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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEF433 it is the complementary color #310BCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEF433. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEF433 shade: #D3F42E, #E4FF41, #F5FF54, #FFFF67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEF433. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEF433 shade: #CEF433, #BDE220, #ACD00D, #9BBE00 and #8AAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEF433 shade: #CEF434, #F4E634, #F4B234, #F47E34 and #F44A34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEF433 shade: #CEF434, #9AF434, #66F434, #34F435 and #34F469

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEF433 shade matches the following richer shades: #CEF434

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEF433 shade: #CEF434, #C4E345, #B9D256, #AFC067 and #A4AF79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEF433 shade: #F4B134, #F4E434, #D1F434, #9EF434 and #6AF434

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEF433 shade: #A5CB0B, #C5F20D, #CEF434, #D8F65B and #E1F882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEF433 shade: #CEF433, #34F47D and #CB34F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEF433 shade: #CEF433, #34D1F4 and #F434D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEF433 shade: #CEF433, #34F47D, #5734F4 and #F434AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEF433 shade: #CEF433, #34F4B7, #5734F4 and #F43471

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 79 / 4

HEX #CEF433

RGB 206 244 51

HSL 71.81, 0.9%, 0.58%

LAB 90.81, -35.31, 80.58

 

Complementary color

CMYK 76 / 95 / 0 / 20

HEX #310BCC

RGB 49 11 204

HSL 251.81, 0.9%, 0.42%

LAB 27.44, 65.56, -86.75

 

CMYK 14 / 0 / 81 / 4

HEX #D3F42E

RGB 211 244 46

HSL 70, 0.9%, 0.57%

LAB 91.12, -33.5, 82.23

 

CMYK 11 / 0 / 75 / 0

HEX #E4FF41

RGB 228 255 65

HSL 68.53, 1%, 0.63%

LAB 95.33, -31.12, 81.29

 

CMYK 4 / 0 / 67 / 0

HEX #F5FF54

RGB 245 255 84

HSL 63.51, 1%, 0.66%

LAB 96.65, -23.47, 76.66

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 16 / 0 / 79 / 4

HEX #CEF433

RGB 206 244 51

HSL 71.81, 0.9%, 0.58%

LAB 90.81, -35.31, 80.58

 

CMYK 16 / 0 / 86 / 11

HEX #BDE220

RGB 189 226 32

HSL 71.44, 0.77%, 0.51%

LAB 84.65, -34.43, 79.21

 

CMYK 17 / 0 / 94 / 18

HEX #ACD00D

RGB 172 208 13

HSL 71.08, 0.88%, 0.43%

LAB 78.41, -33.37, 76.64

 

CMYK 18 / 0 / 100 / 25

HEX #9BBE00

RGB 155 190 0

HSL 71.05, 1%, 0.37%

LAB 72.09, -32.12, 72.65

 

CMYK 20 / 0 / 100 / 33

HEX #8AAC00

RGB 138 172 0

HSL 71.86, 1%, 0.34%

LAB 65.68, -30.7, 67.31

 

CMYK 16 / 0 / 79 / 4

HEX #CEF434

RGB 206 244 52

HSL 71.88, 0.9%, 0.58%

LAB 90.81, -35.27, 80.32

 

CMYK 0 / 6 / 79 / 4

HEX #F4E634

RGB 244 230 52

HSL 55.63, 0.9%, 0.58%

LAB 89.89, -13.17, 80.58

 

CMYK 0 / 27 / 79 / 4

HEX #F4B234

RGB 244 178 52

HSL 39.38, 0.9%, 0.58%

LAB 76.87, 13.41, 68.95

 

CMYK 0 / 48 / 79 / 4

HEX #F47E34

RGB 244 126 52

HSL 23.13, 0.9%, 0.58%

LAB 65.28, 40.47, 58.17

 

CMYK 0 / 70 / 79 / 4

HEX #F44A34

RGB 244 74 52

HSL 6.88, 0.9%, 0.58%

LAB 56.46, 63.52, 49.57

 

CMYK 16 / 0 / 79 / 4

HEX #CEF434

RGB 206 244 52

HSL 71.88, 0.9%, 0.58%

LAB 90.81, -35.27, 80.32

 

CMYK 37 / 0 / 79 / 4

HEX #9AF434

RGB 154 244 52

HSL 88.13, 0.9%, 0.58%

LAB 87.88, -54.36, 76.57

 

CMYK 58 / 0 / 79 / 4

HEX #66F434

RGB 102 244 52

HSL 104.38, 0.9%, 0.58%

LAB 85.89, -69.4, 74.01

 

CMYK 79 / 0 / 78 / 4

HEX #34F435

RGB 52 244 53

HSL 120.31, 0.9%, 0.58%

LAB 84.84, -78.29, 72.35

 

CMYK 79 / 0 / 57 / 4

HEX #34F469

RGB 52 244 105

HSL 136.56, 0.9%, 0.58%

LAB 85.23, -73.5, 53.25

 

CMYK 16 / 0 / 79 / 4

HEX #CEF434

RGB 206 244 52

HSL 71.88, 0.9%, 0.58%

LAB 90.81, -35.27, 80.32

 

CMYK 16 / 0 / 79 / 4

HEX #CEF434

RGB 206 244 52

HSL 71.88, 0.9%, 0.58%

LAB 90.81, -35.27, 80.32

 

CMYK 14 / 0 / 70 / 11

HEX #C4E345

RGB 196 227 69

HSL 71.77, 0.74%, 0.58%

LAB 85.56, -30.63, 69.83

 

