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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEADE2 it is the complementary color #31521D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEADE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEADE2 shade: #D3ADDD, #E4BFF0, #F5D1FF, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEADE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEADE2 shade: #CEADE2, #BD9BCF, #AC89BC, #9B77A9 and #8A6596

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEADE2 shade: #CEACE2, #DCACE2, #E2ACD9, #E2ACCB and #E2ACBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEADE2 shade: #CEACE2, #BFACE2, #B0ACE2 and #ACACE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEADE2 shade matches the following richer shades: #CEACE2, #D0A3EB, #D29AF4 and #D491FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEADE2 shade: #CEACE2, #CBB5D9, #C9BED0, #C7C7C7 and #C5D0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEADE2 shade: #B0ACE2, #BFACE2, #CDACE2, #DCACE2 and #E2ACDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEADE2 shade: #A96FCC, #BB8DD7, #CEACE2, #E0CBED and #F2E9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEADE2 shade: #CEADE2, #E2ACB6 and #ACE2B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEADE2 shade: #CEADE2, #E2CDAC and #ACE2CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEADE2 shade: #CEADE2, #E2ACB6, #C1E2AC and #ACE2D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEADE2 shade: #CEADE2, #E2B2AC, #C1E2AC and #ACDCE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 23 / 0 / 11

HEX #CEADE2

RGB 206 173 226

HSL 277.36, 0.48%, 0.78%

LAB 75.14, 21.59, -22.17

 

Complementary color

CMYK 40 / 0 / 65 / 68

HEX #31521D

RGB 49 82 29

HSL 97.36, 0.48%, 0.22%

LAB 31.29, -22.89, 26.79

 

CMYK 5 / 22 / 0 / 13

HEX #D3ADDD

RGB 211 173 221

HSL 287.5, 0.41%, 0.77%

LAB 75.42, 22.23, -18.97

 

CMYK 5 / 20 / 0 / 6

HEX #E4BFF0

RGB 228 191 240

HSL 285.31, 0.62%, 0.85%

LAB 81.86, 21.73, -19.34

 

CMYK 4 / 18 / 0 / 0

HEX #F5D1FF

RGB 245 209 255

HSL 286.96, 1%, 0.91%

LAB 88.08, 20.51, -17.77

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 9 / 23 / 0 / 11

HEX #CEADE2

RGB 206 173 226

HSL 277.36, 0.48%, 0.78%

LAB 75.14, 21.59, -22.17

 

CMYK 9 / 25 / 0 / 19

HEX #BD9BCF

RGB 189 155 207

HSL 279.23, 0.35%, 0.71%

LAB 68.58, 22.13, -21.87

 

CMYK 9 / 27 / 0 / 26

HEX #AC89BC

RGB 172 137 188

HSL 281.18, 0.28%, 0.64%

LAB 61.91, 22.7, -21.59

 

CMYK 8 / 30 / 0 / 34

HEX #9B77A9

RGB 155 119 169

HSL 283.2, 0.23%, 0.56%

LAB 55.1, 23.33, -21.3

 

CMYK 8 / 33 / 0 / 41

HEX #8A6596

RGB 138 101 150

HSL 285.31, 0.2%, 0.49%

LAB 48.15, 24.03, -21.01

 

CMYK 9 / 24 / 0 / 11

HEX #CEACE2

RGB 206 172 226

HSL 277.78, 0.48%, 0.78%

LAB 74.9, 22.14, -22.53

 

CMYK 3 / 24 / 0 / 11

HEX #DCACE2

RGB 220 172 226

HSL 293.33, 0.48%, 0.78%

LAB 76.2, 26.68, -20.44

 

CMYK 0 / 24 / 4 / 11

HEX #E2ACD9

RGB 226 172 217

HSL 310, 0.48%, 0.78%

LAB 76.49, 27, -15.05

 

