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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEB124 it is the complementary color #314EDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEB124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEB124 shade: #D3B11F, #E4C332, #F5D545, #FFE758 and #FFF96B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEB124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEB124 shade: #CEB124, #BD9F11, #AC8D00, #9B7B00 and #8A6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEB124 shade: #CCAF24, #CC8224, #CC5524, #CC2724 and #CC2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEB124 shade: #CCAF24, #BBCC24, #8ECC24, #61CC24 and #33CC24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEB124 shade matches the following richer shades: #CCAF24 and #DFBC11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEB124 shade: #CCAF24, #B8A237, #A5964B, #92895E and #7E7C72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEB124 shade: #CC5324, #CC8024, #CCAD24, #BECC24 and #91CC24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEB124 shade: #867318, #A9911E, #CCAF24, #DDC13C and #E3CC5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEB124 shade: #CEB124, #24CC27 and #6A24CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEB124 shade: #CEB124, #24CCAD and #AD24CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEB124 shade: #CEB124, #24CC27, #2443CC and #CC24C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEB124 shade: #CEB124, #24CC59, #2443CC and #CC2497

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 83 / 19

HEX #CEB124

RGB 206 177 36

HSL 49.76, 0.7%, 0.47%

LAB 72.69, -2.98, 68.77

 

Complementary color

CMYK 78 / 64 / 0 / 14

HEX #314EDB

RGB 49 78 219

HSL 229.76, 0.7%, 0.53%

LAB 39.94, 39.35, -74.75

 

CMYK 0 / 16 / 85 / 17

HEX #D3B11F

RGB 211 177 31

HSL 48.67, 0.74%, 0.47%

LAB 73.15, -0.92, 70.64

 

CMYK 0 / 14 / 78 / 11

HEX #E4C332

RGB 228 195 50

HSL 48.88, 0.77%, 0.55%

LAB 79.47, -2.36, 71.37

 

CMYK 0 / 13 / 72 / 4

HEX #F5D545

RGB 245 213 69

HSL 49.09, 0.9%, 0.62%

LAB 85.72, -3.6, 71.29

 

CMYK 0 / 9 / 65 / 0

HEX #FFE758

RGB 255 231 88

HSL 51.38, 1%, 0.67%

LAB 91.29, -7.54, 69.92

 

CMYK 0 / 2 / 58 / 0

HEX #FFF96B

RGB 255 249 107

HSL 57.57, 1%, 0.71%

LAB 96.03, -15.22, 67.19

 

CMYK 0 / 14 / 83 / 19

HEX #CEB124

RGB 206 177 36

HSL 49.76, 0.7%, 0.47%

LAB 72.69, -2.98, 68.77

 

CMYK 0 / 16 / 91 / 26

HEX #BD9F11

RGB 189 159 17

HSL 49.53, 0.83%, 0.4%

LAB 66.26, -1.41, 67.23

 

CMYK 0 / 18 / 100 / 33

HEX #AC8D00

RGB 172 141 0

HSL 49.19, 1%, 0.34%

LAB 59.73, 0.39, 64.24

 

CMYK 0 / 21 / 100 / 39

HEX #9B7B00

RGB 155 123 0

HSL 47.61, 1%, 0.3%

LAB 53.1, 2.51, 58.77

 

CMYK 0 / 24 / 100 / 46

HEX #8A6900

RGB 138 105 0

HSL 45.65, 1%, 0.27%

LAB 46.32, 4.74, 53.19

 

CMYK 0 / 14 / 82 / 20

HEX #CCAF24

RGB 204 175 36

HSL 49.64, 0.7%, 0.47%

LAB 71.98, -2.81, 68.08

 

CMYK 0 / 36 / 82 / 20

HEX #CC8224

RGB 204 130 36

HSL 33.57, 0.7%, 0.47%

LAB 60.72, 21.45, 58.33

 

