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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEAEAF it is the complementary color #315150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEAEAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEAEAF shade: #D3AEAA, #E4C0BD, #F5D2D0, #FFE4E3 and #FFF6F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEAEAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEAEAF shade: #CEAEAF, #BD9C9C, #AC8A89, #9B7876 and #8A6663

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEAEAF shade: #CFAFB0 and #CFAFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEAEAF shade: #CFAFB0, #CFAFB9, #CFAFC1, #CFAFCA and #CCAFCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEAEAF shade matches the following richer shades: #CFAFB0, #DAA5A7, #E49B9D, #EE9093 and #F8868A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEAEAF shade: #CFAFB0, #C5BABA, #BBC4C4, #B0CECD and #A6D9D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEAEAF shade: #CFAFC1, #CFAFB9, #CFAFB0, #CFB7AF and #CFBFAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEAEAF shade: #B07C7D, #C09697, #CFAFB0, #DFC9CA and #EEE3E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEAEAF shade: #CEAEAF, #CACFAF and #AFBDCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEAEAF shade: #CEAEAF, #B0CFAF and #AFB0CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEAEAF shade: #CEAEAF, #CACFAF, #AFCFCE and #B5AFCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEAEAF shade: #CEAEAF, #C0CFAF, #AFCFCE and #BEAFCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 15 / 19

HEX #CEAEAF

RGB 206 174 175

HSL 358.13, 0.25%, 0.75%

LAB 73.86, 11.74, 3.8

 

Complementary color

CMYK 40 / 0 / 1 / 68

HEX #315150

RGB 49 81 80

HSL 178.13, 0.25%, 0.25%

LAB 32.07, -11.99, -3.14

 

CMYK 0 / 18 / 19 / 17

HEX #D3AEAA

RGB 211 174 170

HSL 5.85, 0.32%, 0.75%

LAB 74.2, 12.8, 7.09

 

CMYK 0 / 16 / 17 / 11

HEX #E4C0BD

RGB 228 192 189

HSL 4.62, 0.42%, 0.82%

LAB 80.67, 12.33, 6.28

 

CMYK 0 / 14 / 15 / 4

HEX #F5D2D0

RGB 245 210 208

HSL 3.24, 0.65%, 0.89%

LAB 87.03, 11.9, 5.51

 

CMYK 0 / 11 / 11 / 0

HEX #FFE4E3

RGB 255 228 227

HSL 2.14, 1%, 0.95%

LAB 92.7, 9.07, 3.85

 

CMYK 0 / 4 / 4 / 0

HEX #FFF6F6

RGB 255 246 246

HSL 0, 1%, 0.98%

LAB 97.56, 3, 1.06

 

CMYK 0 / 16 / 15 / 19

HEX #CEAEAF

RGB 206 174 175

HSL 358.13, 0.25%, 0.75%

LAB 73.86, 11.74, 3.8

 

CMYK 0 / 17 / 17 / 26

HEX #BD9C9C

RGB 189 156 156

HSL 0, 0.2%, 0.68%

LAB 67.27, 12.21, 4.59

 

CMYK 0 / 20 / 20 / 33

HEX #AC8A89

RGB 172 138 137

HSL 1.71, 0.17%, 0.61%

LAB 60.56, 12.73, 5.43

 

CMYK 0 / 23 / 24 / 39

HEX #9B7876

RGB 155 120 118

HSL 3.24, 0.16%, 0.54%

LAB 53.72, 13.33, 6.34

 

CMYK 0 / 26 / 28 / 46

HEX #8A6663

RGB 138 102 99

HSL 4.62, 0.16%, 0.46%

LAB 46.72, 14.02, 7.35

 

CMYK 0 / 15 / 15 / 19

HEX #CFAFB0

RGB 207 175 176

HSL 358.13, 0.25%, 0.75%

LAB 74.23, 11.73, 3.8

 

CMYK 0 / 15 / 15 / 19

HEX #CFAFAF

RGB 207 175 175

HSL 0, 0.25%, 0.75%

LAB 74.2, 11.57, 4.31

 

