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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEFCA4CE it is the complementary color #31035BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEFCA4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEFCA4CE shade: #D3FC9FCE, #E4FFB2CE, #F5FFC5CE, #FFFFD8CE and #FFFFEBCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEFCA4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEFCA4CE shade: #CEFCA4CE, #BDEA91CE, #ACD87ECE, #9BC66BCE and #8AB458CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEFCA4CE shade: #CFFCA6, #E6FCA6, #FCFBA6, #FCE4A6 and #FCCCA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEFCA4CE shade: #CFFCA6, #B8FCA6, #A6FCAB, #A6FCC3 and #A6FCDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEFCA4CE shade matches the following richer shades: #CFFCA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEFCA4CE shade: #CFFCA6, #CFF5AD, #D0EDB5, #D0E6BC and #D0DFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEFCA4CE shade: #FCFBA6, #E7FCA6, #D0FCA6, #B9FCA6 and #A6FCAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEFCA4CE shade: #A4FA56, #BAFB7E, #CFFCA6, #E5FDCE and #FAFFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEFCA4CE shade: #CEFCA4, #A6FCE4 and #FCA6F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEFCA4CE shade: #CEFCA4, #A6D0FC and #FCA6D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEFCA4CE shade: #CEFCA4, #A6FCE4, #D3A6FC and #FCA6BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEFCA4CE shade: #CEFCA4, #A6FBFC, #D3A6FC and #FCA7A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 28 / 1

HEX #CEFCA4CE

RGBA 206 252 164 0.81

HSLA 91.36, 0.94%, 0.82%, 0.81

LABA 94.07, -29.51, 37.47, 0.81

 

Complementary color

CMYK 37 / 78 / 0 / 52

HEX #31035BCE

RGBA 49 3 91 0.81

HSLA 271.36, 0.94%, 0.18%, 0.81

LABA 12.44, 38.66, -41.25, 0.81

 

CMYK 13 / 0 / 30 / 1

HEX #D3FC9FCE

RGBA 211 252 159 0.81

HSLA 86.45, 0.94%, 0.81%, 0.81

LABA 94.3, -28.39, 40.3, 0.81

 

CMYK 9 / 0 / 24 / 0

HEX #E4FFB2CE

RGBA 228 255 178 0.81

HSLA 81.04, 1%, 0.85%, 0.81

LABA 96.5, -21.27, 33.99, 0.81

 

CMYK 3 / 0 / 18 / 0

HEX #F5FFC5CE

RGBA 245 255 197 0.81

HSLA 70.34, 1%, 0.89%, 0.81

LABA 98.02, -12.6, 26.68, 0.81

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFD8CE

RGBA 255 255 216 0.81

HSLA 60, 1%, 0.92%, 0.81

LABA 99.12, -6.32, 18.67, 0.81

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEBCE

RGBA 255 255 235 0.81

HSLA 60, 1%, 0.96%, 0.81

LABA 99.53, -3.36, 9.55, 0.81

 

CMYK 15 / 0 / 28 / 1

HEX #CEFCA4CE

RGBA 206 252 164 0.81

HSLA 91.36, 0.94%, 0.82%, 0.81

LABA 94.07, -29.51, 37.47, 0.81

 

CMYK 16 / 0 / 31 / 7

HEX #BDEA91CE

RGBA 189 234 145 0.81

HSLA 90.34, 0.68%, 0.74%, 0.81

LABA 87.83, -29.57, 38.57, 0.81

 

CMYK 17 / 0 / 34 / 12

HEX #ACD87ECE

RGBA 172 216 126 0.81

HSLA 89.33, 0.54%, 0.67%, 0.81

LABA 81.5, -29.62, 39.71, 0.81

 

CMYK 18 / 0 / 37 / 18

HEX #9BC66BCE

RGBA 155 198 107 0.81

HSLA 88.35, 0.44%, 0.6%, 0.81

LABA 75.09, -29.64, 40.88, 0.81

 

CMYK 19 / 0 / 41 / 24

HEX #8AB458CE

RGBA 138 180 88 0.81

HSLA 87.39, 0.38%, 0.53%, 0.81

LABA 68.57, -29.61, 42.04, 0.81

 

