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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF11B1 it is the complementary color #30EE4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF11B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CF11B1: #D411AC, #E523BF, #F635D2, #FF47E5 and #FF59F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF11B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CF11B1: #CF11B1, #BE009E, #AD008B, #9C0078 and #8B0065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 14 / 19

HEX #CF11B1

RGB 207 17 177

HSL 309.47, 0.85%, 0.44%

LAB 48.06, 78.36, -36.36

 

Complementary color

CMYK 80 / 0 / 67 / 7

HEX #30EE4E

RGB 48 238 78

HSL 129.47, 0.85%, 0.56%

LAB 83.09, -75.08, 62.12

 

CMYK 0 / 92 / 19 / 17

HEX #D411AC

RGB 212 17 172

HSL 312.31, 0.85%, 0.45%

LAB 48.73, 78.68, -32.29

 

CMYK 0 / 85 / 17 / 10

HEX #E523BF

RGB 229 35 191

HSL 311.75, 0.79%, 0.52%

LAB 53.62, 81.7, -35.52

 

CMYK 0 / 78 / 15 / 4

HEX #F635D2

RGB 246 53 210

HSL 311.19, 0.91%, 0.59%

LAB 58.78, 83.73, -38.13

 

CMYK 0 / 72 / 10 / 0

HEX #FF47E5

RGB 255 71 229

HSL 308.48, 1%, 0.64%

LAB 62.86, 83.28, -42.33

 

CMYK 0 / 65 / 3 / 0

HEX #FF59F8

RGB 255 89 248

HSL 302.53, 1%, 0.67%

LAB 65.89, 80.09, -48.12

 

CMYK 0 / 92 / 14 / 19

HEX #CF11B1

RGB 207 17 177

HSL 309.47, 0.85%, 0.44%

LAB 48.06, 78.36, -36.36

 

CMYK 0 / 100 / 17 / 25

HEX #BE009E

RGB 190 0 158

HSL 310.11, 1%, 0.37%

LAB 43.38, 74.36, -32.62

 

CMYK 0 / 100 / 20 / 32

HEX #AD008B

RGB 173 0 139

HSL 311.79, 1%, 0.34%

LAB 39.15, 68.77, -27.94

 

CMYK 0 / 100 / 23 / 39

HEX #9C0078

RGB 156 0 120

HSL 313.85, 1%, 0.31%

LAB 34.85, 63.08, -23.09

 

CMYK 0 / 100 / 27 / 45

HEX #8B0065

RGB 139 0 101

HSL 316.4, 1%, 0.27%

LAB 30.47, 57.29, -18.03

 

CMYK 0 / 92 / 14 / 19

HEX #CF11B1

RGB 207 17 177

HSL 309.47, 0.85%, 0.44%

LAB 48.06, 78.36, -36.36

 

CMYK 0 / 92 / 29 / 19

HEX #CF1093

RGB 207 16 147

HSL 318.85, 0.86%, 0.44%

LAB 46.63, 74.87, -20.69

 

CMYK 0 / 92 / 44 / 19

HEX #CF1073

RGB 207 16 115

HSL 328.9, 0.86%, 0.44%

LAB 45.46, 71.74, -2.9

 

CMYK 0 / 92 / 60 / 19

HEX #CF1053

RGB 207 16 83

HSL 338.95, 0.86%, 0.44%

LAB 44.6, 69.39, 15.82

 

CMYK 0 / 92 / 75 / 19

HEX #CF1033

RGB 207 16 51

HSL 349.01, 0.86%, 0.44%

LAB 44.05, 67.85, 34.84

 

CMYK 0 / 92 / 14 / 19

HEX #CF11B1

RGB 207 17 177

HSL 309.47, 0.85%, 0.44%

LAB 48.06, 78.36, -36.36

 

CMYK 0 / 100 / 0 / 99

HEX #030003

RGB 3 0 3

HSL 300, 1%, 0.01%

LAB 0.23, 1.2, -0.86

 

CMYK 0 / 93 / 15 / 79

HEX #36042E

RGB 54 4 46

HSL 309.6, 0.86%, 0.11%

LAB 9.55, 29.24, -14.15

 

CMYK 0 / 91 / 14 / 59

HEX #69095A

RGB 105 9 90

HSL 309.38, 0.84%, 0.22%

LAB 23.46, 46.9, -22.27

 

CMYK 0 / 92 / 15 / 39

HEX #9C0D85

RGB 156 13 133

HSL 309.65, 0.85%, 0.33%

LAB 36.08, 63.12, -29.29

 

CMYK 0 / 92 / 14 / 19

HEX #CF11B1

RGB 207 17 177

HSL 309.47, 0.85%, 0.44%

LAB 48.06, 78.36, -36.36

 

CMYK 0 / 60 / 92 / 19

HEX #CF5310

RGB 207 83 16

HSL 21.05, 0.86%, 0.44%

LAB 51.25, 46.4, 57.44

 

CMYK 92 / 0 / 23 / 19

HEX #10CF9F

RGB 16 207 159

HSL 164.92, 0.86%, 0.44%

LAB 74.34, -53.64, 12.05

 

CMYK 0 / 92 / 14 / 19

HEX #CF11B1

RGB 207 17 177

HSL 309.47, 0.85%, 0.44%

LAB 48.06, 78.36, -36.36

 

CMYK 14 / 0 / 92 / 19

HEX #B2CF10

RGB 178 207 16

HSL 69.11, 0.86%, 0.44%

LAB 78.54, -30.41, 76.56

 

CMYK 92 / 14 / 0 / 19

HEX #10B2CF

RGB 16 178 207

HSL 189.11, 0.86%, 0.44%

LAB 66.87, -26.9, -25.2

 

CMYK 0 / 92 / 14 / 19

HEX #CF11B1

RGB 207 17 177

HSL 309.47, 0.85%, 0.44%

LAB 48.06, 78.36, -36.36

 

CMYK 0 / 60 / 92 / 19

HEX #CF5310

RGB 207 83 16

HSL 21.05, 0.86%, 0.44%

LAB 51.25, 46.4, 57.44

 

CMYK 92 / 0 / 78 / 19

HEX #10CF2D

RGB 16 207 45

HSL 129.11, 0.86%, 0.44%

LAB 72.84, -71.36, 63.12

 

CMYK 92 / 32 / 0 / 19

HEX #108CCF

RGB 16 140 207

HSL 201.05, 0.86%, 0.44%

LAB 55.45, -6.42, -42.97

 

CMYK 0 / 92 / 14 / 19

HEX #CF11B1

RGB 207 17 177

HSL 309.47, 0.85%, 0.44%

LAB 48.06, 78.36, -36.36

 

CMYK 0 / 32 / 92 / 19

HEX #CF8C10

RGB 207 140 16

HSL 38.95, 0.86%, 0.44%

LAB 63.39, 16.87, 66.12

 

CMYK 92 / 0 / 78 / 19

HEX #10CF2D

RGB 16 207 45

HSL 129.11, 0.86%, 0.44%

LAB 72.84, -71.36, 63.12

 

CMYK 92 / 60 / 0 / 19

HEX #1053CF

RGB 16 83 207

HSL 218.95, 0.86%, 0.44%

LAB 39.24, 29.47, -69.04

 

Description

Color code: HEX #CF11B1 | qconv.com Color code: HEX #CF11B1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 17 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 17 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 14 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 14% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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