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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEBB5E it is the complementary color #3144A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEBB5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEBB5E shade: #D3BB59, #E4CD6C, #F5DF7F, #FFF192 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEBB5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEBB5E shade: #CEBB5E, #BDA94B, #AC9738, #9B8525 and #8A7312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEBB5E shade: #CDBB5F, #CD9D5F, #CD7F5F, #CD615F and #CD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEBB5E shade: #CDBB5F, #C2CD5F, #A4CD5F, #87CD5F and #69CD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEBB5E shade matches the following richer shades: #CDBB5F, #DEC64E and #EFD13D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEBB5E shade: #CDBB5F, #BCAF6F, #ACA480, #9B9991 and #8A8EA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEBB5E shade: #CD7E5F, #CD9B5F, #CDB95F, #C4CD5F and #A7CD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEBB5E shade: #A79333, #C4AD3F, #CDBB5F, #D7C87E and #E1D59E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEBB5E shade: #CEBB5E, #5FCD60 and #8D5FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEBB5E shade: #CEBB5E, #5FCDB9 and #B95FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEBB5E shade: #CEBB5E, #5FCD60, #5F73CD and #CD5FCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEBB5E shade: #CEBB5E, #5FCD82, #5F73CD and #CD5FAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 54 / 19

HEX #CEBB5E

RGB 206 187 94

HSL 49.82, 0.53%, 0.59%

LAB 75.74, -5.04, 48.91

 

Complementary color

CMYK 70 / 58 / 0 / 37

HEX #3144A1

RGB 49 68 161

HSL 229.82, 0.53%, 0.41%

LAB 32.61, 24.65, -52.69

 

CMYK 0 / 11 / 58 / 17

HEX #D3BB59

RGB 211 187 89

HSL 48.2, 0.58%, 0.59%

LAB 76.14, -3.34, 51.85

 

CMYK 0 / 10 / 53 / 11

HEX #E4CD6C

RGB 228 205 108

HSL 48.5, 0.69%, 0.66%

LAB 82.51, -4.11, 50.68

 

CMYK 0 / 9 / 48 / 4

HEX #F5DF7F

RGB 245 223 127

HSL 48.81, 0.86%, 0.73%

LAB 88.79, -4.76, 49.48

 

CMYK 0 / 5 / 43 / 0

HEX #FFF192

RGB 255 241 146

HSL 52.29, 1%, 0.79%

LAB 94.42, -8.05, 47.45

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 9 / 54 / 19

HEX #CEBB5E

RGB 206 187 94

HSL 49.82, 0.53%, 0.59%

LAB 75.74, -5.04, 48.91

 

CMYK 0 / 11 / 60 / 26

HEX #BDA94B

RGB 189 169 75

HSL 49.47, 0.46%, 0.52%

LAB 69.26, -4.24, 50.05

 

CMYK 0 / 12 / 67 / 33

HEX #AC9738

RGB 172 151 56

HSL 49.14, 0.51%, 0.45%

LAB 62.67, -3.28, 51.02

 

CMYK 0 / 14 / 76 / 39

HEX #9B8525

RGB 155 133 37

HSL 48.81, 0.61%, 0.38%

LAB 55.96, -2.09, 51.58

 

CMYK 0 / 17 / 87 / 46

HEX #8A7312

RGB 138 115 18

HSL 48.5, 0.77%, 0.31%

LAB 49.14, -0.61, 51.18

 

CMYK 0 / 9 / 54 / 20

HEX #CDBB5F

RGB 205 187 95

HSL 50.18, 0.52%, 0.59%

LAB 75.67, -5.38, 48.32

 

CMYK 0 / 23 / 54 / 20

HEX #CD9D5F

RGB 205 157 95

HSL 33.82, 0.52%, 0.59%

LAB 67.96, 10.59, 39.06

 

