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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEF90F it is the complementary color #3106F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEF90F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEF90F shade: #D3F90A, #E4FF1D, #F5FF30, #FFFF43 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEF90F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEF90F shade: #CEF90F, #BDE700, #ACD500, #9BC300 and #8AB100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEF90F shade: #CEF810, #F8E410, #F8A610, #F86710 and #F82810

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEF90F shade: #CEF810, #8FF810, #50F810, #11F810 and #10F84D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEF90F shade matches the following richer shades: #CEF810

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEF90F shade: #CEF810, #C1E524, #B5D137, #A8BD4B and #9CA95F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEF90F shade: #F8A710, #F8E510, #CEF810, #90F810 and #52F810

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEF90F shade: #92B204, #B3DA05, #CEF810, #D6F938 and #DEFA60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEF90F shade: #CEF90F, #10F869 and #C610F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEF90F shade: #CEF90F, #10CEF8 and #F810CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEF90F shade: #CEF90F, #10F869, #3A10F8 and #F8109F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEF90F shade: #CEF90F, #10F8AF, #3A10F8 and #F81059

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 94 / 2

HEX #CEF90F

RGB 206 249 15

HSL 71.03, 0.95%, 0.52%

LAB 92.09, -38.39, 88.04

 

Complementary color

CMYK 80 / 98 / 0 / 6

HEX #3106F0

RGB 49 6 240

HSL 251.03, 0.95%, 0.48%

LAB 31.98, 75.25, -99.91

 

CMYK 15 / 0 / 96 / 2

HEX #D3F90A

RGB 211 249 10

HSL 69.54, 0.95%, 0.51%

LAB 92.41, -36.47, 88.84

 

CMYK 11 / 0 / 89 / 0

HEX #E4FF1D

RGB 228 255 29

HSL 67.17, 1%, 0.56%

LAB 95.2, -32.19, 89.4

 

CMYK 4 / 0 / 81 / 0

HEX #F5FF30

RGB 245 255 48

HSL 62.9, 1%, 0.59%

LAB 96.47, -24.91, 87.3

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 17 / 0 / 94 / 2

HEX #CEF90F

RGB 206 249 15

HSL 71.03, 0.95%, 0.52%

LAB 92.09, -38.39, 88.04

 

CMYK 18 / 0 / 100 / 9

HEX #BDE700

RGB 189 231 0

HSL 70.91, 1%, 0.45%

LAB 85.99, -37.17, 84.11

 

CMYK 19 / 0 / 100 / 16

HEX #ACD500

RGB 172 213 0

HSL 71.55, 1%, 0.42%

LAB 79.82, -35.81, 78.97

 

CMYK 21 / 0 / 100 / 24

HEX #9BC300

RGB 155 195 0

HSL 72.31, 1%, 0.38%

LAB 73.54, -34.43, 73.75

 

CMYK 22 / 0 / 100 / 31

HEX #8AB100

RGB 138 177 0

HSL 73.22, 1%, 0.35%

LAB 67.16, -33.04, 68.43

 

CMYK 17 / 0 / 94 / 3

HEX #CEF810

RGB 206 248 16

HSL 70.86, 0.94%, 0.52%

LAB 91.82, -37.93, 87.73

 

CMYK 0 / 8 / 94 / 3

HEX #F8E410

RGB 248 228 16

HSL 54.83, 0.94%, 0.52%

LAB 89.62, -11.26, 87.42

 

CMYK 0 / 33 / 94 / 3

HEX #F8A610

RGB 248 166 16

HSL 38.79, 0.94%, 0.52%

LAB 74.36, 20.61, 76.25

 

CMYK 0 / 58 / 94 / 3

HEX #F86710

RGB 248 103 16

HSL 22.5, 0.94%, 0.52%

LAB 61.39, 52.2, 67.39

 

CMYK 0 / 84 / 94 / 3

HEX #F82810

RGB 248 40 16

HSL 6.21, 0.94%, 0.52%

LAB 53.5, 73.74, 62.56

 

CMYK 17 / 0 / 94 / 3

HEX #CEF810

RGB 206 248 16

HSL 70.86, 0.94%, 0.52%

LAB 91.82, -37.93, 87.73

 

CMYK 42 / 0 / 94 / 3

HEX #8FF810

RGB 143 248 16

HSL 87.16, 0.94%, 0.52%

LAB 88.45, -60.57, 83.64

 

CMYK 68 / 0 / 94 / 3

HEX #50F810

RGB 80 248 16

HSL 103.45, 0.94%, 0.52%

LAB 86.44, -76.59, 81.17

 

CMYK 93 / 0 / 94 / 3

HEX #11F810

RGB 17 248 16

HSL 119.74, 0.94%, 0.52%

LAB 85.65, -83.59, 80.2

 

CMYK 94 / 0 / 69 / 3

HEX #10F84D

RGB 16 248 77

HSL 135.78, 0.94%, 0.52%

LAB 85.9, -80.42, 65.41

 

CMYK 17 / 0 / 94 / 3

HEX #CEF810

RGB 206 248 16

HSL 70.86, 0.94%, 0.52%

LAB 91.82, -37.93, 87.73

 

CMYK 17 / 0 / 94 / 3

HEX #CEF810

RGB 206 248 16

HSL 70.86, 0.94%, 0.52%

LAB 91.82, -37.93, 87.73

 

CMYK 16 / 0 / 84 / 10

HEX #C1E524

RGB 193 229 36

HSL 71.19, 0.79%, 0.52%

LAB 85.76, -34.1, 79.43

 

