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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEF3C5 it is the complementary color #310C3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEF3C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEF3C5 shade: #D3F3C0, #E4FFD3, #F5FFE6, #FFFFF9 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEF3C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEF3C5 shade: #CEF3C5, #BDE1B2, #ACCF9F, #9BBD8C and #8AAB79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEF3C5 shade: #CDF3C4, #DAF3C4, #E6F3C4, #F3F3C4 and #F3E6C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEF3C5 shade: #CDF3C4, #C4F3C7, #C4F3D4, #C4F3E1 and #C4F3ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEF3C5 shade matches the following richer shades: #CDF3C4, #C9F9BE and #C6FEB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEF3C5 shade: #CDF3C4, #D0EDCA, #D4E7CF, #D8E2D5 and #DBDCDB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEF3C5 shade: #E6F3C4, #DAF3C4, #CDF3C4, #C4F3C7 and #C4F3D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEF3C5 shade: #93E57F, #B0ECA1, #CDF3C4, #EAFAE6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEF3C5 shade: #CEF3C5, #C4F3F3 and #F3C4E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEF3C5 shade: #CEF3C5, #C4CDF3 and #F3C4CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEF3C5 shade: #CEF3C5, #C4F3F3, #E9C4F3 and #F3C4C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEF3C5 shade: #CEF3C5, #C4E5F3, #E9C4F3 and #F3D2C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 19 / 5

HEX #CEF3C5

RGB 206 243 197

HSL 108.26, 0.66%, 0.86%

LAB 92.24, -20.3, 18.27

 

Complementary color

CMYK 16 / 79 / 0 / 77

HEX #310C3A

RGB 49 12 58

HSL 288.26, 0.66%, 0.14%

LAB 10.71, 26.52, -21.11

 

CMYK 13 / 0 / 21 / 5

HEX #D3F3C0

RGB 211 243 192

HSL 97.65, 0.68%, 0.85%

LAB 92.47, -19.4, 21.2

 

CMYK 11 / 0 / 17 / 0

HEX #E4FFD3

RGB 228 255 211

HSL 96.82, 1%, 0.91%

LAB 97.11, -16.43, 18.13

 

CMYK 4 / 0 / 10 / 0

HEX #F5FFE6

RGB 245 255 230

HSL 84, 1%, 0.95%

LAB 98.69, -7.58, 10.81

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 15 / 0 / 19 / 5

HEX #CEF3C5

RGB 206 243 197

HSL 108.26, 0.66%, 0.86%

LAB 92.24, -20.3, 18.27

 

CMYK 16 / 0 / 21 / 12

HEX #BDE1B2

RGB 189 225 178

HSL 105.96, 0.44%, 0.79%

LAB 85.95, -20.4, 19.17

 

CMYK 17 / 0 / 23 / 19

HEX #ACCF9F

RGB 172 207 159

HSL 103.75, 0.33%, 0.72%

LAB 79.56, -20.51, 20.11

 

CMYK 18 / 0 / 26 / 26

HEX #9BBD8C

RGB 155 189 140

HSL 101.63, 0.27%, 0.65%

LAB 73.06, -20.62, 21.1

 

CMYK 19 / 0 / 29 / 33

HEX #8AAB79

RGB 138 171 121

HSL 99.6, 0.23%, 0.57%

LAB 66.45, -20.75, 22.16

 

CMYK 16 / 0 / 19 / 5

HEX #CDF3C4

RGB 205 243 196

HSL 108.51, 0.66%, 0.86%

LAB 92.16, -20.8, 18.66

 

CMYK 10 / 0 / 19 / 5

HEX #DAF3C4

RGB 218 243 196

HSL 91.91, 0.66%, 0.86%

LAB 93.01, -16.36, 19.98

 

CMYK 5 / 0 / 19 / 5

HEX #E6F3C4

RGB 230 243 196

HSL 76.6, 0.66%, 0.86%

LAB 93.84, -12.15, 21.26

 