CMYK 0 / 58 / 82 / 20

HEX #CC5524

RGB 204 85 36

HSL 17.5, 0.7%, 0.47%

LAB 51.22, 44.78, 49.83

 

CMYK 0 / 81 / 82 / 20

HEX #CC2724

RGB 204 39 36

HSL 1.07, 0.7%, 0.47%

LAB 44.82, 62.18, 43.9

 

CMYK 0 / 82 / 82 / 20

HEX #CC2424

RGB 204 36 36

HSL 0, 0.7%, 0.47%

LAB 44.56, 62.94, 43.65

 

CMYK 0 / 14 / 82 / 20

HEX #CCAF24

RGB 204 175 36

HSL 49.64, 0.7%, 0.47%

LAB 71.98, -2.81, 68.08

 

CMYK 8 / 0 / 82 / 20

HEX #BBCC24

RGB 187 204 36

HSL 66.07, 0.7%, 0.47%

LAB 78.39, -24.8, 73.01

 

CMYK 30 / 0 / 82 / 20

HEX #8ECC24

RGB 142 204 36

HSL 82.14, 0.7%, 0.47%

LAB 75.49, -42.7, 69.36

 

CMYK 52 / 0 / 82 / 20

HEX #61CC24

RGB 97 204 36

HSL 98.21, 0.7%, 0.47%

LAB 73.45, -57.53, 66.77

 

CMYK 75 / 0 / 82 / 20

HEX #33CC24

RGB 51 204 36

HSL 114.64, 0.7%, 0.47%

LAB 72.24, -67.52, 65.22

 

CMYK 0 / 14 / 82 / 20

HEX #CCAF24

RGB 204 175 36

HSL 49.64, 0.7%, 0.47%

LAB 71.98, -2.81, 68.08

 

CMYK 0 / 16 / 92 / 13

HEX #DFBC11

RGB 223 188 17

HSL 49.81, 0.86%, 0.47%

LAB 77.1, -1.69, 76.92

 

CMYK 0 / 14 / 82 / 20

HEX #CCAF24

RGB 204 175 36

HSL 49.64, 0.7%, 0.47%

LAB 71.98, -2.81, 68.08

 

CMYK 0 / 12 / 70 / 28

HEX #B8A237

RGB 184 162 55

HSL 49.77, 0.54%, 0.47%

LAB 66.75, -3.94, 56

 

CMYK 0 / 9 / 55 / 35

HEX #A5964B

RGB 165 150 75

HSL 50, 0.38%, 0.47%

LAB 61.93, -4.43, 41.07

 

CMYK 0 / 6 / 36 / 43

HEX #92895E

RGB 146 137 94

HSL 49.62, 0.22%, 0.47%

LAB 56.89, -3.42, 24.31

 

CMYK 0 / 2 / 10 / 51

HEX #7E7C72

RGB 126 124 114

HSL 50, 0.05%, 0.47%

LAB 51.91, -1.14, 5.72

 

CMYK 0 / 59 / 82 / 20

HEX #CC5324

RGB 204 83 36

HSL 16.79, 0.7%, 0.47%

LAB 50.86, 45.72, 49.51

 

CMYK 0 / 37 / 82 / 20

HEX #CC8024

RGB 204 128 36

HSL 32.86, 0.7%, 0.47%

LAB 60.25, 22.54, 57.92

 

CMYK 0 / 15 / 82 / 20

HEX #CCAD24

RGB 204 173 36

HSL 48.93, 0.7%, 0.47%

LAB 71.45, -1.75, 67.64

 

CMYK 7 / 0 / 82 / 20

HEX #BECC24

RGB 190 204 36

HSL 65, 0.7%, 0.47%

LAB 78.61, -23.54, 73.29

 

CMYK 29 / 0 / 82 / 20

HEX #91CC24

RGB 145 204 36

HSL 81.07, 0.7%, 0.47%

LAB 75.66, -41.58, 69.57

 

