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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEABEF it is the complementary color #315410. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEABEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEABEF shade: #D3ABEA, #E4BDFD, #F5CFFF, #FFE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEABEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEABEF shade: #CEABEF, #BD99DC, #AC87C9, #9B75B6 and #8A63A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEABEF shade: #CDA9EF, #E0A9EF, #EFA9EB, #EFA9D8 and #EFA9C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEABEF shade: #CDA9EF, #BAA9EF and #A9A9EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEABEF shade matches the following richer shades: #CDA9EF and #CDA1F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEABEF shade: #CDA9EF, #CDB2E6, #CDBADE, #CCC2D6 and #CCCACE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEABEF shade: #A9ACEF, #BAA9EF, #CCA9EF, #DEA9EF and #EFA9EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEABEF shade: #A564E1, #B987E8, #CDA9EF, #E1CCF5 and #F5EFFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEABEF shade: #CEABEF, #EFA9BE and #A9EFB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEABEF shade: #CEABEF, #EFCCA9 and #A9EFCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEABEF shade: #CEABEF, #EFA9BE, #CCEFA9 and #A9EFDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEABEF shade: #CEABEF, #EFA9A9, #CCEFA9 and #A9EFEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 28 / 0 / 6

HEX #CEABEF

RGB 206 171 239

HSL 270.88, 0.68%, 0.8%

LAB 75.13, 25.37, -29.24

 

Complementary color

CMYK 42 / 0 / 81 / 67

HEX #315410

RGB 49 84 16

HSL 90.88, 0.68%, 0.2%

LAB 31.88, -25.08, 33.47

 

CMYK 10 / 27 / 0 / 8

HEX #D3ABEA

RGB 211 171 234

HSL 278.1, 0.6%, 0.79%

LAB 75.4, 25.9, -26.08

 

CMYK 10 / 25 / 0 / 1

HEX #E4BDFD

RGB 228 189 253

HSL 276.56, 0.94%, 0.87%

LAB 81.83, 25.35, -26.34

 

CMYK 4 / 19 / 0 / 0

HEX #F5CFFF

RGB 245 207 255

HSL 287.5, 1%, 0.91%

LAB 87.61, 21.56, -18.48

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 14 / 28 / 0 / 6

HEX #CEABEF

RGB 206 171 239

HSL 270.88, 0.68%, 0.8%

LAB 75.13, 25.37, -29.24

 

CMYK 14 / 30 / 0 / 14

HEX #BD99DC

RGB 189 153 220

HSL 272.24, 0.49%, 0.73%

LAB 68.58, 25.97, -29.06

 

CMYK 14 / 33 / 0 / 21

HEX #AC87C9

RGB 172 135 201

HSL 273.64, 0.38%, 0.66%

LAB 61.93, 26.61, -28.88

 

CMYK 15 / 36 / 0 / 29

HEX #9B75B6

RGB 155 117 182

HSL 275.08, 0.31%, 0.59%

LAB 55.14, 27.31, -28.72

 

CMYK 15 / 39 / 0 / 36

HEX #8A63A3

RGB 138 99 163

HSL 276.56, 0.26%, 0.51%

LAB 48.22, 28.08, -28.57

 

CMYK 14 / 29 / 0 / 6

HEX #CDA9EF

RGB 205 169 239

HSL 270.86, 0.69%, 0.8%

LAB 74.56, 26.16, -30.12

 

CMYK 6 / 29 / 0 / 6

HEX #E0A9EF

RGB 224 169 239

HSL 287.14, 0.69%, 0.8%

LAB 76.35, 32.08, -27.22

 

CMYK 0 / 29 / 2 / 6

HEX #EFA9EB

RGB 239 169 235

HSL 303.43, 0.69%, 0.8%

LAB 77.71, 36.09, -22.84

 

CMYK 0 / 29 / 10 / 6

HEX #EFA9D8

RGB 239 169 216

HSL 319.71, 0.69%, 0.8%

LAB 77.09, 32.79, -13.47

 

CMYK 0 / 29 / 17 / 6

HEX #EFA9C6

RGB 239 169 198

HSL 335.14, 0.69%, 0.8%

LAB 76.56, 29.9, -4.45

 

CMYK 14 / 29 / 0 / 6

HEX #CDA9EF

RGB 205 169 239

HSL 270.86, 0.69%, 0.8%

LAB 74.56, 26.16, -30.12

 

CMYK 22 / 29 / 0 / 6

HEX #BAA9EF

RGB 186 169 239

HSL 254.57, 0.69%, 0.8%

LAB 72.92, 20.39, -32.78

 

CMYK 29 / 29 / 0 / 6

HEX #A9A9EF

RGB 169 169 239

HSL 240, 0.69%, 0.8%

LAB 71.58, 15.42, -34.96

 

CMYK 14 / 29 / 0 / 6

HEX #CDA9EF

RGB 205 169 239

HSL 270.86, 0.69%, 0.8%

LAB 74.56, 26.16, -30.12

 

CMYK 17 / 35 / 0 / 3

HEX #CDA1F7

RGB 205 161 247

HSL 270.7, 0.84%, 0.8%

LAB 73.01, 32.25, -36.85

 

CMYK 14 / 29 / 0 / 6

HEX #CDA9EF

RGB 205 169 239

HSL 270.86, 0.69%, 0.8%

LAB 74.56, 26.16, -30.12

 

CMYK 11 / 23 / 0 / 10

HEX #CDB2E6

RGB 205 178 230

HSL 271.15, 0.51%, 0.8%

LAB 76.4, 19.36, -22.44

 

