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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEE749 it is the complementary color #3118B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEE749. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEE749 shade: #D3E744, #E4F957, #F5FF6A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEE749. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEE749 shade: #CEE749, #BDD536, #ACC323, #9BB110 and #8A9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEE749 shade: #CFE84A, #E8D64A, #E8AC4A, #E8814A and #E8574A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEE749 shade: #CFE84A, #A4E84A, #7AE84A, #50E84A and #4AE870

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEE749 shade matches the following richer shades: #CFE84A and #DAF83A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEE749 shade: #CFE84A, #C3D75B, #B8C76B, #ADB67C and #A2A68C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEE749 shade: #E8AB4A, #E8D54A, #D0E84A, #A6E84A and #7CE84A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEE749 shade: #ABC61A, #C5E326, #CFE84A, #D8EC6F and #E2F193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEE749 shade: #CEE749, #4AE881 and #C04AE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEE749 shade: #CEE749, #4AD0E8 and #E84AD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEE749 shade: #CEE749, #4AE881, #624AE8 and #E84AB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEE749 shade: #CEE749, #4AE8B1, #624AE8 and #E84A81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 68 / 9

HEX #CEE749

RGB 206 231 73

HSL 69.49, 0.77%, 0.6%

LAB 87.37, -28.3, 70.42

 

Complementary color

CMYK 73 / 87 / 0 / 29

HEX #3118B6

RGB 49 24 182

HSL 249.49, 0.77%, 0.4%

LAB 25.81, 56.1, -76.47

 

CMYK 9 / 0 / 71 / 9

HEX #D3E744

RGB 211 231 68

HSL 67.36, 0.77%, 0.59%

LAB 87.69, -26.56, 72.63

 

CMYK 8 / 0 / 65 / 2

HEX #E4F957

RGB 228 249 87

HSL 67.78, 0.93%, 0.66%

LAB 93.85, -27.22, 72.32

 

CMYK 4 / 0 / 58 / 0

HEX #F5FF6A

RGB 245 255 106

HSL 64.03, 1%, 0.71%

LAB 96.81, -22.13, 68.26

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 11 / 0 / 68 / 9

HEX #CEE749

RGB 206 231 73

HSL 69.49, 0.77%, 0.6%

LAB 87.37, -28.3, 70.42

 

CMYK 11 / 0 / 75 / 16

HEX #BDD536

RGB 189 213 54

HSL 69.06, 0.65%, 0.52%

LAB 81.11, -27.6, 70.44

 

CMYK 12 / 0 / 82 / 24

HEX #ACC323

RGB 172 195 35

HSL 68.63, 0.7%, 0.45%

LAB 74.78, -26.75, 69.72

 

CMYK 12 / 0 / 91 / 31

HEX #9BB110

RGB 155 177 16

HSL 68.2, 0.83%, 0.38%

LAB 68.35, -25.69, 67.81

 

CMYK 13 / 0 / 100 / 38

HEX #8A9F00

RGB 138 159 0

HSL 67.92, 1%, 0.31%

LAB 61.83, -24.42, 64.41

 

CMYK 11 / 0 / 68 / 9

HEX #CFE84A

RGB 207 232 74

HSL 69.49, 0.77%, 0.6%

LAB 87.71, -28.32, 70.43

 

CMYK 0 / 8 / 68 / 9

HEX #E8D64A

RGB 232 214 74

HSL 53.16, 0.77%, 0.6%

LAB 84.87, -9.3, 68.19

 

CMYK 0 / 26 / 68 / 9

HEX #E8AC4A

RGB 232 172 74

HSL 37.22, 0.77%, 0.6%

LAB 74.29, 12.47, 57.23

 

CMYK 0 / 44 / 68 / 9

HEX #E8814A

RGB 232 129 74

HSL 20.89, 0.77%, 0.6%

LAB 64.44, 35.2, 46.45

 

CMYK 0 / 63 / 68 / 9

HEX #E8574A

RGB 232 87 74

HSL 4.94, 0.77%, 0.6%

LAB 56.55, 55.37, 37.32

 

CMYK 11 / 0 / 68 / 9

HEX #CFE84A

RGB 207 232 74

HSL 69.49, 0.77%, 0.6%

LAB 87.71, -28.32, 70.43

 

CMYK 29 / 0 / 68 / 9

HEX #A4E84A

RGB 164 232 74

HSL 85.82, 0.77%, 0.6%

LAB 85.05, -44.69, 66.86

 

CMYK 47 / 0 / 68 / 9

HEX #7AE84A

RGB 122 232 74

HSL 101.77, 0.77%, 0.6%

LAB 83.1, -58.42, 64.22

 

CMYK 66 / 0 / 68 / 9

HEX #50E84A

RGB 80 232 74

HSL 117.72, 0.77%, 0.6%

LAB 81.79, -68.67, 62.45

 

CMYK 68 / 0 / 52 / 9

HEX #4AE870

RGB 74 232 112

HSL 134.43, 0.77%, 0.6%

LAB 82.02, -65.48, 46.29

 

CMYK 11 / 0 / 68 / 9

HEX #CFE84A

RGB 207 232 74

HSL 69.49, 0.77%, 0.6%

LAB 87.71, -28.32, 70.43

 

CMYK 12 / 0 / 77 / 3

HEX #DAF83A

RGB 218 248 58

HSL 69.47, 0.93%, 0.6%

LAB 92.73, -32.14, 80.7

 

CMYK 11 / 0 / 68 / 9

HEX #CFE84A

RGB 207 232 74

HSL 69.49, 0.77%, 0.6%

LAB 87.71, -28.32, 70.43

 

