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Color name
HEX #CEAC9F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEAC9F it is the complementary color #315360. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEAC9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEAC9F shade: #D3AC9A, #E4BEAD, #F5D0C0, #FFE2D3 and #FFF4E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEAC9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEAC9F shade: #CEAC9F, #BD9A8C, #AC8879, #9B7666 and #8A6453

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEAC9F shade: #CEADA1 and #CEA1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEAC9F shade: #CEADA1, #CEBAA1, #CEC6A1, #CBCEA1 and #BECEA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEAC9F shade matches the following richer shades: #CEADA1, #DAA895, #E6A38A, #F19E7E and #FD9973

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEAC9F shade: #CEADA1, #C3B3AC, #B7B8B8, #ACBDC3 and #A0C2CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEAC9F shade: #CEA1AD, #CEA1A1, #CEADA1, #CEB9A1 and #CEC5A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEAC9F shade: #B27E6A, #C09686, #CEADA1, #DCC5BC and #EBDDD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEAC9F shade: #CEAC9F, #B9CEA1 and #A1A7CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEAC9F shade: #CEAC9F, #A1CEAD and #ADA1CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEAC9F shade: #CEAC9F, #B9CEA1, #A1C2CE and #B6A1CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEAC9F shade: #CEAC9F, #ABCEA1, #A1C2CE and #C4A1CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 23 / 19

HEX #CEAC9F

RGB 206 172 159

HSL 16.6, 0.32%, 0.72%

LAB 72.98, 10.36, 11.3

 

Complementary color

CMYK 49 / 14 / 0 / 62

HEX #315360

RGB 49 83 96

HSL 196.6, 0.32%, 0.28%

LAB 33.32, -8.4, -11.41

 

CMYK 0 / 18 / 27 / 17

HEX #D3AC9A

RGB 211 172 154

HSL 18.95, 0.39%, 0.72%

LAB 73.34, 11.55, 14.61

 

CMYK 0 / 17 / 24 / 11

HEX #E4BEAD

RGB 228 190 173

HSL 18.55, 0.5%, 0.79%

LAB 79.81, 11.02, 13.65

 

CMYK 0 / 15 / 22 / 4

HEX #F5D0C0

RGB 245 208 192

HSL 18.11, 0.73%, 0.86%

LAB 86.17, 10.55, 12.75

 

CMYK 0 / 11 / 17 / 0

HEX #FFE2D3

RGB 255 226 211

HSL 20.45, 1%, 0.91%

LAB 91.84, 7.62, 10.96

 

CMYK 0 / 4 / 10 / 0

HEX #FFF4E6

RGB 255 244 230

HSL 33.6, 1%, 0.95%

LAB 96.69, 1.37, 8.04

 

CMYK 0 / 17 / 23 / 19

HEX #CEAC9F

RGB 206 172 159

HSL 16.6, 0.32%, 0.72%

LAB 72.98, 10.36, 11.3

 

CMYK 0 / 19 / 26 / 26

HEX #BD9A8C

RGB 189 154 140

HSL 17.14, 0.27%, 0.65%

LAB 66.38, 10.88, 12.25

 

CMYK 0 / 21 / 30 / 33

HEX #AC8879

RGB 172 136 121

HSL 17.65, 0.24%, 0.57%

LAB 59.67, 11.48, 13.28

 

CMYK 0 / 24 / 34 / 39

HEX #9B7666

RGB 155 118 102

HSL 18.11, 0.21%, 0.5%

LAB 52.82, 12.17, 14.41

 

CMYK 0 / 28 / 40 / 46

HEX #8A6453

RGB 138 100 83

HSL 18.55, 0.25%, 0.43%

LAB 45.83, 12.98, 15.67

 

CMYK 0 / 16 / 22 / 19

HEX #CEADA1

RGB 206 173 161

HSL 16, 0.31%, 0.72%

LAB 73.27, 10.11, 10.62

 

CMYK 0 / 22 / 22 / 19

HEX #CEA1A1

RGB 206 161 161

HSL 0, 0.31%, 0.72%

LAB 70.31, 16.63, 6.38

 

