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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEB9A8 it is the complementary color #314657. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEB9A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEB9A8 shade: #D3B9A3, #E4CBB6, #F5DDC9, #FFEFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEB9A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEB9A8 shade: #CEB9A8, #BDA795, #AC9582, #9B836F and #8A715C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEB9A8 shade: #CDB8A7, #CDAEA7 and #CDA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEB9A8 shade: #CDB8A7, #CDC3A7, #CDCDA7, #C4CDA7 and #B9CDA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEB9A8 shade matches the following richer shades: #CDB8A7, #D9B79C, #E4B691, #EFB585 and #FAB37A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEB9A8 shade: #CDB8A7, #C2B9B2, #B7BABD, #ACBCC8 and #A1BDD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEB9A8 shade: #CDA7AB, #CDADA7, #CDB8A7, #CDC2A7 and #CDCCA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEB9A8 shade: #B08E72, #BFA38C, #CDB8A7, #DCCDC1 and #EBE3DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEB9A8 shade: #CEB9A8, #B5CDA7 and #A8A7CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEB9A8 shade: #CEB9A8, #A7CDB8 and #B8A7CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEB9A8 shade: #CEB9A8, #B5CDA7, #A7BDCD and #BFA7CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEB9A8 shade: #CEB9A8, #A9CDA7, #A7BDCD and #CBA7CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 18 / 19

HEX #CEB9A8

RGB 206 185 168

HSL 26.84, 0.28%, 0.73%

LAB 76.46, 4.72, 11.34

 

Complementary color

CMYK 44 / 20 / 0 / 66

HEX #314657

RGB 49 70 87

HSL 206.84, 0.28%, 0.27%

LAB 28.7, -3.13, -12.71

 

CMYK 0 / 12 / 23 / 17

HEX #D3B9A3

RGB 211 185 163

HSL 27.5, 0.35%, 0.73%

LAB 76.79, 5.85, 14.57

 

CMYK 0 / 11 / 20 / 11

HEX #E4CBB6

RGB 228 203 182

HSL 27.39, 0.46%, 0.8%

LAB 83.22, 5.47, 13.67

 

CMYK 0 / 10 / 18 / 4

HEX #F5DDC9

RGB 245 221 201

HSL 27.27, 0.69%, 0.87%

LAB 89.55, 5.12, 12.81

 

CMYK 0 / 6 / 14 / 0

HEX #FFEFDC

RGB 255 239 220

HSL 32.57, 1%, 0.93%

LAB 95.23, 2.34, 11.12

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 10 / 18 / 19

HEX #CEB9A8

RGB 206 185 168

HSL 26.84, 0.28%, 0.73%

LAB 76.46, 4.72, 11.34

 

CMYK 0 / 12 / 21 / 26

HEX #BDA795

RGB 189 167 149

HSL 27, 0.23%, 0.66%

LAB 69.91, 5.09, 12.23

 

CMYK 0 / 13 / 24 / 33

HEX #AC9582

RGB 172 149 130

HSL 27.14, 0.2%, 0.59%

LAB 63.24, 5.52, 13.19

 

CMYK 0 / 15 / 28 / 39

HEX #9B836F

RGB 155 131 111

HSL 27.27, 0.18%, 0.52%

LAB 56.44, 6, 14.22

 

CMYK 0 / 18 / 33 / 46

HEX #8A715C

RGB 138 113 92

HSL 27.39, 0.2%, 0.45%

LAB 49.48, 6.57, 15.35

 

CMYK 0 / 10 / 19 / 20

HEX #CDB8A7

RGB 205 184 167

HSL 26.84, 0.28%, 0.73%

LAB 76.1, 4.73, 11.35

 

CMYK 0 / 15 / 19 / 20

HEX #CDAEA7

RGB 205 174 167

HSL 11.05, 0.28%, 0.73%

LAB 73.57, 10.11, 7.75

 

CMYK 0 / 19 / 19 / 20

HEX #CDA7A7

RGB 205 167 167

HSL 0, 0.28%, 0.73%

LAB 71.83, 13.9, 5.25

 

