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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEB014 it is the complementary color #314FEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEB014. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEB014 shade: #D3B00F, #E4C222, #F5D435, #FFE648 and #FFF85B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEB014. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEB014 shade: #CEB014, #BD9E01, #AC8C00, #9B7A00 and #8A6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEB014 shade: #CCAF14, #CC7D14, #CC4B14, #CC1A14 and #CC1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEB014 shade: #CCAF14, #B8CC14, #87CC14, #55CC14 and #23CC14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEB014 shade matches the following richer shades: #CCAF14 and #DEBB02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEB014 shade: #CCAF14, #BAA226, #A89639, #968A4B and #847D5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEB014 shade: #CC4B14, #CC7C14, #CCAE14, #BACC14 and #89CC14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEB014 shade: #816E0D, #A78E10, #CCAF14, #E9C921 and #EDD246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEB014 shade: #CEB014, #14CC1A and #6414CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEB014 shade: #CEB014, #14CCAE and #AE14CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEB014 shade: #CEB014, #14CC1A, #1433CC and #CC14C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEB014 shade: #CEB014, #14CC52, #1433CC and #CC148F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 90 / 19

HEX #CEB014

RGB 206 176 20

HSL 50.32, 0.82%, 0.44%

LAB 72.38, -2.82, 72.14

 

Complementary color

CMYK 79 / 66 / 0 / 8

HEX #314FEB

RGB 49 79 235

HSL 230.32, 0.82%, 0.56%

LAB 41.6, 44.38, -81.13

 

CMYK 0 / 17 / 93 / 17

HEX #D3B00F

RGB 211 176 15

HSL 49.29, 0.87%, 0.44%

LAB 72.85, -0.7, 73.5

 

CMYK 0 / 15 / 85 / 11

HEX #E4C222

RGB 228 194 34

HSL 49.48, 0.78%, 0.51%

LAB 79.15, -2.32, 75.51

 

CMYK 0 / 13 / 78 / 4

HEX #F5D435

RGB 245 212 53

HSL 49.69, 0.91%, 0.58%

LAB 85.38, -3.72, 76.33

 

CMYK 0 / 10 / 72 / 0

HEX #FFE648

RGB 255 230 72

HSL 51.8, 1%, 0.64%

LAB 90.93, -7.84, 75.57

 

CMYK 0 / 3 / 64 / 0

HEX #FFF85B

RGB 255 248 91

HSL 57.44, 1%, 0.68%

LAB 95.64, -15.73, 73.27

 

CMYK 0 / 15 / 90 / 19

HEX #CEB014

RGB 206 176 20

HSL 50.32, 0.82%, 0.44%

LAB 72.38, -2.82, 72.14

 

CMYK 0 / 16 / 99 / 26

HEX #BD9E01

RGB 189 158 1

HSL 50.11, 0.99%, 0.37%

LAB 65.96, -1.09, 69.28

 

CMYK 0 / 19 / 100 / 33

HEX #AC8C00

RGB 172 140 0

HSL 48.84, 1%, 0.34%

LAB 59.46, 0.94, 64.05

 

CMYK 0 / 21 / 100 / 39

HEX #9B7A00

RGB 155 122 0

HSL 47.23, 1%, 0.3%

LAB 52.83, 3.08, 58.58

 

CMYK 0 / 25 / 100 / 46

HEX #8A6800

RGB 138 104 0

HSL 45.22, 1%, 0.27%

LAB 46.05, 5.32, 53

 

CMYK 0 / 14 / 90 / 20

HEX #CCAF14

RGB 204 175 20

HSL 50.54, 0.82%, 0.44%

LAB 71.93, -3.18, 71.7

 

CMYK 0 / 39 / 90 / 20

HEX #CC7D14

RGB 204 125 20

HSL 34.24, 0.82%, 0.44%

LAB 59.48, 23.78, 62.17

 

CMYK 0 / 63 / 90 / 20

HEX #CC4B14

RGB 204 75 20

HSL 17.93, 0.82%, 0.44%

LAB 49.4, 48.99, 54.66

 

CMYK 0 / 87 / 90 / 20

HEX #CC1A14

RGB 204 26 20

HSL 1.96, 0.82%, 0.44%

LAB 43.69, 64.75, 50.56

 

CMYK 0 / 90 / 90 / 20

HEX #CC1414

RGB 204 20 20

HSL 0, 0.82%, 0.44%

LAB 43.34, 65.76, 50.31

 

CMYK 0 / 14 / 90 / 20

HEX #CCAF14

RGB 204 175 20

HSL 50.54, 0.82%, 0.44%

LAB 71.93, -3.18, 71.7

 

CMYK 10 / 0 / 90 / 20

HEX #B8CC14

RGB 184 204 20

HSL 66.52, 0.82%, 0.44%

LAB 78.13, -26.44, 75.86

 

CMYK 34 / 0 / 90 / 20

HEX #87CC14

RGB 135 204 20

HSL 82.5, 0.82%, 0.44%

LAB 75.07, -45.75, 72.11

 

CMYK 58 / 0 / 90 / 20

HEX #55CC14

RGB 85 204 20

HSL 98.8, 0.82%, 0.44%

LAB 73, -61.29, 69.55

 

CMYK 83 / 0 / 90 / 20

HEX #23CC14

RGB 35 204 20

HSL 115.11, 0.82%, 0.44%

LAB 71.96, -70.22, 68.25

 

CMYK 0 / 14 / 90 / 20

HEX #CCAF14

RGB 204 175 20

HSL 50.54, 0.82%, 0.44%

LAB 71.93, -3.18, 71.7

 

CMYK 0 / 16 / 99 / 13

HEX #DEBB02

RGB 222 187 2

HSL 50.45, 0.98%, 0.44%

LAB 76.72, -1.76, 78.28

 

