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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF1B7E it is the complementary color #30E481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF1B7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF1B7E shade: #D41B79, #E52D8C, #F63F9F, #FF51B2 and #FF63C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF1B7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF1B7E shade: #CF1B7E, #BE096B, #AD0058, #9C0045 and #8B0032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF1B7E shade: #D01B7E, #D01B4E, #D01B1D and #D01B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF1B7E shade: #D01B7E, #D01BAF, #BF1BD0, #8F1BD0 and #5E1BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF1B7E shade matches the following richer shades: #D01B7E and #E30880

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF1B7E shade: #D01B7E, #BD2E7C, #AA417B, #975479 and #846777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF1B7E shade: #C11BD0, #D01BAF, #D01B7E, #D01B4E and #D01B1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF1B7E shade: #871152, #AB1668, #D01B7E, #E43093 and #E954A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF1B7E shade: #CF1B7E, #D0901B and #1BC7D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF1B7E shade: #CF1B7E, #7ED01B and #1B7ED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF1B7E shade: #CF1B7E, #D0901B, #1BD06C and #1B5AD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF1B7E shade: #CF1B7E, #D0C71B, #1BD06C and #1B24D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 39 / 19

HEX #CF1B7E

RGB 207 27 126

HSL 327, 0.77%, 0.46%

LAB 46.39, 71.11, -8.29

 

Complementary color

CMYK 79 / 0 / 43 / 11

HEX #30E481

RGB 48 228 129

HSL 147, 0.77%, 0.54%

LAB 80.57, -65.1, 36.11

 

CMYK 0 / 87 / 43 / 17

HEX #D41B79

RGB 212 27 121

HSL 329.51, 0.77%, 0.47%

LAB 47.19, 71.8, -3.94

 

CMYK 0 / 80 / 39 / 10

HEX #E52D8C

RGB 229 45 140

HSL 329.02, 0.78%, 0.54%

LAB 52.32, 73.82, -7.48

 

CMYK 0 / 74 / 35 / 4

HEX #F63F9F

RGB 246 63 159

HSL 328.52, 0.91%, 0.61%

LAB 57.7, 74.99, -10.35

 

CMYK 0 / 68 / 30 / 0

HEX #FF51B2

RGB 255 81 178

HSL 326.55, 1%, 0.66%

LAB 61.96, 73.46, -14.81

 

CMYK 0 / 61 / 23 / 0

HEX #FF63C5

RGB 255 99 197

HSL 322.31, 1%, 0.69%

LAB 65.13, 68.91, -20.82

 

CMYK 0 / 87 / 39 / 19

HEX #CF1B7E

RGB 207 27 126

HSL 327, 0.77%, 0.46%

LAB 46.39, 71.11, -8.29

 

CMYK 0 / 95 / 44 / 25

HEX #BE096B

RGB 190 9 107

HSL 327.51, 0.91%, 0.39%

LAB 41.54, 67.96, -4.09

 

CMYK 0 / 100 / 49 / 32

HEX #AD0058

RGB 173 0 88

HSL 329.48, 1%, 0.34%

LAB 37.09, 63.47, 1.06

 

CMYK 0 / 100 / 56 / 39

HEX #9C0045

RGB 156 0 69

HSL 333.46, 1%, 0.31%

LAB 32.91, 58.07, 6.99

 

CMYK 0 / 100 / 64 / 45

HEX #8B0032

RGB 139 0 50

HSL 338.42, 1%, 0.27%

LAB 28.69, 52.66, 13.28

 

CMYK 0 / 87 / 39 / 18

HEX #D01B7E

RGB 208 27 126

HSL 327.18, 0.77%, 0.46%

LAB 46.58, 71.34, -7.99

 

CMYK 0 / 87 / 63 / 18

HEX #D01B4E

RGB 208 27 78

HSL 343.09, 0.77%, 0.46%

LAB 45.28, 67.67, 19.88

 

CMYK 0 / 87 / 86 / 18

HEX #D01B1D

RGB 208 27 29

HSL 359.34, 0.77%, 0.46%

LAB 44.64, 65.8, 47.58

 

CMYK 0 / 87 / 87 / 18

HEX #D01B1B

RGB 208 27 27

HSL 0, 0.77%, 0.46%

LAB 44.62, 65.76, 48.52

 

CMYK 0 / 87 / 39 / 18

HEX #D01B7E

RGB 208 27 126

HSL 327.18, 0.77%, 0.46%

LAB 46.58, 71.34, -7.99

 

CMYK 0 / 87 / 16 / 18

HEX #D01BAF

RGB 208 27 175

HSL 310.94, 0.77%, 0.46%

LAB 48.62, 76.89, -34.28

 

CMYK 8 / 87 / 0 / 18

HEX #BF1BD0

RGB 191 27 208

HSL 294.36, 0.77%, 0.46%

LAB 47.51, 78.59, -55.45

 

CMYK 31 / 87 / 0 / 18

HEX #8F1BD0

RGB 143 27 208

HSL 278.45, 0.77%, 0.46%

LAB 39.88, 71.2, -68.18

 

CMYK 55 / 87 / 0 / 18

HEX #5E1BD0

RGB 94 27 208

HSL 262.21, 0.77%, 0.46%

LAB 33.39, 65.44, -79.09

 

CMYK 0 / 87 / 39 / 18

HEX #D01B7E

RGB 208 27 126

HSL 327.18, 0.77%, 0.46%

LAB 46.58, 71.34, -7.99

 

CMYK 0 / 96 / 44 / 11

HEX #E30880

RGB 227 8 128

HSL 327.12, 0.93%, 0.46%

LAB 49.57, 77.99, -4.35

 

