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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEF279 it is the complementary color #310D86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEF279. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEF279 shade: #D3F274, #E4FF87, #F5FF9A, #FFFFAD and #FFFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEF279. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEF279 shade: #CEF279, #BDE066, #ACCE53, #9BBC40 and #8AAA2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEF279 shade: #CEF278, #EEF278, #F2D478, #F2B478 and #F29378

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEF279 shade: #CEF278, #ADF278, #8CF278, #78F285 and #78F2A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEF279 shade matches the following richer shades: #CEF278 and #D2FE6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEF279 shade: #CEF278, #C9E684, #C4DA90, #BFCE9C and #BAC2A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEF279 shade: #F2D378, #F0F278, #CFF278, #AFF278 and #8FF278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEF279 shade: #B2EA2D, #C0EE53, #CEF278, #DBF59E and #E9F9C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEF279 shade: #CEF279, #78F2B3 and #E478F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEF279 shade: #CEF279, #78CFF2 and #F278CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEF279 shade: #CEF279, #78F2B3, #9B78F2 and #F278B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEF279 shade: #CEF279, #78F2D7, #9B78F2 and #F27893

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 50 / 5

HEX #CEF279

RGB 206 242 121

HSL 77.85, 0.82%, 0.71%

LAB 90.78, -29.79, 54.04

 

Complementary color

CMYK 63 / 90 / 0 / 47

HEX #310D86

RGB 49 13 134

HSL 257.85, 0.82%, 0.29%

LAB 18.64, 46.57, -58.99

 

CMYK 13 / 0 / 52 / 5

HEX #D3F274

RGB 211 242 116

HSL 74.76, 0.83%, 0.7%

LAB 91.06, -28.37, 56.74

 

CMYK 11 / 0 / 47 / 0

HEX #E4FF87

RGB 228 255 135

HSL 73.5, 1%, 0.76%

LAB 95.9, -26.26, 54.06

 

CMYK 4 / 0 / 40 / 0

HEX #F5FF9A

RGB 245 255 154

HSL 65.94, 1%, 0.8%

LAB 97.34, -17.91, 47.1

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 15 / 0 / 50 / 5

HEX #CEF279

RGB 206 242 121

HSL 77.85, 0.82%, 0.71%

LAB 90.78, -29.79, 54.04

 

CMYK 16 / 0 / 54 / 12

HEX #BDE066

RGB 189 224 102

HSL 77.21, 0.66%, 0.64%

LAB 84.53, -29.58, 55.09

 

CMYK 17 / 0 / 60 / 19

HEX #ACCE53

RGB 172 206 83

HSL 76.59, 0.56%, 0.57%

LAB 78.19, -29.3, 56.04

 

CMYK 18 / 0 / 66 / 26

HEX #9BBC40

RGB 155 188 64

HSL 75.97, 0.49%, 0.49%

LAB 71.76, -28.91, 56.77

 

CMYK 19 / 0 / 74 / 33

HEX #8AAA2D

RGB 138 170 45

HSL 75.36, 0.58%, 0.42%

LAB 65.23, -28.38, 57.08

 

CMYK 15 / 0 / 50 / 5

HEX #CEF278

RGB 206 242 120

HSL 77.7, 0.82%, 0.71%

LAB 90.77, -29.89, 54.49

 

CMYK 2 / 0 / 50 / 5

HEX #EEF278

RGB 238 242 120

HSL 61.97, 0.82%, 0.71%

LAB 93.03, -17.56, 57.72

 

CMYK 0 / 12 / 50 / 5

HEX #F2D478

RGB 242 212 120

HSL 45.25, 0.82%, 0.71%

LAB 85.67, -0.99, 49

 

CMYK 0 / 26 / 50 / 5

HEX #F2B478

RGB 242 180 120

HSL 29.51, 0.82%, 0.71%

LAB 77.8, 15.67, 39.25

 

CMYK 0 / 39 / 50 / 5

HEX #F29378

RGB 242 147 120

HSL 13.28, 0.82%, 0.71%

LAB 70.25, 33.06, 29.51

 

CMYK 15 / 0 / 50 / 5

HEX #CEF278

RGB 206 242 120

HSL 77.7, 0.82%, 0.71%

LAB 90.77, -29.89, 54.49

 

CMYK 29 / 0 / 50 / 5

HEX #ADF278

RGB 173 242 120

HSL 93.93, 0.82%, 0.71%

LAB 88.8, -41.81, 51.65

 

CMYK 42 / 0 / 50 / 5

HEX #8CF278

RGB 140 242 120

HSL 110.16, 0.82%, 0.71%

LAB 87.21, -52.43, 49.35

 

CMYK 50 / 0 / 45 / 5

HEX #78F285

RGB 120 242 133

HSL 126.39, 0.82%, 0.71%

LAB 86.6, -56.23, 42.23

 

CMYK 50 / 0 / 31 / 5

HEX #78F2A6

RGB 120 242 166

HSL 142.62, 0.82%, 0.71%

LAB 87.12, -50.84, 26.44

 

CMYK 15 / 0 / 50 / 5

HEX #CEF278

RGB 206 242 120

HSL 77.7, 0.82%, 0.71%

LAB 90.77, -29.89, 54.49

 

CMYK 17 / 0 / 57 / 0

HEX #D2FE6C

RGB 210 254 108

HSL 78.08, 0.99%, 0.71%

LAB 94.17, -34.97, 63.82

 

CMYK 15 / 0 / 50 / 5

HEX #CEF278

RGB 206 242 120

HSL 77.7, 0.82%, 0.71%

LAB 90.77, -29.89, 54.49

 