CMYK 0 / 14 / 90 / 20

HEX #CCAF14

RGB 204 175 20

HSL 50.54, 0.82%, 0.44%

LAB 71.93, -3.18, 71.7

 

CMYK 0 / 13 / 80 / 27

HEX #BAA226

RGB 186 162 38

HSL 50.27, 0.66%, 0.44%

LAB 66.84, -3.81, 62.34

 

CMYK 0 / 11 / 66 / 34

HEX #A89639

RGB 168 150 57

HSL 50.27, 0.49%, 0.44%

LAB 62.03, -4.45, 49.79

 

CMYK 0 / 8 / 50 / 41

HEX #968A4B

RGB 150 138 75

HSL 50.4, 0.33%, 0.44%

LAB 57.24, -4.4, 35.13

 

CMYK 0 / 5 / 30 / 48

HEX #847D5D

RGB 132 125 93

HSL 49.23, 0.17%, 0.44%

LAB 52.25, -2.71, 18.44

 

CMYK 0 / 63 / 90 / 20

HEX #CC4B14

RGB 204 75 20

HSL 17.93, 0.82%, 0.44%

LAB 49.4, 48.99, 54.66

 

CMYK 0 / 39 / 90 / 20

HEX #CC7C14

RGB 204 124 20

HSL 33.91, 0.82%, 0.44%

LAB 59.25, 24.32, 62

 

CMYK 0 / 15 / 90 / 20

HEX #CCAE14

RGB 204 174 20

HSL 50.22, 0.82%, 0.44%

LAB 71.66, -2.65, 71.5

 

CMYK 9 / 0 / 90 / 20

HEX #BACC14

RGB 186 204 20

HSL 65.87, 0.82%, 0.44%

LAB 78.27, -25.6, 76.03

 

CMYK 33 / 0 / 90 / 20

HEX #89CC14

RGB 137 204 20

HSL 81.85, 0.82%, 0.44%

LAB 75.17, -45.02, 72.24

 

CMYK 0 / 15 / 90 / 49

HEX #816E0D

RGB 129 110 13

HSL 50.17, 0.82%, 0.28%

LAB 46.77, -2.18, 50.16

 

CMYK 0 / 15 / 90 / 35

HEX #A78E10

RGB 167 142 16

HSL 50.07, 0.83%, 0.36%

LAB 59.52, -2.2, 61.26

 

CMYK 0 / 14 / 90 / 20

HEX #CCAF14

RGB 204 175 20

HSL 50.54, 0.82%, 0.44%

LAB 71.93, -3.18, 71.7

 

CMYK 0 / 14 / 86 / 9

HEX #E9C921

RGB 233 201 33

HSL 50.4, 0.82%, 0.52%

LAB 81.41, -3.79, 77.76

 

CMYK 0 / 11 / 70 / 7

HEX #EDD246

RGB 237 210 70

HSL 50.3, 0.82%, 0.6%

LAB 84.25, -5.39, 69.23

 

CMYK 0 / 15 / 90 / 19

HEX #CEB014

RGB 206 176 20

HSL 50.32, 0.82%, 0.44%

LAB 72.38, -2.82, 72.14

 

CMYK 90 / 0 / 87 / 20

HEX #14CC1A

RGB 20 204 26

HSL 121.96, 0.82%, 0.44%

LAB 71.83, -71.27, 67

 

CMYK 51 / 90 / 0 / 20

HEX #6414CC

RGB 100 20 204

HSL 266.09, 0.82%, 0.44%

LAB 33.07, 66.88, -77.27

 

CMYK 0 / 15 / 90 / 19

HEX #CEB014

RGB 206 176 20

HSL 50.32, 0.82%, 0.44%

LAB 72.38, -2.82, 72.14

 

CMYK 90 / 0 / 15 / 20

HEX #14CCAE

RGB 20 204 174

HSL 170.22, 0.82%, 0.44%

LAB 73.8, -48.45, 3.2

 

CMYK 15 / 90 / 0 / 20

HEX #AE14CC

RGB 174 20 204

HSL 290.22, 0.82%, 0.44%

LAB 44.03, 76.32, -58.9

 

CMYK 0 / 15 / 90 / 19

HEX #CEB014

RGB 206 176 20

HSL 50.32, 0.82%, 0.44%

LAB 72.38, -2.82, 72.14

 

CMYK 90 / 0 / 87 / 20

HEX #14CC1A

RGB 20 204 26

HSL 121.96, 0.82%, 0.44%

LAB 71.83, -71.27, 67

 

CMYK 90 / 75 / 0 / 20

HEX #1433CC

RGB 20 51 204

HSL 229.89, 0.82%, 0.44%

LAB 31.52, 48.55, -80.01

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 0 / 15 / 90 / 19

HEX #CEB014

RGB 206 176 20

HSL 50.32, 0.82%, 0.44%

LAB 72.38, -2.82, 72.14

 

CMYK 90 / 0 / 60 / 20

HEX #14CC52

RGB 20 204 82

HSL 140.22, 0.82%, 0.44%

LAB 72.19, -66.74, 48.23

 

CMYK 90 / 75 / 0 / 20

HEX #1433CC

RGB 20 51 204

HSL 229.89, 0.82%, 0.44%

LAB 31.52, 48.55, -80.01

 

CMYK 0 / 90 / 30 / 20

HEX #CC148F

RGB 204 20 143

HSL 319.89, 0.82%, 0.44%

LAB 46.07, 73.3, -19.18

 

Description

Color code: HEX #CEB014 | qconv.com Color code: HEX #CEB014 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 176 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 176 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 90 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 90% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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