CMYK 0 / 38 / 54 / 20

HEX #CD7F5F

RGB 205 127 95

HSL 17.45, 0.52%, 0.59%

LAB 60.77, 26.91, 30.03

 

CMYK 0 / 53 / 54 / 20

HEX #CD615F

RGB 205 97 95

HSL 1.09, 0.52%, 0.59%

LAB 54.4, 42.62, 21.7

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 9 / 54 / 20

HEX #CDBB5F

RGB 205 187 95

HSL 50.18, 0.52%, 0.59%

LAB 75.67, -5.38, 48.32

 

CMYK 5 / 0 / 54 / 20

HEX #C2CD5F

RGB 194 205 95

HSL 66, 0.52%, 0.59%

LAB 79.59, -19.05, 52.67

 

CMYK 20 / 0 / 54 / 20

HEX #A4CD5F

RGB 164 205 95

HSL 82.36, 0.52%, 0.59%

LAB 77.51, -30.85, 49.71

 

CMYK 34 / 0 / 54 / 20

HEX #87CD5F

RGB 135 205 95

HSL 98.18, 0.52%, 0.59%

LAB 75.85, -41.35, 47.34

 

CMYK 49 / 0 / 54 / 20

HEX #69CD5F

RGB 105 205 95

HSL 114.55, 0.52%, 0.59%

LAB 74.5, -50.72, 45.41

 

CMYK 0 / 9 / 54 / 20

HEX #CDBB5F

RGB 205 187 95

HSL 50.18, 0.52%, 0.59%

LAB 75.67, -5.38, 48.32

 

CMYK 0 / 11 / 65 / 13

HEX #DEC64E

RGB 222 198 78

HSL 50, 0.69%, 0.59%

LAB 79.88, -5.14, 61.14

 

CMYK 0 / 13 / 74 / 6

HEX #EFD13D

RGB 239 209 61

HSL 49.89, 0.85%, 0.59%

LAB 84.12, -4.44, 72.39

 

CMYK 0 / 9 / 54 / 20

HEX #CDBB5F

RGB 205 187 95

HSL 50.18, 0.52%, 0.59%

LAB 75.67, -5.38, 48.32

 

CMYK 0 / 7 / 41 / 26

HEX #BCAF6F

RGB 188 175 111

HSL 49.87, 0.36%, 0.59%

LAB 71.21, -4.57, 34.47

 

CMYK 0 / 5 / 26 / 33

HEX #ACA480

RGB 172 164 128

HSL 49.09, 0.21%, 0.59%

LAB 67.19, -2.99, 19.76

 

CMYK 0 / 1 / 6 / 39

HEX #9B9991

RGB 155 153 145

HSL 48, 0.05%, 0.59%

LAB 63.17, -0.76, 4.45

 

CMYK 15 / 12 / 0 / 36

HEX #8A8EA2

RGB 138 142 162

HSL 230, 0.11%, 0.59%

LAB 59.3, 2.78, -11.05

 

CMYK 0 / 39 / 54 / 20

HEX #CD7E5F

RGB 205 126 95

HSL 16.91, 0.52%, 0.59%

LAB 60.54, 27.45, 29.73

 

CMYK 0 / 24 / 54 / 20

HEX #CD9B5F

RGB 205 155 95

HSL 32.73, 0.52%, 0.59%

LAB 67.46, 11.68, 38.44

 

CMYK 0 / 10 / 54 / 20

HEX #CDB95F

RGB 205 185 95

HSL 49.09, 0.52%, 0.59%

LAB 75.14, -4.34, 47.7

 

CMYK 4 / 0 / 54 / 20

HEX #C4CD5F

RGB 196 205 95

HSL 64.91, 0.52%, 0.59%

LAB 79.74, -18.24, 52.88

 

CMYK 19 / 0 / 54 / 20

HEX #A7CD5F

RGB 167 205 95

HSL 80.73, 0.52%, 0.59%

LAB 77.7, -29.71, 49.99

 