CMYK 0 / 15 / 15 / 19

HEX #CFAFB0

RGB 207 175 176

HSL 358.13, 0.25%, 0.75%

LAB 74.23, 11.73, 3.8

 

CMYK 0 / 15 / 11 / 19

HEX #CFAFB9

RGB 207 175 185

HSL 341.25, 0.25%, 0.75%

LAB 74.46, 13.21, -0.79

 

CMYK 0 / 15 / 7 / 19

HEX #CFAFC1

RGB 207 175 193

HSL 326.25, 0.25%, 0.75%

LAB 74.68, 14.59, -4.84

 

CMYK 0 / 15 / 2 / 19

HEX #CFAFCA

RGB 207 175 202

HSL 309.38, 0.25%, 0.75%

LAB 74.94, 16.21, -9.37

 

CMYK 1 / 15 / 0 / 19

HEX #CCAFCF

RGB 204 175 207

HSL 294.38, 0.25%, 0.75%

LAB 74.83, 16.12, -12.31

 

CMYK 0 / 15 / 15 / 19

HEX #CFAFB0

RGB 207 175 176

HSL 358.13, 0.25%, 0.75%

LAB 74.23, 11.73, 3.8

 

CMYK 0 / 24 / 23 / 15

HEX #DAA5A7

RGB 218 165 167

HSL 357.74, 0.42%, 0.75%

LAB 72.63, 19.82, 6.57

 

CMYK 0 / 32 / 31 / 11

HEX #E49B9D

RGB 228 155 157

HSL 358.36, 0.57%, 0.75%

LAB 71.13, 27.55, 10.09

 

CMYK 0 / 39 / 38 / 7

HEX #EE9093

RGB 238 144 147

HSL 358.09, 0.73%, 0.75%

LAB 69.63, 35.86, 13.7

 

CMYK 0 / 46 / 44 / 3

HEX #F8868A

RGB 248 134 138

HSL 357.89, 0.89%, 0.75%

LAB 68.64, 43.66, 17.53

 

CMYK 0 / 15 / 15 / 19

HEX #CFAFB0

RGB 207 175 176

HSL 358.13, 0.25%, 0.75%

LAB 74.23, 11.73, 3.8

 

CMYK 0 / 6 / 6 / 23

HEX #C5BABA

RGB 197 186 186

HSL 0, 0.09%, 0.75%

LAB 76.4, 3.88, 1.38

 

CMYK 5 / 0 / 0 / 23

HEX #BBC4C4

RGB 187 196 196

HSL 180, 0.07%, 0.75%

LAB 78.48, -3.08, -1.08

 

CMYK 15 / 0 / 0 / 19

HEX #B0CECD

RGB 176 206 205

HSL 178, 0.23%, 0.75%

LAB 80.62, -10.16, -2.87

 

CMYK 24 / 0 / 1 / 15

HEX #A6D9D7

RGB 166 217 215

HSL 177.65, 0.4%, 0.75%

LAB 83.25, -16.77, -4.4

 

CMYK 0 / 15 / 7 / 19

HEX #CFAFC1

RGB 207 175 193

HSL 326.25, 0.25%, 0.75%

LAB 74.68, 14.59, -4.84

 

CMYK 0 / 15 / 11 / 19

HEX #CFAFB9

RGB 207 175 185

HSL 341.25, 0.25%, 0.75%

LAB 74.46, 13.21, -0.79

 

CMYK 0 / 15 / 15 / 19

HEX #CFAFB0

RGB 207 175 176

HSL 358.13, 0.25%, 0.75%

LAB 74.23, 11.73, 3.8

 

CMYK 0 / 12 / 15 / 19

HEX #CFB7AF

RGB 207 183 175

HSL 15, 0.25%, 0.75%

LAB 76.21, 7.26, 7.19

 

CMYK 0 / 8 / 15 / 19

HEX #CFBFAF

RGB 207 191 175

HSL 30, 0.25%, 0.75%

LAB 78.24, 2.99, 10.1

 

