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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEAD57 it is the complementary color #3152A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEAD57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEAD57 shade: #D3AD52, #E4BF65, #F5D178, #FFE38B and #FFF59E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEAD57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEAD57 shade: #CEAD57, #BD9B44, #AC8931, #9B771E and #8A650B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEAD57 shade: #CEAC55, #CE8C55, #CE6B55 and #CE5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEAD57 shade: #CEAC55, #CECD55, #AECE55, #8ECE55 and #6DCE55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEAD57 shade matches the following richer shades: #CEAC55, #DFB443 and #F1BC32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEAD57 shade: #CEAC55, #BCA467, #AA9C79, #98958A and #878D9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEAD57 shade: #CE6B55, #CE8B55, #CEAB55, #CECC55 and #B0CE55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEAD57 shade: #A1822F, #C19B38, #CEAC55, #D7BC75 and #E0CB95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEAD57 shade: #CEAD57, #5FCE55 and #7B55CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEAD57 shade: #CEAD57, #55CEAB and #AB55CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEAD57 shade: #CEAD57, #5FCE55, #5577CE and #C455CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEAD57 shade: #CEAD57, #55CE6F, #5577CE and #CE55B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 58 / 19

HEX #CEAD57

RGB 206 173 87

HSL 43.36, 0.55%, 0.57%

LAB 72.03, 1.77, 47.95

 

Complementary color

CMYK 71 / 51 / 0 / 34

HEX #3152A8

RGB 49 82 168

HSL 223.36, 0.55%, 0.43%

LAB 36.96, 17.97, -49.86

 

CMYK 0 / 18 / 61 / 17

HEX #D3AD52

RGB 211 173 82

HSL 42.33, 0.59%, 0.57%

LAB 72.46, 3.53, 50.95

 

CMYK 0 / 16 / 56 / 11

HEX #E4BF65

RGB 228 191 101

HSL 42.52, 0.7%, 0.65%

LAB 78.87, 2.58, 49.73

 

CMYK 0 / 15 / 51 / 4

HEX #F5D178

RGB 245 209 120

HSL 42.72, 0.86%, 0.72%

LAB 85.18, 1.76, 48.47

 

CMYK 0 / 11 / 45 / 0

HEX #FFE38B

RGB 255 227 139

HSL 45.52, 1%, 0.77%

LAB 90.81, -1.72, 46.34

 

CMYK 0 / 4 / 38 / 0

HEX #FFF59E

RGB 255 245 158

HSL 53.81, 1%, 0.81%

LAB 95.59, -8.8, 43.08

 

CMYK 0 / 16 / 58 / 19

HEX #CEAD57

RGB 206 173 87

HSL 43.36, 0.55%, 0.57%

LAB 72.03, 1.77, 47.95

 

CMYK 0 / 18 / 64 / 26

HEX #BD9B44

RGB 189 155 68

HSL 43.14, 0.48%, 0.5%

LAB 65.5, 2.78, 49.14

 

CMYK 0 / 20 / 72 / 33

HEX #AC8931

RGB 172 137 49

HSL 42.93, 0.56%, 0.43%

LAB 58.87, 4, 50.13

 

CMYK 0 / 23 / 81 / 39

HEX #9B771E

RGB 155 119 30

HSL 42.72, 0.68%, 0.36%

LAB 52.13, 5.47, 50.61

 

CMYK 0 / 27 / 92 / 46

HEX #8A650B

RGB 138 101 11

HSL 42.52, 0.85%, 0.29%

LAB 45.27, 7.28, 49.87

 

CMYK 0 / 17 / 59 / 19

HEX #CEAC55

RGB 206 172 85

HSL 43.14, 0.55%, 0.57%

LAB 71.75, 2.15, 48.59

 

CMYK 0 / 32 / 59 / 19

HEX #CE8C55

RGB 206 140 85

HSL 27.27, 0.55%, 0.57%

LAB 63.78, 19.45, 39.19

 

