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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEA8D9 it is the complementary color #315726. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEA8D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEA8D9 shade: #D3A8D4, #E4BAE7, #F5CCFA, #FFDEFF and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEA8D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEA8D9 shade: #CEA8D9, #BD96C6, #AC84B3, #9B72A0 and #8A608D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEA8D9 shade: #CDA6D8, #D8A6D6, #D8A6C8, #D8A6BB and #D8A6AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEA8D9 shade: #CDA6D8, #C0A6D8, #B2A6D8 and #A6A6D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEA8D9 shade matches the following richer shades: #CDA6D8, #D39CE2, #D892ED and #DE87F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEA8D9 shade: #CDA6D8, #C7B1CE, #C2BBC3, #BCC5B9 and #B6D0AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEA8D9 shade: #B2A6D8, #BFA6D8, #CDA6D8, #D8A6D6 and #D8A6C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEA8D9 shade: #AD6DBF, #BD8ACC, #CDA6D8, #DDC3E5 and #EDE0F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEA8D9 shade: #CEA8D9, #D8A6A8 and #A6D8B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEA8D9 shade: #CEA8D9, #D8CDA6 and #A6D8CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEA8D9 shade: #CEA8D9, #D8A6A8, #B2D8A6 and #A6D8D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEA8D9 shade: #CEA8D9, #D8B4A6, #B2D8A6 and #A6CBD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 23 / 0 / 15

HEX #CEA8D9

RGB 206 168 217

HSL 286.53, 0.39%, 0.75%

LAB 73.63, 22.53, -19.55

 

Complementary color

CMYK 44 / 0 / 56 / 66

HEX #315726

RGB 49 87 38

HSL 106.53, 0.39%, 0.25%

LAB 33.16, -24.22, 24.09

 

CMYK 0 / 21 / 0 / 17

HEX #D3A8D4

RGB 211 168 212

HSL 298.64, 0.34%, 0.75%

LAB 73.94, 23.23, -16.31

 

CMYK 1 / 19 / 0 / 9

HEX #E4BAE7

RGB 228 186 231

HSL 296, 0.48%, 0.82%

LAB 80.39, 22.7, -16.73

 

CMYK 2 / 18 / 0 / 2

HEX #F5CCFA

RGB 245 204 250

HSL 293.48, 0.82%, 0.89%

LAB 86.75, 22.21, -17.14

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 5 / 23 / 0 / 15

HEX #CEA8D9

RGB 206 168 217

HSL 286.53, 0.39%, 0.75%

LAB 73.63, 22.53, -19.55

 

CMYK 5 / 24 / 0 / 22

HEX #BD96C6

RGB 189 150 198

HSL 288.75, 0.3%, 0.68%

LAB 67.06, 23.09, -19.2

 

CMYK 4 / 26 / 0 / 30

HEX #AC84B3

RGB 172 132 179

HSL 291.06, 0.24%, 0.61%

LAB 60.36, 23.69, -18.84

 

CMYK 3 / 29 / 0 / 37

HEX #9B72A0

RGB 155 114 160

HSL 293.48, 0.19%, 0.54%

LAB 53.54, 24.35, -18.47

 

CMYK 2 / 32 / 0 / 45

HEX #8A608D

RGB 138 96 141

HSL 296, 0.19%, 0.46%

LAB 46.57, 25.06, -18.09

 

CMYK 5 / 23 / 0 / 15

HEX #CDA6D8

RGB 205 166 216

HSL 286.8, 0.39%, 0.75%

LAB 73.03, 23.1, -19.93

 

CMYK 0 / 23 / 1 / 15

HEX #D8A6D6

RGB 216 166 214

HSL 302.4, 0.39%, 0.75%

LAB 74.01, 26.36, -17.24

 

CMYK 0 / 23 / 7 / 15

HEX #D8A6C8

RGB 216 166 200

HSL 319.2, 0.39%, 0.75%

LAB 73.57, 23.85, -10.23

 

