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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF01CD it is the complementary color #30FE32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF01CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF01CD shade: #D401C8, #E513DB, #F625EE, #FF37FF and #FF49FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF01CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF01CD shade: #CF01CD, #BE00BA, #AD00A7, #9C0094 and #8B0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF01CD shade: #D001CE, #D00196, #D0015E, #D00127 and #D00101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF01CD shade: #D001CE, #9A01D0, #6201D0, #2B01D0 and #0101D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF01CD shade matches the following richer shades: #D001CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF01CD shade: #D001CE, #BF12BD, #AE23AD, #9D349C and #8C458C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF01CD shade: #6201D0, #9901D0, #D001D0, #D00199 and #D00162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF01CD shade: #7E017D, #A701A5, #D001CE, #F901F7 and #FE26FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF01CD shade: #CF01CD, #D02A01 and #01D07D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF01CD shade: #CF01CD, #D0D001 and #01D0D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF01CD shade: #CF01CD, #D02A01, #01D001 and #01A7D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF01CD shade: #CF01CD, #D06901, #01D001 and #0169D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 1 / 19

HEX #CF01CD

RGB 207 1 205

HSL 300.58, 0.99%, 0.41%

LAB 49.12, 83.59, -50.99

 

Complementary color

CMYK 81 / 0 / 80 / 0

HEX #30FE32

RGB 48 254 50

HSL 120.58, 0.99%, 0.59%

LAB 87.84, -81.75, 75.97

 

CMYK 0 / 100 / 6 / 17

HEX #D401C8

RGB 212 1 200

HSL 303.41, 0.99%, 0.42%

LAB 49.72, 83.71, -47.09

 

CMYK 0 / 92 / 4 / 10

HEX #E513DB

RGB 229 19 219

HSL 302.86, 0.85%, 0.49%

LAB 54.28, 87.73, -50.55

 

CMYK 0 / 85 / 3 / 4

HEX #F625EE

RGB 246 37 238

HSL 302.3, 0.92%, 0.55%

LAB 59.06, 90.85, -53.49

 

CMYK 0 / 78 / 0 / 0

HEX #FF37FF

RGB 255 55 255

HSL 300, 1%, 0.61%

LAB 62.69, 91.31, -57.06

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 100 / 1 / 19

HEX #CF01CD

RGB 207 1 205

HSL 300.58, 0.99%, 0.41%

LAB 49.12, 83.59, -50.99

 

CMYK 0 / 100 / 2 / 25

HEX #BE00BA

RGB 190 0 186

HSL 301.26, 1%, 0.37%

LAB 44.93, 78.17, -46.81

 

CMYK 0 / 100 / 3 / 32

HEX #AD00A7

RGB 173 0 167

HSL 302.08, 1%, 0.34%

LAB 40.69, 72.57, -42.49

 

CMYK 0 / 100 / 5 / 39

HEX #9C0094

RGB 156 0 148

HSL 303.08, 1%, 0.31%

LAB 36.38, 66.87, -38.06

 

CMYK 0 / 100 / 7 / 45

HEX #8B0081

RGB 139 0 129

HSL 304.32, 1%, 0.27%

LAB 31.97, 61.05, -33.5

 

CMYK 0 / 100 / 1 / 18

HEX #D001CE

RGB 208 1 206

HSL 300.58, 0.99%, 0.41%

LAB 49.36, 83.9, -51.18

 

CMYK 0 / 100 / 28 / 18

HEX #D00196

RGB 208 1 150

HSL 316.81, 0.99%, 0.41%

LAB 46.49, 76.76, -22.7

 

CMYK 0 / 100 / 55 / 18

HEX #D0015E

RGB 208 1 94

HSL 333.04, 0.99%, 0.41%

LAB 44.57, 71.77, 8.92

 

CMYK 0 / 100 / 81 / 18

HEX #D00127

RGB 208 1 39

HSL 348.99, 0.99%, 0.41%

LAB 43.62, 69.2, 41.4

 

CMYK 0 / 100 / 100 / 18

HEX #D00101

RGB 208 1 1

HSL 0, 0.99%, 0.41%

LAB 43.41, 68.62, 57.31

 

CMYK 0 / 100 / 1 / 18

HEX #D001CE

RGB 208 1 206

HSL 300.58, 0.99%, 0.41%

LAB 49.36, 83.9, -51.18

 

CMYK 26 / 100 / 0 / 18

HEX #9A01D0

RGB 154 1 208

HSL 284.35, 0.99%, 0.41%

LAB 40.32, 76.4, -67.39

 

CMYK 53 / 100 / 0 / 18

HEX #6201D0

RGB 98 1 208

HSL 268.12, 0.99%, 0.41%

LAB 32.2, 70.8, -81.05

 

CMYK 79 / 100 / 0 / 18

HEX #2B01D0

RGB 43 1 208

HSL 252.17, 0.99%, 0.41%

LAB 26.99, 68.24, -89.85

 

CMYK 100 / 100 / 0 / 18

HEX #0101D0

RGB 1 1 208

HSL 240, 0.99%, 0.41%

LAB 25.51, 67.72, -92.36

 

CMYK 0 / 100 / 1 / 18

HEX #D001CE

RGB 208 1 206

HSL 300.58, 0.99%, 0.41%

LAB 49.36, 83.9, -51.18

 

CMYK 0 / 100 / 1 / 18

HEX #D001CE

RGB 208 1 206

HSL 300.58, 0.99%, 0.41%

LAB 49.36, 83.9, -51.18

 

