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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEBC52 it is the complementary color #3143AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEBC52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEBC52 shade: #D3BC4D, #E4CE60, #F5E073, #FFF286 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEBC52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEBC52 shade: #CEBC52, #BDAA3F, #AC982C, #9B8619 and #8A7406

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEBC52 shade: #CEBB50, #CE9A50, #CE7850, #CE5650 and #CE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEBC52 shade: #CEBB50, #BECE50, #9CCE50, #7ACE50 and #58CE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEBC52 shade matches the following richer shades: #CEBB50, #E0C83E and #F2D52C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEBC52 shade: #CEBB50, #BBAF62, #A9A274, #979586 and #858899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEBC52 shade: #CE7850, #CE9950, #CEBB50, #BFCE50 and #9DCE50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEBC52 shade: #9E8E2D, #BFAB36, #CEBB50, #D7C870 and #E0D490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEBC52 shade: #CEBC52, #50CE56 and #8950CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEBC52 shade: #CEBC52, #50CEBB and #BB50CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEBC52 shade: #CEBC52, #50CE56, #5063CE and #CE50C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEBC52 shade: #CEBC52, #50CE7C, #5063CE and #CE50A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 60 / 19

HEX #CEBC52

RGB 206 188 82

HSL 51.29, 0.56%, 0.56%

LAB 75.88, -6.47, 54.66

 

Complementary color

CMYK 72 / 61 / 0 / 32

HEX #3143AD

RGB 49 67 173

HSL 231.29, 0.56%, 0.44%

LAB 33.32, 29.73, -58.74

 

CMYK 0 / 11 / 64 / 17

HEX #D3BC4D

RGB 211 188 77

HSL 49.7, 0.6%, 0.56%

LAB 76.28, -4.68, 57.44

 

CMYK 0 / 10 / 58 / 11

HEX #E4CE60

RGB 228 206 96

HSL 50, 0.71%, 0.64%

LAB 82.64, -5.55, 56.43

 

CMYK 0 / 9 / 53 / 4

HEX #F5E073

RGB 245 224 115

HSL 50.31, 0.87%, 0.71%

LAB 88.9, -6.29, 55.31

 

CMYK 0 / 5 / 47 / 0

HEX #FFF286

RGB 255 242 134

HSL 53.55, 1%, 0.76%

LAB 94.52, -9.67, 53.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 9 / 60 / 19

HEX #CEBC52

RGB 206 188 82

HSL 51.29, 0.56%, 0.56%

LAB 75.88, -6.47, 54.66

 

CMYK 0 / 10 / 67 / 26

HEX #BDAA3F

RGB 189 170 63

HSL 50.95, 0.5%, 0.49%

LAB 69.42, -5.55, 55.56

 

CMYK 0 / 12 / 74 / 33

HEX #AC982C

RGB 172 152 44

HSL 50.63, 0.59%, 0.42%

LAB 62.85, -4.45, 56.09

 

CMYK 0 / 14 / 84 / 39

HEX #9B8619

RGB 155 134 25

HSL 50.31, 0.72%, 0.35%

LAB 56.18, -3.1, 55.82

 

CMYK 0 / 16 / 96 / 46

HEX #8A7406

RGB 138 116 6

HSL 50, 0.92%, 0.28%

LAB 49.38, -1.45, 54.08

 

CMYK 0 / 9 / 61 / 19

HEX #CEBB50

RGB 206 187 80

HSL 50.95, 0.56%, 0.56%

LAB 75.6, -6.09, 55.24

 

CMYK 0 / 25 / 61 / 19

HEX #CE9A50

RGB 206 154 80

HSL 35.24, 0.56%, 0.56%

LAB 67.14, 11.47, 45.7

 

CMYK 0 / 42 / 61 / 19

HEX #CE7850

RGB 206 120 80

HSL 19.05, 0.56%, 0.56%

LAB 59.1, 29.9, 36.18

 