CMYK 8 / 16 / 0 / 13

HEX #CDBADE

RGB 205 186 222

HSL 271.67, 0.35%, 0.8%

LAB 78.09, 13.39, -15.54

 

CMYK 5 / 9 / 0 / 16

HEX #CCC2D6

RGB 204 194 214

HSL 270, 0.2%, 0.8%

LAB 79.77, 7.19, -8.73

 

CMYK 1 / 2 / 0 / 19

HEX #CCCACE

RGB 204 202 206

HSL 270, 0.04%, 0.8%

LAB 81.58, 1.42, -1.75

 

CMYK 29 / 28 / 0 / 6

HEX #A9ACEF

RGB 169 172 239

HSL 237.43, 0.69%, 0.8%

LAB 72.34, 13.74, -33.79

 

CMYK 22 / 29 / 0 / 6

HEX #BAA9EF

RGB 186 169 239

HSL 254.57, 0.69%, 0.8%

LAB 72.92, 20.39, -32.78

 

CMYK 15 / 29 / 0 / 6

HEX #CCA9EF

RGB 204 169 239

HSL 270, 0.69%, 0.8%

LAB 74.47, 25.85, -30.26

 

CMYK 7 / 29 / 0 / 6

HEX #DEA9EF

RGB 222 169 239

HSL 285.43, 0.69%, 0.8%

LAB 76.15, 31.45, -27.54

 

CMYK 0 / 29 / 1 / 6

HEX #EFA9EC

RGB 239 169 236

HSL 302.57, 0.69%, 0.8%

LAB 77.75, 36.27, -23.33

 

CMYK 27 / 56 / 0 / 12

HEX #A564E1

RGB 165 100 225

HSL 271.2, 0.68%, 0.64%

LAB 54.61, 49.43, -53.96

 

CMYK 20 / 42 / 0 / 9

HEX #B987E8

RGB 185 135 232

HSL 270.93, 0.68%, 0.72%

LAB 64.54, 37.39, -42.01

 

CMYK 14 / 29 / 0 / 6

HEX #CDA9EF

RGB 205 169 239

HSL 270.86, 0.69%, 0.8%

LAB 74.56, 26.16, -30.12

 

CMYK 8 / 17 / 0 / 4

HEX #E1CCF5

RGB 225 204 245

HSL 270.73, 0.67%, 0.88%

LAB 84.89, 14.79, -17.46

 

CMYK 3 / 5 / 0 / 1

HEX #F5EFFC

RGB 245 239 252

HSL 267.69, 0.68%, 0.96%

LAB 95.23, 4.32, -5.55

 

CMYK 14 / 28 / 0 / 6

HEX #CEABEF

RGB 206 171 239

HSL 270.88, 0.68%, 0.8%

LAB 75.13, 25.37, -29.24

 

CMYK 0 / 29 / 21 / 6

HEX #EFA9BE

RGB 239 169 190

HSL 342, 0.69%, 0.8%

LAB 76.34, 28.69, -0.4

 

CMYK 29 / 0 / 26 / 6

HEX #A9EFB0

RGB 169 239 176

HSL 126, 0.69%, 0.8%

LAB 88.59, -34.01, 23.68

 

CMYK 14 / 28 / 0 / 6

HEX #CEABEF

RGB 206 171 239

HSL 270.88, 0.68%, 0.8%

LAB 75.13, 25.37, -29.24

 

CMYK 0 / 15 / 29 / 6

HEX #EFCCA9

RGB 239 204 169

HSL 30, 0.69%, 0.8%

LAB 84.17, 7.26, 22.02

 

CMYK 29 / 0 / 15 / 6

HEX #A9EFCC

RGB 169 239 204

HSL 150, 0.69%, 0.8%

LAB 89.17, -28.91, 10

 

CMYK 14 / 28 / 0 / 6

HEX #CEABEF

RGB 206 171 239

HSL 270.88, 0.68%, 0.8%

LAB 75.13, 25.37, -29.24

 

CMYK 0 / 29 / 21 / 6

HEX #EFA9BE

RGB 239 169 190

HSL 342, 0.69%, 0.8%

LAB 76.34, 28.69, -0.4

 

CMYK 15 / 0 / 29 / 6

HEX #CCEFA9

RGB 204 239 169

HSL 90, 0.69%, 0.8%

LAB 90.52, -23.36, 30.22

 

CMYK 29 / 0 / 9 / 6

HEX #A9EFDA

RGB 169 239 218

HSL 162, 0.69%, 0.8%

LAB 89.5, -26.1, 3.18

 

CMYK 14 / 28 / 0 / 6

HEX #CEABEF

RGB 206 171 239

HSL 270.88, 0.68%, 0.8%

LAB 75.13, 25.37, -29.24

 

CMYK 0 / 29 / 29 / 6

HEX #EFA9A9

RGB 239 169 169

HSL 0, 0.69%, 0.8%

LAB 75.82, 25.75, 10.32

 

CMYK 15 / 0 / 29 / 6

HEX #CCEFA9

RGB 204 239 169

HSL 90, 0.69%, 0.8%

LAB 90.52, -23.36, 30.22

 

CMYK 29 / 0 / 0 / 6

HEX #A9EFEF

RGB 169 239 239

HSL 180, 0.69%, 0.8%

LAB 90.04, -21.58, -6.99

 

Description

Color code: HEX #CEABEF | qconv.com Color code: HEX #CEABEF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 171 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 171 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 28 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 28% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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