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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEEF3A it is the complementary color #3110C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEEF3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEEF3A shade: #D3EF35, #E4FF48, #F5FF5B, #FFFF6E and #FFFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEEF3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEEF3A shade: #CEEF3A, #BDDD27, #ACCB14, #9BB901 and #8AA700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEEF3A shade: #CEEF39, #EFDF39, #EFAE39, #EF7D39 and #EF4C39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEEF3A shade: #CEEF39, #9DEF39, #6CEF39, #3AEF39 and #39EF68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEEF3A shade matches the following richer shades: #CEEF39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEEF3A shade: #CEEF39, #C3DE4A, #B8CC5C, #ADBB6D and #A2AA7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEEF3A shade: #EFAC39, #EFDD39, #D1EF39, #A0EF39 and #6FEF39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEEF3A shade: #A4C510, #C4EB13, #CEEF39, #D7F25F and #E1F585

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEEF3A shade: #CEEF3A, #39EF7C and #C439EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEEF3A shade: #CEEF3A, #39D1EF and #EF39D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEEF3A shade: #CEEF3A, #39EF7C, #5739EF and #EF39AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEEF3A shade: #CEEF3A, #39EFB2, #5739EF and #EF3976

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 76 / 6

HEX #CEEF3A

RGB 206 239 58

HSL 70.94, 0.85%, 0.58%

LAB 89.47, -32.75, 77.41

 

Complementary color

CMYK 75 / 92 / 0 / 23

HEX #3110C5

RGB 49 16 197

HSL 250.94, 0.85%, 0.42%

LAB 26.89, 62.64, -83.57

 

CMYK 12 / 0 / 78 / 6

HEX #D3EF35

RGB 211 239 53

HSL 69.03, 0.85%, 0.57%

LAB 89.78, -30.96, 79.25

 

CMYK 11 / 0 / 72 / 0

HEX #E4FF48

RGB 228 255 72

HSL 68.85, 1%, 0.64%

LAB 95.36, -30.81, 79.12

 

CMYK 4 / 0 / 64 / 0

HEX #F5FF5B

RGB 245 255 91

HSL 63.66, 1%, 0.68%

LAB 96.69, -23.08, 74.12

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 14 / 0 / 76 / 6

HEX #CEEF3A

RGB 206 239 58

HSL 70.94, 0.85%, 0.58%

LAB 89.47, -32.75, 77.41

 

CMYK 14 / 0 / 82 / 13

HEX #BDDD27

RGB 189 221 39

HSL 70.55, 0.73%, 0.51%

LAB 83.27, -31.93, 76.54

 

CMYK 15 / 0 / 90 / 20

HEX #ACCB14

RGB 172 203 20

HSL 70.16, 0.82%, 0.44%

LAB 77, -30.93, 74.6

 

CMYK 16 / 0 / 99 / 27

HEX #9BB901

RGB 155 185 1

HSL 69.78, 0.99%, 0.36%

LAB 70.64, -29.76, 71.44

 

CMYK 17 / 0 / 100 / 35

HEX #8AA700

RGB 138 167 0

HSL 70.42, 1%, 0.33%

LAB 64.19, -28.32, 66.19

 

CMYK 14 / 0 / 76 / 6

HEX #CEEF39

RGB 206 239 57

HSL 70.88, 0.85%, 0.58%

LAB 89.46, -32.79, 77.7

 

CMYK 0 / 7 / 76 / 6

HEX #EFDF39

RGB 239 223 57

HSL 54.73, 0.85%, 0.58%

LAB 87.69, -11.63, 76.99

 

CMYK 0 / 27 / 76 / 6

HEX #EFAE39

RGB 239 174 57

HSL 38.57, 0.85%, 0.58%

LAB 75.4, 13.58, 65.58

 

CMYK 0 / 48 / 76 / 6

HEX #EF7D39

RGB 239 125 57

HSL 22.42, 0.85%, 0.58%

LAB 64.41, 39.21, 54.88

 

CMYK 0 / 68 / 76 / 6

HEX #EF4C39

RGB 239 76 57

HSL 6.26, 0.85%, 0.58%

LAB 55.9, 61.37, 46.14

 

CMYK 14 / 0 / 76 / 6

HEX #CEEF39

RGB 206 239 57

HSL 70.88, 0.85%, 0.58%

LAB 89.46, -32.79, 77.7

 

CMYK 34 / 0 / 76 / 6

HEX #9DEF39

RGB 157 239 57

HSL 87.03, 0.85%, 0.58%

LAB 86.6, -51.08, 74

 

CMYK 55 / 0 / 76 / 6

HEX #6CEF39

RGB 108 239 57

HSL 103.19, 0.85%, 0.58%

LAB 84.6, -65.94, 71.38

 

CMYK 76 / 0 / 76 / 6

HEX #3AEF39

RGB 58 239 57

HSL 119.67, 0.85%, 0.58%

LAB 83.4, -75.81, 69.82

 

CMYK 76 / 0 / 56 / 6

HEX #39EF68

RGB 57 239 104

HSL 135.49, 0.85%, 0.58%

LAB 83.76, -71.43, 51.99

 

CMYK 14 / 0 / 76 / 6

HEX #CEEF39

RGB 206 239 57

HSL 70.88, 0.85%, 0.58%

LAB 89.46, -32.79, 77.7

 

CMYK 14 / 0 / 76 / 6

HEX #CEEF39

RGB 206 239 57

HSL 70.88, 0.85%, 0.58%

LAB 89.46, -32.79, 77.7

 