CMYK 0 / 12 / 69 / 35

HEX #A79333

RGB 167 147 51

HSL 49.66, 0.53%, 0.43%

LAB 61.06, -3.62, 51.36

 

CMYK 0 / 12 / 68 / 23

HEX #C4AD3F

RGB 196 173 63

HSL 49.62, 0.53%, 0.51%

LAB 70.86, -4.1, 57.26

 

CMYK 0 / 9 / 54 / 20

HEX #CDBB5F

RGB 205 187 95

HSL 50.18, 0.52%, 0.59%

LAB 75.67, -5.38, 48.32

 

CMYK 0 / 7 / 41 / 16

HEX #D7C87E

RGB 215 200 126

HSL 49.89, 0.53%, 0.67%

LAB 80.33, -5.1, 38.86

 

CMYK 0 / 5 / 30 / 12

HEX #E1D59E

RGB 225 213 158

HSL 49.25, 0.53%, 0.75%

LAB 85.03, -4.14, 28.74

 

CMYK 0 / 9 / 54 / 19

HEX #CEBB5E

RGB 206 187 94

HSL 49.82, 0.53%, 0.59%

LAB 75.74, -5.04, 48.91

 

CMYK 54 / 0 / 53 / 20

HEX #5FCD60

RGB 95 205 96

HSL 120.55, 0.52%, 0.59%

LAB 74.15, -53.29, 44.43

 

CMYK 31 / 54 / 0 / 20

HEX #8D5FCD

RGB 141 95 205

HSL 265.09, 0.52%, 0.59%

LAB 49.8, 41.34, -50.43

 

CMYK 0 / 9 / 54 / 19

HEX #CEBB5E

RGB 206 187 94

HSL 49.82, 0.53%, 0.59%

LAB 75.74, -5.04, 48.91

 

CMYK 54 / 0 / 10 / 20

HEX #5FCDB9

RGB 95 205 185

HSL 169.09, 0.52%, 0.59%

LAB 75.82, -36.36, 0.38

 

CMYK 10 / 54 / 0 / 20

HEX #B95FCD

RGB 185 95 205

HSL 289.09, 0.52%, 0.59%

LAB 54.98, 52.86, -41.89

 

CMYK 0 / 9 / 54 / 19

HEX #CEBB5E

RGB 206 187 94

HSL 49.82, 0.53%, 0.59%

LAB 75.74, -5.04, 48.91

 

CMYK 54 / 0 / 53 / 20

HEX #5FCD60

RGB 95 205 96

HSL 120.55, 0.52%, 0.59%

LAB 74.15, -53.29, 44.43

 

CMYK 54 / 44 / 0 / 20

HEX #5F73CD

RGB 95 115 205

HSL 229.09, 0.52%, 0.59%

LAB 50.81, 18.43, -49.05

 

CMYK 0 / 54 / 0 / 20

HEX #CD5FCC

RGB 205 95 204

HSL 300.55, 0.52%, 0.59%

LAB 57.58, 58.06, -37.05

 

CMYK 0 / 9 / 54 / 19

HEX #CEBB5E

RGB 206 187 94

HSL 49.82, 0.53%, 0.59%

LAB 75.74, -5.04, 48.91

 

CMYK 54 / 0 / 37 / 20

HEX #5FCD82

RGB 95 205 130

HSL 139.09, 0.52%, 0.59%

LAB 74.64, -48.08, 28.02

 

CMYK 54 / 44 / 0 / 20

HEX #5F73CD

RGB 95 115 205

HSL 229.09, 0.52%, 0.59%

LAB 50.81, 18.43, -49.05

 

CMYK 0 / 54 / 17 / 20

HEX #CD5FAA

RGB 205 95 170

HSL 319.09, 0.52%, 0.59%

LAB 56.15, 52.51, -19.73

 

Description

Color code: HEX #CEBB5E | qconv.com Color code: HEX #CEBB5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 187 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 187 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 54 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 54% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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