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Color name
HEX #CEAC52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEAC52 it is the complementary color #3153AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEAC52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEAC52 shade: #D3AC4D, #E4BE60, #F5D073, #FFE286 and #FFF499

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEAC52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEAC52 shade: #CEAC52, #BD9A3F, #AC882C, #9B7619 and #8A6406

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEAC52 shade: #CEAB50, #CE8950, #CE6750 and #CE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEAC52 shade: #CEAB50, #CECD50, #ACCE50, #8ACE50 and #69CE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEAC52 shade matches the following richer shades: #CEAB50, #E0B33E and #F2BC2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEAC52 shade: #CEAB50, #BBA362, #A99B74, #979386 and #858A99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEAC52 shade: #CE6750, #CE8950, #CEAA50, #CECC50 and #AECE50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEAC52 shade: #9E7F2D, #BF9936, #CEAB50, #D7BB70 and #E0CA90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEAC52 shade: #CEAC52, #5ACE50 and #7850CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEAC52 shade: #CEAC52, #50CEAA and #AA50CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEAC52 shade: #CEAC52, #5ACE50, #5074CE and #C350CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEAC52 shade: #CEAC52, #50CE6B, #5074CE and #CE50B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 60 / 19

HEX #CEAC52

RGB 206 172 82

HSL 43.55, 0.56%, 0.56%

LAB 71.71, 1.94, 49.98

 

Complementary color

CMYK 72 / 52 / 0 / 32

HEX #3153AD

RGB 49 83 173

HSL 223.55, 0.56%, 0.44%

LAB 37.58, 19.19, -51.81

 

CMYK 0 / 18 / 64 / 17

HEX #D3AC4D

RGB 211 172 77

HSL 42.54, 0.6%, 0.56%

LAB 72.15, 3.73, 52.93

 

CMYK 0 / 17 / 58 / 11

HEX #E4BE60

RGB 228 190 96

HSL 42.73, 0.71%, 0.64%

LAB 78.56, 2.72, 51.76

 

CMYK 0 / 15 / 53 / 4

HEX #F5D073

RGB 245 208 115

HSL 42.92, 0.87%, 0.71%

LAB 84.87, 1.85, 50.52

 

CMYK 0 / 11 / 47 / 0

HEX #FFE286

RGB 255 226 134

HSL 45.62, 1%, 0.76%

LAB 90.49, -1.68, 48.38

 

CMYK 0 / 4 / 40 / 0

HEX #FFF499

RGB 255 244 153

HSL 53.53, 1%, 0.8%

LAB 95.27, -8.83, 45.12

 

CMYK 0 / 17 / 60 / 19

HEX #CEAC52

RGB 206 172 82

HSL 43.55, 0.56%, 0.56%

LAB 71.71, 1.94, 49.98

 

CMYK 0 / 19 / 67 / 26

HEX #BD9A3F

RGB 189 154 63

HSL 43.33, 0.5%, 0.49%

LAB 65.19, 3.01, 51.1

 

CMYK 0 / 21 / 74 / 33

HEX #AC882C

RGB 172 136 44

HSL 43.13, 0.59%, 0.42%

LAB 58.57, 4.3, 51.93

 

CMYK 0 / 24 / 84 / 39

HEX #9B7619

RGB 155 118 25

HSL 42.92, 0.72%, 0.35%

LAB 51.83, 5.86, 52.08

 

CMYK 0 / 28 / 96 / 46

HEX #8A6406

RGB 138 100 6

HSL 42.73, 0.92%, 0.28%

LAB 44.98, 7.76, 50.82

 

CMYK 0 / 17 / 61 / 19

HEX #CEAB50

RGB 206 171 80

HSL 43.33, 0.56%, 0.56%

LAB 71.44, 2.33, 50.61

 

CMYK 0 / 33 / 61 / 19

HEX #CE8950

RGB 206 137 80

HSL 27.14, 0.56%, 0.56%

LAB 63, 20.71, 40.87

 