CMYK 13 / 0 / 74 / 18

HEX #B5D137

RGB 181 209 55

HSL 70.91, 0.63%, 0.52%

LAB 79.44, -28.91, 68.34

 

CMYK 11 / 0 / 60 / 26

HEX #A8BD4B

RGB 168 189 75

HSL 71.05, 0.46%, 0.52%

LAB 73.04, -23.33, 53.77

 

CMYK 8 / 0 / 44 / 34

HEX #9CA95F

RGB 156 169 95

HSL 70.54, 0.3%, 0.52%

LAB 66.73, -16.28, 36.55

 

CMYK 0 / 33 / 94 / 3

HEX #F8A710

RGB 248 167 16

HSL 39.05, 0.94%, 0.52%

LAB 74.59, 20.09, 76.42

 

CMYK 0 / 8 / 94 / 3

HEX #F8E510

RGB 248 229 16

HSL 55.09, 0.94%, 0.52%

LAB 89.87, -11.76, 87.61

 

CMYK 17 / 0 / 94 / 3

HEX #CEF810

RGB 206 248 16

HSL 70.86, 0.94%, 0.52%

LAB 91.82, -37.93, 87.73

 

CMYK 42 / 0 / 94 / 3

HEX #90F810

RGB 144 248 16

HSL 86.9, 0.94%, 0.52%

LAB 88.5, -60.25, 83.69

 

CMYK 67 / 0 / 94 / 3

HEX #52F810

RGB 82 248 16

HSL 102.93, 0.94%, 0.52%

LAB 86.49, -76.21, 81.23

 

CMYK 18 / 0 / 98 / 30

HEX #92B204

RGB 146 178 4

HSL 71.03, 0.96%, 0.36%

LAB 67.99, -30.15, 68.8

 

CMYK 18 / 0 / 98 / 15

HEX #B3DA05

RGB 179 218 5

HSL 70.99, 0.96%, 0.44%

LAB 81.7, -35.22, 80.14

 

CMYK 17 / 0 / 94 / 3

HEX #CEF810

RGB 206 248 16

HSL 70.86, 0.94%, 0.52%

LAB 91.82, -37.93, 87.73

 

CMYK 14 / 0 / 78 / 2

HEX #D6F938

RGB 214 249 56

HSL 70.88, 0.94%, 0.6%

LAB 92.72, -34.25, 81.15

 

CMYK 11 / 0 / 62 / 2

HEX #DEFA60

RGB 222 250 96

HSL 70.91, 0.94%, 0.68%

LAB 93.77, -29.46, 68.58

 

CMYK 17 / 0 / 94 / 2

HEX #CEF90F

RGB 206 249 15

HSL 71.03, 0.95%, 0.52%

LAB 92.09, -38.39, 88.04

 

CMYK 94 / 0 / 58 / 3

HEX #10F869

RGB 16 248 105

HSL 143.02, 0.94%, 0.52%

LAB 86.14, -77.38, 54.25

 

CMYK 20 / 94 / 0 / 3

HEX #C610F8

RGB 198 16 248

HSL 287.07, 0.94%, 0.52%

LAB 50.87, 87.78, -72.67

 

CMYK 17 / 0 / 94 / 2

HEX #CEF90F

RGB 206 249 15

HSL 71.03, 0.95%, 0.52%

LAB 92.09, -38.39, 88.04

 

CMYK 94 / 17 / 0 / 3

HEX #10CEF8

RGB 16 206 248

HSL 190.86, 0.94%, 0.52%

LAB 76.7, -27.29, -32.35

 

CMYK 0 / 94 / 17 / 3

HEX #F810CE

RGB 248 16 206

HSL 310.86, 0.94%, 0.52%

LAB 56.86, 89.66, -38.83

 

CMYK 17 / 0 / 94 / 2

HEX #CEF90F

RGB 206 249 15

HSL 71.03, 0.95%, 0.52%

LAB 92.09, -38.39, 88.04

 

CMYK 94 / 0 / 58 / 3

HEX #10F869

RGB 16 248 105

HSL 143.02, 0.94%, 0.52%

LAB 86.14, -77.38, 54.25

 

CMYK 77 / 94 / 0 / 3

HEX #3A10F8

RGB 58 16 248

HSL 250.86, 0.94%, 0.52%

LAB 34.08, 75.83, -100.91

 

CMYK 0 / 94 / 36 / 3

HEX #F8109F

RGB 248 16 159

HSL 323.02, 0.94%, 0.52%

LAB 54.9, 84.55, -14.54

 

CMYK 17 / 0 / 94 / 2

HEX #CEF90F

RGB 206 249 15

HSL 71.03, 0.95%, 0.52%

LAB 92.09, -38.39, 88.04

 

CMYK 94 / 0 / 29 / 3

HEX #10F8AF

RGB 16 248 175

HSL 161.12, 0.94%, 0.52%

LAB 87.16, -65.29, 21.59

 

CMYK 77 / 94 / 0 / 3

HEX #3A10F8

RGB 58 16 248

HSL 250.86, 0.94%, 0.52%

LAB 34.08, 75.83, -100.91

 

CMYK 0 / 94 / 64 / 3

HEX #F81059

RGB 248 16 89

HSL 341.12, 0.94%, 0.52%

LAB 53, 79.44, 24.79

 

Description

Color code: HEX #CEF90F | qconv.com Color code: HEX #CEF90F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 249 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 249 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 94 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 94% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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