CMYK 0 / 58 / 61 / 19

HEX #CE5650

RGB 206 86 80

HSL 2.86, 0.56%, 0.56%

LAB 52.24, 47.17, 27.64

 

CMYK 0 / 61 / 61 / 19

HEX #CE5050

RGB 206 80 80

HSL 0, 0.56%, 0.56%

LAB 51.2, 49.92, 26.31

 

CMYK 0 / 9 / 61 / 19

HEX #CEBB50

RGB 206 187 80

HSL 50.95, 0.56%, 0.56%

LAB 75.6, -6.09, 55.24

 

CMYK 8 / 0 / 61 / 19

HEX #BECE50

RGB 190 206 80

HSL 67.62, 0.56%, 0.56%

LAB 79.43, -22.33, 59.04

 

CMYK 24 / 0 / 61 / 19

HEX #9CCE50

RGB 156 206 80

HSL 83.81, 0.56%, 0.56%

LAB 77.15, -35.69, 55.91

 

CMYK 41 / 0 / 61 / 19

HEX #7ACE50

RGB 122 206 80

HSL 100, 0.56%, 0.56%

LAB 75.36, -47.63, 53.42

 

CMYK 57 / 0 / 61 / 19

HEX #58CE50

RGB 88 206 80

HSL 116.19, 0.56%, 0.56%

LAB 74.06, -57.31, 51.59

 

CMYK 0 / 9 / 61 / 19

HEX #CEBB50

RGB 206 187 80

HSL 50.95, 0.56%, 0.56%

LAB 75.6, -6.09, 55.24

 

CMYK 0 / 11 / 72 / 12

HEX #E0C83E

RGB 224 200 62

HSL 51.11, 0.72%, 0.56%

LAB 80.46, -6.15, 68.08

 

CMYK 0 / 12 / 82 / 5

HEX #F2D52C

RGB 242 213 44

HSL 51.21, 0.88%, 0.56%

LAB 85.33, -5.77, 78.71

 

CMYK 0 / 9 / 61 / 19

HEX #CEBB50

RGB 206 187 80

HSL 50.95, 0.56%, 0.56%

LAB 75.6, -6.09, 55.24

 

CMYK 0 / 6 / 48 / 27

HEX #BBAF62

RGB 187 175 98

HSL 51.91, 0.4%, 0.56%

LAB 70.94, -6.33, 40.8

 

CMYK 0 / 4 / 31 / 34

HEX #A9A274

RGB 169 162 116

HSL 52.08, 0.24%, 0.56%

LAB 66.16, -4.75, 24.89

 

CMYK 0 / 1 / 11 / 41

HEX #979586

RGB 151 149 134

HSL 52.94, 0.08%, 0.56%

LAB 61.48, -2, 8.18

 

CMYK 13 / 11 / 0 / 40

HEX #858899

RGB 133 136 153

HSL 231, 0.09%, 0.56%

LAB 56.97, 2.48, -9.42

 

CMYK 0 / 42 / 61 / 19

HEX #CE7850

RGB 206 120 80

HSL 19.05, 0.56%, 0.56%

LAB 59.1, 29.9, 36.18

 

CMYK 0 / 26 / 61 / 19

HEX #CE9950

RGB 206 153 80

HSL 34.76, 0.56%, 0.56%

LAB 66.89, 12.01, 45.41

 

CMYK 0 / 9 / 61 / 19

HEX #CEBB50

RGB 206 187 80

HSL 50.95, 0.56%, 0.56%

LAB 75.6, -6.09, 55.24

 

CMYK 7 / 0 / 61 / 19

HEX #BFCE50

RGB 191 206 80

HSL 67.14, 0.56%, 0.56%

LAB 79.5, -21.92, 59.14

 

CMYK 24 / 0 / 61 / 19

HEX #9DCE50

RGB 157 206 80

HSL 83.33, 0.56%, 0.56%

LAB 77.21, -35.32, 55.99

 