CMYK 0 / 23 / 13 / 15

HEX #D8A6BB

RGB 216 166 187

HSL 334.8, 0.39%, 0.75%

LAB 73.19, 21.65, -3.65

 

CMYK 0 / 23 / 19 / 15

HEX #D8A6AE

RGB 216 166 174

HSL 350.4, 0.39%, 0.75%

LAB 72.84, 19.59, 3

 

CMYK 5 / 23 / 0 / 15

HEX #CDA6D8

RGB 205 166 216

HSL 286.8, 0.39%, 0.75%

LAB 73.03, 23.1, -19.93

 

CMYK 11 / 23 / 0 / 15

HEX #C0A6D8

RGB 192 166 216

HSL 271.2, 0.39%, 0.75%

LAB 71.85, 18.87, -21.83

 

CMYK 18 / 23 / 0 / 15

HEX #B2A6D8

RGB 178 166 216

HSL 254.4, 0.39%, 0.75%

LAB 70.66, 14.4, -23.75

 

CMYK 23 / 23 / 0 / 15

HEX #A6A6D8

RGB 166 166 216

HSL 240, 0.39%, 0.75%

LAB 69.71, 10.67, -25.29

 

CMYK 5 / 23 / 0 / 15

HEX #CDA6D8

RGB 205 166 216

HSL 286.8, 0.39%, 0.75%

LAB 73.03, 23.1, -19.93

 

CMYK 7 / 31 / 0 / 11

HEX #D39CE2

RGB 211 156 226

HSL 287.14, 0.55%, 0.75%

LAB 71.63, 32.46, -27.48

 

CMYK 9 / 38 / 0 / 7

HEX #D892ED

RGB 216 146 237

HSL 286.15, 0.72%, 0.75%

LAB 70.37, 41.55, -35.43

 

CMYK 10 / 45 / 0 / 3

HEX #DE87F7

RGB 222 135 247

HSL 286.61, 0.88%, 0.75%

LAB 69.16, 51.02, -42.72

 

CMYK 5 / 23 / 0 / 15

HEX #CDA6D8

RGB 205 166 216

HSL 286.8, 0.39%, 0.75%

LAB 73.03, 23.1, -19.93

 

CMYK 3 / 14 / 0 / 19

HEX #C7B1CE

RGB 199 177 206

HSL 285.52, 0.23%, 0.75%

LAB 74.85, 13.14, -11.77

 

CMYK 1 / 4 / 0 / 24

HEX #C2BBC3

RGB 194 187 195

HSL 292.5, 0.06%, 0.75%

LAB 76.65, 3.93, -3.16

 

CMYK 5 / 0 / 6 / 23

HEX #BCC5B9

RGB 188 197 185

HSL 105, 0.09%, 0.75%

LAB 78.54, -5.31, 4.94

 

CMYK 13 / 0 / 16 / 18

HEX #B6D0AF

RGB 182 208 175

HSL 107.27, 0.26%, 0.75%

LAB 80.82, -14.83, 13.5

 

CMYK 18 / 23 / 0 / 15

HEX #B2A6D8

RGB 178 166 216

HSL 254.4, 0.39%, 0.75%

LAB 70.66, 14.4, -23.75

 

CMYK 12 / 23 / 0 / 15

HEX #BFA6D8

RGB 191 166 216

HSL 270, 0.39%, 0.75%

LAB 71.76, 18.54, -21.97

 

CMYK 5 / 23 / 0 / 15

HEX #CDA6D8

RGB 205 166 216

HSL 286.8, 0.39%, 0.75%

LAB 73.03, 23.1, -19.93

 

CMYK 0 / 23 / 1 / 15

HEX #D8A6D6

RGB 216 166 214

HSL 302.4, 0.39%, 0.75%

LAB 74.01, 26.36, -17.24

 

CMYK 0 / 23 / 7 / 15

HEX #D8A6C9

RGB 216 166 201

HSL 318, 0.39%, 0.75%

LAB 73.6, 24.02, -10.73

 

