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Color name
HEX #CEA32F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEA32F it is the complementary color #315CD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEA32F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEA32F shade: #D3A32A, #E4B53D, #F5C750, #FFD963 and #FFEB76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEA32F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEA32F shade: #CEA32F, #BD911C, #AC7F09, #9B6D00 and #8A5B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEA32F shade: #D0A42F, #D0792F, #D04E2F and #D02F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEA32F shade: #D0A42F, #D0D02F, #A5D02F, #79D02F and #4ED02F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEA32F shade matches the following richer shades: #D0A42F, #E4AE1B and #F9B706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEA32F shade: #D0A42F, #BB9B44, #A79158, #92886D and #7D7E82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEA32F shade: #D04D2F, #D0772F, #D0A22F, #D0CD2F and #A8D02F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEA32F shade: #8D6F20, #AE8A28, #D0A42F, #D7B351 and #DFC272

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEA32F shade: #CEA32F, #3DD02F and #622FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEA32F shade: #CEA32F, #2FD0A2 and #A22FD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEA32F shade: #CEA32F, #3DD02F, #2F5DD0 and #C22FD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEA32F shade: #CEA32F, #2FD052, #2F5DD0 and #D02FAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 77 / 19

HEX #CEA32F

RGB 206 163 47

HSL 43.77, 0.63%, 0.5%

LAB 69.13, 4.82, 62.11

 

Complementary color

CMYK 76 / 56 / 0 / 18

HEX #315CD0

RGB 49 92 208

HSL 223.77, 0.63%, 0.5%

LAB 42.55, 26.42, -64.18

 

CMYK 0 / 23 / 80 / 17

HEX #D3A32A

RGB 211 163 42

HSL 42.96, 0.67%, 0.5%

LAB 69.62, 6.83, 64.47

 

CMYK 0 / 21 / 73 / 11

HEX #E4B53D

RGB 228 181 61

HSL 43.11, 0.76%, 0.57%

LAB 75.99, 5.37, 64.24

 

CMYK 0 / 19 / 67 / 4

HEX #F5C750

RGB 245 199 80

HSL 43.27, 0.89%, 0.64%

LAB 82.29, 4.12, 63.5

 

CMYK 0 / 15 / 61 / 0

HEX #FFD963

RGB 255 217 99

HSL 45.38, 1%, 0.69%

LAB 87.87, 0.16, 61.61

 

CMYK 0 / 8 / 54 / 0

HEX #FFEB76

RGB 255 235 118

HSL 51.24, 1%, 0.73%

LAB 92.57, -7.54, 58.43

 

CMYK 0 / 21 / 77 / 19

HEX #CEA32F

RGB 206 163 47

HSL 43.77, 0.63%, 0.5%

LAB 69.13, 4.82, 62.11

 

CMYK 0 / 23 / 85 / 26

HEX #BD911C

RGB 189 145 28

HSL 43.6, 0.74%, 0.43%

LAB 62.64, 6.41, 61.82

 

CMYK 0 / 26 / 95 / 33

HEX #AC7F09

RGB 172 127 9

HSL 43.44, 0.9%, 0.35%

LAB 56.06, 8.28, 60.13

 

CMYK 0 / 30 / 100 / 39

HEX #9B6D00

RGB 155 109 0

HSL 42.19, 1%, 0.3%

LAB 49.38, 10.47, 56.22

 

CMYK 0 / 34 / 100 / 46

HEX #8A5B00

RGB 138 91 0

HSL 39.57, 1%, 0.27%

LAB 42.59, 12.91, 50.66

 

CMYK 0 / 21 / 77 / 18

HEX #D0A42F

RGB 208 164 47

HSL 43.6, 0.63%, 0.5%

LAB 69.59, 5.16, 62.61

 

CMYK 0 / 42 / 77 / 18

HEX #D0792F

RGB 208 121 47

HSL 27.58, 0.63%, 0.5%

LAB 59.24, 28.39, 52.79

 