CMYK 0 / 24 / 10 / 11

HEX #E2ACCB

RGB 226 172 203

HSL 325.56, 0.48%, 0.78%

LAB 76.06, 24.58, -8.06

 

CMYK 0 / 24 / 17 / 11

HEX #E2ACBC

RGB 226 172 188

HSL 342.22, 0.48%, 0.78%

LAB 75.64, 22.14, -0.49

 

CMYK 9 / 24 / 0 / 11

HEX #CEACE2

RGB 206 172 226

HSL 277.78, 0.48%, 0.78%

LAB 74.9, 22.14, -22.53

 

CMYK 15 / 24 / 0 / 11

HEX #BFACE2

RGB 191 172 226

HSL 261.11, 0.48%, 0.78%

LAB 73.59, 17.36, -24.65

 

CMYK 22 / 24 / 0 / 11

HEX #B0ACE2

RGB 176 172 226

HSL 244.44, 0.48%, 0.78%

LAB 72.38, 12.71, -26.61

 

CMYK 24 / 24 / 0 / 11

HEX #ACACE2

RGB 172 172 226

HSL 240, 0.48%, 0.78%

LAB 72.07, 11.49, -27.11

 

CMYK 9 / 24 / 0 / 11

HEX #CEACE2

RGB 206 172 226

HSL 277.78, 0.48%, 0.78%

LAB 74.9, 22.14, -22.53

 

CMYK 11 / 31 / 0 / 8

HEX #D0A3EB

RGB 208 163 235

HSL 277.5, 0.64%, 0.78%

LAB 73.29, 29.53, -29.88

 

CMYK 14 / 37 / 0 / 4

HEX #D29AF4

RGB 210 154 244

HSL 277.33, 0.8%, 0.78%

LAB 71.79, 36.9, -37.09

 

CMYK 16 / 43 / 0 / 1

HEX #D491FD

RGB 212 145 253

HSL 277.22, 0.96%, 0.78%

LAB 70.41, 44.2, -44.12

 

CMYK 9 / 24 / 0 / 11

HEX #CEACE2

RGB 206 172 226

HSL 277.78, 0.48%, 0.78%

LAB 74.9, 22.14, -22.53

 

CMYK 6 / 17 / 0 / 15

HEX #CBB5D9

RGB 203 181 217

HSL 276.67, 0.32%, 0.78%

LAB 76.53, 14.45, -15.2

 

CMYK 3 / 9 / 0 / 18

HEX #C9BED0

RGB 201 190 208

HSL 276.67, 0.16%, 0.78%

LAB 78.34, 7.17, -7.63

 

CMYK 0 / 0 / 0 / 22

HEX #C7C7C7

RGB 199 199 199

HSL 0, 0%, 0.78%

LAB 80.24, 0, -0.01

 

CMYK 5 / 0 / 9 / 18

HEX #C5D0BE

RGB 197 208 190

HSL 96.67, 0.16%, 0.78%

LAB 82.22, -7.01, 7.64

 

CMYK 22 / 24 / 0 / 11

HEX #B0ACE2

RGB 176 172 226

HSL 244.44, 0.48%, 0.78%

LAB 72.38, 12.71, -26.61

 

CMYK 15 / 24 / 0 / 11

HEX #BFACE2

RGB 191 172 226

HSL 261.11, 0.48%, 0.78%

LAB 73.59, 17.36, -24.65

 

CMYK 9 / 24 / 0 / 11

HEX #CDACE2

RGB 205 172 226

HSL 276.67, 0.48%, 0.78%

LAB 74.81, 21.82, -22.68

 

CMYK 3 / 24 / 0 / 11

HEX #DCACE2

RGB 220 172 226

HSL 293.33, 0.48%, 0.78%

LAB 76.2, 26.68, -20.44

 

CMYK 0 / 24 / 4 / 11

HEX #E2ACDA

RGB 226 172 218

HSL 308.89, 0.48%, 0.78%

LAB 76.52, 27.18, -15.55

 