CMYK 18 / 0 / 34 / 1

HEX #CFFCA6

RGB 207 252 166

HSL 91.4, 0.93%, 0.82%

LAB 94.16, -28.89, 36.61

 

CMYK 9 / 0 / 34 / 1

HEX #E6FCA6

RGB 230 252 166

HSL 75.35, 0.93%, 0.82%

LAB 95.66, -20.65, 38.87

 

CMYK 0 / 0 / 34 / 1

HEX #FCFBA6

RGB 252 251 166

HSL 59.3, 0.93%, 0.82%

LAB 97, -12.01, 40.92

 

CMYK 0 / 10 / 34 / 1

HEX #FCE4A6

RGB 252 228 166

HSL 43.26, 0.93%, 0.82%

LAB 91.21, -0.52, 33.29

 

CMYK 0 / 19 / 34 / 1

HEX #FCCCA6

RGB 252 204 166

HSL 26.51, 0.93%, 0.82%

LAB 85.32, 11.83, 25.36

 

CMYK 18 / 0 / 34 / 1

HEX #CFFCA6

RGB 207 252 166

HSL 91.4, 0.93%, 0.82%

LAB 94.16, -28.89, 36.61

 

CMYK 27 / 0 / 34 / 1

HEX #B8FCA6

RGB 184 252 166

HSL 107.44, 0.93%, 0.82%

LAB 92.82, -36.7, 34.6

 

CMYK 34 / 0 / 32 / 1

HEX #A6FCAB

RGB 166 252 171

HSL 123.49, 0.93%, 0.82%

LAB 91.98, -41.62, 30.81

 

CMYK 34 / 0 / 23 / 1

HEX #A6FCC3

RGB 166 252 195

HSL 140.23, 0.93%, 0.82%

LAB 92.43, -37.53, 19.23

 

CMYK 34 / 0 / 13 / 1

HEX #A6FCDA

RGB 166 252 218

HSL 156.28, 0.93%, 0.82%

LAB 92.92, -33.1, 8.1

 

CMYK 18 / 0 / 34 / 1

HEX #CFFCA6

RGB 207 252 166

HSL 91.4, 0.93%, 0.82%

LAB 94.16, -28.89, 36.61

 

CMYK 18 / 0 / 34 / 1

HEX #CFFCA6

RGB 207 252 166

HSL 91.4, 0.93%, 0.82%

LAB 94.16, -28.89, 36.61

 

CMYK 16 / 0 / 29 / 4

HEX #CFF5AD

RGB 207 245 173

HSL 91.67, 0.78%, 0.82%

LAB 92.39, -24.61, 30.75

 

CMYK 12 / 0 / 24 / 7

HEX #D0EDB5

RGB 208 237 181

HSL 91.07, 0.61%, 0.82%

LAB 90.47, -19.21, 24.06

 

CMYK 10 / 0 / 18 / 10

HEX #D0E6BC

RGB 208 230 188

HSL 91.43, 0.46%, 0.82%

LAB 88.75, -14.67, 18.06

 

CMYK 7 / 0 / 12 / 13

HEX #D0DFC4

RGB 208 223 196

HSL 93.33, 0.3%, 0.82%

LAB 87.08, -9.83, 11.53

 

CMYK 0 / 0 / 34 / 1

HEX #FCFBA6

RGB 252 251 166

HSL 59.3, 0.93%, 0.82%

LAB 97, -12.01, 40.92

 

CMYK 8 / 0 / 34 / 1

HEX #E7FCA6

RGB 231 252 166

HSL 74.65, 0.93%, 0.82%

LAB 95.73, -20.29, 38.97

 

CMYK 17 / 0 / 34 / 1

HEX #D0FCA6

RGB 208 252 166

HSL 90.7, 0.93%, 0.82%

LAB 94.22, -28.54, 36.7

 

CMYK 27 / 0 / 34 / 1

HEX #B9FCA6

RGB 185 252 166

HSL 106.74, 0.93%, 0.82%

LAB 92.88, -36.37, 34.68

 

