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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEC462 it is the complementary color #313B9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEC462. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEC462 shade: #D3C45D, #E4D670, #F5E883, #FFFA96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEC462. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEC462 shade: #CEC462, #BDB24F, #ACA03C, #9B8E29 and #8A7C16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEC462 shade: #CEC463, #CEA763, #CE8A63, #CE6E63 and #CE6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEC462 shade: #CEC463, #BBCE63, #9ECE63, #82CE63 and #65CE63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEC462 shade matches the following richer shades: #CEC463, #DED153 and #EFDF42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEC462 shade: #CEC463, #BDB674, #ADA984, #9C9B95 and #8C8EA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEC462 shade: #CE8A63, #CEA763, #CEC363, #BCCE63 and #A0CE63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEC462 shade: #A99F35, #C4B844, #CEC463, #D7D083 and #E1DBA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEC462 shade: #CEC462, #63CE6E and #9963CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEC462 shade: #CEC462, #63CEC3 and #C363CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEC462 shade: #CEC462, #63CE6E, #636ECE and #CE63C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEC462 shade: #CEC462, #63CE8E, #636ECE and #CE63A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 52 / 19

HEX #CEC462

RGB 206 196 98

HSL 54.44, 0.52%, 0.6%

LAB 78.16, -9.36, 49.84

 

Complementary color

CMYK 69 / 62 / 0 / 38

HEX #313B9D

RGB 49 59 157

HSL 234.44, 0.52%, 0.4%

LAB 29.95, 29.13, -54.61

 

CMYK 0 / 7 / 56 / 17

HEX #D3C45D

RGB 211 196 93

HSL 52.37, 0.57%, 0.6%

LAB 78.53, -7.69, 52.73

 

CMYK 0 / 6 / 51 / 11

HEX #E4D670

RGB 228 214 112

HSL 52.76, 0.68%, 0.67%

LAB 84.87, -8.35, 51.59

 

CMYK 0 / 5 / 47 / 4

HEX #F5E883

RGB 245 232 131

HSL 53.16, 0.85%, 0.74%

LAB 91.13, -8.92, 50.42

 

CMYK 0 / 2 / 41 / 0

HEX #FFFA96

RGB 255 250 150

HSL 57.14, 1%, 0.79%

LAB 96.75, -12.09, 48.45

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 5 / 52 / 19

HEX #CEC462

RGB 206 196 98

HSL 54.44, 0.52%, 0.6%

LAB 78.16, -9.36, 49.84

 

CMYK 0 / 6 / 58 / 26

HEX #BDB24F

RGB 189 178 79

HSL 54, 0.45%, 0.53%

LAB 71.71, -8.68, 50.95

 

CMYK 0 / 7 / 65 / 33

HEX #ACA03C

RGB 172 160 60

HSL 53.57, 0.48%, 0.45%

LAB 65.15, -7.85, 51.9

 

CMYK 0 / 8 / 74 / 39

HEX #9B8E29

RGB 155 142 41

HSL 53.16, 0.58%, 0.38%

LAB 58.48, -6.83, 52.46

 

CMYK 0 / 10 / 84 / 46

HEX #8A7C16

RGB 138 124 22

HSL 52.76, 0.73%, 0.31%

LAB 51.7, -5.55, 52.2

 

CMYK 0 / 5 / 52 / 19

HEX #CEC463

RGB 206 196 99

HSL 54.39, 0.52%, 0.6%

LAB 78.17, -9.27, 49.38

 

CMYK 0 / 19 / 52 / 19

HEX #CEA763

RGB 206 167 99

HSL 38.13, 0.52%, 0.6%

LAB 70.64, 5.96, 40.31

 

CMYK 0 / 33 / 52 / 19

HEX #CE8A63

RGB 206 138 99

HSL 21.87, 0.52%, 0.6%

LAB 63.51, 21.7, 31.37

 