CMYK 17 / 46 / 0 / 20

HEX #A96FCC

RGB 169 111 204

HSL 277.42, 0.48%, 0.62%

LAB 56.25, 39.8, -39.45

 

CMYK 13 / 34 / 0 / 16

HEX #BB8DD7

RGB 187 141 215

HSL 277.3, 0.48%, 0.7%

LAB 65.37, 30.95, -31.26

 

CMYK 9 / 24 / 0 / 11

HEX #CEACE2

RGB 206 172 226

HSL 277.78, 0.48%, 0.78%

LAB 74.9, 22.14, -22.53

 

CMYK 5 / 14 / 0 / 7

HEX #E0CBED

RGB 224 203 237

HSL 277.06, 0.49%, 0.86%

LAB 84.32, 13.44, -14.08

 

CMYK 2 / 6 / 0 / 3

HEX #F2E9F7

RGB 242 233 247

HSL 278.57, 0.47%, 0.94%

LAB 93.39, 5.51, -5.69

 

CMYK 9 / 23 / 0 / 11

HEX #CEADE2

RGB 206 173 226

HSL 277.36, 0.48%, 0.78%

LAB 75.14, 21.59, -22.17

 

CMYK 0 / 24 / 19 / 11

HEX #E2ACB6

RGB 226 172 182

HSL 348.89, 0.48%, 0.78%

LAB 75.48, 21.22, 2.56

 

CMYK 24 / 0 / 19 / 11

HEX #ACE2B8

RGB 172 226 184

HSL 133.33, 0.48%, 0.78%

LAB 85.31, -25.51, 14.99

 

CMYK 9 / 23 / 0 / 11

HEX #CEADE2

RGB 206 173 226

HSL 277.36, 0.48%, 0.78%

LAB 75.14, 21.59, -22.17

 

CMYK 0 / 9 / 24 / 11

HEX #E2CDAC

RGB 226 205 172

HSL 36.67, 0.48%, 0.78%

LAB 83.34, 2.24, 19.11

 

CMYK 24 / 0 / 9 / 11

HEX #ACE2CD

RGB 172 226 205

HSL 156.67, 0.48%, 0.78%

LAB 85.79, -21.52, 4.64

 

CMYK 9 / 23 / 0 / 11

HEX #CEADE2

RGB 206 173 226

HSL 277.36, 0.48%, 0.78%

LAB 75.14, 21.59, -22.17

 

CMYK 0 / 24 / 19 / 11

HEX #E2ACB6

RGB 226 172 182

HSL 348.89, 0.48%, 0.78%

LAB 75.48, 21.22, 2.56

 

CMYK 15 / 0 / 24 / 11

HEX #C1E2AC

RGB 193 226 172

HSL 96.67, 0.48%, 0.78%

LAB 86.36, -20.46, 22.9

 

CMYK 24 / 0 / 4 / 11

HEX #ACE2D8

RGB 172 226 216

HSL 168.89, 0.48%, 0.78%

LAB 86.07, -19.28, -0.75

 

CMYK 9 / 23 / 0 / 11

HEX #CEADE2

RGB 206 173 226

HSL 277.36, 0.48%, 0.78%

LAB 75.14, 21.59, -22.17

 

CMYK 0 / 21 / 24 / 11

HEX #E2B2AC

RGB 226 178 172

HSL 6.67, 0.48%, 0.78%

LAB 76.67, 16.53, 9.72

 

CMYK 15 / 0 / 24 / 11

HEX #C1E2AC

RGB 193 226 172

HSL 96.67, 0.48%, 0.78%

LAB 86.36, -20.46, 22.9

 

CMYK 24 / 3 / 0 / 11

HEX #ACDCE2

RGB 172 220 226

HSL 186.67, 0.48%, 0.78%

LAB 84.71, -14.11, -8.03

 

Description

Color code: HEX #CEADE2 | qconv.com Color code: HEX #CEADE2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 173 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 173 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 23 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 23% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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