CMYK 0 / 0 / 19 / 5

HEX #F3F3C4

RGB 243 243 196

HSL 60, 0.66%, 0.86%

LAB 94.8, -7.52, 22.73

 

CMYK 0 / 5 / 19 / 5

HEX #F3E6C4

RGB 243 230 196

HSL 43.4, 0.66%, 0.86%

LAB 91.52, -0.95, 18.17

 

CMYK 16 / 0 / 19 / 5

HEX #CDF3C4

RGB 205 243 196

HSL 108.51, 0.66%, 0.86%

LAB 92.16, -20.8, 18.66

 

CMYK 19 / 0 / 18 / 5

HEX #C4F3C7

RGB 196 243 199

HSL 123.83, 0.66%, 0.86%

LAB 91.67, -23.29, 16.34

 

CMYK 19 / 0 / 13 / 5

HEX #C4F3D4

RGB 196 243 212

HSL 140.43, 0.66%, 0.86%

LAB 91.95, -20.98, 10.02

 

CMYK 19 / 0 / 7 / 5

HEX #C4F3E1

RGB 196 243 225

HSL 157.02, 0.66%, 0.86%

LAB 92.25, -18.53, 3.71

 

CMYK 19 / 0 / 2 / 5

HEX #C4F3ED

RGB 196 243 237

HSL 172.34, 0.66%, 0.86%

LAB 92.55, -16.15, -2.08

 

CMYK 16 / 0 / 19 / 5

HEX #CDF3C4

RGB 205 243 196

HSL 108.51, 0.66%, 0.86%

LAB 92.16, -20.8, 18.66

 

CMYK 19 / 0 / 24 / 2

HEX #C9F9BE

RGB 201 249 190

HSL 108.81, 0.83%, 0.86%

LAB 93.4, -26, 23.42

 

CMYK 22 / 0 / 28 / 0

HEX #C6FEB8

RGB 198 254 184

HSL 108, 0.97%, 0.86%

LAB 94.46, -30.3, 27.89

 

CMYK 16 / 0 / 19 / 5

HEX #CDF3C4

RGB 205 243 196

HSL 108.51, 0.66%, 0.86%

LAB 92.16, -20.8, 18.66

 

CMYK 12 / 0 / 15 / 7

HEX #D0EDCA

RGB 208 237 202

HSL 109.71, 0.49%, 0.86%

LAB 90.89, -15.84, 13.8

 

CMYK 8 / 0 / 10 / 9

HEX #D4E7CF

RGB 212 231 207

HSL 107.5, 0.33%, 0.86%

LAB 89.7, -10.63, 9.54

 

CMYK 4 / 0 / 6 / 11

HEX #D8E2D5

RGB 216 226 213

HSL 106.15, 0.18%, 0.86%

LAB 88.83, -5.69, 5.18

 

CMYK 0 / 0 / 0 / 14

HEX #DBDCDB

RGB 219 220 219

HSL 120, 0.01%, 0.86%

LAB 87.66, -0.51, 0.36

 

CMYK 5 / 0 / 19 / 5

HEX #E6F3C4

RGB 230 243 196

HSL 76.6, 0.66%, 0.86%

LAB 93.84, -12.15, 21.26

 

CMYK 10 / 0 / 19 / 5

HEX #DAF3C4

RGB 218 243 196

HSL 91.91, 0.66%, 0.86%

LAB 93.01, -16.36, 19.98

 

CMYK 16 / 0 / 19 / 5

HEX #CDF3C4

RGB 205 243 196

HSL 108.51, 0.66%, 0.86%

LAB 92.16, -20.8, 18.66

 

CMYK 19 / 0 / 18 / 5

HEX #C4F3C7

RGB 196 243 199

HSL 123.83, 0.66%, 0.86%

LAB 91.67, -23.29, 16.34

 