CMYK 0 / 47 / 52 / 19

HEX #CE6E63

RGB 206 110 99

HSL 6.17, 0.52%, 0.6%

LAB 57.25, 36.71, 23.2

 

CMYK 0 / 52 / 52 / 19

HEX #CE6363

RGB 206 99 99

HSL 0, 0.52%, 0.6%

LAB 55.02, 42.33, 20.22

 

CMYK 0 / 5 / 52 / 19

HEX #CEC463

RGB 206 196 99

HSL 54.39, 0.52%, 0.6%

LAB 78.17, -9.27, 49.38

 

CMYK 9 / 0 / 52 / 19

HEX #BBCE63

RGB 187 206 99

HSL 70.65, 0.52%, 0.6%

LAB 79.39, -22, 50.44

 

CMYK 23 / 0 / 52 / 19

HEX #9ECE63

RGB 158 206 99

HSL 86.92, 0.52%, 0.6%

LAB 77.47, -33.17, 47.7

 

CMYK 37 / 0 / 52 / 19

HEX #82CE63

RGB 130 206 99

HSL 102.62, 0.52%, 0.6%

LAB 75.94, -43, 45.5

 

CMYK 51 / 0 / 52 / 19

HEX #65CE63

RGB 101 206 99

HSL 118.88, 0.52%, 0.6%

LAB 74.71, -51.71, 43.72

 

CMYK 0 / 5 / 52 / 19

HEX #CEC463

RGB 206 196 99

HSL 54.39, 0.52%, 0.6%

LAB 78.17, -9.27, 49.38

 

CMYK 0 / 6 / 63 / 13

HEX #DED153

RGB 222 209 83

HSL 54.39, 0.68%, 0.6%

LAB 82.78, -10.43, 62.13

 

CMYK 0 / 7 / 72 / 6

HEX #EFDF42

RGB 239 223 66

HSL 54.45, 0.84%, 0.6%

LAB 87.74, -11.27, 74.11

 

CMYK 0 / 5 / 52 / 19

HEX #CEC463

RGB 206 196 99

HSL 54.39, 0.52%, 0.6%

LAB 78.17, -9.27, 49.38

 

CMYK 0 / 4 / 39 / 26

HEX #BDB674

RGB 189 182 116

HSL 54.25, 0.36%, 0.6%

LAB 73.24, -7.29, 34.48

 

CMYK 0 / 2 / 24 / 32

HEX #ADA984

RGB 173 169 132

HSL 54.15, 0.2%, 0.6%

LAB 68.7, -4.7, 19.66

 

CMYK 0 / 1 / 4 / 39

HEX #9C9B95

RGB 156 155 149

HSL 51.43, 0.03%, 0.6%

LAB 63.9, -0.76, 3.26

 

CMYK 15 / 14 / 0 / 35

HEX #8C8EA5

RGB 140 142 165

HSL 235.2, 0.12%, 0.6%

LAB 59.56, 4.12, -12.36

 

CMYK 0 / 33 / 52 / 19

HEX #CE8A63

RGB 206 138 99

HSL 21.87, 0.52%, 0.6%

LAB 63.51, 21.7, 31.37

 

CMYK 0 / 19 / 52 / 19

HEX #CEA763

RGB 206 167 99

HSL 38.13, 0.52%, 0.6%

LAB 70.64, 5.96, 40.31

 

CMYK 0 / 5 / 52 / 19

HEX #CEC363

RGB 206 195 99

HSL 53.83, 0.52%, 0.6%

LAB 77.91, -8.76, 49.07

 

CMYK 9 / 0 / 52 / 19

HEX #BCCE63

RGB 188 206 99

HSL 70.09, 0.52%, 0.6%

LAB 79.46, -21.6, 50.55

 

CMYK 22 / 0 / 52 / 19

HEX #A0CE63

RGB 160 206 99

HSL 85.79, 0.52%, 0.6%

LAB 77.59, -32.43, 47.87

 

