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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEEDA8 it is the complementary color #311257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEEDA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEEDA8 shade: #D3EDA3, #E4FFB6, #F5FFC9, #FFFFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEEDA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEEDA8 shade: #CEEDA8, #BDDB95, #ACC982, #9BB76F and #8AA55C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEEDA8 shade: #CDECA6, #E0ECA6, #ECE6A6, #ECD3A6 and #ECC0A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEEDA8 shade: #CDECA6, #B9ECA6, #A6ECA6, #A6ECB8 and #A6ECCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEEDA8 shade matches the following richer shades: #CDECA6, #CDF59D and #CEFE94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEEDA8 shade: #CDECA6, #CCE4AE, #CBDBB7, #CAD2C0 and #C9CAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEEDA8 shade: #ECE5A6, #E1ECA6, #CEECA6, #BBECA6 and #A8ECA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEEDA8 shade: #A6DE61, #B9E583, #CDECA6, #E0F3C8 and #F3FAEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEEDA8 shade: #CEEDA8, #A6ECD2 and #ECA6EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEEDA8 shade: #CEEDA8, #A6CEEC and #ECA6CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEEDA8 shade: #CEEDA8, #A6ECD2, #C4A6EC and #ECA6C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEEDA8 shade: #CEEDA8, #A6ECE8, #C4A6EC and #ECA6AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 29 / 7

HEX #CEEDA8

RGB 206 237 168

HSL 86.96, 0.66%, 0.79%

LAB 90.1, -21.82, 30.18

 

Complementary color

CMYK 44 / 79 / 0 / 66

HEX #311257

RGB 49 18 87

HSL 266.96, 0.66%, 0.21%

LAB 14.25, 31.11, -35.57

 

CMYK 11 / 0 / 31 / 7

HEX #D3EDA3

RGB 211 237 163

HSL 81.08, 0.67%, 0.78%

LAB 90.35, -20.71, 33.11

 

CMYK 11 / 0 / 29 / 0

HEX #E4FFB6

RGB 228 255 182

HSL 82.19, 1%, 0.86%

LAB 96.57, -20.73, 32.07

 

CMYK 4 / 0 / 21 / 0

HEX #F5FFC9

RGB 245 255 201

HSL 71.11, 1%, 0.89%

LAB 98.09, -12.03, 24.76

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 13 / 0 / 29 / 7

HEX #CEEDA8

RGB 206 237 168

HSL 86.96, 0.66%, 0.79%

LAB 90.1, -21.82, 30.18

 

CMYK 14 / 0 / 32 / 14

HEX #BDDB95

RGB 189 219 149

HSL 85.71, 0.49%, 0.72%

LAB 83.78, -21.84, 31.24

 

CMYK 14 / 0 / 35 / 21

HEX #ACC982

RGB 172 201 130

HSL 84.51, 0.4%, 0.65%

LAB 77.37, -21.85, 32.35

 

CMYK 15 / 0 / 39 / 28

HEX #9BB76F

RGB 155 183 111

HSL 83.33, 0.33%, 0.58%

LAB 70.86, -21.84, 33.5

 

CMYK 16 / 0 / 44 / 35

HEX #8AA55C

RGB 138 165 92

HSL 82.19, 0.29%, 0.5%

LAB 64.23, -21.8, 34.7

 

CMYK 13 / 0 / 30 / 7

HEX #CDECA6

RGB 205 236 166

HSL 86.57, 0.65%, 0.79%

LAB 89.73, -21.98, 30.69

 

CMYK 5 / 0 / 30 / 7

HEX #E0ECA6

RGB 224 236 166

HSL 70.29, 0.65%, 0.79%

LAB 91.05, -15.06, 32.69

 

CMYK 0 / 3 / 30 / 7

HEX #ECE6A6

RGB 236 230 166

HSL 54.86, 0.65%, 0.79%

LAB 90.4, -7.6, 31.99

 

