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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEAF95 it is the complementary color #31506A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEAF95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEAF95 shade: #D3AF90, #E4C1A3, #F5D3B6, #FFE5C9 and #FFF7DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEAF95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEAF95 shade: #CEAF95, #BD9D82, #AC8B6F, #9B795C and #8A6749

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEAF95 shade: #CEB096, #CEA096 and #CE9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEAF95 shade: #CEB096, #CEBF96, #CECE96, #BFCE96 and #B0CE96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEAF95 shade matches the following richer shades: #CEB096, #DBAE89, #E7AD7D and #F3AC71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEAF95 shade: #CEB096, #C2B1A2, #B6B2AE, #A9B3BB and #9DB4C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEAF95 shade: #CE969A, #CEA096, #CEAF96, #CEBE96 and #CECD96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEAF95 shade: #B4855D, #C19A79, #CEB096, #DBC5B2 and #E8DACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEAF95 shade: #CEAF95, #AACE96 and #9996CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEAF95 shade: #CEAF95, #96CEAF and #AF96CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEAF95 shade: #CEAF95, #AACE96, #96B5CE and #BA96CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEAF95 shade: #CEAF95, #99CE96, #96B5CE and #CB96CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 28 / 19

HEX #CEAF95

RGB 206 175 149

HSL 27.37, 0.37%, 0.7%

LAB 73.51, 7.32, 17.5

 

Complementary color

CMYK 54 / 25 / 0 / 58

HEX #31506A

RGB 49 80 106

HSL 207.37, 0.37%, 0.3%

LAB 32.77, -3.29, -18.55

 

CMYK 0 / 17 / 32 / 17

HEX #D3AF90

RGB 211 175 144

HSL 27.76, 0.43%, 0.7%

LAB 73.88, 8.6, 20.8

 

CMYK 0 / 15 / 29 / 11

HEX #E4C1A3

RGB 228 193 163

HSL 27.69, 0.55%, 0.77%

LAB 80.34, 8.07, 19.74

 

CMYK 0 / 14 / 26 / 4

HEX #F5D3B6

RGB 245 211 182

HSL 27.62, 0.76%, 0.84%

LAB 86.69, 7.59, 18.75

 

CMYK 0 / 10 / 21 / 0

HEX #FFE5C9

RGB 255 229 201

HSL 31.11, 1%, 0.89%

LAB 92.36, 4.62, 16.9

 

CMYK 0 / 3 / 14 / 0

HEX #FFF7DC

RGB 255 247 220

HSL 46.29, 1%, 0.93%

LAB 97.21, -1.71, 13.93

 

CMYK 0 / 15 / 28 / 19

HEX #CEAF95

RGB 206 175 149

HSL 27.37, 0.37%, 0.7%

LAB 73.51, 7.32, 17.5

 

CMYK 0 / 17 / 31 / 26

HEX #BD9D82

RGB 189 157 130

HSL 27.46, 0.31%, 0.63%

LAB 66.93, 7.85, 18.56

 

CMYK 0 / 19 / 35 / 33

HEX #AC8B6F

RGB 172 139 111

HSL 27.54, 0.27%, 0.55%

LAB 60.23, 8.46, 19.71

 

CMYK 0 / 22 / 41 / 39

HEX #9B795C

RGB 155 121 92

HSL 27.62, 0.26%, 0.48%

LAB 53.4, 9.18, 20.96

 

CMYK 0 / 25 / 47 / 46

HEX #8A6749

RGB 138 103 73

HSL 27.69, 0.31%, 0.41%

LAB 46.42, 10.04, 22.35

 

CMYK 0 / 15 / 27 / 19

HEX #CEB096

RGB 206 176 150

HSL 27.86, 0.36%, 0.7%

LAB 73.79, 6.92, 17.34

 

CMYK 0 / 22 / 27 / 19

HEX #CEA096

RGB 206 160 150

HSL 10.71, 0.36%, 0.7%

LAB 69.8, 15.58, 11.75

 

