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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEBBD5 it is the complementary color #31442A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEBBD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEBBD5 shade: #D3BBD0, #E4CDE3, #F5DFF6, #FFF1FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEBBD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEBBD5 shade: #CEBBD5, #BDA9C2, #AC97AF, #9B859C and #8A7389

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEBBD5 shade: #CDB9D4, #D4B9D4, #D4B9CD, #D4B9C6 and #D4B9BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEBBD5 shade: #CDB9D4, #C6B9D4, #BFB9D4 and #B9B9D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEBBD5 shade matches the following richer shades: #CDB9D4, #D1B0DD, #D5A7E7, #DA9EF0 and #DE95F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEBBD5 shade: #CDB9D4, #C9C3CB, #C5CCC2, #C1D5B9 and #BCDEB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEBBD5 shade: #BEB9D4, #C6B9D4, #CDB9D4, #D4B9D4 and #D4B9CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEBBD5 shade: #A886B5, #BBA0C5, #CDB9D4, #DFD3E4 and #F2EDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEBBD5 shade: #CEBBD5, #D4B9BC and #B9D4C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEBBD5 shade: #CEBBD5, #D4CDB9 and #B9D4CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEBBD5 shade: #CEBBD5, #D4B9BC, #C1D4B9 and #B9D4D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEBBD5 shade: #CEBBD5, #D4BFB9, #C1D4B9 and #B9CFD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 12 / 0 / 16

HEX #CEBBD5

RGB 206 187 213

HSL 283.85, 0.24%, 0.78%

LAB 78.15, 11.43, -10.58

 

Complementary color

CMYK 28 / 0 / 38 / 73

HEX #31442A

RGB 49 68 42

HSL 103.85, 0.24%, 0.22%

LAB 26.6, -13.4, 13.39

 

CMYK 0 / 11 / 1 / 17

HEX #D3BBD0

RGB 211 187 208

HSL 307.5, 0.21%, 0.78%

LAB 78.43, 12.19, -7.42

 

CMYK 0 / 10 / 0 / 11

HEX #E4CDE3

RGB 228 205 227

HSL 302.61, 0.3%, 0.85%

LAB 84.84, 11.84, -7.93

 

CMYK 0 / 9 / 0 / 4

HEX #F5DFF6

RGB 245 223 246

HSL 297.39, 0.56%, 0.92%

LAB 91.16, 11.51, -8.44

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 3 / 12 / 0 / 16

HEX #CEBBD5

RGB 206 187 213

HSL 283.85, 0.24%, 0.78%

LAB 78.15, 11.43, -10.58

 

CMYK 3 / 13 / 0 / 24

HEX #BDA9C2

RGB 189 169 194

HSL 288, 0.17%, 0.71%

LAB 71.62, 11.79, -10.12

 

CMYK 2 / 14 / 0 / 31

HEX #AC97AF

RGB 172 151 175

HSL 292.5, 0.13%, 0.64%

LAB 64.96, 12.18, -9.64

 

CMYK 1 / 15 / 0 / 39

HEX #9B859C

RGB 155 133 156

HSL 297.39, 0.1%, 0.57%

LAB 58.17, 12.61, -9.16

 

CMYK 0 / 17 / 1 / 46

HEX #8A7389

RGB 138 115 137

HSL 302.61, 0.09%, 0.5%

LAB 51.23, 13.08, -8.65

 

CMYK 3 / 13 / 0 / 17

HEX #CDB9D4

RGB 205 185 212

HSL 284.44, 0.24%, 0.78%

LAB 77.54, 11.98, -10.96

 

CMYK 0 / 13 / 0 / 17

HEX #D4B9D4

RGB 212 185 212

HSL 300, 0.24%, 0.78%

LAB 78.14, 14.35, -10

 

CMYK 0 / 13 / 3 / 17

HEX #D4B9CD

RGB 212 185 205

HSL 315.56, 0.24%, 0.78%

LAB 77.94, 13.07, -6.51

 

