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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEB05E it is the complementary color #314FA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEB05E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEB05E shade: #D3B059, #E4C26C, #F5D47F, #FFE692 and #FFF8A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEB05E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEB05E shade: #CEB05E, #BD9E4B, #AC8C38, #9B7A25 and #8A6812

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEB05E shade: #CDB05F, #CD925F, #CD745F and #CD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEB05E shade: #CDB05F, #CDCD5F, #AFCD5F, #91CD5F and #74CD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEB05E shade matches the following richer shades: #CDB05F, #DEB84E and #EFBF3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEB05E shade: #CDB05F, #BCA86F, #ACA080, #9B9891 and #8A90A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEB05E shade: #CD735F, #CD905F, #CDAE5F, #CDCC5F and #B2CD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEB05E shade: #A78833, #C4A03F, #CDB05F, #D7BF7E and #E1CF9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEB05E shade: #CEB05E, #68CD5F and #825FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEB05E shade: #CEB05E, #5FCDAE and #AE5FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEB05E shade: #CEB05E, #68CD5F, #5F7ECD and #C45FCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEB05E shade: #CEB05E, #5FCD77, #5F7ECD and #CD5FB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 54 / 19

HEX #CEB05E

RGB 206 176 94

HSL 43.93, 0.53%, 0.59%

LAB 72.88, 0.74, 45.53

 

Complementary color

CMYK 70 / 51 / 0 / 37

HEX #314FA1

RGB 49 79 161

HSL 223.93, 0.53%, 0.41%

LAB 35.63, 17.33, -47.81

 

CMYK 0 / 17 / 58 / 17

HEX #D3B059

RGB 211 176 89

HSL 42.79, 0.58%, 0.59%

LAB 73.3, 2.44, 48.58

 

CMYK 0 / 15 / 53 / 11

HEX #E4C26C

RGB 228 194 108

HSL 43, 0.69%, 0.66%

LAB 79.7, 1.58, 47.33

 

CMYK 0 / 13 / 48 / 4

HEX #F5D47F

RGB 245 212 127

HSL 43.22, 0.86%, 0.73%

LAB 86.02, 0.83, 46.07

 

CMYK 0 / 10 / 43 / 0

HEX #FFE692

RGB 255 230 146

HSL 46.24, 1%, 0.79%

LAB 91.65, -2.55, 43.96

 

CMYK 0 / 3 / 35 / 0

HEX #FFF8A5

RGB 255 248 165

HSL 55.33, 1%, 0.82%

LAB 96.46, -9.51, 40.75

 

CMYK 0 / 15 / 54 / 19

HEX #CEB05E

RGB 206 176 94

HSL 43.93, 0.53%, 0.59%

LAB 72.88, 0.74, 45.53

 

CMYK 0 / 16 / 60 / 26

HEX #BD9E4B

RGB 189 158 75

HSL 43.68, 0.46%, 0.52%

LAB 66.35, 1.64, 46.78

 

CMYK 0 / 19 / 67 / 33

HEX #AC8C38

RGB 172 140 56

HSL 43.45, 0.51%, 0.45%

LAB 59.72, 2.74, 47.91

 

CMYK 0 / 21 / 76 / 39

HEX #9B7A25

RGB 155 122 37

HSL 43.22, 0.61%, 0.38%

LAB 52.97, 4.07, 48.71

 

CMYK 0 / 25 / 87 / 46

HEX #8A6812

RGB 138 104 18

HSL 43, 0.77%, 0.31%

LAB 46.11, 5.71, 48.65

 

CMYK 0 / 14 / 54 / 20

HEX #CDB05F

RGB 205 176 95

HSL 44.18, 0.52%, 0.59%

LAB 72.8, 0.4, 44.92

 

CMYK 0 / 29 / 54 / 20

HEX #CD925F

RGB 205 146 95

HSL 27.82, 0.52%, 0.59%

LAB 65.25, 16.57, 35.7

 

CMYK 0 / 43 / 54 / 20

HEX #CD745F

RGB 205 116 95

HSL 11.45, 0.52%, 0.59%

LAB 58.32, 32.81, 26.86

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 14 / 54 / 20

HEX #CDB05F

RGB 205 176 95

HSL 44.18, 0.52%, 0.59%

LAB 72.8, 0.4, 44.92

 

CMYK 0 / 0 / 54 / 20

HEX #CDCD5F

RGB 205 205 95

HSL 60, 0.52%, 0.59%

LAB 80.44, -14.58, 53.87

 

CMYK 15 / 0 / 54 / 20

HEX #AFCD5F

RGB 175 205 95

HSL 76.36, 0.52%, 0.59%

LAB 78.23, -26.61, 50.74

 

CMYK 29 / 0 / 54 / 20

HEX #91CD5F

RGB 145 205 95

HSL 92.73, 0.52%, 0.59%

LAB 76.38, -37.86, 48.1

 

CMYK 43 / 0 / 54 / 20

HEX #74CD5F

RGB 116 205 95

HSL 108.55, 0.52%, 0.59%

LAB 74.95, -47.49, 46.06

 

CMYK 0 / 14 / 54 / 20

HEX #CDB05F

RGB 205 176 95

HSL 44.18, 0.52%, 0.59%

LAB 72.8, 0.4, 44.92

 

CMYK 0 / 17 / 65 / 13

HEX #DEB84E

RGB 222 184 78

HSL 44.17, 0.69%, 0.59%

LAB 76.29, 2.13, 57.31

 

CMYK 0 / 20 / 74 / 6

HEX #EFBF3D

RGB 239 191 61

HSL 43.82, 0.85%, 0.59%

LAB 79.58, 4.83, 68.09

 