CMYK 0 / 27 / 27 / 19

HEX #CE9696

RGB 206 150 150

HSL 0, 0.36%, 0.7%

LAB 67.38, 21.04, 8.32

 

CMYK 0 / 15 / 27 / 19

HEX #CEB096

RGB 206 176 150

HSL 27.86, 0.36%, 0.7%

LAB 73.79, 6.92, 17.34

 

CMYK 0 / 7 / 27 / 19

HEX #CEBF96

RGB 206 191 150

HSL 43.93, 0.36%, 0.7%

LAB 77.63, -1.06, 22.64

 

CMYK 0 / 0 / 27 / 19

HEX #CECE96

RGB 206 206 150

HSL 60, 0.36%, 0.7%

LAB 81.55, -8.84, 27.95

 

CMYK 7 / 0 / 27 / 19

HEX #BFCE96

RGB 191 206 150

HSL 76.07, 0.36%, 0.7%

LAB 80.42, -14.5, 26.23

 

CMYK 15 / 0 / 27 / 19

HEX #B0CE96

RGB 176 206 150

HSL 92.14, 0.36%, 0.7%

LAB 79.37, -20, 24.64

 

CMYK 0 / 15 / 27 / 19

HEX #CEB096

RGB 206 176 150

HSL 27.86, 0.36%, 0.7%

LAB 73.79, 6.92, 17.34

 

CMYK 0 / 21 / 37 / 14

HEX #DBAE89

RGB 219 174 137

HSL 27.07, 0.53%, 0.7%

LAB 74.28, 11.42, 25.24

 

CMYK 0 / 25 / 46 / 9

HEX #E7AD7D

RGB 231 173 125

HSL 27.17, 0.69%, 0.7%

LAB 75.05, 15.43, 32.88

 

CMYK 0 / 29 / 53 / 5

HEX #F3AC71

RGB 243 172 113

HSL 27.23, 0.84%, 0.7%

LAB 75.92, 19.69, 40.51

 

CMYK 0 / 15 / 27 / 19

HEX #CEB096

RGB 206 176 150

HSL 27.86, 0.36%, 0.7%

LAB 73.79, 6.92, 17.34

 

CMYK 0 / 9 / 16 / 24

HEX #C2B1A2

RGB 194 177 162

HSL 28.13, 0.21%, 0.7%

LAB 73.23, 3.59, 9.87

 

CMYK 0 / 2 / 4 / 29

HEX #B6B2AE

RGB 182 178 174

HSL 30, 0.05%, 0.7%

LAB 72.79, 0.69, 2.53

 

CMYK 10 / 4 / 0 / 27

HEX #A9B3BB

RGB 169 179 187

HSL 206.67, 0.12%, 0.7%

LAB 72.4, -1.88, -5.27

 

CMYK 21 / 10 / 0 / 22

HEX #9DB4C7

RGB 157 180 199

HSL 207.14, 0.27%, 0.7%

LAB 72.18, -3.75, -12.27

 

CMYK 0 / 27 / 25 / 19

HEX #CE969A

RGB 206 150 154

HSL 355.71, 0.36%, 0.7%

LAB 67.48, 21.6, 6.22

 

CMYK 0 / 22 / 27 / 19

HEX #CEA096

RGB 206 160 150

HSL 10.71, 0.36%, 0.7%

LAB 69.8, 15.58, 11.75

 

CMYK 0 / 15 / 27 / 19

HEX #CEAF96

RGB 206 175 150

HSL 26.79, 0.36%, 0.7%

LAB 73.53, 7.46, 16.99

 

CMYK 0 / 8 / 27 / 19

HEX #CEBE96

RGB 206 190 150

HSL 42.86, 0.36%, 0.7%

LAB 77.37, -0.53, 22.28

 

CMYK 0 / 0 / 27 / 19

HEX #CECD96

RGB 206 205 150

HSL 58.93, 0.36%, 0.7%

LAB 81.28, -8.33, 27.59

 