CMYK 0 / 13 / 7 / 17

HEX #D4B9C6

RGB 212 185 198

HSL 331.11, 0.24%, 0.78%

LAB 77.74, 11.83, -3.01

 

CMYK 0 / 13 / 10 / 17

HEX #D4B9BF

RGB 212 185 191

HSL 346.67, 0.24%, 0.78%

LAB 77.55, 10.63, 0.51

 

CMYK 3 / 13 / 0 / 17

HEX #CDB9D4

RGB 205 185 212

HSL 284.44, 0.24%, 0.78%

LAB 77.54, 11.98, -10.96

 

CMYK 7 / 13 / 0 / 17

HEX #C6B9D4

RGB 198 185 212

HSL 268.89, 0.24%, 0.78%

LAB 76.96, 9.63, -11.89

 

CMYK 10 / 13 / 0 / 17

HEX #BFB9D4

RGB 191 185 212

HSL 253.33, 0.24%, 0.78%

LAB 76.39, 7.31, -12.8

 

CMYK 13 / 13 / 0 / 17

HEX #B9B9D4

RGB 185 185 212

HSL 240, 0.24%, 0.78%

LAB 75.93, 5.34, -13.54

 

CMYK 3 / 13 / 0 / 17

HEX #CDB9D4

RGB 205 185 212

HSL 284.44, 0.24%, 0.78%

LAB 77.54, 11.98, -10.96

 

CMYK 5 / 20 / 0 / 13

HEX #D1B0DD

RGB 209 176 221

HSL 284, 0.4%, 0.78%

LAB 75.96, 19.94, -18.18

 

CMYK 8 / 28 / 0 / 9

HEX #D5A7E7

RGB 213 167 231

HSL 283.13, 0.57%, 0.78%

LAB 74.54, 28.11, -25.74

 

CMYK 9 / 34 / 0 / 6

HEX #DA9EF0

RGB 218 158 240

HSL 283.9, 0.73%, 0.78%

LAB 73.32, 36.33, -32.48

 

CMYK 11 / 40 / 0 / 2

HEX #DE95F9

RGB 222 149 249

HSL 283.8, 0.89%, 0.78%

LAB 72.14, 44.12, -39.17

 

CMYK 3 / 13 / 0 / 17

HEX #CDB9D4

RGB 205 185 212

HSL 284.44, 0.24%, 0.78%

LAB 77.54, 11.98, -10.96

 

CMYK 1 / 4 / 0 / 20

HEX #C9C3CB

RGB 201 195 203

HSL 285, 0.07%, 0.78%

LAB 79.48, 3.55, -3.26

 

CMYK 3 / 0 / 5 / 20

HEX #C5CCC2

RGB 197 204 194

HSL 102, 0.09%, 0.78%

LAB 81.26, -4.22, 4.14

 

CMYK 9 / 0 / 13 / 16

HEX #C1D5B9

RGB 193 213 185

HSL 102.86, 0.25%, 0.78%

LAB 83.14, -11.83, 11.58

 

CMYK 15 / 0 / 21 / 13

HEX #BCDEB0

RGB 188 222 176

HSL 104.35, 0.41%, 0.78%

LAB 85.03, -19.59, 18.93

 

CMYK 10 / 13 / 0 / 17

HEX #BEB9D4

RGB 190 185 212

HSL 251.11, 0.24%, 0.78%

LAB 76.31, 6.98, -12.92

 

CMYK 7 / 13 / 0 / 17

HEX #C6B9D4

RGB 198 185 212

HSL 268.89, 0.24%, 0.78%

LAB 76.96, 9.63, -11.89

 

CMYK 3 / 13 / 0 / 17

HEX #CDB9D4

RGB 205 185 212

HSL 284.44, 0.24%, 0.78%

LAB 77.54, 11.98, -10.96

 

CMYK 0 / 13 / 0 / 17

HEX #D4B9D4

RGB 212 185 212

HSL 300, 0.24%, 0.78%

LAB 78.14, 14.35, -10

 

CMYK 0 / 13 / 3 / 17

HEX #D4B9CE

RGB 212 185 206

HSL 313.33, 0.24%, 0.78%

LAB 77.96, 13.25, -7.01

 