CMYK 0 / 14 / 82 / 47

HEX #867318

RGB 134 115 24

HSL 49.64, 0.7%, 0.31%

LAB 48.75, -2.31, 48.84

 

CMYK 0 / 14 / 82 / 34

HEX #A9911E

RGB 169 145 30

HSL 49.64, 0.7%, 0.39%

LAB 60.59, -2.56, 58.68

 

CMYK 0 / 14 / 82 / 20

HEX #CCAF24

RGB 204 175 36

HSL 49.64, 0.7%, 0.47%

LAB 71.98, -2.81, 68.08

 

CMYK 0 / 13 / 73 / 13

HEX #DDC13C

RGB 221 193 60

HSL 49.57, 0.7%, 0.55%

LAB 78.37, -3.93, 66.69

 

CMYK 0 / 10 / 58 / 11

HEX #E3CC5F

RGB 227 204 95

HSL 49.55, 0.7%, 0.63%

LAB 82.02, -5.01, 56.16

 

CMYK 0 / 14 / 83 / 19

HEX #CEB124

RGB 206 177 36

HSL 49.76, 0.7%, 0.47%

LAB 72.69, -2.98, 68.77

 

CMYK 82 / 0 / 81 / 20

HEX #24CC27

RGB 36 204 39

HSL 121.07, 0.7%, 0.47%

LAB 72.03, -69.29, 64.15

 

CMYK 48 / 82 / 0 / 20

HEX #6A24CC

RGB 106 36 204

HSL 265, 0.7%, 0.47%

LAB 35.37, 62.88, -73.44

 

CMYK 0 / 14 / 83 / 19

HEX #CEB124

RGB 206 177 36

HSL 49.76, 0.7%, 0.47%

LAB 72.69, -2.98, 68.77

 

CMYK 82 / 0 / 15 / 20

HEX #24CCAD

RGB 36 204 173

HSL 168.93, 0.7%, 0.47%

LAB 73.92, -47.67, 3.93

 

CMYK 15 / 82 / 0 / 20

HEX #AD24CC

RGB 173 36 204

HSL 288.93, 0.7%, 0.47%

LAB 44.95, 72.98, -57.42

 

CMYK 0 / 14 / 83 / 19

HEX #CEB124

RGB 206 177 36

HSL 49.76, 0.7%, 0.47%

LAB 72.69, -2.98, 68.77

 

CMYK 82 / 0 / 81 / 20

HEX #24CC27

RGB 36 204 39

HSL 121.07, 0.7%, 0.47%

LAB 72.03, -69.29, 64.15

 

CMYK 82 / 67 / 0 / 20

HEX #2443CC

RGB 36 67 204

HSL 228.93, 0.7%, 0.47%

LAB 35.5, 39.77, -73.43

 

CMYK 0 / 82 / 1 / 20

HEX #CC24C9

RGB 204 36 201

HSL 301.07, 0.7%, 0.47%

LAB 49.88, 78.06, -47.51

 

CMYK 0 / 14 / 83 / 19

HEX #CEB124

RGB 206 177 36

HSL 49.76, 0.7%, 0.47%

LAB 72.69, -2.98, 68.77

 

CMYK 82 / 0 / 56 / 20

HEX #24CC59

RGB 36 204 89

HSL 138.93, 0.7%, 0.47%

LAB 72.42, -64.54, 45.33

 

CMYK 82 / 67 / 0 / 20

HEX #2443CC

RGB 36 67 204

HSL 228.93, 0.7%, 0.47%

LAB 35.5, 39.77, -73.43

 

CMYK 0 / 82 / 26 / 20

HEX #CC2497

RGB 204 36 151

HSL 318.93, 0.7%, 0.47%

LAB 47.41, 71.3, -21.95

 

Description

Color code: HEX #CEB124 | qconv.com Color code: HEX #CEB124 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 177 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 177 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 83 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 83% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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