CMYK 0 / 26 / 48 / 29

HEX #B4855D

RGB 180 133 93

HSL 27.59, 0.37%, 0.54%

LAB 59.22, 13.09, 28.55

 

CMYK 0 / 20 / 37 / 24

HEX #C19A79

RGB 193 154 121

HSL 27.5, 0.37%, 0.62%

LAB 66.39, 9.95, 22.84

 

CMYK 0 / 15 / 27 / 19

HEX #CEB096

RGB 206 176 150

HSL 27.86, 0.36%, 0.7%

LAB 73.79, 6.92, 17.34

 

CMYK 0 / 10 / 19 / 14

HEX #DBC5B2

RGB 219 197 178

HSL 27.8, 0.36%, 0.78%

LAB 80.85, 4.7, 12.34

 

CMYK 0 / 6 / 11 / 9

HEX #E8DACE

RGB 232 218 206

HSL 27.69, 0.36%, 0.86%

LAB 87.85, 2.8, 7.61

 

CMYK 0 / 15 / 28 / 19

HEX #CEAF95

RGB 206 175 149

HSL 27.37, 0.37%, 0.7%

LAB 73.51, 7.32, 17.5

 

CMYK 17 / 0 / 27 / 19

HEX #AACE96

RGB 170 206 150

HSL 98.57, 0.36%, 0.7%

LAB 78.98, -22.15, 24.04

 

CMYK 26 / 27 / 0 / 19

HEX #9996CE

RGB 153 150 206

HSL 243.21, 0.36%, 0.7%

LAB 64.19, 13.34, -28.32

 

CMYK 0 / 15 / 28 / 19

HEX #CEAF95

RGB 206 175 149

HSL 27.37, 0.37%, 0.7%

LAB 73.51, 7.32, 17.5

 

CMYK 27 / 0 / 15 / 19

HEX #96CEAF

RGB 150 206 175

HSL 146.79, 0.36%, 0.7%

LAB 78.3, -24.46, 9.64

 

CMYK 15 / 27 / 0 / 19

HEX #AF96CE

RGB 175 150 206

HSL 266.79, 0.36%, 0.7%

LAB 66.05, 20.19, -25.31

 

CMYK 0 / 15 / 28 / 19

HEX #CEAF95

RGB 206 175 149

HSL 27.37, 0.37%, 0.7%

LAB 73.51, 7.32, 17.5

 

CMYK 17 / 0 / 27 / 19

HEX #AACE96

RGB 170 206 150

HSL 98.57, 0.36%, 0.7%

LAB 78.98, -22.15, 24.04

 

CMYK 27 / 12 / 0 / 19

HEX #96B5CE

RGB 150 181 206

HSL 206.79, 0.36%, 0.7%

LAB 72.22, -4.81, -16.09

 

CMYK 10 / 27 / 0 / 19

HEX #BA96CE

RGB 186 150 206

HSL 278.57, 0.36%, 0.7%

LAB 67.06, 23.73, -23.67

 

CMYK 0 / 15 / 28 / 19

HEX #CEAF95

RGB 206 175 149

HSL 27.37, 0.37%, 0.7%

LAB 73.51, 7.32, 17.5

 

CMYK 26 / 0 / 27 / 19

HEX #99CE96

RGB 153 206 150

HSL 116.79, 0.36%, 0.7%

LAB 77.94, -28.02, 22.46

 

CMYK 27 / 12 / 0 / 19

HEX #96B5CE

RGB 150 181 206

HSL 206.79, 0.36%, 0.7%

LAB 72.22, -4.81, -16.09

 

CMYK 1 / 27 / 0 / 19

HEX #CB96CE

RGB 203 150 206

HSL 296.79, 0.36%, 0.7%

LAB 68.73, 29.28, -20.98

 

Description

Color code: HEX #CEAF95 | qconv.com Color code: HEX #CEAF95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 175 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 175 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 28 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 28% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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