CMYK 12 / 0 / 67 / 13

HEX #C3DE4A

RGB 195 222 74

HSL 70.95, 0.69%, 0.58%

LAB 84.14, -28.39, 66.53

 

CMYK 10 / 0 / 55 / 20

HEX #B8CC5C

RGB 184 204 92

HSL 70.71, 0.52%, 0.58%

LAB 78.55, -22.83, 52.65

 

CMYK 7 / 0 / 42 / 27

HEX #ADBB6D

RGB 173 187 109

HSL 70.77, 0.36%, 0.58%

LAB 73.24, -17.07, 37.82

 

CMYK 5 / 0 / 26 / 33

HEX #A2AA7E

RGB 162 170 126

HSL 70.91, 0.21%, 0.58%

LAB 67.97, -10.39, 21.8

 

CMYK 0 / 28 / 76 / 6

HEX #EFAC39

RGB 239 172 57

HSL 37.91, 0.85%, 0.58%

LAB 74.92, 14.64, 65.12

 

CMYK 0 / 8 / 76 / 6

HEX #EFDD39

RGB 239 221 57

HSL 54.07, 0.85%, 0.58%

LAB 87.17, -10.63, 76.52

 

CMYK 13 / 0 / 76 / 6

HEX #D1EF39

RGB 209 239 57

HSL 69.89, 0.85%, 0.58%

LAB 89.67, -31.6, 77.96

 

CMYK 33 / 0 / 76 / 6

HEX #A0EF39

RGB 160 239 57

HSL 86.04, 0.85%, 0.58%

LAB 86.75, -50.04, 74.2

 

CMYK 54 / 0 / 76 / 6

HEX #6FEF39

RGB 111 239 57

HSL 102.2, 0.85%, 0.58%

LAB 84.69, -65.16, 71.51

 

CMYK 17 / 0 / 92 / 23

HEX #A4C510

RGB 164 197 16

HSL 70.94, 0.85%, 0.42%

LAB 74.74, -31.47, 73.15

 

CMYK 17 / 0 / 92 / 8

HEX #C4EB13

RGB 196 235 19

HSL 70.83, 0.85%, 0.5%

LAB 87.58, -35.99, 83.81

 

CMYK 14 / 0 / 76 / 6

HEX #CEEF39

RGB 206 239 57

HSL 70.88, 0.85%, 0.58%

LAB 89.46, -32.79, 77.7

 

CMYK 11 / 0 / 61 / 5

HEX #D7F25F

RGB 215 242 95

HSL 71.02, 0.85%, 0.66%

LAB 91.13, -28.52, 66

 

CMYK 8 / 0 / 46 / 4

HEX #E1F585

RGB 225 245 133

HSL 70.71, 0.85%, 0.74%

LAB 93.02, -22.85, 51.44

 

CMYK 14 / 0 / 76 / 6

HEX #CEEF3A

RGB 206 239 58

HSL 70.94, 0.85%, 0.58%

LAB 89.47, -32.75, 77.41

 

CMYK 76 / 0 / 48 / 6

HEX #39EF7C

RGB 57 239 124

HSL 142.09, 0.85%, 0.58%

LAB 84, -68.61, 42.95

 

CMYK 18 / 76 / 0 / 6

HEX #C439EF

RGB 196 57 239

HSL 285.82, 0.85%, 0.58%

LAB 52.83, 77.4, -64.46

 

CMYK 14 / 0 / 76 / 6

HEX #CEEF3A

RGB 206 239 58

HSL 70.94, 0.85%, 0.58%

LAB 89.47, -32.75, 77.41

 

CMYK 76 / 13 / 0 / 6

HEX #39D1EF

RGB 57 209 239

HSL 189.89, 0.85%, 0.58%

LAB 77.7, -28.97, -25.95

 

CMYK 0 / 76 / 13 / 6

HEX #EF39D1

RGB 239 57 209

HSL 309.89, 0.85%, 0.58%

LAB 57.92, 81.1, -38.99

 

CMYK 14 / 0 / 76 / 6

HEX #CEEF3A

RGB 206 239 58

HSL 70.94, 0.85%, 0.58%

LAB 89.47, -32.75, 77.41

 

CMYK 76 / 0 / 48 / 6

HEX #39EF7C

RGB 57 239 124

HSL 142.09, 0.85%, 0.58%

LAB 84, -68.61, 42.95

 

CMYK 64 / 76 / 0 / 6

HEX #5739EF

RGB 87 57 239

HSL 249.89, 0.85%, 0.58%

LAB 39.89, 61.24, -86.13

 

CMYK 0 / 76 / 28 / 6

HEX #EF39AC

RGB 239 57 172

HSL 322.09, 0.85%, 0.58%

LAB 56.34, 76.44, -20.12

 

CMYK 14 / 0 / 76 / 6

HEX #CEEF3A

RGB 206 239 58

HSL 70.94, 0.85%, 0.58%

LAB 89.47, -32.75, 77.41

 

CMYK 76 / 0 / 26 / 6

HEX #39EFB2

RGB 57 239 178

HSL 159.89, 0.85%, 0.58%

LAB 84.9, -58.4, 16.96

 

CMYK 64 / 76 / 0 / 6

HEX #5739EF

RGB 87 57 239

HSL 249.89, 0.85%, 0.58%

LAB 39.89, 61.24, -86.13

 

CMYK 0 / 76 / 51 / 6

HEX #EF3976

RGB 239 57 118

HSL 339.89, 0.85%, 0.58%

LAB 54.64, 71.23, 9.31

 

Description

Color code: HEX #CEEF3A | qconv.com Color code: HEX #CEEF3A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 239 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 239 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 76 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 76% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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