CMYK 0 / 10 / 19 / 20

HEX #CDB8A7

RGB 205 184 167

HSL 26.84, 0.28%, 0.73%

LAB 76.1, 4.73, 11.35

 

CMYK 0 / 5 / 19 / 20

HEX #CDC3A7

RGB 205 195 167

HSL 44.21, 0.28%, 0.73%

LAB 78.93, -1.1, 15.34

 

CMYK 0 / 0 / 19 / 20

HEX #CDCDA7

RGB 205 205 167

HSL 60, 0.28%, 0.73%

LAB 81.53, -6.31, 18.97

 

CMYK 4 / 0 / 19 / 20

HEX #C4CDA7

RGB 196 205 167

HSL 74.21, 0.28%, 0.73%

LAB 80.84, -9.62, 17.92

 

CMYK 10 / 0 / 19 / 20

HEX #B9CDA7

RGB 185 205 167

HSL 91.58, 0.28%, 0.73%

LAB 80.05, -13.59, 16.69

 

CMYK 0 / 10 / 19 / 20

HEX #CDB8A7

RGB 205 184 167

HSL 26.84, 0.28%, 0.73%

LAB 76.1, 4.73, 11.35

 

CMYK 0 / 16 / 28 / 15

HEX #D9B79C

RGB 217 183 156

HSL 26.56, 0.45%, 0.73%

LAB 76.69, 8.23, 18.28

 

CMYK 0 / 20 / 36 / 11

HEX #E4B691

RGB 228 182 145

HSL 26.75, 0.61%, 0.73%

LAB 77.28, 11.63, 25.15

 

CMYK 0 / 24 / 44 / 6

HEX #EFB585

RGB 239 181 133

HSL 27.17, 0.77%, 0.73%

LAB 77.93, 15.18, 32.58

 

CMYK 0 / 28 / 51 / 2

HEX #FAB37A

RGB 250 179 122

HSL 26.72, 0.93%, 0.73%

LAB 78.44, 19.57, 39.21

 

CMYK 0 / 10 / 19 / 20

HEX #CDB8A7

RGB 205 184 167

HSL 26.84, 0.28%, 0.73%

LAB 76.1, 4.73, 11.35

 

CMYK 0 / 5 / 8 / 24

HEX #C2B9B2

RGB 194 185 178

HSL 26.25, 0.12%, 0.73%

LAB 75.69, 1.95, 4.67

 

CMYK 3 / 2 / 0 / 26

HEX #B7BABD

RGB 183 186 189

HSL 210, 0.04%, 0.73%

LAB 75.36, -0.47, -1.89

 

CMYK 14 / 6 / 0 / 22

HEX #ACBCC8

RGB 172 188 200

HSL 205.71, 0.2%, 0.73%

LAB 75.39, -3.03, -7.92

 

CMYK 24 / 10 / 0 / 17

HEX #A1BDD3

RGB 161 189 211

HSL 206.4, 0.36%, 0.73%

LAB 75.25, -4.62, -14.19

 

CMYK 0 / 19 / 17 / 20

HEX #CDA7AB

RGB 205 167 171

HSL 353.68, 0.28%, 0.73%

LAB 71.93, 14.53, 3.19

 

CMYK 0 / 16 / 19 / 20

HEX #CDADA7

RGB 205 173 167

HSL 9.47, 0.28%, 0.73%

LAB 73.32, 10.65, 7.39

 

CMYK 0 / 10 / 19 / 20

HEX #CDB8A7

RGB 205 184 167

HSL 26.84, 0.28%, 0.73%

LAB 76.1, 4.73, 11.35

 

CMYK 0 / 5 / 19 / 20

HEX #CDC2A7

RGB 205 194 167

HSL 42.63, 0.28%, 0.73%

LAB 78.67, -0.57, 14.98

 

CMYK 0 / 0 / 19 / 20

HEX #CDCCA7

RGB 205 204 167

HSL 58.42, 0.28%, 0.73%

LAB 81.27, -5.79, 18.61

 

