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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEAF52 it is the complementary color #3150AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEAF52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEAF52 shade: #D3AF4D, #E4C160, #F5D373, #FFE586 and #FFF799

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEAF52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEAF52 shade: #CEAF52, #BD9D3F, #AC8B2C, #9B7919 and #8A6706

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEAF52 shade: #CEAE50, #CE8C50, #CE6A50 and #CE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEAF52 shade: #CEAE50, #CBCE50, #A9CE50, #87CE50 and #65CE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEAF52 shade matches the following richer shades: #CEAE50, #E0B73E and #F2C02C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEAF52 shade: #CEAE50, #BBA562, #A99C74, #979386 and #858A99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEAF52 shade: #CE6B50, #CE8D50, #CEAE50, #CCCE50 and #AACE50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEAF52 shade: #9E822D, #BF9C36, #CEAE50, #D7BD70 and #E0CC90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEAF52 shade: #CEAF52, #56CE50 and #7C50CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEAF52 shade: #CEAF52, #50CEAE and #AE50CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEAF52 shade: #CEAF52, #56CE50, #506FCE and #C750CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEAF52 shade: #CEAF52, #50CE6F, #506FCE and #CE50AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 60 / 19

HEX #CEAF52

RGB 206 175 82

HSL 45, 0.56%, 0.56%

LAB 72.49, 0.34, 50.86

 

Complementary color

CMYK 72 / 54 / 0 / 32

HEX #3150AD

RGB 49 80 173

HSL 225, 0.56%, 0.44%

LAB 36.76, 21.17, -53.15

 

CMYK 0 / 17 / 64 / 17

HEX #D3AF4D

RGB 211 175 77

HSL 43.88, 0.6%, 0.56%

LAB 72.92, 2.14, 53.78

 

CMYK 0 / 15 / 58 / 11

HEX #E4C160

RGB 228 193 96

HSL 44.09, 0.71%, 0.64%

LAB 79.32, 1.15, 52.63

 

CMYK 0 / 14 / 53 / 4

HEX #F5D373

RGB 245 211 115

HSL 44.31, 0.87%, 0.71%

LAB 85.62, 0.31, 51.42

 

CMYK 0 / 10 / 47 / 0

HEX #FFE586

RGB 255 229 134

HSL 47.11, 1%, 0.76%

LAB 91.24, -3.19, 49.31

 

CMYK 0 / 3 / 40 / 0

HEX #FFF799

RGB 255 247 153

HSL 55.29, 1%, 0.8%

LAB 96.03, -10.31, 46.09

 

CMYK 0 / 15 / 60 / 19

HEX #CEAF52

RGB 206 175 82

HSL 45, 0.56%, 0.56%

LAB 72.49, 0.34, 50.86

 

CMYK 0 / 17 / 67 / 26

HEX #BD9D3F

RGB 189 157 63

HSL 44.76, 0.5%, 0.49%

LAB 65.98, 1.39, 51.93

 

CMYK 0 / 19 / 74 / 33

HEX #AC8B2C

RGB 172 139 44

HSL 44.53, 0.59%, 0.42%

LAB 59.36, 2.64, 52.71

 

CMYK 0 / 22 / 84 / 39

HEX #9B7919

RGB 155 121 25

HSL 44.31, 0.72%, 0.35%

LAB 52.63, 4.16, 52.77

 

CMYK 0 / 25 / 96 / 46

HEX #8A6706

RGB 138 103 6

HSL 44.09, 0.92%, 0.28%

LAB 45.79, 6.02, 51.41

 

CMYK 0 / 16 / 61 / 19

HEX #CEAE50

RGB 206 174 80

HSL 44.76, 0.56%, 0.56%

LAB 72.21, 0.73, 51.48

 

CMYK 0 / 32 / 61 / 19

HEX #CE8C50

RGB 206 140 80

HSL 28.57, 0.56%, 0.56%

LAB 63.72, 19.08, 41.71

 

