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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CED296 it is the complementary color #312D69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CED296. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CED296 shade: #D3D291, #E4E4A4, #F5F6B7, #FFFFCA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CED296. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CED296 shade: #CED296, #BDC083, #ACAE70, #9B9C5D and #8A8A4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CED296 shade: #CFD397, #D3C797, #D3B797, #D3A797 and #D39797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CED296 shade: #CFD397, #BFD397, #AFD397, #9FD397 and #97D3A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CED296 shade matches the following richer shades: #CFD397, #D9DF8C, #E3EB80 and #EEF774

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CED296 shade: #CFD397, #C4C7A3, #BABBAF, #B0AFBB and #A5A3C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CED296 shade: #D3B797, #D3C797, #CFD397, #BFD397 and #AFD397

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CED296 shade: #B4BA5E, #C1C67B, #CFD397, #DCDFB4 and #EAEBD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CED296 shade: #CED296, #97D3A7 and #BF97D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CED296 shade: #CED296, #97CFD3 and #D397CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CED296 shade: #CED296, #97D3A7, #9B97D3 and #D397C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CED296 shade: #CED296, #97D3B9, #9B97D3 and #D397B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 29 / 18

HEX #CED296

RGB 206 210 150

HSL 64, 0.4%, 0.71%

LAB 82.6, -10.88, 29.36

 

Complementary color

CMYK 53 / 57 / 0 / 59

HEX #312D69

RGB 49 45 105

HSL 244, 0.4%, 0.29%

LAB 22.12, 19.91, -34.73

 

CMYK 0 / 0 / 31 / 17

HEX #D3D291

RGB 211 210 145

HSL 59.09, 0.43%, 0.7%

LAB 82.91, -9.61, 32.42

 

CMYK 0 / 0 / 28 / 11

HEX #E4E4A4

RGB 228 228 164

HSL 60, 0.54%, 0.77%

LAB 89.23, -9.85, 31.33

 

CMYK 0 / 0 / 26 / 4

HEX #F5F6B7

RGB 245 246 183

HSL 60.95, 0.78%, 0.84%

LAB 95.47, -10.06, 30.3

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 2 / 0 / 29 / 18

HEX #CED296

RGB 206 210 150

HSL 64, 0.4%, 0.71%

LAB 82.6, -10.88, 29.36

 

CMYK 2 / 0 / 32 / 25

HEX #BDC083

RGB 189 192 131

HSL 62.95, 0.33%, 0.63%

LAB 76.17, -10.67, 30.47

 

CMYK 1 / 0 / 36 / 32

HEX #ACAE70

RGB 172 174 112

HSL 61.94, 0.28%, 0.56%

LAB 69.62, -10.42, 31.63

 

CMYK 1 / 0 / 40 / 39

HEX #9B9C5D

RGB 155 156 93

HSL 60.95, 0.25%, 0.49%

LAB 62.96, -10.11, 32.84

 

CMYK 0 / 0 / 46 / 46

HEX #8A8A4A

RGB 138 138 74

HSL 60, 0.3%, 0.42%

LAB 56.16, -9.71, 34.1

 

CMYK 2 / 0 / 28 / 17

HEX #CFD397

RGB 207 211 151

HSL 64, 0.41%, 0.71%

LAB 82.96, -10.88, 29.34

 

CMYK 0 / 6 / 28 / 17

HEX #D3C797

RGB 211 199 151

HSL 48, 0.41%, 0.71%

LAB 80.14, -3.18, 25.59

 

CMYK 0 / 13 / 28 / 17

HEX #D3B797

RGB 211 183 151

HSL 32, 0.41%, 0.71%

LAB 76.04, 5.24, 19.99

 

CMYK 0 / 21 / 28 / 17

HEX #D3A797

RGB 211 167 151

HSL 16, 0.41%, 0.71%

LAB 72.04, 13.84, 14.43

 

CMYK 0 / 28 / 28 / 17

HEX #D39797

RGB 211 151 151

HSL 0, 0.41%, 0.71%

LAB 68.18, 22.52, 8.97

 

CMYK 2 / 0 / 28 / 17

HEX #CFD397

RGB 207 211 151

HSL 64, 0.41%, 0.71%

LAB 82.96, -10.88, 29.34

 

CMYK 9 / 0 / 28 / 17

HEX #BFD397

RGB 191 211 151

HSL 80, 0.41%, 0.71%

LAB 81.78, -16.87, 27.55

 

CMYK 17 / 0 / 28 / 17

HEX #AFD397

RGB 175 211 151

HSL 96, 0.41%, 0.71%

LAB 80.7, -22.68, 25.91

 

CMYK 25 / 0 / 28 / 17

HEX #9FD397

RGB 159 211 151

HSL 112, 0.41%, 0.71%

LAB 79.72, -28.24, 24.42

 

CMYK 28 / 0 / 24 / 17

HEX #97D3A0

RGB 151 211 160

HSL 129, 0.41%, 0.71%

LAB 79.45, -29.36, 19.23

 

CMYK 2 / 0 / 28 / 17

HEX #CFD397

RGB 207 211 151

HSL 64, 0.41%, 0.71%

LAB 82.96, -10.88, 29.34

 

CMYK 3 / 0 / 37 / 13

HEX #D9DF8C

RGB 217 223 140

HSL 64.34, 0.56%, 0.71%

LAB 86.71, -14.43, 40

 

CMYK 3 / 0 / 46 / 8

HEX #E3EB80

RGB 227 235 128

HSL 64.49, 0.73%, 0.71%

LAB 90.46, -17.73, 50.72

 

CMYK 4 / 0 / 53 / 3

HEX #EEF774

RGB 238 247 116

HSL 64.12, 0.89%, 0.71%

LAB 94.3, -20.31, 60.99

 