CMYK 0 / 16 / 22 / 19

HEX #CEADA1

RGB 206 173 161

HSL 16, 0.31%, 0.72%

LAB 73.27, 10.11, 10.62

 

CMYK 0 / 10 / 22 / 19

HEX #CEBAA1

RGB 206 186 161

HSL 33.33, 0.31%, 0.72%

LAB 76.57, 3.14, 15.27

 

CMYK 0 / 4 / 22 / 19

HEX #CEC6A1

RGB 206 198 161

HSL 49.33, 0.31%, 0.72%

LAB 79.66, -3.18, 19.58

 

CMYK 1 / 0 / 22 / 19

HEX #CBCEA1

RGB 203 206 161

HSL 64, 0.31%, 0.72%

LAB 81.52, -8.45, 22.1

 

CMYK 8 / 0 / 22 / 19

HEX #BECEA1

RGB 190 206 161

HSL 81.33, 0.31%, 0.72%

LAB 80.55, -13.24, 20.62

 

CMYK 0 / 16 / 22 / 19

HEX #CEADA1

RGB 206 173 161

HSL 16, 0.31%, 0.72%

LAB 73.27, 10.11, 10.62

 

CMYK 0 / 23 / 32 / 15

HEX #DAA895

RGB 218 168 149

HSL 16.52, 0.48%, 0.72%

LAB 72.94, 15.73, 16.89

 

CMYK 0 / 29 / 40 / 10

HEX #E6A38A

RGB 230 163 138

HSL 16.3, 0.65%, 0.72%

LAB 72.79, 21.75, 22.88

 

CMYK 0 / 34 / 48 / 5

HEX #F19E7E

RGB 241 158 126

HSL 16.7, 0.8%, 0.72%

LAB 72.67, 27.45, 29.43

 

CMYK 0 / 40 / 55 / 1

HEX #FD9973

RGB 253 153 115

HSL 16.52, 0.97%, 0.72%

LAB 72.83, 33.76, 35.81

 

CMYK 0 / 16 / 22 / 19

HEX #CEADA1

RGB 206 173 161

HSL 16, 0.31%, 0.72%

LAB 73.27, 10.11, 10.62

 

CMYK 0 / 8 / 12 / 24

HEX #C3B3AC

RGB 195 179 172

HSL 18.26, 0.16%, 0.72%

LAB 74.08, 4.51, 5.62

 

CMYK 1 / 0 / 0 / 28

HEX #B7B8B8

RGB 183 184 184

HSL 180, 0.01%, 0.72%

LAB 74.7, -0.35, -0.13

 

CMYK 12 / 3 / 0 / 24

HEX #ACBDC3

RGB 172 189 195

HSL 195.65, 0.16%, 0.72%

LAB 75.52, -4.6, -5.02

 

CMYK 23 / 6 / 0 / 19

HEX #A0C2CF

RGB 160 194 207

HSL 196.6, 0.33%, 0.72%

LAB 76.41, -8.49, -10.28

 

CMYK 0 / 22 / 16 / 19

HEX #CEA1AD

RGB 206 161 173

HSL 344, 0.31%, 0.72%

LAB 70.61, 18.49, 0.18

 

CMYK 0 / 22 / 22 / 19

HEX #CEA1A1

RGB 206 161 161

HSL 0, 0.31%, 0.72%

LAB 70.31, 16.63, 6.38

 

CMYK 0 / 16 / 22 / 19

HEX #CEADA1

RGB 206 173 161

HSL 16, 0.31%, 0.72%

LAB 73.27, 10.11, 10.62

 

CMYK 0 / 10 / 22 / 19

HEX #CEB9A1

RGB 206 185 161

HSL 32, 0.31%, 0.72%

LAB 76.31, 3.67, 14.91

 

CMYK 0 / 4 / 22 / 19

HEX #CEC5A1

RGB 206 197 161

HSL 48, 0.31%, 0.72%

LAB 79.4, -2.66, 19.22

 