CMYK 0 / 48 / 59 / 19

HEX #CE6B55

RGB 206 107 85

HSL 10.91, 0.55%, 0.57%

LAB 56.38, 37.12, 30.04

 

CMYK 0 / 59 / 59 / 19

HEX #CE5555

RGB 206 85 85

HSL 0, 0.55%, 0.57%

LAB 52.15, 47.99, 24.6

 

CMYK 0 / 17 / 59 / 19

HEX #CEAC55

RGB 206 172 85

HSL 43.14, 0.55%, 0.57%

LAB 71.75, 2.15, 48.59

 

CMYK 0 / 0 / 59 / 19

HEX #CECD55

RGB 206 205 85

HSL 59.5, 0.55%, 0.57%

LAB 80.43, -14.92, 58.34

 

CMYK 16 / 0 / 59 / 19

HEX #AECE55

RGB 174 206 85

HSL 75.87, 0.55%, 0.57%

LAB 78.34, -28.35, 55.37

 

CMYK 31 / 0 / 59 / 19

HEX #8ECE55

RGB 142 206 85

HSL 91.74, 0.55%, 0.57%

LAB 76.41, -40.37, 52.66

 

CMYK 47 / 0 / 59 / 19

HEX #6DCE55

RGB 109 206 85

HSL 108.1, 0.55%, 0.57%

LAB 74.86, -51.12, 50.48

 

CMYK 0 / 17 / 59 / 19

HEX #CEAC55

RGB 206 172 85

HSL 43.14, 0.55%, 0.57%

LAB 71.75, 2.15, 48.59

 

CMYK 0 / 19 / 70 / 13

HEX #DFB443

RGB 223 180 67

HSL 43.46, 0.71%, 0.57%

LAB 75.29, 4.05, 60.97

 

CMYK 0 / 22 / 79 / 5

HEX #F1BC32

RGB 241 188 50

HSL 43.35, 0.87%, 0.57%

LAB 78.98, 6.83, 71.4

 

CMYK 0 / 17 / 59 / 19

HEX #CEAC55

RGB 206 172 85

HSL 43.14, 0.55%, 0.57%

LAB 71.75, 2.15, 48.59

 

CMYK 0 / 13 / 45 / 26

HEX #BCA467

RGB 188 164 103

HSL 43.06, 0.39%, 0.57%

LAB 68.18, 0.45, 34.8

 

CMYK 0 / 8 / 29 / 33

HEX #AA9C79

RGB 170 156 121

HSL 42.86, 0.22%, 0.57%

LAB 64.73, -0.42, 20.22

 

CMYK 0 / 2 / 9 / 40

HEX #98958A

RGB 152 149 138

HSL 47.14, 0.06%, 0.57%

LAB 61.66, -0.92, 6.19

 

CMYK 13 / 10 / 0 / 39

HEX #878D9C

RGB 135 141 156

HSL 222.86, 0.1%, 0.57%

LAB 58.6, 0.99, -8.69

 

CMYK 0 / 48 / 59 / 19

HEX #CE6B55

RGB 206 107 85

HSL 10.91, 0.55%, 0.57%

LAB 56.38, 37.12, 30.04

 

CMYK 0 / 33 / 59 / 19

HEX #CE8B55

RGB 206 139 85

HSL 26.78, 0.55%, 0.57%

LAB 63.54, 19.99, 38.91

 

CMYK 0 / 17 / 59 / 19

HEX #CEAB55

RGB 206 171 85

HSL 42.64, 0.55%, 0.57%

LAB 71.49, 2.69, 48.29

 

CMYK 0 / 1 / 59 / 19

HEX #CECC55

RGB 206 204 85

HSL 59.01, 0.55%, 0.57%

LAB 80.16, -14.42, 58.05

 

CMYK 15 / 0 / 59 / 19

HEX #B0CE55

RGB 176 206 85

HSL 74.88, 0.55%, 0.57%

LAB 78.48, -27.56, 55.56

 