CMYK 0 / 49 / 61 / 19

HEX #CE6A50

RGB 206 106 80

HSL 12.38, 0.56%, 0.56%

LAB 56.1, 37.27, 32.49

 

CMYK 0 / 61 / 61 / 19

HEX #CE5050

RGB 206 80 80

HSL 0, 0.56%, 0.56%

LAB 51.2, 49.92, 26.31

 

CMYK 0 / 16 / 61 / 19

HEX #CEAE50

RGB 206 174 80

HSL 44.76, 0.56%, 0.56%

LAB 72.21, 0.73, 51.48

 

CMYK 1 / 0 / 61 / 19

HEX #CBCE50

RGB 203 206 80

HSL 61.43, 0.56%, 0.56%

LAB 80.41, -17, 60.4

 

CMYK 18 / 0 / 61 / 19

HEX #A9CE50

RGB 169 206 80

HSL 77.62, 0.56%, 0.56%

LAB 77.97, -30.71, 57.03

 

CMYK 34 / 0 / 61 / 19

HEX #87CE50

RGB 135 206 80

HSL 93.81, 0.56%, 0.56%

LAB 75.99, -43.29, 54.29

 

CMYK 51 / 0 / 61 / 19

HEX #65CE50

RGB 101 206 80

HSL 110, 0.56%, 0.56%

LAB 74.5, -53.93, 52.21

 

CMYK 0 / 16 / 61 / 19

HEX #CEAE50

RGB 206 174 80

HSL 44.76, 0.56%, 0.56%

LAB 72.21, 0.73, 51.48

 

CMYK 0 / 18 / 72 / 12

HEX #E0B73E

RGB 224 183 62

HSL 44.81, 0.72%, 0.56%

LAB 76.11, 2.65, 63.83

 

CMYK 0 / 21 / 82 / 5

HEX #F2C02C

RGB 242 192 44

HSL 44.85, 0.88%, 0.56%

LAB 80.04, 4.99, 74.2

 

CMYK 0 / 16 / 61 / 19

HEX #CEAE50

RGB 206 174 80

HSL 44.76, 0.56%, 0.56%

LAB 72.21, 0.73, 51.48

 

CMYK 0 / 12 / 48 / 27

HEX #BBA562

RGB 187 165 98

HSL 45.17, 0.4%, 0.56%

LAB 68.28, -1.01, 37.51

 

CMYK 0 / 8 / 31 / 34

HEX #A99C74

RGB 169 156 116

HSL 45.28, 0.24%, 0.56%

LAB 64.54, -1.5, 22.71

 

CMYK 0 / 3 / 11 / 41

HEX #979386

RGB 151 147 134

HSL 45.88, 0.08%, 0.56%

LAB 60.93, -0.9, 7.4

 

CMYK 13 / 10 / 0 / 40

HEX #858A99

RGB 133 138 153

HSL 225, 0.09%, 0.56%

LAB 57.52, 1.34, -8.6

 

CMYK 0 / 48 / 61 / 19

HEX #CE6B50

RGB 206 107 80

HSL 12.86, 0.56%, 0.56%

LAB 56.3, 36.76, 32.75

 

CMYK 0 / 32 / 61 / 19

HEX #CE8D50

RGB 206 141 80

HSL 29.05, 0.56%, 0.56%

LAB 63.96, 18.54, 41.99

 

CMYK 0 / 16 / 61 / 19

HEX #CEAE50

RGB 206 174 80

HSL 44.76, 0.56%, 0.56%

LAB 72.21, 0.73, 51.48

 

CMYK 1 / 0 / 61 / 19

HEX #CCCE50

RGB 204 206 80

HSL 60.95, 0.56%, 0.56%

LAB 80.49, -16.59, 60.5

 

CMYK 17 / 0 / 61 / 19

HEX #AACE50

RGB 170 206 80

HSL 77.14, 0.56%, 0.56%

LAB 78.03, -30.32, 57.12

 