CMYK 0 / 14 / 54 / 20

HEX #CDB05F

RGB 205 176 95

HSL 44.18, 0.52%, 0.59%

LAB 72.8, 0.4, 44.92

 

CMYK 0 / 11 / 41 / 26

HEX #BCA86F

RGB 188 168 111

HSL 44.42, 0.36%, 0.59%

LAB 69.36, -0.84, 32.08

 

CMYK 0 / 7 / 26 / 33

HEX #ACA080

RGB 172 160 128

HSL 43.64, 0.21%, 0.59%

LAB 66.11, -0.82, 18.29

 

CMYK 0 / 2 / 6 / 39

HEX #9B9891

RGB 155 152 145

HSL 42, 0.05%, 0.59%

LAB 62.9, -0.2, 4.06

 

CMYK 15 / 11 / 0 / 36

HEX #8A90A2

RGB 138 144 162

HSL 225, 0.11%, 0.59%

LAB 59.85, 1.64, -10.23

 

CMYK 0 / 44 / 54 / 20

HEX #CD735F

RGB 205 115 95

HSL 10.91, 0.52%, 0.59%

LAB 58.1, 33.34, 26.58

 

CMYK 0 / 30 / 54 / 20

HEX #CD905F

RGB 205 144 95

HSL 26.73, 0.52%, 0.59%

LAB 64.77, 17.66, 35.09

 

CMYK 0 / 15 / 54 / 20

HEX #CDAE5F

RGB 205 174 95

HSL 43.09, 0.52%, 0.59%

LAB 72.28, 1.46, 44.3

 

CMYK 0 / 0 / 54 / 20

HEX #CDCC5F

RGB 205 204 95

HSL 59.45, 0.52%, 0.59%

LAB 80.17, -14.08, 53.56

 

CMYK 13 / 0 / 54 / 20

HEX #B2CD5F

RGB 178 205 95

HSL 74.73, 0.52%, 0.59%

LAB 78.43, -25.43, 51.03

 

CMYK 0 / 19 / 69 / 35

HEX #A78833

RGB 167 136 51

HSL 43.97, 0.53%, 0.43%

LAB 58.1, 2.41, 48.3

 

CMYK 0 / 18 / 68 / 23

HEX #C4A03F

RGB 196 160 63

HSL 43.76, 0.53%, 0.51%

LAB 67.45, 2.83, 53.71

 

CMYK 0 / 14 / 54 / 20

HEX #CDB05F

RGB 205 176 95

HSL 44.18, 0.52%, 0.59%

LAB 72.8, 0.4, 44.92

 

CMYK 0 / 11 / 41 / 16

HEX #D7BF7E

RGB 215 191 126

HSL 43.82, 0.53%, 0.67%

LAB 78, -0.42, 35.88

 

CMYK 0 / 8 / 30 / 12

HEX #E1CF9E

RGB 225 207 158

HSL 43.88, 0.53%, 0.75%

LAB 83.5, -1.05, 26.66

 

CMYK 0 / 15 / 54 / 19

HEX #CEB05E

RGB 206 176 94

HSL 43.93, 0.53%, 0.59%

LAB 72.88, 0.74, 45.53

 

CMYK 49 / 0 / 54 / 20

HEX #68CD5F

RGB 104 205 95

HSL 115.09, 0.52%, 0.59%

LAB 74.47, -51, 45.36

 

CMYK 37 / 54 / 0 / 20

HEX #825FCD

RGB 130 95 205

HSL 259.09, 0.52%, 0.59%

LAB 48.68, 38.61, -52.28

 

CMYK 0 / 15 / 54 / 19

HEX #CEB05E

RGB 206 176 94

HSL 43.93, 0.53%, 0.59%

LAB 72.88, 0.74, 45.53

 

CMYK 54 / 0 / 15 / 20

HEX #5FCDAE

RGB 95 205 174

HSL 163.09, 0.52%, 0.59%

LAB 75.55, -38.99, 5.91

 

CMYK 15 / 54 / 0 / 20

HEX #AE5FCD

RGB 174 95 205

HSL 283.09, 0.52%, 0.59%

LAB 53.59, 49.92, -44.18

 

CMYK 0 / 15 / 54 / 19

HEX #CEB05E

RGB 206 176 94

HSL 43.93, 0.53%, 0.59%

LAB 72.88, 0.74, 45.53

 

CMYK 49 / 0 / 54 / 20

HEX #68CD5F

RGB 104 205 95

HSL 115.09, 0.52%, 0.59%

LAB 74.47, -51, 45.36

 

CMYK 54 / 39 / 0 / 20

HEX #5F7ECD

RGB 95 126 205

HSL 223.09, 0.52%, 0.59%

LAB 53.77, 11.73, -44.34

 

CMYK 4 / 54 / 0 / 20

HEX #C45FCD

RGB 196 95 205

HSL 295.09, 0.52%, 0.59%

LAB 56.41, 55.81, -39.53

 

CMYK 0 / 15 / 54 / 19

HEX #CEB05E

RGB 206 176 94

HSL 43.93, 0.53%, 0.59%

LAB 72.88, 0.74, 45.53

 

CMYK 54 / 0 / 42 / 20

HEX #5FCD77

RGB 95 205 119

HSL 133.09, 0.52%, 0.59%

LAB 74.46, -49.94, 33.45

 

CMYK 54 / 39 / 0 / 20

HEX #5F7ECD

RGB 95 126 205

HSL 223.09, 0.52%, 0.59%

LAB 53.77, 11.73, -44.34

 

CMYK 0 / 54 / 12 / 20

HEX #CD5FB5

RGB 205 95 181

HSL 313.09, 0.52%, 0.59%

LAB 56.58, 54.21, -25.43

 

Description

Color code: HEX #CEB05E | qconv.com Color code: HEX #CEB05E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 176 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 176 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 54 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 54% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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