CMYK 0 / 6 / 69 / 34

HEX #A99F35

RGB 169 159 53

HSL 54.83, 0.52%, 0.44%

LAB 64.55, -9.06, 54.15

 

CMYK 0 / 6 / 65 / 23

HEX #C4B844

RGB 196 184 68

HSL 54.38, 0.52%, 0.52%

LAB 73.83, -9.55, 58.26

 

CMYK 0 / 5 / 52 / 19

HEX #CEC463

RGB 206 196 99

HSL 54.39, 0.52%, 0.6%

LAB 78.17, -9.27, 49.38

 

CMYK 0 / 3 / 39 / 16

HEX #D7D083

RGB 215 208 131

HSL 55, 0.51%, 0.68%

LAB 82.48, -8.66, 39.08

 

CMYK 0 / 3 / 28 / 12

HEX #E1DBA2

RGB 225 219 162

HSL 54.29, 0.51%, 0.76%

LAB 86.64, -6.69, 28.84

 

CMYK 0 / 5 / 52 / 19

HEX #CEC462

RGB 206 196 98

HSL 54.44, 0.52%, 0.6%

LAB 78.16, -9.36, 49.84

 

CMYK 52 / 0 / 47 / 19

HEX #63CE6E

RGB 99 206 110

HSL 126.17, 0.52%, 0.6%

LAB 74.78, -50.72, 38.41

 

CMYK 26 / 52 / 0 / 19

HEX #9963CE

RGB 153 99 206

HSL 270.28, 0.52%, 0.6%

LAB 52.01, 42.45, -47.41

 

CMYK 0 / 5 / 52 / 19

HEX #CEC462

RGB 206 196 98

HSL 54.44, 0.52%, 0.6%

LAB 78.16, -9.36, 49.84

 

CMYK 52 / 0 / 5 / 19

HEX #63CEC3

RGB 99 206 195

HSL 173.83, 0.52%, 0.6%

LAB 76.52, -33.48, -3.97

 

CMYK 5 / 52 / 0 / 19

HEX #C363CE

RGB 195 99 206

HSL 293.83, 0.52%, 0.6%

LAB 57.06, 53.79, -39.1

 

CMYK 0 / 5 / 52 / 19

HEX #CEC462

RGB 206 196 98

HSL 54.44, 0.52%, 0.6%

LAB 78.16, -9.36, 49.84

 

CMYK 52 / 0 / 47 / 19

HEX #63CE6E

RGB 99 206 110

HSL 126.17, 0.52%, 0.6%

LAB 74.78, -50.72, 38.41

 

CMYK 52 / 47 / 0 / 19

HEX #636ECE

RGB 99 110 206

HSL 233.83, 0.52%, 0.6%

LAB 49.81, 22.68, -51.2

 

CMYK 0 / 52 / 5 / 19

HEX #CE63C3

RGB 206 99 195

HSL 306.17, 0.52%, 0.6%

LAB 58.02, 54.9, -31.22

 

CMYK 0 / 5 / 52 / 19

HEX #CEC462

RGB 206 196 98

HSL 54.44, 0.52%, 0.6%

LAB 78.16, -9.36, 49.84

 

CMYK 52 / 0 / 31 / 19

HEX #63CE8E

RGB 99 206 142

HSL 144.11, 0.52%, 0.6%

LAB 75.29, -45.32, 22.64

 

CMYK 52 / 47 / 0 / 19

HEX #636ECE

RGB 99 110 206

HSL 233.83, 0.52%, 0.6%

LAB 49.81, 22.68, -51.2

 

CMYK 0 / 52 / 21 / 19

HEX #CE63A3

RGB 206 99 163

HSL 324.11, 0.52%, 0.6%

LAB 56.77, 49.85, -14.71

 

Description

Color code: HEX #CEC462 | qconv.com Color code: HEX #CEC462 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 196 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 196 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 52 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 52% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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