CMYK 0 / 63 / 77 / 18

HEX #D04E2F

RGB 208 78 47

HSL 11.55, 0.63%, 0.5%

LAB 50.76, 49.8, 44.32

 

CMYK 0 / 77 / 77 / 18

HEX #D02F2F

RGB 208 47 47

HSL 0, 0.63%, 0.5%

LAB 46.51, 61.43, 39.89

 

CMYK 0 / 21 / 77 / 18

HEX #D0A42F

RGB 208 164 47

HSL 43.6, 0.63%, 0.5%

LAB 69.59, 5.16, 62.61

 

CMYK 0 / 0 / 77 / 18

HEX #D0D02F

RGB 208 208 47

HSL 60, 0.63%, 0.5%

LAB 81.14, -17.57, 73.12

 

CMYK 21 / 0 / 77 / 18

HEX #A5D02F

RGB 165 208 47

HSL 76.02, 0.63%, 0.5%

LAB 78.06, -35.21, 69.18

 

CMYK 42 / 0 / 77 / 18

HEX #79D02F

RGB 121 208 47

HSL 92.42, 0.63%, 0.5%

LAB 75.69, -51.2, 66.11

 

CMYK 63 / 0 / 77 / 18

HEX #4ED02F

RGB 78 208 47

HSL 108.45, 0.63%, 0.5%

LAB 74.15, -63.12, 64.1

 

CMYK 0 / 21 / 77 / 18

HEX #D0A42F

RGB 208 164 47

HSL 43.6, 0.63%, 0.5%

LAB 69.59, 5.16, 62.61

 

CMYK 0 / 24 / 88 / 11

HEX #E4AE1B

RGB 228 174 27

HSL 43.88, 0.79%, 0.5%

LAB 74.09, 7.99, 73.04

 

CMYK 0 / 27 / 98 / 2

HEX #F9B706

RGB 249 183 6

HSL 43.7, 0.95%, 0.5%

LAB 78.47, 12.04, 80.37

 

CMYK 0 / 21 / 77 / 18

HEX #D0A42F

RGB 208 164 47

HSL 43.6, 0.63%, 0.5%

LAB 69.59, 5.16, 62.61

 

CMYK 0 / 17 / 64 / 27

HEX #BB9B44

RGB 187 155 68

HSL 43.87, 0.47%, 0.5%

LAB 65.3, 1.91, 48.86

 

CMYK 0 / 13 / 47 / 35

HEX #A79158

RGB 167 145 88

HSL 43.29, 0.31%, 0.5%

LAB 60.93, 0.39, 33.17

 

CMYK 0 / 7 / 25 / 43

HEX #92886D

RGB 146 136 109

HSL 43.78, 0.15%, 0.5%

LAB 56.9, -0.78, 15.88

 

CMYK 4 / 3 / 0 / 49

HEX #7D7E82

RGB 125 126 130

HSL 228, 0.02%, 0.5%

LAB 52.83, 0.44, -2.3

 

CMYK 0 / 63 / 77 / 18

HEX #D04D2F

RGB 208 77 47

HSL 11.18, 0.63%, 0.5%

LAB 50.6, 50.24, 44.15

 

CMYK 0 / 43 / 77 / 18

HEX #D0772F

RGB 208 119 47

HSL 26.83, 0.63%, 0.5%

LAB 58.8, 29.45, 52.36

 

CMYK 0 / 22 / 77 / 18

HEX #D0A22F

RGB 208 162 47

HSL 42.86, 0.63%, 0.5%

LAB 69.08, 6.23, 62.14

 

CMYK 0 / 1 / 77 / 18

HEX #D0CD2F

RGB 208 205 47

HSL 58.88, 0.63%, 0.5%

LAB 80.34, -16.08, 72.4

 

CMYK 19 / 0 / 77 / 18

HEX #A8D02F

RGB 168 208 47

HSL 74.91, 0.63%, 0.5%

LAB 78.25, -34.03, 69.42

 