CMYK 9 / 0 / 58 / 16

HEX #C3D75B

RGB 195 215 91

HSL 69.68, 0.61%, 0.6%

LAB 82.36, -23.87, 57.63

 

CMYK 8 / 0 / 46 / 22

HEX #B8C76B

RGB 184 199 107

HSL 69.78, 0.45%, 0.6%

LAB 77.34, -18.95, 44.09

 

CMYK 5 / 0 / 32 / 29

HEX #ADB67C

RGB 173 182 124

HSL 69.31, 0.28%, 0.6%

LAB 72.09, -12.66, 28.54

 

CMYK 2 / 0 / 16 / 35

HEX #A2A68C

RGB 162 166 140

HSL 69.23, 0.13%, 0.6%

LAB 67.16, -6.08, 13

 

CMYK 0 / 26 / 68 / 9

HEX #E8AB4A

RGB 232 171 74

HSL 36.84, 0.77%, 0.6%

LAB 74.05, 13, 56.97

 

CMYK 0 / 8 / 68 / 9

HEX #E8D54A

RGB 232 213 74

HSL 52.78, 0.77%, 0.6%

LAB 84.61, -8.8, 67.92

 

CMYK 10 / 0 / 68 / 9

HEX #D0E84A

RGB 208 232 74

HSL 69.11, 0.77%, 0.6%

LAB 87.78, -27.92, 70.52

 

CMYK 28 / 0 / 68 / 9

HEX #A6E84A

RGB 166 232 74

HSL 85.06, 0.77%, 0.6%

LAB 85.16, -43.97, 67

 

CMYK 47 / 0 / 68 / 9

HEX #7CE84A

RGB 124 232 74

HSL 101.01, 0.77%, 0.6%

LAB 83.17, -57.83, 64.33

 

CMYK 14 / 0 / 87 / 22

HEX #ABC61A

RGB 171 198 26

HSL 69.42, 0.77%, 0.44%

LAB 75.53, -28.85, 72.33

 

CMYK 13 / 0 / 83 / 11

HEX #C5E326

RGB 197 227 38

HSL 69.52, 0.77%, 0.52%

LAB 85.48, -31.52, 78.87

 

CMYK 11 / 0 / 68 / 9

HEX #CFE84A

RGB 207 232 74

HSL 69.49, 0.77%, 0.6%

LAB 87.71, -28.32, 70.43

 

CMYK 8 / 0 / 53 / 7

HEX #D8EC6F

RGB 216 236 111

HSL 69.6, 0.77%, 0.68%

LAB 89.74, -24.04, 57.54

 

CMYK 6 / 0 / 39 / 5

HEX #E2F193

RGB 226 241 147

HSL 69.57, 0.77%, 0.76%

LAB 92.21, -19.06, 43.71

 

CMYK 11 / 0 / 68 / 9

HEX #CEE749

RGB 206 231 73

HSL 69.49, 0.77%, 0.6%

LAB 87.37, -28.3, 70.42

 

CMYK 68 / 0 / 44 / 9

HEX #4AE881

RGB 74 232 129

HSL 140.89, 0.77%, 0.6%

LAB 82.25, -62.91, 38.36

 

CMYK 17 / 68 / 0 / 9

HEX #C04AE8

RGB 192 74 232

HSL 284.81, 0.77%, 0.6%

LAB 53.95, 69.24, -58.75

 

CMYK 11 / 0 / 68 / 9

HEX #CEE749

RGB 206 231 73

HSL 69.49, 0.77%, 0.6%

LAB 87.37, -28.3, 70.42

 

CMYK 68 / 10 / 0 / 9

HEX #4AD0E8

RGB 74 208 232

HSL 189.11, 0.77%, 0.6%

LAB 77.52, -28.56, -22.45

 

CMYK 0 / 68 / 10 / 9

HEX #E84AD0

RGB 232 74 208

HSL 309.11, 0.77%, 0.6%

LAB 58.61, 74.11, -37.43

 

CMYK 11 / 0 / 68 / 9

HEX #CEE749

RGB 206 231 73

HSL 69.49, 0.77%, 0.6%

LAB 87.37, -28.3, 70.42

 

CMYK 68 / 0 / 44 / 9

HEX #4AE881

RGB 74 232 129

HSL 140.89, 0.77%, 0.6%

LAB 82.25, -62.91, 38.36

 

CMYK 58 / 68 / 0 / 9

HEX #624AE8

RGB 98 74 232

HSL 249.11, 0.77%, 0.6%

LAB 43.24, 51.88, -76.62

 

CMYK 0 / 68 / 24 / 9

HEX #E84AB1

RGB 232 74 177

HSL 320.89, 0.77%, 0.6%

LAB 57.3, 69.87, -21.67

 

CMYK 11 / 0 / 68 / 9

HEX #CEE749

RGB 206 231 73

HSL 69.49, 0.77%, 0.6%

LAB 87.37, -28.3, 70.42

 

CMYK 68 / 0 / 24 / 9

HEX #4AE8B1

RGB 74 232 177

HSL 159.11, 0.77%, 0.6%

LAB 83.1, -53.64, 14.99

 

CMYK 58 / 68 / 0 / 9

HEX #624AE8

RGB 98 74 232

HSL 249.11, 0.77%, 0.6%

LAB 43.24, 51.88, -76.62

 

CMYK 0 / 68 / 44 / 9

HEX #E84A81

RGB 232 74 129

HSL 339.11, 0.77%, 0.6%

LAB 55.72, 64.57, 4.14

 

Description

Color code: HEX #CEE749 | qconv.com Color code: HEX #CEE749 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 231 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 231 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 68 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 68% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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