CMYK 0 / 50 / 61 / 19

HEX #CE6750

RGB 206 103 80

HSL 10.95, 0.56%, 0.56%

LAB 55.48, 38.82, 31.73

 

CMYK 0 / 61 / 61 / 19

HEX #CE5050

RGB 206 80 80

HSL 0, 0.56%, 0.56%

LAB 51.2, 49.92, 26.31

 

CMYK 0 / 17 / 61 / 19

HEX #CEAB50

RGB 206 171 80

HSL 43.33, 0.56%, 0.56%

LAB 71.44, 2.33, 50.61

 

CMYK 0 / 0 / 61 / 19

HEX #CECD50

RGB 206 205 80

HSL 59.52, 0.56%, 0.56%

LAB 80.38, -15.26, 60.43

 

CMYK 17 / 0 / 61 / 19

HEX #ACCE50

RGB 172 206 80

HSL 76.19, 0.56%, 0.56%

LAB 78.16, -29.53, 57.3

 

CMYK 33 / 0 / 61 / 19

HEX #8ACE50

RGB 138 206 80

HSL 92.38, 0.56%, 0.56%

LAB 76.15, -42.24, 54.51

 

CMYK 49 / 0 / 61 / 19

HEX #69CE50

RGB 105 206 80

HSL 108.1, 0.56%, 0.56%

LAB 74.65, -52.8, 52.42

 

CMYK 0 / 17 / 61 / 19

HEX #CEAB50

RGB 206 171 80

HSL 43.33, 0.56%, 0.56%

LAB 71.44, 2.33, 50.61

 

CMYK 0 / 20 / 72 / 12

HEX #E0B33E

RGB 224 179 62

HSL 43.33, 0.72%, 0.56%

LAB 75.1, 4.76, 62.83

 

CMYK 0 / 22 / 82 / 5

HEX #F2BC2C

RGB 242 188 44

HSL 43.64, 0.88%, 0.56%

LAB 79.06, 7.07, 73.35

 

CMYK 0 / 17 / 61 / 19

HEX #CEAB50

RGB 206 171 80

HSL 43.33, 0.56%, 0.56%

LAB 71.44, 2.33, 50.61

 

CMYK 0 / 13 / 48 / 27

HEX #BBA362

RGB 187 163 98

HSL 43.82, 0.4%, 0.56%

LAB 67.76, 0.06, 36.85

 

CMYK 0 / 8 / 31 / 34

HEX #A99B74

RGB 169 155 116

HSL 44.15, 0.24%, 0.56%

LAB 64.27, -0.96, 22.35

 

CMYK 0 / 3 / 11 / 41

HEX #979386

RGB 151 147 134

HSL 45.88, 0.08%, 0.56%

LAB 60.93, -0.9, 7.4

 

CMYK 13 / 10 / 0 / 40

HEX #858A99

RGB 133 138 153

HSL 225, 0.09%, 0.56%

LAB 57.52, 1.34, -8.6

 

CMYK 0 / 50 / 61 / 19

HEX #CE6750

RGB 206 103 80

HSL 10.95, 0.56%, 0.56%

LAB 55.48, 38.82, 31.73

 

CMYK 0 / 33 / 61 / 19

HEX #CE8950

RGB 206 137 80

HSL 27.14, 0.56%, 0.56%

LAB 63, 20.71, 40.87

 

CMYK 0 / 17 / 61 / 19

HEX #CEAA50

RGB 206 170 80

HSL 42.86, 0.56%, 0.56%

LAB 71.18, 2.86, 50.32

 

CMYK 0 / 1 / 61 / 19

HEX #CECC50

RGB 206 204 80

HSL 59.05, 0.56%, 0.56%

LAB 80.12, -14.76, 60.15

 

CMYK 16 / 0 / 61 / 19

HEX #AECE50

RGB 174 206 80

HSL 75.24, 0.56%, 0.56%

LAB 78.3, -28.75, 57.49

 