CMYK 34 / 0 / 33 / 1

HEX #A6FCAA

RGB 166 252 170

HSL 122.79, 0.93%, 0.82%

LAB 91.97, -41.78, 31.29

 

CMYK 34 / 0 / 66 / 2

HEX #A4FA56

RGB 164 250 86

HSL 91.46, 0.94%, 0.66%

LAB 90.29, -51.39, 67.79

 

CMYK 26 / 0 / 50 / 2

HEX #BAFB7E

RGB 186 251 126

HSL 91.2, 0.94%, 0.74%

LAB 92.1, -40.62, 53.03

 

CMYK 18 / 0 / 34 / 1

HEX #CFFCA6

RGB 207 252 166

HSL 91.4, 0.93%, 0.82%

LAB 94.16, -28.89, 36.61

 

CMYK 9 / 0 / 19 / 1

HEX #E5FDCE

RGB 229 253 206

HSL 90.64, 0.92%, 0.9%

LAB 96.56, -15.9, 19.92

 

CMYK 2 / 0 / 4 / 0

HEX #FAFFF6

RGB 250 255 246

HSL 93.33, 1%, 0.98%

LAB 99.42, -3.21, 3.71

 

CMYK 18 / 0 / 35 / 1

HEX #CEFCA4

RGB 206 252 164

HSL 91.36, 0.94%, 0.82%

LAB 94.07, -29.51, 37.47

 

CMYK 34 / 0 / 10 / 1

HEX #A6FCE4

RGB 166 252 228

HSL 163.26, 0.93%, 0.82%

LAB 93.16, -31.04, 3.27

 

CMYK 0 / 34 / 4 / 1

HEX #FCA6F2

RGB 252 166 242

HSL 306.98, 0.93%, 0.82%

LAB 78.68, 43.01, -25.02

 

CMYK 18 / 0 / 35 / 1

HEX #CEFCA4

RGB 206 252 164

HSL 91.36, 0.94%, 0.82%

LAB 94.07, -29.51, 37.47

 

CMYK 34 / 17 / 0 / 1

HEX #A6D0FC

RGB 166 208 252

HSL 210.7, 0.93%, 0.82%

LAB 81.97, -3.5, -25.99

 

CMYK 0 / 34 / 17 / 1

HEX #FCA6D0

RGB 252 166 208

HSL 330.7, 0.93%, 0.82%

LAB 77.59, 37.48, -8.22

 

CMYK 18 / 0 / 35 / 1

HEX #CEFCA4

RGB 206 252 164

HSL 91.36, 0.94%, 0.82%

LAB 94.07, -29.51, 37.47

 

CMYK 34 / 0 / 10 / 1

HEX #A6FCE4

RGB 166 252 228

HSL 163.26, 0.93%, 0.82%

LAB 93.16, -31.04, 3.27

 

CMYK 16 / 34 / 0 / 1

HEX #D3A6FC

RGB 211 166 252

HSL 271.4, 0.93%, 0.82%

LAB 74.92, 32.38, -36.56

 

CMYK 0 / 34 / 25 / 1

HEX #FCA6BE

RGB 252 166 190

HSL 343.26, 0.93%, 0.82%

LAB 77.09, 34.86, 0.87

 

CMYK 18 / 0 / 35 / 1

HEX #CEFCA4

RGB 206 252 164

HSL 91.36, 0.94%, 0.82%

LAB 94.07, -29.51, 37.47

 

CMYK 34 / 0 / 0 / 1

HEX #A6FBFC

RGB 166 251 252

HSL 180.7, 0.93%, 0.82%

LAB 93.51, -25.27, -8.64

 

CMYK 16 / 34 / 0 / 1

HEX #D3A6FC

RGB 211 166 252

HSL 271.4, 0.93%, 0.82%

LAB 74.92, 32.38, -36.56

 

CMYK 0 / 34 / 34 / 1

HEX #FCA7A6

RGB 252 167 166

HSL 0.7, 0.93%, 0.82%

LAB 76.73, 31.22, 13.45

 

Description

Color code: HEX #CEFCA4CE | qconv.com Color code: HEX #CEFCA4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 252 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 252 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 28 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 28% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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