CMYK 9 / 43 / 0 / 25

HEX #AD6DBF

RGB 173 109 191

HSL 286.83, 0.39%, 0.59%

LAB 55.67, 39.31, -32.92

 

CMYK 7 / 32 / 0 / 20

HEX #BD8ACC

RGB 189 138 204

HSL 286.36, 0.39%, 0.67%

LAB 64.45, 30.95, -26.54

 

CMYK 5 / 23 / 0 / 15

HEX #CDA6D8

RGB 205 166 216

HSL 286.8, 0.39%, 0.75%

LAB 73.03, 23.1, -19.93

 

CMYK 3 / 15 / 0 / 10

HEX #DDC3E5

RGB 221 195 229

HSL 285.88, 0.4%, 0.83%

LAB 81.87, 15.19, -13.5

 

CMYK 2 / 7 / 0 / 5

HEX #EDE0F1

RGB 237 224 241

HSL 285.88, 0.38%, 0.91%

LAB 90.63, 7.43, -6.68

 

CMYK 5 / 23 / 0 / 15

HEX #CEA8D9

RGB 206 168 217

HSL 286.53, 0.39%, 0.75%

LAB 73.63, 22.53, -19.55

 

CMYK 0 / 23 / 22 / 15

HEX #D8A6A8

RGB 216 166 168

HSL 357.6, 0.39%, 0.75%

LAB 72.69, 18.68, 6.08

 

CMYK 23 / 0 / 14 / 15

HEX #A6D8B9

RGB 166 216 185

HSL 142.8, 0.39%, 0.75%

LAB 82.23, -22.38, 10.05

 

CMYK 5 / 23 / 0 / 15

HEX #CEA8D9

RGB 206 168 217

HSL 286.53, 0.39%, 0.75%

LAB 73.63, 22.53, -19.55

 

CMYK 0 / 5 / 23 / 15

HEX #D8CDA6

RGB 216 205 166

HSL 46.8, 0.39%, 0.75%

LAB 82.39, -2.35, 20.83

 

CMYK 23 / 0 / 5 / 15

HEX #A6D8CD

RGB 166 216 205

HSL 166.8, 0.39%, 0.75%

LAB 82.71, -18.39, 0.13

 

CMYK 5 / 23 / 0 / 15

HEX #CEA8D9

RGB 206 168 217

HSL 286.53, 0.39%, 0.75%

LAB 73.63, 22.53, -19.55

 

CMYK 0 / 23 / 22 / 15

HEX #D8A6A8

RGB 216 166 168

HSL 357.6, 0.39%, 0.75%

LAB 72.69, 18.68, 6.08

 

CMYK 18 / 0 / 23 / 15

HEX #B2D8A6

RGB 178 216 166

HSL 105.6, 0.39%, 0.75%

LAB 82.56, -21.72, 20.63

 

CMYK 23 / 0 / 1 / 15

HEX #A6D8D6

RGB 166 216 214

HSL 177.6, 0.39%, 0.75%

LAB 82.95, -16.48, -4.31

 

CMYK 5 / 23 / 0 / 15

HEX #CEA8D9

RGB 206 168 217

HSL 286.53, 0.39%, 0.75%

LAB 73.63, 22.53, -19.55

 

CMYK 0 / 17 / 23 / 15

HEX #D8B4A6

RGB 216 180 166

HSL 16.8, 0.39%, 0.75%

LAB 76.07, 10.85, 11.99

 

CMYK 18 / 0 / 23 / 15

HEX #B2D8A6

RGB 178 216 166

HSL 105.6, 0.39%, 0.75%

LAB 82.56, -21.72, 20.63

 

CMYK 23 / 6 / 0 / 15

HEX #A6CBD8

RGB 166 203 216

HSL 195.6, 0.39%, 0.75%

LAB 79.49, -9.37, -10.51

 

Description

Color code: HEX #CEA8D9 | qconv.com Color code: HEX #CEA8D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 168 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 168 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 23 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 23% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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