CMYK 0 / 30 / 29 / 31

HEX #B07C7D

RGB 176 124 125

HSL 358.85, 0.25%, 0.59%

LAB 57.2, 20.38, 7.55

 

CMYK 0 / 22 / 21 / 25

HEX #C09697

RGB 192 150 151

HSL 358.57, 0.25%, 0.67%

LAB 65.95, 15.87, 5.51

 

CMYK 0 / 15 / 15 / 19

HEX #CFAFB0

RGB 207 175 176

HSL 358.13, 0.25%, 0.75%

LAB 74.23, 11.73, 3.8

 

CMYK 0 / 10 / 9 / 13

HEX #DFC9CA

RGB 223 201 202

HSL 357.27, 0.26%, 0.83%

LAB 82.77, 7.86, 2.3

 

CMYK 0 / 5 / 5 / 7

HEX #EEE3E3

RGB 238 227 227

HSL 0, 0.24%, 0.91%

LAB 91.08, 3.73, 1.32

 

CMYK 0 / 16 / 15 / 19

HEX #CEAEAF

RGB 206 174 175

HSL 358.13, 0.25%, 0.75%

LAB 73.86, 11.74, 3.8

 

CMYK 2 / 0 / 15 / 19

HEX #CACFAF

RGB 202 207 175

HSL 69.38, 0.25%, 0.75%

LAB 81.99, -7.21, 15.34

 

CMYK 15 / 9 / 0 / 19

HEX #AFBDCF

RGB 175 189 207

HSL 213.75, 0.25%, 0.75%

LAB 76.08, -1.11, -10.68

 

CMYK 0 / 16 / 15 / 19

HEX #CEAEAF

RGB 206 174 175

HSL 358.13, 0.25%, 0.75%

LAB 73.86, 11.74, 3.8

 

CMYK 15 / 0 / 15 / 19

HEX #B0CFAF

RGB 176 207 175

HSL 118.13, 0.25%, 0.75%

LAB 80.15, -16.4, 12.49

 

CMYK 15 / 15 / 0 / 19

HEX #AFB0CF

RGB 175 176 207

HSL 238.13, 0.25%, 0.75%

LAB 72.67, 5.94, -15.78

 

CMYK 0 / 16 / 15 / 19

HEX #CEAEAF

RGB 206 174 175

HSL 358.13, 0.25%, 0.75%

LAB 73.86, 11.74, 3.8

 

CMYK 2 / 0 / 15 / 19

HEX #CACFAF

RGB 202 207 175

HSL 69.38, 0.25%, 0.75%

LAB 81.99, -7.21, 15.34

 

CMYK 15 / 0 / 0 / 19

HEX #AFCFCE

RGB 175 207 206

HSL 178.13, 0.25%, 0.75%

LAB 80.85, -10.79, -3.07

 

CMYK 13 / 15 / 0 / 19

HEX #B5AFCF

RGB 181 175 207

HSL 251.25, 0.25%, 0.75%

LAB 72.88, 8.44, -15.42

 

CMYK 0 / 16 / 15 / 19

HEX #CEAEAF

RGB 206 174 175

HSL 358.13, 0.25%, 0.75%

LAB 73.86, 11.74, 3.8

 

CMYK 7 / 0 / 15 / 19

HEX #C0CFAF

RGB 192 207 175

HSL 88.13, 0.25%, 0.75%

LAB 81.25, -10.8, 14.2

 

CMYK 15 / 0 / 0 / 19

HEX #AFCFCE

RGB 175 207 206

HSL 178.13, 0.25%, 0.75%

LAB 80.85, -10.79, -3.07

 

CMYK 8 / 15 / 0 / 19

HEX #BEAFCF

RGB 190 175 207

HSL 268.13, 0.25%, 0.75%

LAB 73.62, 11.41, -14.24

 

Description

Color code: HEX #CEAEAF | qconv.com Color code: HEX #CEAEAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 174 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 174 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 15 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 15% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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