CMYK 7 / 26 / 0 / 29

HEX #A886B5

RGB 168 134 181

HSL 283.4, 0.24%, 0.62%

LAB 60.53, 21.62, -19.76

 

CMYK 5 / 19 / 0 / 23

HEX #BBA0C5

RGB 187 160 197

HSL 283.78, 0.24%, 0.7%

LAB 69.28, 16.66, -15.29

 

CMYK 3 / 13 / 0 / 17

HEX #CDB9D4

RGB 205 185 212

HSL 284.44, 0.24%, 0.78%

LAB 77.54, 11.98, -10.96

 

CMYK 2 / 7 / 0 / 11

HEX #DFD3E4

RGB 223 211 228

HSL 282.35, 0.24%, 0.86%

LAB 85.95, 7.18, -6.88

 

CMYK 1 / 3 / 0 / 4

HEX #F2EDF4

RGB 242 237 244

HSL 282.86, 0.24%, 0.94%

LAB 94.3, 2.92, -2.79

 

CMYK 3 / 12 / 0 / 16

HEX #CEBBD5

RGB 206 187 213

HSL 283.85, 0.24%, 0.78%

LAB 78.15, 11.43, -10.58

 

CMYK 0 / 13 / 11 / 17

HEX #D4B9BC

RGB 212 185 188

HSL 353.33, 0.24%, 0.78%

LAB 77.48, 10.12, 2.03

 

CMYK 13 / 0 / 8 / 17

HEX #B9D4C2

RGB 185 212 194

HSL 140, 0.24%, 0.78%

LAB 82.54, -12.44, 5.87

 

CMYK 3 / 12 / 0 / 16

HEX #CEBBD5

RGB 206 187 213

HSL 283.85, 0.24%, 0.78%

LAB 78.15, 11.43, -10.58

 

CMYK 0 / 3 / 13 / 17

HEX #D4CDB9

RGB 212 205 185

HSL 44.44, 0.24%, 0.78%

LAB 82.47, -0.96, 10.82

 

CMYK 13 / 0 / 3 / 17

HEX #B9D4CD

RGB 185 212 205

HSL 164.44, 0.24%, 0.78%

LAB 82.81, -10.34, 0.41

 

CMYK 3 / 12 / 0 / 16

HEX #CEBBD5

RGB 206 187 213

HSL 283.85, 0.24%, 0.78%

LAB 78.15, 11.43, -10.58

 

CMYK 0 / 13 / 11 / 17

HEX #D4B9BC

RGB 212 185 188

HSL 353.33, 0.24%, 0.78%

LAB 77.48, 10.12, 2.03

 

CMYK 9 / 0 / 13 / 17

HEX #C1D4B9

RGB 193 212 185

HSL 102.22, 0.24%, 0.78%

LAB 82.87, -11.32, 11.2

 

CMYK 13 / 0 / 1 / 17

HEX #B9D4D2

RGB 185 212 210

HSL 175.56, 0.24%, 0.78%

LAB 82.94, -9.36, -2.06

 

CMYK 3 / 12 / 0 / 16

HEX #CEBBD5

RGB 206 187 213

HSL 283.85, 0.24%, 0.78%

LAB 78.15, 11.43, -10.58

 

CMYK 0 / 10 / 13 / 17

HEX #D4BFB9

RGB 212 191 185

HSL 13.33, 0.24%, 0.78%

LAB 78.9, 6.42, 5.71

 

CMYK 9 / 0 / 13 / 17

HEX #C1D4B9

RGB 193 212 185

HSL 102.22, 0.24%, 0.78%

LAB 82.87, -11.32, 11.2

 

CMYK 13 / 2 / 0 / 17

HEX #B9CFD4

RGB 185 207 212

HSL 191.11, 0.24%, 0.78%

LAB 81.67, -6.36, -4.99

 

Description

Color code: HEX #CEBBD5 | qconv.com Color code: HEX #CEBBD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 187 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 187 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 12 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 12% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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