CMYK 0 / 91 / 1 / 25

HEX #BF12BD

RGB 191 18 189

HSL 300.69, 0.83%, 0.41%

LAB 45.88, 77.02, -47.03

 

CMYK 0 / 80 / 1 / 32

HEX #AE23AD

RGB 174 35 173

HSL 300.43, 0.67%, 0.41%

LAB 43.09, 68.2, -42.24

 

CMYK 0 / 67 / 1 / 38

HEX #9D349C

RGB 157 52 156

HSL 300.57, 0.5%, 0.41%

LAB 41.25, 56.12, -35.16

 

CMYK 0 / 51 / 0 / 45

HEX #8C458C

RGB 140 69 140

HSL 300, 0.34%, 0.41%

LAB 40.78, 40.68, -26.42

 

CMYK 53 / 100 / 0 / 18

HEX #6201D0

RGB 98 1 208

HSL 268.12, 0.99%, 0.41%

LAB 32.2, 70.8, -81.05

 

CMYK 26 / 100 / 0 / 18

HEX #9901D0

RGB 153 1 208

HSL 284.06, 0.99%, 0.41%

LAB 40.16, 76.28, -67.66

 

CMYK 0 / 100 / 0 / 18

HEX #D001D0

RGB 208 1 208

HSL 300, 0.99%, 0.41%

LAB 49.48, 84.19, -52.14

 

CMYK 0 / 100 / 26 / 18

HEX #D00199

RGB 208 1 153

HSL 315.94, 0.99%, 0.41%

LAB 46.62, 77.1, -24.31

 

CMYK 0 / 100 / 53 / 18

HEX #D00162

RGB 208 1 98

HSL 331.88, 0.99%, 0.41%

LAB 44.68, 72.04, 6.57

 

CMYK 0 / 99 / 1 / 51

HEX #7E017D

RGB 126 1 125

HSL 300.48, 0.98%, 0.25%

LAB 29.26, 57.95, -35.47

 

CMYK 0 / 99 / 1 / 35

HEX #A701A5

RGB 167 1 165

HSL 300.72, 0.99%, 0.33%

LAB 39.5, 71.16, -43.26

 

CMYK 0 / 100 / 1 / 18

HEX #D001CE

RGB 208 1 206

HSL 300.58, 0.99%, 0.41%

LAB 49.36, 83.9, -51.18

 

CMYK 0 / 100 / 1 / 2

HEX #F901F7

RGB 249 1 247

HSL 300.48, 0.99%, 0.49%

LAB 58.86, 96.16, -58.79

 

CMYK 0 / 85 / 1 / 0

HEX #FE26FC

RGB 254 38 252

HSL 300.56, 0.99%, 0.57%

LAB 61.21, 94.06, -57.77

 

CMYK 0 / 100 / 1 / 19

HEX #CF01CD

RGB 207 1 205

HSL 300.58, 0.99%, 0.41%

LAB 49.12, 83.59, -50.99

 

CMYK 0 / 80 / 100 / 18

HEX #D02A01

RGB 208 42 1

HSL 11.88, 0.99%, 0.41%

LAB 45.73, 61.99, 58.25

 

CMYK 100 / 0 / 40 / 18

HEX #01D07D

RGB 1 208 125

HSL 155.94, 0.99%, 0.41%

LAB 73.93, -61.95, 29.39

 

CMYK 0 / 100 / 1 / 19

HEX #CF01CD

RGB 207 1 205

HSL 300.58, 0.99%, 0.41%

LAB 49.12, 83.59, -50.99

 

CMYK 0 / 0 / 100 / 18

HEX #D0D001

RGB 208 208 1

HSL 60, 0.99%, 0.41%

LAB 81.03, -18.48, 80.94

 

CMYK 100 / 0 / 0 / 18

HEX #01D0D0

RGB 1 208 208

HSL 180, 0.99%, 0.41%

LAB 75.87, -41.21, -12.12

 

CMYK 0 / 100 / 1 / 19

HEX #CF01CD

RGB 207 1 205

HSL 300.58, 0.99%, 0.41%

LAB 49.12, 83.59, -50.99

 

CMYK 0 / 80 / 100 / 18

HEX #D02A01

RGB 208 42 1

HSL 11.88, 0.99%, 0.41%

LAB 45.73, 61.99, 58.25

 

CMYK 100 / 0 / 100 / 18

HEX #01D001

RGB 1 208 1

HSL 120, 0.99%, 0.41%

LAB 72.97, -73.85, 71.24

 

CMYK 100 / 20 / 0 / 18

HEX #01A7D0

RGB 1 167 208

HSL 191.88, 0.99%, 0.41%

LAB 63.51, -21.42, -30.94

 

CMYK 0 / 100 / 1 / 19

HEX #CF01CD

RGB 207 1 205

HSL 300.58, 0.99%, 0.41%

LAB 49.12, 83.59, -50.99

 

CMYK 0 / 50 / 100 / 18

HEX #D06901

RGB 208 105 1

HSL 30.14, 0.99%, 0.41%

LAB 55.6, 35.81, 63.51

 

CMYK 100 / 0 / 100 / 18

HEX #01D001

RGB 1 208 1

HSL 120, 0.99%, 0.41%

LAB 72.97, -73.85, 71.24

 

CMYK 100 / 50 / 0 / 18

HEX #0169D0

RGB 1 105 208

HSL 209.86, 0.99%, 0.41%

LAB 45.17, 14.97, -59.98

 

Description

Color code: HEX #CF01CD | qconv.com Color code: HEX #CF01CD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 1 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 1 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 1 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 1% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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