CMYK 0 / 87 / 39 / 18

HEX #D01B7E

RGB 208 27 126

HSL 327.18, 0.77%, 0.46%

LAB 46.58, 71.34, -7.99

 

CMYK 0 / 76 / 34 / 26

HEX #BD2E7C

RGB 189 46 124

HSL 327.27, 0.61%, 0.46%

LAB 44.56, 61.88, -10.15

 

CMYK 0 / 62 / 28 / 33

HEX #AA417B

RGB 170 65 123

HSL 326.86, 0.45%, 0.46%

LAB 43.88, 49.08, -10.88

 

CMYK 0 / 44 / 20 / 41

HEX #975479

RGB 151 84 121

HSL 326.87, 0.29%, 0.46%

LAB 44.66, 32.84, -8.77

 

CMYK 0 / 22 / 10 / 48

HEX #846777

RGB 132 103 119

HSL 326.9, 0.12%, 0.46%

LAB 46.89, 14.41, -4.48

 

CMYK 7 / 87 / 0 / 18

HEX #C11BD0

RGB 193 27 208

HSL 295.03, 0.77%, 0.46%

LAB 47.85, 78.92, -54.89

 

CMYK 0 / 87 / 16 / 18

HEX #D01BAF

RGB 208 27 175

HSL 310.94, 0.77%, 0.46%

LAB 48.62, 76.89, -34.28

 

CMYK 0 / 87 / 39 / 18

HEX #D01B7E

RGB 208 27 126

HSL 327.18, 0.77%, 0.46%

LAB 46.58, 71.34, -7.99

 

CMYK 0 / 87 / 63 / 18

HEX #D01B4E

RGB 208 27 78

HSL 343.09, 0.77%, 0.46%

LAB 45.28, 67.67, 19.88

 

CMYK 0 / 87 / 86 / 18

HEX #D01B1E

RGB 208 27 30

HSL 359.01, 0.77%, 0.46%

LAB 44.64, 65.82, 47.1

 

CMYK 0 / 87 / 39 / 47

HEX #871152

RGB 135 17 82

HSL 326.95, 0.78%, 0.3%

LAB 29.82, 51.35, -6.67

 

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

CMYK 0 / 87 / 39 / 18

HEX #D01B7E

RGB 208 27 126

HSL 327.18, 0.77%, 0.46%

LAB 46.58, 71.34, -7.99

 

CMYK 0 / 79 / 36 / 11

HEX #E43093

RGB 228 48 147

HSL 327, 0.77%, 0.54%

LAB 52.64, 73.53, -11.2

 

CMYK 0 / 64 / 29 / 9

HEX #E954A6

RGB 233 84 166

HSL 326.98, 0.77%, 0.62%

LAB 58.43, 64.96, -13.55

 

CMYK 0 / 87 / 39 / 19

HEX #CF1B7E

RGB 207 27 126

HSL 327, 0.77%, 0.46%

LAB 46.39, 71.11, -8.29

 

CMYK 0 / 31 / 87 / 18

HEX #D0901B

RGB 208 144 27

HSL 38.78, 0.77%, 0.46%

LAB 64.51, 15.34, 64.51

 

CMYK 87 / 4 / 0 / 18

HEX #1BC7D0

RGB 27 199 208

HSL 182.98, 0.77%, 0.46%

LAB 73.31, -36.17, -15.95

 

CMYK 0 / 87 / 39 / 19

HEX #CF1B7E

RGB 207 27 126

HSL 327, 0.77%, 0.46%

LAB 46.39, 71.11, -8.29

 

CMYK 39 / 0 / 87 / 18

HEX #7ED01B

RGB 126 208 27

HSL 87.18, 0.77%, 0.46%

LAB 75.84, -50.37, 71.34

 

CMYK 87 / 39 / 0 / 18

HEX #1B7ED0

RGB 27 126 208

HSL 207.18, 0.77%, 0.46%

LAB 51.51, 2.9, -49.79

 

CMYK 0 / 87 / 39 / 19

HEX #CF1B7E

RGB 207 27 126

HSL 327, 0.77%, 0.46%

LAB 46.39, 71.11, -8.29

 

CMYK 0 / 31 / 87 / 18

HEX #D0901B

RGB 208 144 27

HSL 38.78, 0.77%, 0.46%

LAB 64.51, 15.34, 64.51

 

CMYK 87 / 0 / 48 / 18

HEX #1BD06C

RGB 27 208 108

HSL 146.85, 0.77%, 0.46%

LAB 73.82, -63.78, 37.87

 

CMYK 87 / 57 / 0 / 18

HEX #1B5AD0

RGB 27 90 208

HSL 219.12, 0.77%, 0.46%

LAB 41.37, 25.83, -66.13

 

CMYK 0 / 87 / 39 / 19

HEX #CF1B7E

RGB 207 27 126

HSL 327, 0.77%, 0.46%

LAB 46.39, 71.11, -8.29

 

CMYK 0 / 4 / 87 / 18

HEX #D0C71B

RGB 208 199 27

HSL 57.02, 0.77%, 0.46%

LAB 78.66, -13.65, 75.87

 

CMYK 87 / 0 / 48 / 18

HEX #1BD06C

RGB 27 208 108

HSL 146.85, 0.77%, 0.46%

LAB 73.82, -63.78, 37.87

 

CMYK 87 / 83 / 0 / 18

HEX #1B24D0

RGB 27 36 208

HSL 237.02, 0.77%, 0.46%

LAB 29.54, 57.78, -85.63

 

Description

Color code: HEX #CF1B7E | qconv.com Color code: HEX #CF1B7E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 27 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 27 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 39 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 39% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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