CMYK 0 / 19 / 35 / 31

HEX #B08E72

RGB 176 142 114

HSL 27.1, 0.28%, 0.57%

LAB 61.47, 8.8, 19.78

 

CMYK 0 / 15 / 27 / 25

HEX #BFA38C

RGB 191 163 140

HSL 27.06, 0.28%, 0.65%

LAB 68.87, 6.73, 15.76

 

CMYK 0 / 10 / 19 / 20

HEX #CDB8A7

RGB 205 184 167

HSL 26.84, 0.28%, 0.73%

LAB 76.1, 4.73, 11.35

 

CMYK 0 / 7 / 12 / 14

HEX #DCCDC1

RGB 220 205 193

HSL 26.67, 0.28%, 0.81%

LAB 83.3, 3.21, 7.83

 

CMYK 0 / 3 / 6 / 8

HEX #EBE3DC

RGB 235 227 220

HSL 28, 0.27%, 0.89%

LAB 90.67, 1.51, 4.37

 

CMYK 0 / 10 / 18 / 19

HEX #CEB9A8

RGB 206 185 168

HSL 26.84, 0.28%, 0.73%

LAB 76.46, 4.72, 11.34

 

CMYK 12 / 0 / 19 / 20

HEX #B5CDA7

RGB 181 205 167

HSL 97.89, 0.28%, 0.73%

LAB 79.77, -15.01, 16.26

 

CMYK 18 / 19 / 0 / 20

HEX #A8A7CD

RGB 168 167 205

HSL 241.58, 0.28%, 0.73%

LAB 69.73, 8.21, -19.19

 

CMYK 0 / 10 / 18 / 19

HEX #CEB9A8

RGB 206 185 168

HSL 26.84, 0.28%, 0.73%

LAB 76.46, 4.72, 11.34

 

CMYK 19 / 0 / 10 / 20

HEX #A7CDB8

RGB 167 205 184

HSL 146.84, 0.28%, 0.73%

LAB 79.24, -16.75, 6.3

 

CMYK 10 / 19 / 0 / 20

HEX #B8A7CD

RGB 184 167 205

HSL 266.84, 0.28%, 0.73%

LAB 71.03, 13.41, -17.09

 

CMYK 0 / 10 / 18 / 19

HEX #CEB9A8

RGB 206 185 168

HSL 26.84, 0.28%, 0.73%

LAB 76.46, 4.72, 11.34

 

CMYK 12 / 0 / 19 / 20

HEX #B5CDA7

RGB 181 205 167

HSL 97.89, 0.28%, 0.73%

LAB 79.77, -15.01, 16.26

 

CMYK 19 / 8 / 0 / 20

HEX #A7BDCD

RGB 167 189 205

HSL 205.26, 0.28%, 0.73%

LAB 75.46, -4.1, -10.57

 

CMYK 7 / 19 / 0 / 20

HEX #BFA7CD

RGB 191 167 205

HSL 277.89, 0.28%, 0.73%

LAB 71.64, 15.74, -16.12

 

CMYK 0 / 10 / 18 / 19

HEX #CEB9A8

RGB 206 185 168

HSL 26.84, 0.28%, 0.73%

LAB 76.46, 4.72, 11.34

 

CMYK 18 / 0 / 19 / 20

HEX #A9CDA7

RGB 169 205 167

HSL 116.84, 0.28%, 0.73%

LAB 78.98, -19.2, 15.03

 

CMYK 19 / 8 / 0 / 20

HEX #A7BDCD

RGB 167 189 205

HSL 205.26, 0.28%, 0.73%

LAB 75.46, -4.1, -10.57

 

CMYK 1 / 19 / 0 / 20

HEX #CBA7CD

RGB 203 167 205

HSL 296.84, 0.28%, 0.73%

LAB 72.72, 19.77, -14.38

 

Description

Color code: HEX #CEB9A8 | qconv.com Color code: HEX #CEB9A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 185 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 185 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 18 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 18% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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