CMYK 0 / 21 / 77 / 45

HEX #8D6F20

RGB 141 111 32

HSL 43.49, 0.63%, 0.34%

LAB 48.43, 3.6, 45.83

 

CMYK 0 / 21 / 77 / 32

HEX #AE8A28

RGB 174 138 40

HSL 43.88, 0.63%, 0.42%

LAB 59.28, 3.92, 54.26

 

CMYK 0 / 21 / 77 / 18

HEX #D0A42F

RGB 208 164 47

HSL 43.6, 0.63%, 0.5%

LAB 69.59, 5.16, 62.61

 

CMYK 0 / 17 / 62 / 16

HEX #D7B351

RGB 215 179 81

HSL 43.88, 0.63%, 0.58%

LAB 74.37, 1.98, 53.66

 

CMYK 0 / 13 / 49 / 13

HEX #DFC272

RGB 223 194 114

HSL 44.04, 0.63%, 0.66%

LAB 79.32, 0.06, 43.79

 

CMYK 0 / 21 / 77 / 19

HEX #CEA32F

RGB 206 163 47

HSL 43.77, 0.63%, 0.5%

LAB 69.13, 4.82, 62.11

 

CMYK 71 / 0 / 77 / 18

HEX #3DD02F

RGB 61 208 47

HSL 114.78, 0.63%, 0.5%

LAB 73.75, -66.5, 63.57

 

CMYK 53 / 77 / 0 / 18

HEX #622FD0

RGB 98 47 208

HSL 259.01, 0.63%, 0.5%

LAB 36.34, 58.53, -74.21

 

CMYK 0 / 21 / 77 / 19

HEX #CEA32F

RGB 206 163 47

HSL 43.77, 0.63%, 0.5%

LAB 69.13, 4.82, 62.11

 

CMYK 77 / 0 / 22 / 18

HEX #2FD0A2

RGB 47 208 162

HSL 162.86, 0.63%, 0.5%

LAB 75.03, -50.99, 11.46

 

CMYK 22 / 77 / 0 / 18

HEX #A22FD0

RGB 162 47 208

HSL 282.86, 0.63%, 0.5%

LAB 44.62, 68.63, -60.36

 

CMYK 0 / 21 / 77 / 19

HEX #CEA32F

RGB 206 163 47

HSL 43.77, 0.63%, 0.5%

LAB 69.13, 4.82, 62.11

 

CMYK 71 / 0 / 77 / 18

HEX #3DD02F

RGB 61 208 47

HSL 114.78, 0.63%, 0.5%

LAB 73.75, -66.5, 63.57

 

CMYK 77 / 55 / 0 / 18

HEX #2F5DD0

RGB 47 93 208

HSL 222.86, 0.63%, 0.5%

LAB 42.74, 25.56, -63.87

 

CMYK 7 / 77 / 0 / 18

HEX #C22FD0

RGB 194 47 208

HSL 294.78, 0.63%, 0.5%

LAB 49.56, 74.58, -52.13

 

CMYK 0 / 21 / 77 / 19

HEX #CEA32F

RGB 206 163 47

HSL 43.77, 0.63%, 0.5%

LAB 69.13, 4.82, 62.11

 

CMYK 77 / 0 / 61 / 18

HEX #2FD052

RGB 47 208 82

HSL 133.04, 0.63%, 0.5%

LAB 73.76, -65.45, 50.11

 

CMYK 77 / 55 / 0 / 18

HEX #2F5DD0

RGB 47 93 208

HSL 222.86, 0.63%, 0.5%

LAB 42.74, 25.56, -63.87

 

CMYK 0 / 77 / 17 / 18

HEX #D02FAD

RGB 208 47 173

HSL 313.04, 0.63%, 0.5%

LAB 50.05, 72.22, -30.87

 

Description

Color code: HEX #CEA32F | qconv.com Color code: HEX #CEA32F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 163 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 163 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 77 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 77% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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