CMYK 0 / 11 / 30 / 7

HEX #ECD3A6

RGB 236 211 166

HSL 38.57, 0.65%, 0.79%

LAB 85.59, 2.1, 25.49

 

CMYK 0 / 19 / 30 / 7

HEX #ECC0A6

RGB 236 192 166

HSL 22.29, 0.65%, 0.79%

LAB 80.9, 12.03, 19.04

 

CMYK 13 / 0 / 30 / 7

HEX #CDECA6

RGB 205 236 166

HSL 86.57, 0.65%, 0.79%

LAB 89.73, -21.98, 30.69

 

CMYK 22 / 0 / 30 / 7

HEX #B9ECA6

RGB 185 236 166

HSL 103.71, 0.65%, 0.79%

LAB 88.48, -28.96, 28.79

 

CMYK 30 / 0 / 30 / 7

HEX #A6ECA6

RGB 166 236 166

HSL 120, 0.65%, 0.79%

LAB 87.41, -35.23, 27.17

 

CMYK 30 / 0 / 22 / 7

HEX #A6ECB8

RGB 166 236 184

HSL 135.43, 0.65%, 0.79%

LAB 87.76, -32.16, 18.37

 

CMYK 30 / 0 / 14 / 7

HEX #A6ECCB

RGB 166 236 203

HSL 151.71, 0.65%, 0.79%

LAB 88.17, -28.58, 9.06

 

CMYK 13 / 0 / 30 / 7

HEX #CDECA6

RGB 205 236 166

HSL 86.57, 0.65%, 0.79%

LAB 89.73, -21.98, 30.69

 

CMYK 16 / 0 / 36 / 4

HEX #CDF59D

RGB 205 245 157

HSL 87.27, 0.81%, 0.79%

LAB 92.01, -27.49, 38.23

 

CMYK 19 / 0 / 42 / 0

HEX #CEFE94

RGB 206 254 148

HSL 87.17, 0.98%, 0.79%

LAB 94.37, -32.45, 45.7

 

CMYK 13 / 0 / 30 / 7

HEX #CDECA6

RGB 205 236 166

HSL 86.57, 0.65%, 0.79%

LAB 89.73, -21.98, 30.69

 

CMYK 11 / 0 / 24 / 11

HEX #CCE4AE

RGB 204 228 174

HSL 86.67, 0.5%, 0.79%

LAB 87.67, -17.25, 23.78

 

CMYK 7 / 0 / 16 / 14

HEX #CBDBB7

RGB 203 219 183

HSL 86.67, 0.33%, 0.79%

LAB 85.39, -11.7, 15.91

 

CMYK 4 / 0 / 9 / 18

HEX #CAD2C0

RGB 202 210 192

HSL 86.67, 0.17%, 0.79%

LAB 83.16, -5.95, 7.97

 

CMYK 0 / 0 / 1 / 21

HEX #C9CAC8

RGB 201 202 200

HSL 90, 0.02%, 0.79%

LAB 81.2, -0.7, 0.87

 

CMYK 0 / 3 / 30 / 7

HEX #ECE5A6

RGB 236 229 166

HSL 54, 0.65%, 0.79%

LAB 90.15, -7.09, 31.65

 

CMYK 5 / 0 / 30 / 7

HEX #E1ECA6

RGB 225 236 166

HSL 69.43, 0.65%, 0.79%

LAB 91.12, -14.69, 32.8

 

CMYK 13 / 0 / 30 / 7

HEX #CEECA6

RGB 206 236 166

HSL 85.71, 0.65%, 0.79%

LAB 89.8, -21.62, 30.79

 

CMYK 21 / 0 / 30 / 7

HEX #BBECA6

RGB 187 236 166

HSL 102, 0.65%, 0.79%

LAB 88.59, -28.28, 28.97

 

CMYK 29 / 0 / 30 / 7

HEX #A8ECA6

RGB 168 236 166

HSL 118.29, 0.65%, 0.79%

LAB 87.52, -34.59, 27.33

 