CMYK 0 / 10 / 72 / 38

HEX #9E8E2D

RGB 158 142 45

HSL 51.5, 0.56%, 0.4%

LAB 58.79, -5.27, 51.28

 

CMYK 0 / 10 / 72 / 25

HEX #BFAB36

RGB 191 171 54

HSL 51.24, 0.56%, 0.48%

LAB 69.8, -5.69, 59.65

 

CMYK 0 / 9 / 61 / 19

HEX #CEBB50

RGB 206 187 80

HSL 50.95, 0.56%, 0.56%

LAB 75.6, -6.09, 55.24

 

CMYK 0 / 7 / 48 / 16

HEX #D7C870

RGB 215 200 112

HSL 51.26, 0.56%, 0.64%

LAB 80.14, -6.49, 45.62

 

CMYK 0 / 5 / 36 / 12

HEX #E0D490

RGB 224 212 144

HSL 51, 0.56%, 0.72%

LAB 84.46, -5.72, 35.17

 

CMYK 0 / 9 / 60 / 19

HEX #CEBC52

RGB 206 188 82

HSL 51.29, 0.56%, 0.56%

LAB 75.88, -6.47, 54.66

 

CMYK 61 / 0 / 58 / 19

HEX #50CE56

RGB 80 206 86

HSL 122.86, 0.56%, 0.56%

LAB 73.88, -58.5, 48.65

 

CMYK 33 / 61 / 0 / 19

HEX #8950CE

RGB 137 80 206

HSL 267.14, 0.56%, 0.56%

LAB 46.33, 48.8, -56.6

 

CMYK 0 / 9 / 60 / 19

HEX #CEBC52

RGB 206 188 82

HSL 51.29, 0.56%, 0.56%

LAB 75.88, -6.47, 54.66

 

CMYK 61 / 0 / 9 / 19

HEX #50CEBB

RGB 80 206 187

HSL 170.95, 0.56%, 0.56%

LAB 75.72, -39.21, -0.89

 

CMYK 9 / 61 / 0 / 19

HEX #BB50CE

RGB 187 80 206

HSL 290.95, 0.56%, 0.56%

LAB 52.68, 60.63, -46.08

 

CMYK 0 / 9 / 60 / 19

HEX #CEBC52

RGB 206 188 82

HSL 51.29, 0.56%, 0.56%

LAB 75.88, -6.47, 54.66

 

CMYK 61 / 0 / 58 / 19

HEX #50CE56

RGB 80 206 86

HSL 122.86, 0.56%, 0.56%

LAB 73.88, -58.5, 48.65

 

CMYK 61 / 52 / 0 / 19

HEX #5063CE

RGB 80 99 206

HSL 230.95, 0.56%, 0.56%

LAB 45.75, 25.73, -57.78

 

CMYK 0 / 61 / 3 / 19

HEX #CE50C7

RGB 206 80 199

HSL 303.33, 0.56%, 0.56%

LAB 55.05, 64.1, -38.14

 

CMYK 0 / 9 / 60 / 19

HEX #CEBC52

RGB 206 188 82

HSL 51.29, 0.56%, 0.56%

LAB 75.88, -6.47, 54.66

 

CMYK 61 / 0 / 40 / 19

HEX #50CE7C

RGB 80 206 124

HSL 140.95, 0.56%, 0.56%

LAB 74.38, -52.91, 30.7

 

CMYK 61 / 52 / 0 / 19

HEX #5063CE

RGB 80 99 206

HSL 230.95, 0.56%, 0.56%

LAB 45.75, 25.73, -57.78

 

CMYK 0 / 61 / 21 / 19

HEX #CE50A2

RGB 206 80 162

HSL 320.95, 0.56%, 0.56%

LAB 53.46, 58.46, -19.17

 

Description

Color code: HEX #CEBC52 | qconv.com Color code: HEX #CEBC52 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 188 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 188 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 60 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 60% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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