CMYK 19 / 0 / 13 / 5

HEX #C4F3D3

RGB 196 243 211

HSL 139.15, 0.66%, 0.86%

LAB 91.93, -21.16, 10.51

 

CMYK 36 / 0 / 45 / 10

HEX #93E57F

RGB 147 229 127

HSL 108.24, 0.66%, 0.7%

LAB 83.85, -43.93, 41.9

 

CMYK 25 / 0 / 32 / 7

HEX #B0ECA1

RGB 176 236 161

HSL 108, 0.66%, 0.78%

LAB 87.87, -32.75, 30.43

 

CMYK 16 / 0 / 19 / 5

HEX #CDF3C4

RGB 205 243 196

HSL 108.51, 0.66%, 0.86%

LAB 92.16, -20.8, 18.66

 

CMYK 6 / 0 / 8 / 2

HEX #EAFAE6

RGB 234 250 230

HSL 108, 0.67%, 0.94%

LAB 96.65, -8.79, 7.78

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 15 / 0 / 19 / 5

HEX #CEF3C5

RGB 206 243 197

HSL 108.26, 0.66%, 0.86%

LAB 92.24, -20.3, 18.27

 

CMYK 19 / 0 / 0 / 5

HEX #C4F3F3

RGB 196 243 243

HSL 180, 0.66%, 0.86%

LAB 92.71, -14.92, -4.97

 

CMYK 0 / 19 / 8 / 5

HEX #F3C4E0

RGB 243 196 224

HSL 324.26, 0.66%, 0.86%

LAB 83.92, 21.17, -7.56

 

CMYK 15 / 0 / 19 / 5

HEX #CEF3C5

RGB 206 243 197

HSL 108.26, 0.66%, 0.86%

LAB 92.24, -20.3, 18.27

 

CMYK 19 / 16 / 0 / 5

HEX #C4CDF3

RGB 196 205 243

HSL 228.51, 0.66%, 0.86%

LAB 82.84, 4.7, -19.7

 

CMYK 0 / 19 / 16 / 5

HEX #F3C4CD

RGB 243 196 205

HSL 348.51, 0.66%, 0.86%

LAB 83.41, 18.08, 1.85

 

CMYK 15 / 0 / 19 / 5

HEX #CEF3C5

RGB 206 243 197

HSL 108.26, 0.66%, 0.86%

LAB 92.24, -20.3, 18.27

 

CMYK 19 / 0 / 0 / 5

HEX #C4F3F3

RGB 196 243 243

HSL 180, 0.66%, 0.86%

LAB 92.71, -14.92, -4.97

 

CMYK 4 / 19 / 0 / 5

HEX #E9C4F3

RGB 233 196 243

HSL 287.23, 0.66%, 0.86%

LAB 83.59, 21.25, -18.29

 

CMYK 0 / 19 / 19 / 5

HEX #F3C4C4

RGB 243 196 196

HSL 0, 0.66%, 0.86%

LAB 83.19, 16.71, 6.34

 

CMYK 15 / 0 / 19 / 5

HEX #CEF3C5

RGB 206 243 197

HSL 108.26, 0.66%, 0.86%

LAB 92.24, -20.3, 18.27

 

CMYK 19 / 6 / 0 / 5

HEX #C4E5F3

RGB 196 229 243

HSL 197.87, 0.66%, 0.86%

LAB 89.04, -7.85, -10.41

 

CMYK 4 / 19 / 0 / 5

HEX #E9C4F3

RGB 233 196 243

HSL 287.23, 0.66%, 0.86%

LAB 83.59, 21.25, -18.29

 

CMYK 0 / 14 / 19 / 5

HEX #F3D2C4

RGB 243 210 196

HSL 17.87, 0.66%, 0.86%

LAB 86.57, 9.36, 11.18

 

Description

Color code: HEX #CEF3C5 | qconv.com Color code: HEX #CEF3C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 243 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 243 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 19 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 19% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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