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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEA40F it is the complementary color #315BF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEA40F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEA40F shade: #D3A40A, #E4B61D, #F5C830, #FFDA43 and #FFEC56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEA40F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEA40F shade: #CEA40F, #BD9200, #AC8000, #9B6E00 and #8A5C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEA40F shade: #CCA20F, #CC700F, #CC3D0F and #CC0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEA40F shade: #CCA20F, #C3CC0F, #90CC0F, #5DCC0F and #2ACC0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEA40F shade matches the following richer shades: #CCA20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEA40F shade: #CCA20F, #BA9921, #A88F33, #978545 and #857B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEA40F shade: #CC3B0F, #CC6E0F, #CCA00F, #C6CC0F and #93CC0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEA40F shade: #7F650A, #A6840C, #CCA20F, #EEBE17 and #F0C93D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEA40F shade: #CEA40F, #16CC0F and #550FCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEA40F shade: #CEA40F, #0FCCA0 and #A00FCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEA40F shade: #CEA40F, #16CC0F, #0F3BCC and #C60FCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEA40F shade: #CEA40F, #0FCC42, #0F3BCC and #CC0F9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 93 / 19

HEX #CEA40F

RGB 206 164 15

HSL 46.81, 0.86%, 0.43%

LAB 69.26, 3.46, 70.6

 

Complementary color

CMYK 80 / 62 / 0 / 6

HEX #315BF0

RGB 49 91 240

HSL 226.81, 0.86%, 0.57%

LAB 44.84, 38.76, -78.63

 

CMYK 0 / 22 / 95 / 17

HEX #D3A40A

RGB 211 164 10

HSL 45.97, 0.91%, 0.43%

LAB 69.77, 5.61, 71.89

 

CMYK 0 / 20 / 87 / 11

HEX #E4B61D

RGB 228 182 29

HSL 46.13, 0.79%, 0.5%

LAB 76.09, 3.81, 74.18

 

CMYK 0 / 18 / 80 / 4

HEX #F5C830

RGB 245 200 48

HSL 46.29, 0.91%, 0.57%

LAB 82.34, 2.25, 75.14

 

CMYK 0 / 15 / 74 / 0

HEX #FFDA43

RGB 255 218 67

HSL 48.19, 1%, 0.63%

LAB 87.88, -2.04, 74.39

 

CMYK 0 / 7 / 66 / 0

HEX #FFEC56

RGB 255 236 86

HSL 53.25, 1%, 0.67%

LAB 92.54, -10.13, 72

 

CMYK 0 / 20 / 93 / 19

HEX #CEA40F

RGB 206 164 15

HSL 46.81, 0.86%, 0.43%

LAB 69.26, 3.46, 70.6

 

CMYK 0 / 23 / 100 / 26

HEX #BD9200

RGB 189 146 0

HSL 46.35, 1%, 0.37%

LAB 62.82, 5.39, 67.23

 

CMYK 0 / 26 / 100 / 33

HEX #AC8000

RGB 172 128 0

HSL 44.65, 1%, 0.34%

LAB 56.3, 7.59, 61.86

 

CMYK 0 / 29 / 100 / 39

HEX #9B6E00

RGB 155 110 0

HSL 42.58, 1%, 0.3%

LAB 49.64, 9.89, 56.4

 

CMYK 0 / 33 / 100 / 46

HEX #8A5C00

RGB 138 92 0

HSL 40, 1%, 0.27%

LAB 42.85, 12.32, 50.84

 

CMYK 0 / 21 / 93 / 20

HEX #CCA20F

RGB 204 162 15

HSL 46.67, 0.86%, 0.43%

LAB 68.54, 3.64, 69.97

 

CMYK 0 / 45 / 93 / 20

HEX #CC700F

RGB 204 112 15

HSL 30.79, 0.86%, 0.43%

LAB 56.55, 30.67, 61.18

 

CMYK 0 / 70 / 93 / 20

HEX #CC3D0F

RGB 204 61 15

HSL 14.6, 0.86%, 0.43%

LAB 47.25, 54.66, 54.78

 

CMYK 0 / 93 / 93 / 20

HEX #CC0F0F

RGB 204 15 15

HSL 0, 0.86%, 0.43%

LAB 43.08, 66.37, 52.11

 

CMYK 0 / 21 / 93 / 20

HEX #CCA20F

RGB 204 162 15

HSL 46.67, 0.86%, 0.43%

LAB 68.54, 3.64, 69.97

 

CMYK 4 / 0 / 93 / 20

HEX #C3CC0F

RGB 195 204 15

HSL 62.86, 0.86%, 0.43%

LAB 78.94, -21.89, 77.53

 

CMYK 29 / 0 / 93 / 20

HEX #90CC0F

RGB 144 204 15

HSL 79.05, 0.86%, 0.43%

LAB 75.54, -42.53, 73.41

 

CMYK 54 / 0 / 93 / 20

HEX #5DCC0F

RGB 93 204 15

HSL 95.24, 0.86%, 0.43%

LAB 73.25, -59.32, 70.59

 

CMYK 79 / 0 / 93 / 20

HEX #2ACC0F

RGB 42 204 15

HSL 111.43, 0.86%, 0.43%

LAB 72.04, -69.55, 69.09

 

CMYK 0 / 21 / 93 / 20

HEX #CCA20F

RGB 204 162 15

HSL 46.67, 0.86%, 0.43%

LAB 68.54, 3.64, 69.97

 

CMYK 0 / 21 / 93 / 20

HEX #CCA20F

RGB 204 162 15

HSL 46.67, 0.86%, 0.43%

LAB 68.54, 3.64, 69.97

 