CMYK 0 / 19 / 71 / 37

HEX #A1822F

RGB 161 130 47

HSL 43.68, 0.55%, 0.41%

LAB 55.83, 2.82, 47.53

 

CMYK 0 / 20 / 71 / 24

HEX #C19B38

RGB 193 155 56

HSL 43.36, 0.55%, 0.49%

LAB 65.8, 3.83, 54.91

 

CMYK 0 / 17 / 59 / 19

HEX #CEAC55

RGB 206 172 85

HSL 43.14, 0.55%, 0.57%

LAB 71.75, 2.15, 48.59

 

CMYK 0 / 13 / 46 / 16

HEX #D7BC75

RGB 215 188 117

HSL 43.47, 0.55%, 0.65%

LAB 77.1, 0.22, 39.35

 

CMYK 0 / 9 / 33 / 12

HEX #E0CB95

RGB 224 203 149

HSL 43.2, 0.55%, 0.73%

LAB 82.23, -0.49, 29.65

 

CMYK 0 / 16 / 58 / 19

HEX #CEAD57

RGB 206 173 87

HSL 43.36, 0.55%, 0.57%

LAB 72.03, 1.77, 47.95

 

CMYK 54 / 0 / 59 / 19

HEX #5FCE55

RGB 95 206 85

HSL 115.04, 0.55%, 0.57%

LAB 74.34, -55, 49.75

 

CMYK 40 / 59 / 0 / 19

HEX #7B55CE

RGB 123 85 206

HSL 258.84, 0.55%, 0.57%

LAB 45.86, 42.94, -57.44

 

CMYK 0 / 16 / 58 / 19

HEX #CEAD57

RGB 206 173 87

HSL 43.36, 0.55%, 0.57%

LAB 72.03, 1.77, 47.95

 

CMYK 59 / 0 / 17 / 19

HEX #55CEAB

RGB 85 206 171

HSL 162.64, 0.55%, 0.57%

LAB 75.46, -42.21, 7.36

 

CMYK 17 / 59 / 0 / 19

HEX #AB55CE

RGB 171 85 206

HSL 282.64, 0.55%, 0.57%

LAB 51.39, 54.36, -48.26

 

CMYK 0 / 16 / 58 / 19

HEX #CEAD57

RGB 206 173 87

HSL 43.36, 0.55%, 0.57%

LAB 72.03, 1.77, 47.95

 

CMYK 54 / 0 / 59 / 19

HEX #5FCE55

RGB 95 206 85

HSL 115.04, 0.55%, 0.57%

LAB 74.34, -55, 49.75

 

CMYK 59 / 42 / 0 / 19

HEX #5577CE

RGB 85 119 206

HSL 223.14, 0.55%, 0.57%

LAB 51.36, 14.23, -48.77

 

CMYK 5 / 59 / 0 / 19

HEX #C455CE

RGB 196 85 206

HSL 295.04, 0.55%, 0.57%

LAB 54.75, 60.63, -42.72

 

CMYK 0 / 16 / 58 / 19

HEX #CEAD57

RGB 206 173 87

HSL 43.36, 0.55%, 0.57%

LAB 72.03, 1.77, 47.95

 

CMYK 59 / 0 / 46 / 19

HEX #55CE6F

RGB 85 206 111

HSL 132.89, 0.55%, 0.57%

LAB 74.33, -53.97, 37.25

 

CMYK 59 / 42 / 0 / 19

HEX #5577CE

RGB 85 119 206

HSL 223.14, 0.55%, 0.57%

LAB 51.36, 14.23, -48.77

 

CMYK 0 / 59 / 13 / 19

HEX #CE55B4

RGB 206 85 180

HSL 312.89, 0.55%, 0.57%

LAB 54.98, 58.92, -27.31

 

Description

Color code: HEX #CEAD57 | qconv.com Color code: HEX #CEAD57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 173 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 173 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 58 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 58% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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