CMYK 0 / 18 / 72 / 38

HEX #9E822D

RGB 158 130 45

HSL 45.13, 0.56%, 0.4%

LAB 55.51, 1.35, 47.97

 

CMYK 0 / 18 / 72 / 25

HEX #BF9C36

RGB 191 156 54

HSL 44.67, 0.56%, 0.48%

LAB 65.84, 2.31, 55.71

 

CMYK 0 / 16 / 61 / 19

HEX #CEAE50

RGB 206 174 80

HSL 44.76, 0.56%, 0.56%

LAB 72.21, 0.73, 51.48

 

CMYK 0 / 12 / 48 / 16

HEX #D7BD70

RGB 215 189 112

HSL 44.85, 0.56%, 0.64%

LAB 77.29, -0.79, 42.11

 

CMYK 0 / 9 / 36 / 12

HEX #E0CC90

RGB 224 204 144

HSL 45, 0.56%, 0.72%

LAB 82.4, -1.6, 32.47

 

CMYK 0 / 15 / 60 / 19

HEX #CEAF52

RGB 206 175 82

HSL 45, 0.56%, 0.56%

LAB 72.49, 0.34, 50.86

 

CMYK 58 / 0 / 61 / 19

HEX #56CE50

RGB 86 206 80

HSL 117.14, 0.56%, 0.56%

LAB 74, -57.79, 51.51

 

CMYK 40 / 61 / 0 / 19

HEX #7C50CE

RGB 124 80 206

HSL 260.95, 0.56%, 0.56%

LAB 44.91, 45.93, -58.96

 

CMYK 0 / 15 / 60 / 19

HEX #CEAF52

RGB 206 175 82

HSL 45, 0.56%, 0.56%

LAB 72.49, 0.34, 50.86

 

CMYK 61 / 0 / 16 / 19

HEX #50CEAE

RGB 80 206 174

HSL 164.76, 0.56%, 0.56%

LAB 75.39, -42.44, 5.63

 

CMYK 16 / 61 / 0 / 19

HEX #AE50CE

RGB 174 80 206

HSL 284.76, 0.56%, 0.56%

LAB 50.91, 57.47, -49

 

CMYK 0 / 15 / 60 / 19

HEX #CEAF52

RGB 206 175 82

HSL 45, 0.56%, 0.56%

LAB 72.49, 0.34, 50.86

 

CMYK 58 / 0 / 61 / 19

HEX #56CE50

RGB 86 206 80

HSL 117.14, 0.56%, 0.56%

LAB 74, -57.79, 51.51

 

CMYK 61 / 46 / 0 / 19

HEX #506FCE

RGB 80 111 206

HSL 225.24, 0.56%, 0.56%

LAB 48.92, 18.22, -52.68

 

CMYK 3 / 61 / 0 / 19

HEX #C750CE

RGB 199 80 206

HSL 296.67, 0.56%, 0.56%

LAB 54.38, 63.56, -43.28

 

CMYK 0 / 15 / 60 / 19

HEX #CEAF52

RGB 206 175 82

HSL 45, 0.56%, 0.56%

LAB 72.49, 0.34, 50.86

 

CMYK 61 / 0 / 46 / 19

HEX #50CE6F

RGB 80 206 111

HSL 134.76, 0.56%, 0.56%

LAB 74.19, -55.06, 37.04

 

CMYK 61 / 46 / 0 / 19

HEX #506FCE

RGB 80 111 206

HSL 225.24, 0.56%, 0.56%

LAB 48.92, 18.22, -52.68

 

CMYK 0 / 61 / 16 / 19

HEX #CE50AE

RGB 206 80 174

HSL 315.24, 0.56%, 0.56%

LAB 53.94, 60.19, -25.44

 

Description

Color code: HEX #CEAF52 | qconv.com Color code: HEX #CEAF52 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 175 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 175 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 60 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 60% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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