CMYK 0 / 20 / 72 / 38

HEX #9E7F2D

RGB 158 127 45

HSL 43.54, 0.56%, 0.4%

LAB 54.7, 3.03, 47.14

 

CMYK 0 / 20 / 72 / 25

HEX #BF9936

RGB 191 153 54

HSL 43.36, 0.56%, 0.48%

LAB 65.06, 3.93, 54.93

 

CMYK 0 / 17 / 61 / 19

HEX #CEAB50

RGB 206 171 80

HSL 43.33, 0.56%, 0.56%

LAB 71.44, 2.33, 50.61

 

CMYK 0 / 13 / 48 / 16

HEX #D7BB70

RGB 215 187 112

HSL 43.69, 0.56%, 0.64%

LAB 76.77, 0.26, 41.48

 

CMYK 0 / 10 / 36 / 12

HEX #E0CA90

RGB 224 202 144

HSL 43.5, 0.56%, 0.72%

LAB 81.89, -0.57, 31.79

 

CMYK 0 / 17 / 60 / 19

HEX #CEAC52

RGB 206 172 82

HSL 43.55, 0.56%, 0.56%

LAB 71.71, 1.94, 49.98

 

CMYK 56 / 0 / 61 / 19

HEX #5ACE50

RGB 90 206 80

HSL 115.24, 0.56%, 0.56%

LAB 74.12, -56.82, 51.68

 

CMYK 42 / 61 / 0 / 19

HEX #7850CE

RGB 120 80 206

HSL 259.05, 0.56%, 0.56%

LAB 44.5, 45.08, -59.64

 

CMYK 0 / 17 / 60 / 19

HEX #CEAC52

RGB 206 172 82

HSL 43.55, 0.56%, 0.56%

LAB 71.71, 1.94, 49.98

 

CMYK 61 / 0 / 17 / 19

HEX #50CEAA

RGB 80 206 170

HSL 162.86, 0.56%, 0.56%

LAB 75.3, -43.39, 7.64

 

CMYK 17 / 61 / 0 / 19

HEX #AA50CE

RGB 170 80 206

HSL 282.86, 0.56%, 0.56%

LAB 50.38, 56.51, -49.88

 

CMYK 0 / 17 / 60 / 19

HEX #CEAC52

RGB 206 172 82

HSL 43.55, 0.56%, 0.56%

LAB 71.71, 1.94, 49.98

 

CMYK 56 / 0 / 61 / 19

HEX #5ACE50

RGB 90 206 80

HSL 115.24, 0.56%, 0.56%

LAB 74.12, -56.82, 51.68

 

CMYK 61 / 44 / 0 / 19

HEX #5074CE

RGB 80 116 206

HSL 222.86, 0.56%, 0.56%

LAB 50.28, 15.12, -50.51

 

CMYK 5 / 61 / 0 / 19

HEX #C350CE

RGB 195 80 206

HSL 294.76, 0.56%, 0.56%

LAB 53.81, 62.58, -44.22

 

CMYK 0 / 17 / 60 / 19

HEX #CEAC52

RGB 206 172 82

HSL 43.55, 0.56%, 0.56%

LAB 71.71, 1.94, 49.98

 

CMYK 61 / 0 / 48 / 19

HEX #50CE6B

RGB 80 206 107

HSL 132.86, 0.56%, 0.56%

LAB 74.13, -55.67, 38.96

 

CMYK 61 / 44 / 0 / 19

HEX #5074CE

RGB 80 116 206

HSL 222.86, 0.56%, 0.56%

LAB 50.28, 15.12, -50.51

 

CMYK 0 / 61 / 14 / 19

HEX #CE50B2

RGB 206 80 178

HSL 313.33, 0.56%, 0.56%

LAB 54.1, 60.78, -27.51

 

Description

Color code: HEX #CEAC52 | qconv.com Color code: HEX #CEAC52 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 172 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 172 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 60 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 60% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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