CMYK 12 / 0 / 59 / 18

HEX #B9D256

RGB 185 210 86

HSL 72.1, 0.58%, 0.58%

LAB 80.22, -25.83, 57.24

 

CMYK 9 / 0 / 46 / 25

HEX #AFC067

RGB 175 192 103

HSL 71.46, 0.41%, 0.58%

LAB 74.69, -19.45, 42.67

 

CMYK 6 / 0 / 31 / 31

HEX #A4AF79

RGB 164 175 121

HSL 72.22, 0.25%, 0.58%

LAB 69.42, -12.94, 26.47

 

CMYK 0 / 27 / 79 / 4

HEX #F4B134

RGB 244 177 52

HSL 39.06, 0.9%, 0.58%

LAB 76.63, 13.94, 68.73

 

CMYK 0 / 7 / 79 / 4

HEX #F4E434

RGB 244 228 52

HSL 55, 0.9%, 0.58%

LAB 89.38, -12.19, 80.12

 

CMYK 14 / 0 / 79 / 4

HEX #D1F434

RGB 209 244 52

HSL 70.94, 0.9%, 0.58%

LAB 91.01, -34.09, 80.57

 

CMYK 35 / 0 / 79 / 4

HEX #9EF434

RGB 158 244 52

HSL 86.88, 0.9%, 0.58%

LAB 88.07, -53.01, 76.82

 

CMYK 57 / 0 / 79 / 4

HEX #6AF434

RGB 106 244 52

HSL 103.13, 0.9%, 0.58%

LAB 86.01, -68.44, 74.16

 

CMYK 19 / 0 / 95 / 20

HEX #A5CB0B

RGB 165 203 11

HSL 71.88, 0.9%, 0.42%

LAB 76.52, -33.92, 75.18

 

CMYK 19 / 0 / 95 / 5

HEX #C5F20D

RGB 197 242 13

HSL 71.79, 0.9%, 0.5%

LAB 89.58, -38.81, 86.03

 

CMYK 16 / 0 / 79 / 4

HEX #CEF434

RGB 206 244 52

HSL 71.88, 0.9%, 0.58%

LAB 90.81, -35.27, 80.32

 

CMYK 12 / 0 / 63 / 4

HEX #D8F65B

RGB 216 246 91

HSL 71.61, 0.9%, 0.66%

LAB 92.25, -30.27, 68.83

 

CMYK 9 / 0 / 48 / 3

HEX #E1F882

RGB 225 248 130

HSL 71.69, 0.89%, 0.74%

LAB 93.78, -24.57, 53.77

 

CMYK 16 / 0 / 79 / 4

HEX #CEF433

RGB 206 244 51

HSL 71.81, 0.9%, 0.58%

LAB 90.81, -35.31, 80.58

 

CMYK 79 / 0 / 49 / 4

HEX #34F47D

RGB 52 244 125

HSL 142.81, 0.9%, 0.58%

LAB 85.46, -70.71, 44.29

 

CMYK 17 / 79 / 0 / 4

HEX #CB34F4

RGB 203 52 244

HSL 287.19, 0.9%, 0.58%

LAB 53.69, 81.01, -65.82

 

CMYK 16 / 0 / 79 / 4

HEX #CEF433

RGB 206 244 51

HSL 71.81, 0.9%, 0.58%

LAB 90.81, -35.31, 80.58

 

CMYK 79 / 14 / 0 / 4

HEX #34D1F4

RGB 52 209 244

HSL 190.94, 0.9%, 0.58%

LAB 77.79, -27.89, -28.49

 

CMYK 0 / 79 / 14 / 4

HEX #F434D1

RGB 244 52 209

HSL 310.94, 0.9%, 0.58%

LAB 58.31, 83.43, -38.32

 

CMYK 16 / 0 / 79 / 4

HEX #CEF433

RGB 206 244 51

HSL 71.81, 0.9%, 0.58%

LAB 90.81, -35.31, 80.58

 

CMYK 79 / 0 / 49 / 4

HEX #34F47D

RGB 52 244 125

HSL 142.81, 0.9%, 0.58%

LAB 85.46, -70.71, 44.29

 

CMYK 64 / 79 / 0 / 4

HEX #5734F4

RGB 87 52 244

HSL 250.94, 0.9%, 0.58%

LAB 39.6, 64.92, -89.42

 

CMYK 0 / 79 / 30 / 4

HEX #F434AA

RGB 244 52 170

HSL 323.13, 0.9%, 0.58%

LAB 56.68, 78.72, -18.37

 

CMYK 16 / 0 / 79 / 4

HEX #CEF433

RGB 206 244 51

HSL 71.81, 0.9%, 0.58%

LAB 90.81, -35.31, 80.58

 

CMYK 79 / 0 / 25 / 4

HEX #34F4B7

RGB 52 244 183

HSL 160.94, 0.9%, 0.58%

LAB 86.43, -59.72, 16.5

 

CMYK 64 / 79 / 0 / 4

HEX #5734F4

RGB 87 52 244

HSL 250.94, 0.9%, 0.58%

LAB 39.6, 64.92, -89.42

 

CMYK 0 / 79 / 54 / 4

HEX #F43471

RGB 244 52 113

HSL 340.94, 0.9%, 0.58%

LAB 54.95, 73.55, 12.86

 

Description

Color code: HEX #CEF433 | qconv.com Color code: HEX #CEF433 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 244 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 244 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 79 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 79% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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