CMYK 2 / 0 / 28 / 17

HEX #CFD397

RGB 207 211 151

HSL 64, 0.41%, 0.71%

LAB 82.96, -10.88, 29.34

 

CMYK 2 / 0 / 18 / 22

HEX #C4C7A3

RGB 196 199 163

HSL 65, 0.24%, 0.71%

LAB 79.17, -7.14, 17.71

 

CMYK 1 / 0 / 6 / 27

HEX #BABBAF

RGB 186 187 175

HSL 65, 0.08%, 0.71%

LAB 75.5, -2.51, 5.94

 

CMYK 6 / 6 / 0 / 27

HEX #B0AFBB

RGB 176 175 187

HSL 245, 0.08%, 0.71%

LAB 71.88, 2.67, -5.99

 

CMYK 17 / 18 / 0 / 22

HEX #A5A3C7

RGB 165 163 199

HSL 243.33, 0.24%, 0.71%

LAB 68.25, 8.14, -18.13

 

CMYK 0 / 13 / 28 / 17

HEX #D3B797

RGB 211 183 151

HSL 32, 0.41%, 0.71%

LAB 76.04, 5.24, 19.99

 

CMYK 0 / 6 / 28 / 17

HEX #D3C797

RGB 211 199 151

HSL 48, 0.41%, 0.71%

LAB 80.14, -3.18, 25.59

 

CMYK 2 / 0 / 28 / 17

HEX #CFD397

RGB 207 211 151

HSL 64, 0.41%, 0.71%

LAB 82.96, -10.88, 29.34

 

CMYK 9 / 0 / 28 / 17

HEX #BFD397

RGB 191 211 151

HSL 80, 0.41%, 0.71%

LAB 81.78, -16.87, 27.55

 

CMYK 17 / 0 / 28 / 17

HEX #AFD397

RGB 175 211 151

HSL 96, 0.41%, 0.71%

LAB 80.7, -22.68, 25.91

 

CMYK 3 / 0 / 49 / 27

HEX #B4BA5E

RGB 180 186 94

HSL 63.91, 0.4%, 0.55%

LAB 73.3, -15.3, 45.5

 

CMYK 3 / 0 / 38 / 22

HEX #C1C67B

RGB 193 198 123

HSL 64, 0.4%, 0.63%

LAB 77.97, -13.15, 37.01

 

CMYK 2 / 0 / 28 / 17

HEX #CFD397

RGB 207 211 151

HSL 64, 0.41%, 0.71%

LAB 82.96, -10.88, 29.34

 

CMYK 1 / 0 / 19 / 13

HEX #DCDFB4

RGB 220 223 180

HSL 64.19, 0.4%, 0.79%

LAB 87.62, -8.09, 20.78

 

CMYK 0 / 0 / 11 / 8

HEX #EAEBD1

RGB 234 235 209

HSL 62.31, 0.39%, 0.87%

LAB 92.36, -4.72, 12.51

 

CMYK 2 / 0 / 29 / 18

HEX #CED296

RGB 206 210 150

HSL 64, 0.4%, 0.71%

LAB 82.6, -10.88, 29.36

 

CMYK 28 / 0 / 21 / 17

HEX #97D3A7

RGB 151 211 167

HSL 136, 0.41%, 0.71%

LAB 79.59, -28.09, 15.73

 

CMYK 9 / 28 / 0 / 17

HEX #BF97D3

RGB 191 151 211

HSL 280, 0.41%, 0.71%

LAB 67.96, 25.82, -25.03

 

CMYK 2 / 0 / 29 / 18

HEX #CED296

RGB 206 210 150

HSL 64, 0.4%, 0.71%

LAB 82.6, -10.88, 29.36

 

CMYK 28 / 2 / 0 / 17

HEX #97CFD3

RGB 151 207 211

HSL 184, 0.41%, 0.71%

LAB 79.56, -16.98, -7.81

 

CMYK 0 / 28 / 2 / 17

HEX #D397CF

RGB 211 151 207

HSL 304, 0.41%, 0.71%

LAB 69.82, 31.55, -19.8

 

CMYK 2 / 0 / 29 / 18

HEX #CED296

RGB 206 210 150

HSL 64, 0.4%, 0.71%

LAB 82.6, -10.88, 29.36

 

CMYK 28 / 0 / 21 / 17

HEX #97D3A7

RGB 151 211 167

HSL 136, 0.41%, 0.71%

LAB 79.59, -28.09, 15.73

 

CMYK 27 / 28 / 0 / 17

HEX #9B97D3

RGB 155 151 211

HSL 244, 0.41%, 0.71%

LAB 64.81, 14.6, -30.14

 

CMYK 0 / 28 / 8 / 17

HEX #D397C3

RGB 211 151 195

HSL 316, 0.41%, 0.71%

LAB 69.41, 29.4, -13.75

 

CMYK 2 / 0 / 29 / 18

HEX #CED296

RGB 206 210 150

HSL 64, 0.4%, 0.71%

LAB 82.6, -10.88, 29.36

 

CMYK 28 / 0 / 12 / 17

HEX #97D3B9

RGB 151 211 185

HSL 154, 0.41%, 0.71%

LAB 79.99, -24.61, 6.73

 

CMYK 27 / 28 / 0 / 17

HEX #9B97D3

RGB 155 151 211

HSL 244, 0.41%, 0.71%

LAB 64.81, 14.6, -30.14

 

CMYK 0 / 28 / 16 / 17

HEX #D397B1

RGB 211 151 177

HSL 334, 0.41%, 0.71%

LAB 68.86, 26.39, -4.55

 

Description

Color code: HEX #CED296 | qconv.com Color code: HEX #CED296 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 210 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 210 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 29 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 29% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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