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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEEFA5 it is the complementary color #31105A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEEFA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEEFA5 shade: #D3EFA0, #E4FFB3, #F5FFC6, #FFFFD9 and #FFFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEEFA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEEFA5 shade: #CEEFA5, #BDDD92, #ACCB7F, #9BB96C and #8AA759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEEFA5 shade: #CDEFA4, #E2EFA4, #EFE8A4, #EFD4A4 and #EFC0A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEEFA5 shade: #CDEFA4, #B9EFA4, #A5EFA4, #A4EFB7 and #A4EFCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEEFA5 shade matches the following richer shades: #CDEFA4 and #CEF89B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEEFA5 shade: #CDEFA4, #CDE6AD, #CCDEB5, #CBD5BE and #CACCC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEEFA5 shade: #EFE7A4, #E2EFA4, #CEEFA4, #BAEFA4 and #A6EFA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEEFA5 shade: #A7E35E, #BAE981, #CDEFA4, #E1F5C7 and #F4FBEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEEFA5 shade: #CEEFA5, #A4EFD3 and #EFA4EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEEFA5 shade: #CEEFA5, #A4CEEF and #EFA4CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEEFA5 shade: #CEEFA5, #A4EFD3, #C4A4EF and #EFA4BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEEFA5 shade: #CEEFA5, #A4EFEA, #C4A4EF and #EFA4A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 31 / 6

HEX #CEEFA5

RGB 206 239 165

HSL 86.76, 0.7%, 0.79%

LAB 90.58, -23.21, 32.35

 

Complementary color

CMYK 46 / 82 / 0 / 65

HEX #31105A

RGB 49 16 90

HSL 266.76, 0.7%, 0.21%

LAB 14.18, 32.97, -37.71

 

CMYK 12 / 0 / 33 / 6

HEX #D3EFA0

RGB 211 239 160

HSL 81.27, 0.71%, 0.78%

LAB 90.83, -22.08, 35.27

 

CMYK 11 / 0 / 30 / 0

HEX #E4FFB3

RGB 228 255 179

HSL 81.32, 1%, 0.85%

LAB 96.52, -21.14, 33.51

 

CMYK 4 / 0 / 22 / 0

HEX #F5FFC6

RGB 245 255 198

HSL 70.53, 1%, 0.89%

LAB 98.04, -12.46, 26.2

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 14 / 0 / 31 / 6

HEX #CEEFA5

RGB 206 239 165

HSL 86.76, 0.7%, 0.79%

LAB 90.58, -23.21, 32.35

 

CMYK 14 / 0 / 34 / 13

HEX #BDDD92

RGB 189 221 146

HSL 85.6, 0.52%, 0.72%

LAB 84.28, -23.22, 33.43

 

CMYK 15 / 0 / 37 / 20

HEX #ACCB7F

RGB 172 203 127

HSL 84.47, 0.42%, 0.65%

LAB 77.88, -23.23, 34.55

 

CMYK 16 / 0 / 42 / 27

HEX #9BB96C

RGB 155 185 108

HSL 83.38, 0.35%, 0.57%

LAB 71.38, -23.21, 35.72

 

CMYK 17 / 0 / 47 / 35

HEX #8AA759

RGB 138 167 89

HSL 82.31, 0.31%, 0.5%

LAB 64.77, -23.16, 36.92

 

CMYK 14 / 0 / 31 / 6

HEX #CDEFA4

RGB 205 239 164

HSL 87.2, 0.7%, 0.79%

LAB 90.5, -23.7, 32.74

 

CMYK 5 / 0 / 31 / 6

HEX #E2EFA4

RGB 226 239 164

HSL 70.4, 0.7%, 0.79%

LAB 91.95, -16.06, 34.92

 

CMYK 0 / 3 / 31 / 6

HEX #EFE8A4

RGB 239 232 164

HSL 54.4, 0.7%, 0.79%

LAB 91.12, -7.72, 34

 