CMYK 0 / 29 / 40 / 30

HEX #B27E6A

RGB 178 126 106

HSL 16.67, 0.32%, 0.56%

LAB 57.49, 17.59, 18.92

 

CMYK 0 / 22 / 30 / 25

HEX #C09686

RGB 192 150 134

HSL 16.55, 0.32%, 0.64%

LAB 65.55, 13.42, 14.46

 

CMYK 0 / 16 / 22 / 19

HEX #CEADA1

RGB 206 173 161

HSL 16, 0.31%, 0.72%

LAB 73.27, 10.11, 10.62

 

CMYK 0 / 10 / 15 / 14

HEX #DCC5BC

RGB 220 197 188

HSL 16.88, 0.31%, 0.8%

LAB 81.17, 6.62, 7.45

 

CMYK 0 / 6 / 9 / 8

HEX #EBDDD7

RGB 235 221 215

HSL 18, 0.33%, 0.88%

LAB 89.06, 3.78, 4.65

 

CMYK 0 / 17 / 23 / 19

HEX #CEAC9F

RGB 206 172 159

HSL 16.6, 0.32%, 0.72%

LAB 72.98, 10.36, 11.3

 

CMYK 10 / 0 / 22 / 19

HEX #B9CEA1

RGB 185 206 161

HSL 88, 0.31%, 0.72%

LAB 80.2, -15.06, 20.07

 

CMYK 22 / 19 / 0 / 19

HEX #A1A7CE

RGB 161 167 206

HSL 232, 0.31%, 0.72%

LAB 69.23, 6.23, -20.54

 

CMYK 0 / 17 / 23 / 19

HEX #CEAC9F

RGB 206 172 159

HSL 16.6, 0.32%, 0.72%

LAB 72.98, 10.36, 11.3

 

CMYK 22 / 0 / 16 / 19

HEX #A1CEAD

RGB 161 206 173

HSL 136, 0.31%, 0.72%

LAB 78.89, -21.3, 11.64

 

CMYK 16 / 22 / 0 / 19

HEX #ADA1CE

RGB 173 161 206

HSL 256, 0.31%, 0.72%

LAB 68.63, 13.38, -21.38

 

CMYK 0 / 17 / 23 / 19

HEX #CEAC9F

RGB 206 172 159

HSL 16.6, 0.32%, 0.72%

LAB 72.98, 10.36, 11.3

 

CMYK 10 / 0 / 22 / 19

HEX #B9CEA1

RGB 185 206 161

HSL 88, 0.31%, 0.72%

LAB 80.2, -15.06, 20.07

 

CMYK 22 / 6 / 0 / 19

HEX #A1C2CE

RGB 161 194 206

HSL 196, 0.31%, 0.72%

LAB 76.45, -8.4, -9.69

 

CMYK 12 / 22 / 0 / 19

HEX #B6A1CE

RGB 182 161 206

HSL 268, 0.31%, 0.72%

LAB 69.39, 16.29, -20.15

 

CMYK 0 / 17 / 23 / 19

HEX #CEAC9F

RGB 206 172 159

HSL 16.6, 0.32%, 0.72%

LAB 72.98, 10.36, 11.3

 

CMYK 17 / 0 / 22 / 19

HEX #ABCEA1

RGB 171 206 161

HSL 106.67, 0.31%, 0.72%

LAB 79.26, -20.03, 18.62

 

CMYK 22 / 6 / 0 / 19

HEX #A1C2CE

RGB 161 194 206

HSL 196, 0.31%, 0.72%

LAB 76.45, -8.4, -9.69

 

CMYK 5 / 22 / 0 / 19

HEX #C4A1CE

RGB 196 161 206

HSL 286.67, 0.31%, 0.72%

LAB 70.65, 20.91, -18.12

 

Description

Color code: HEX #CEAC9F | qconv.com Color code: HEX #CEAC9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 172 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 172 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 23 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 23% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Joe & Ruban ジョーア...
Link: http://joeandruban.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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