CMYK 0 / 18 / 82 / 27

HEX #BA9921

RGB 186 153 33

HSL 47.06, 0.7%, 0.43%

LAB 64.43, 0.85, 61.77

 

CMYK 0 / 15 / 70 / 34

HEX #A88F33

RGB 168 143 51

HSL 47.18, 0.53%, 0.43%

LAB 60.08, -0.99, 50.38

 

CMYK 0 / 12 / 54 / 41

HEX #978545

RGB 151 133 69

HSL 46.83, 0.37%, 0.43%

LAB 55.87, -1.75, 36.63

 

CMYK 0 / 8 / 35 / 48

HEX #857B56

RGB 133 123 86

HSL 47.23, 0.21%, 0.43%

LAB 51.64, -2.11, 21.65

 

CMYK 0 / 71 / 93 / 20

HEX #CC3B0F

RGB 204 59 15

HSL 13.97, 0.86%, 0.43%

LAB 46.97, 55.42, 54.6

 

CMYK 0 / 46 / 93 / 20

HEX #CC6E0F

RGB 204 110 15

HSL 30.16, 0.86%, 0.43%

LAB 56.11, 31.73, 60.87

 

CMYK 0 / 22 / 93 / 20

HEX #CCA00F

RGB 204 160 15

HSL 46.03, 0.86%, 0.43%

LAB 68.03, 4.71, 69.59

 

CMYK 3 / 0 / 93 / 20

HEX #C6CC0F

RGB 198 204 15

HSL 61.9, 0.86%, 0.43%

LAB 79.17, -20.62, 77.81

 

CMYK 28 / 0 / 93 / 20

HEX #93CC0F

RGB 147 204 15

HSL 78.1, 0.86%, 0.43%

LAB 75.71, -41.39, 73.62

 

CMYK 0 / 20 / 92 / 50

HEX #7F650A

RGB 127 101 10

HSL 46.67, 0.85%, 0.27%

LAB 44, 1.98, 48.58

 

CMYK 0 / 20 / 93 / 35

HEX #A6840C

RGB 166 132 12

HSL 46.75, 0.87%, 0.35%

LAB 56.72, 2.78, 59.81

 

CMYK 0 / 21 / 93 / 20

HEX #CCA20F

RGB 204 162 15

HSL 46.67, 0.86%, 0.43%

LAB 68.54, 3.64, 69.97

 

CMYK 0 / 20 / 90 / 7

HEX #EEBE17

RGB 238 190 23

HSL 46.6, 0.86%, 0.51%

LAB 79.08, 3.85, 78.11

 

CMYK 0 / 16 / 75 / 6

HEX #F0C93D

RGB 240 201 61

HSL 46.93, 0.86%, 0.59%

LAB 82.18, 0.08, 70.6

 

CMYK 0 / 20 / 93 / 19

HEX #CEA40F

RGB 206 164 15

HSL 46.81, 0.86%, 0.43%

LAB 69.26, 3.46, 70.6

 

CMYK 89 / 0 / 93 / 20

HEX #16CC0F

RGB 22 204 15

HSL 117.78, 0.86%, 0.43%

LAB 71.82, -71.49, 68.82

 

CMYK 58 / 93 / 0 / 20

HEX #550FCC

RGB 85 15 204

HSL 262.22, 0.86%, 0.43%

LAB 30.96, 66.7, -80.82

 

CMYK 0 / 20 / 93 / 19

HEX #CEA40F

RGB 206 164 15

HSL 46.81, 0.86%, 0.43%

LAB 69.26, 3.46, 70.6

 

CMYK 93 / 0 / 22 / 20

HEX #0FCCA0

RGB 15 204 160

HSL 166.03, 0.86%, 0.43%

LAB 73.43, -52.26, 10.22

 

CMYK 22 / 93 / 0 / 20

HEX #A00FCC

RGB 160 15 204

HSL 286.03, 0.86%, 0.43%

LAB 41.49, 74.95, -63.12

 

CMYK 0 / 20 / 93 / 19

HEX #CEA40F

RGB 206 164 15

HSL 46.81, 0.86%, 0.43%

LAB 69.26, 3.46, 70.6

 

CMYK 89 / 0 / 93 / 20

HEX #16CC0F

RGB 22 204 15

HSL 117.78, 0.86%, 0.43%

LAB 71.82, -71.49, 68.82

 

CMYK 93 / 71 / 0 / 20

HEX #0F3BCC

RGB 15 59 204

HSL 226.03, 0.86%, 0.43%

LAB 33.11, 43.66, -77.38

 

CMYK 3 / 93 / 0 / 20

HEX #C60FCC

RGB 198 15 204

HSL 298.1, 0.86%, 0.43%

LAB 47.89, 80.8, -52.48

 

CMYK 0 / 20 / 93 / 19

HEX #CEA40F

RGB 206 164 15

HSL 46.81, 0.86%, 0.43%

LAB 69.26, 3.46, 70.6

 

CMYK 93 / 0 / 68 / 20

HEX #0FCC42

RGB 15 204 66

HSL 136.19, 0.86%, 0.43%

LAB 72.01, -68.82, 54.84

 

CMYK 93 / 71 / 0 / 20

HEX #0F3BCC

RGB 15 59 204

HSL 226.03, 0.86%, 0.43%

LAB 33.11, 43.66, -77.38

 

CMYK 0 / 93 / 25 / 20

HEX #CC0F9A

RGB 204 15 154

HSL 315.87, 0.86%, 0.43%

LAB 46.33, 75.17, -25.42

 

Description

Color code: HEX #CEA40F | qconv.com Color code: HEX #CEA40F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 164 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 164 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 93 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 93% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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