CMYK 0 / 11 / 31 / 6

HEX #EFD4A4

RGB 239 212 164

HSL 38.4, 0.7%, 0.79%

LAB 86.07, 2.47, 27.22

 

CMYK 0 / 20 / 31 / 6

HEX #EFC0A4

RGB 239 192 164

HSL 22.4, 0.7%, 0.79%

LAB 81.14, 12.91, 20.49

 

CMYK 14 / 0 / 31 / 6

HEX #CDEFA4

RGB 205 239 164

HSL 87.2, 0.7%, 0.79%

LAB 90.5, -23.7, 32.74

 

CMYK 23 / 0 / 31 / 6

HEX #B9EFA4

RGB 185 239 164

HSL 103.2, 0.7%, 0.79%

LAB 89.27, -30.67, 30.87

 

CMYK 31 / 0 / 31 / 6

HEX #A5EFA4

RGB 165 239 164

HSL 119.2, 0.7%, 0.79%

LAB 88.17, -37.23, 29.2

 

CMYK 31 / 0 / 23 / 6

HEX #A4EFB7

RGB 164 239 183

HSL 135.2, 0.7%, 0.79%

LAB 88.47, -34.34, 19.86

 

CMYK 31 / 0 / 15 / 6

HEX #A4EFCB

RGB 164 239 203

HSL 151.2, 0.7%, 0.79%

LAB 88.89, -30.59, 10.09

 

CMYK 14 / 0 / 31 / 6

HEX #CDEFA4

RGB 205 239 164

HSL 87.2, 0.7%, 0.79%

LAB 90.5, -23.7, 32.74

 

CMYK 17 / 0 / 38 / 3

HEX #CEF89B

RGB 206 248 155

HSL 87.1, 0.87%, 0.79%

LAB 92.85, -28.8, 40.33

 

CMYK 14 / 0 / 31 / 6

HEX #CDEFA4

RGB 205 239 164

HSL 87.2, 0.7%, 0.79%

LAB 90.5, -23.7, 32.74

 

CMYK 11 / 0 / 25 / 10

HEX #CDE6AD

RGB 205 230 173

HSL 86.32, 0.53%, 0.79%

LAB 88.25, -18.03, 25.1

 

CMYK 8 / 0 / 18 / 13

HEX #CCDEB5

RGB 204 222 181

HSL 86.34, 0.38%, 0.79%

LAB 86.21, -13.18, 18.12

 

CMYK 5 / 0 / 11 / 16

HEX #CBD5BE

RGB 203 213 190

HSL 86.09, 0.21%, 0.79%

LAB 83.97, -7.49, 10.21

 

CMYK 1 / 0 / 2 / 20

HEX #CACCC7

RGB 202 204 199

HSL 84, 0.05%, 0.79%

LAB 81.77, -1.59, 2.24

 

CMYK 0 / 3 / 31 / 6

HEX #EFE7A4

RGB 239 231 164

HSL 53.6, 0.7%, 0.79%

LAB 90.86, -7.21, 33.66

 

CMYK 5 / 0 / 31 / 6

HEX #E2EFA4

RGB 226 239 164

HSL 70.4, 0.7%, 0.79%

LAB 91.95, -16.06, 34.92

 

CMYK 14 / 0 / 31 / 6

HEX #CEEFA4

RGB 206 239 164

HSL 86.4, 0.7%, 0.79%

LAB 90.57, -23.34, 32.84

 

CMYK 22 / 0 / 31 / 6

HEX #BAEFA4

RGB 186 239 164

HSL 102.4, 0.7%, 0.79%

LAB 89.32, -30.33, 30.96

 

CMYK 31 / 0 / 31 / 6

HEX #A6EFA4

RGB 166 239 164

HSL 118.4, 0.7%, 0.79%

LAB 88.22, -36.92, 29.28

 