CMYK 25 / 0 / 56 / 13

HEX #A6DE61

RGB 166 222 97

HSL 86.88, 0.65%, 0.63%

LAB 82.49, -37.73, 54.62

 

CMYK 19 / 0 / 43 / 10

HEX #B9E583

RGB 185 229 131

HSL 86.94, 0.65%, 0.71%

LAB 86, -30.4, 43.1

 

CMYK 13 / 0 / 30 / 7

HEX #CDECA6

RGB 205 236 166

HSL 86.57, 0.65%, 0.79%

LAB 89.73, -21.98, 30.69

 

CMYK 8 / 0 / 18 / 5

HEX #E0F3C8

RGB 224 243 200

HSL 86.51, 0.64%, 0.87%

LAB 93.5, -13.65, 18.67

 

CMYK 3 / 0 / 6 / 2

HEX #F3FAEA

RGB 243 250 234

HSL 86.25, 0.62%, 0.95%

LAB 97.38, -5.09, 6.86

 

CMYK 13 / 0 / 29 / 7

HEX #CEEDA8

RGB 206 237 168

HSL 86.96, 0.66%, 0.79%

LAB 90.1, -21.82, 30.18

 

CMYK 30 / 0 / 11 / 7

HEX #A6ECD2

RGB 166 236 210

HSL 157.71, 0.65%, 0.79%

LAB 88.33, -27.17, 5.64

 

CMYK 0 / 30 / 1 / 7

HEX #ECA6EA

RGB 236 166 234

HSL 301.71, 0.65%, 0.79%

LAB 76.71, 36.54, -23.86

 

CMYK 13 / 0 / 29 / 7

HEX #CEEDA8

RGB 206 237 168

HSL 86.96, 0.66%, 0.79%

LAB 90.1, -21.82, 30.18

 

CMYK 30 / 13 / 0 / 7

HEX #A6CEEC

RGB 166 206 236

HSL 205.71, 0.65%, 0.79%

LAB 80.91, -6.33, -19.09

 

CMYK 0 / 30 / 13 / 7

HEX #ECA6CE

RGB 236 166 206

HSL 325.71, 0.65%, 0.79%

LAB 75.8, 31.72, -9.98

 

CMYK 13 / 0 / 29 / 7

HEX #CEEDA8

RGB 206 237 168

HSL 86.96, 0.66%, 0.79%

LAB 90.1, -21.82, 30.18

 

CMYK 30 / 0 / 11 / 7

HEX #A6ECD2

RGB 166 236 210

HSL 157.71, 0.65%, 0.79%

LAB 88.33, -27.17, 5.64

 

CMYK 17 / 30 / 0 / 7

HEX #C4A6EC

RGB 196 166 236

HSL 265.71, 0.65%, 0.79%

LAB 72.93, 24.4, -31.06

 

CMYK 0 / 30 / 19 / 7

HEX #ECA6C0

RGB 236 166 192

HSL 337.71, 0.65%, 0.79%

LAB 75.4, 29.52, -2.92

 

CMYK 13 / 0 / 29 / 7

HEX #CEEDA8

RGB 206 237 168

HSL 86.96, 0.66%, 0.79%

LAB 90.1, -21.82, 30.18

 

CMYK 30 / 0 / 2 / 7

HEX #A6ECE8

RGB 166 236 232

HSL 176.57, 0.65%, 0.79%

LAB 88.89, -22.5, -5.06

 

CMYK 17 / 30 / 0 / 7

HEX #C4A6EC

RGB 196 166 236

HSL 265.71, 0.65%, 0.79%

LAB 72.93, 24.4, -31.06

 

CMYK 0 / 30 / 28 / 7

HEX #ECA6AA

RGB 236 166 170

HSL 356.57, 0.65%, 0.79%

LAB 74.83, 26.37, 8.32

 

Description

Color code: HEX #CEEDA8 | qconv.com Color code: HEX #CEEDA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 237 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 237 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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