMYK 0 / 83 / 82 / 19

HEX #CF2426

RGB 207 36 38

HSL 359.3, 0.7%, 0.48%

LAB 45.17, 63.83, 43.39

 

CMYK 15 / 0 / 82 / 18

HEX #B1D025

RGB 177 208 37

HSL 70.88, 0.7%, 0.48%

LAB 78.81, -30.79, 72.85

 

CMYK 82 / 0 / 1 / 18

HEX #25D0CD

RGB 37 208 205

HSL 178.95, 0.7%, 0.48%

LAB 76.02, -40.51, -10.26

 

CMYK 67 / 82 / 0 / 18

HEX #4425D0

RGB 68 37 208

HSL 250.88, 0.7%, 0.48%

LAB 32.05, 59.64, -81.39

 

CMYK 0 / 83 / 82 / 19

HEX #CF2426

RGB 207 36 38

HSL 359.3, 0.7%, 0.48%

LAB 45.17, 63.83, 43.39

 

CMYK 40 / 0 / 82 / 18

HEX #7DD025

RGB 125 208 37

HSL 89.12, 0.7%, 0.48%

LAB 75.83, -50.35, 69.08

 

CMYK 82 / 0 / 1 / 18

HEX #25D0CD

RGB 37 208 205

HSL 178.95, 0.7%, 0.48%

LAB 76.02, -40.51, -10.26

 

CMYK 42 / 82 / 0 / 18

HEX #7825D0

RGB 120 37 208

HSL 269.12, 0.7%, 0.48%

LAB 37.61, 65.29, -72.03

 

Description

Color code: HEX #CF242600 | qconv.com Color code: HEX #CF242600 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 36 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 36 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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