CMYK 26 / 0 / 59 / 11

HEX #A7E35E

RGB 167 227 94

HSL 87.07, 0.7%, 0.63%

LAB 83.95, -39.88, 57.61

 

CMYK 20 / 0 / 45 / 9

HEX #BAE981

RGB 186 233 129

HSL 87.12, 0.7%, 0.71%

LAB 87.14, -32.14, 45.52

 

CMYK 14 / 0 / 31 / 6

HEX #CDEFA4

RGB 205 239 164

HSL 87.2, 0.7%, 0.79%

LAB 90.5, -23.7, 32.74

 

CMYK 8 / 0 / 19 / 4

HEX #E1F5C7

RGB 225 245 199

HSL 86.09, 0.7%, 0.87%

LAB 94.07, -14.44, 19.98

 

CMYK 3 / 0 / 7 / 2

HEX #F4FBEA

RGB 244 251 234

HSL 84.71, 0.68%, 0.95%

LAB 97.7, -5.25, 7.33

 

CMYK 14 / 0 / 31 / 6

HEX #CEEFA5

RGB 206 239 165

HSL 86.76, 0.7%, 0.79%

LAB 90.58, -23.21, 32.35

 

CMYK 31 / 0 / 12 / 6

HEX #A4EFD3

RGB 164 239 211

HSL 157.6, 0.7%, 0.79%

LAB 89.08, -28.98, 6.19

 

CMYK 0 / 31 / 1 / 6

HEX #EFA4EC

RGB 239 164 236

HSL 302.4, 0.7%, 0.79%

LAB 76.65, 38.91, -25

 

CMYK 14 / 0 / 31 / 6

HEX #CEEFA5

RGB 206 239 165

HSL 86.76, 0.7%, 0.79%

LAB 90.58, -23.21, 32.35

 

CMYK 31 / 14 / 0 / 6

HEX #A4CEEF

RGB 164 206 239

HSL 206.4, 0.7%, 0.79%

LAB 80.89, -6.17, -20.73

 

CMYK 0 / 31 / 14 / 6

HEX #EFA4CE

RGB 239 164 206

HSL 326.4, 0.7%, 0.79%

LAB 75.67, 33.8, -10.13

 

CMYK 14 / 0 / 31 / 6

HEX #CEEFA5

RGB 206 239 165

HSL 86.76, 0.7%, 0.79%

LAB 90.58, -23.21, 32.35

 

CMYK 31 / 0 / 12 / 6

HEX #A4EFD3

RGB 164 239 211

HSL 157.6, 0.7%, 0.79%

LAB 89.08, -28.98, 6.19

 

CMYK 18 / 31 / 0 / 6

HEX #C4A4EF

RGB 196 164 239

HSL 265.6, 0.7%, 0.79%

LAB 72.57, 26.16, -33.25

 

CMYK 0 / 31 / 20 / 6

HEX #EFA4BF

RGB 239 164 191

HSL 338.4, 0.7%, 0.79%

LAB 75.24, 31.49, -2.56

 

CMYK 14 / 0 / 31 / 6

HEX #CEEFA5

RGB 206 239 165

HSL 86.76, 0.7%, 0.79%

LAB 90.58, -23.21, 32.35

 

CMYK 31 / 0 / 2 / 6

HEX #A4EFEA

RGB 164 239 234

HSL 176, 0.7%, 0.79%

LAB 89.66, -24.07, -4.98

 

CMYK 18 / 31 / 0 / 6

HEX #C4A4EF

RGB 196 164 239

HSL 265.6, 0.7%, 0.79%

LAB 72.57, 26.16, -33.25

 

CMYK 0 / 31 / 29 / 6

HEX #EFA4A9

RGB 239 164 169

HSL 356, 0.7%, 0.79%

LAB 74.68, 28.4, 8.7

 

Description

Color code: HEX #CEEFA5 | qconv.com Color code: HEX #CEEFA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 239 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 239 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 31 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 31% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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