CMYK 13 / 0 / 43 / 10

HEX #C9E684

RGB 201 230 132

HSL 77.76, 0.66%, 0.71%

LAB 87.33, -24.85, 44.5

 

CMYK 10 / 0 / 34 / 15

HEX #C4DA90

RGB 196 218 144

HSL 77.84, 0.5%, 0.71%

LAB 83.91, -19.44, 34.05

 

CMYK 7 / 0 / 24 / 19

HEX #BFCE9C

RGB 191 206 156

HSL 78, 0.34%, 0.71%

LAB 80.53, -13.63, 23.23

 

CMYK 4 / 0 / 13 / 24

HEX #BAC2A8

RGB 186 194 168

HSL 78.46, 0.18%, 0.71%

LAB 77.19, -7.4, 12.14

 

CMYK 0 / 13 / 50 / 5

HEX #F2D378

RGB 242 211 120

HSL 44.75, 0.82%, 0.71%

LAB 85.41, -0.48, 48.69

 

CMYK 1 / 0 / 50 / 5

HEX #F0F278

RGB 240 242 120

HSL 60.98, 0.82%, 0.71%

LAB 93.18, -16.78, 57.93

 

CMYK 14 / 0 / 50 / 5

HEX #CFF278

RGB 207 242 120

HSL 77.21, 0.82%, 0.71%

LAB 90.84, -29.51, 54.58

 

CMYK 28 / 0 / 50 / 5

HEX #AFF278

RGB 175 242 120

HSL 92.95, 0.82%, 0.71%

LAB 88.91, -41.12, 51.81

 

CMYK 41 / 0 / 50 / 5

HEX #8FF278

RGB 143 242 120

HSL 108.69, 0.82%, 0.71%

LAB 87.34, -51.53, 49.54

 

CMYK 24 / 0 / 81 / 8

HEX #B2EA2D

RGB 178 234 45

HSL 77.78, 0.82%, 0.55%

LAB 86.26, -41.88, 77.42

 

CMYK 19 / 0 / 65 / 7

HEX #C0EE53

RGB 192 238 83

HSL 77.81, 0.82%, 0.63%

LAB 88.44, -36.37, 67.47

 

CMYK 15 / 0 / 50 / 5

HEX #CEF278

RGB 206 242 120

HSL 77.7, 0.82%, 0.71%

LAB 90.77, -29.89, 54.49

 

CMYK 11 / 0 / 36 / 4

HEX #DBF59E

RGB 219 245 158

HSL 77.93, 0.81%, 0.79%

LAB 92.94, -22.3, 39.13

 

CMYK 6 / 0 / 21 / 2

HEX #E9F9C4

RGB 233 249 196

HSL 78.11, 0.82%, 0.87%

LAB 95.61, -14.06, 23.73

 

CMYK 15 / 0 / 50 / 5

HEX #CEF279

RGB 206 242 121

HSL 77.85, 0.82%, 0.71%

LAB 90.78, -29.79, 54.04

 

CMYK 50 / 0 / 26 / 5

HEX #78F2B3

RGB 120 242 179

HSL 149.02, 0.82%, 0.71%

LAB 87.36, -48.38, 20.11

 

CMYK 6 / 50 / 0 / 5

HEX #E478F2

RGB 228 120 242

HSL 293.11, 0.82%, 0.71%

LAB 66.78, 59.2, -43.67

 

CMYK 15 / 0 / 50 / 5

HEX #CEF279

RGB 206 242 121

HSL 77.85, 0.82%, 0.71%

LAB 90.78, -29.79, 54.04

 

CMYK 50 / 14 / 0 / 5

HEX #78CFF2

RGB 120 207 242

HSL 197.21, 0.82%, 0.71%

LAB 79.06, -16.93, -25.32

 

CMYK 0 / 50 / 14 / 5

HEX #F278CF

RGB 242 120 207

HSL 317.21, 0.82%, 0.71%

LAB 67.14, 57.28, -23.54

 

CMYK 15 / 0 / 50 / 5

HEX #CEF279

RGB 206 242 121

HSL 77.85, 0.82%, 0.71%

LAB 90.78, -29.79, 54.04

 

CMYK 50 / 0 / 26 / 5

HEX #78F2B3

RGB 120 242 179

HSL 149.02, 0.82%, 0.71%

LAB 87.36, -48.38, 20.11

 

CMYK 36 / 50 / 0 / 5

HEX #9B78F2

RGB 155 120 242

HSL 257.21, 0.82%, 0.71%

LAB 58.8, 40.22, -56.81

 

CMYK 0 / 50 / 24 / 5

HEX #F278B7

RGB 242 120 183

HSL 329.02, 0.82%, 0.71%

LAB 66.31, 53.83, -11.31

 

CMYK 15 / 0 / 50 / 5

HEX #CEF279

RGB 206 242 121

HSL 77.85, 0.82%, 0.71%

LAB 90.78, -29.79, 54.04

 

CMYK 50 / 0 / 11 / 5

HEX #78F2D7

RGB 120 242 215

HSL 166.72, 0.82%, 0.71%

LAB 88.16, -40.66, 2.54

 

CMYK 36 / 50 / 0 / 5

HEX #9B78F2

RGB 155 120 242

HSL 257.21, 0.82%, 0.71%

LAB 58.8, 40.22, -56.81

 

CMYK 0 / 50 / 39 / 5

HEX #F27893

RGB 242 120 147

HSL 346.72, 0.82%, 0.71%

LAB 65.29, 49.43, 7.62

 

Description

Color code: HEX #CEF279 | qconv.com Color code: HEX #CEF279 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 242 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 242 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 50 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 50% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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