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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE9C13 it is the complementary color #3163EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE9C13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE9C13 shade: #D39C0E, #E4AE21, #F5C034, #FFD247 and #FFE45A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE9C13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE9C13 shade: #CE9C13, #BD8A00, #AC7800, #9B6600 and #8A5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE9C13 shade: #CD9B13, #CD6913, #CD3713 and #CD1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE9C13 shade: #CD9B13, #CCCD13, #9ACD13, #68CD13 and #36CD13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE9C13 shade matches the following richer shades: #CD9B13 and #DFA300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE9C13 shade: #CD9B13, #BB9325, #A98A37, #968249 and #84795B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE9C13 shade: #CD3513, #CD6613, #CD9813, #CDCA13 and #9ECD13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE9C13 shade: #81620C, #A77E0F, #CD9B13, #EAB41F and #EDC045

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE9C13 shade: #CE9C13, #22CD13 and #4E13CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE9C13 shade: #CE9C13, #13CD98 and #9813CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE9C13 shade: #CE9C13, #22CD13, #1347CD and #BD13CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE9C13 shade: #CE9C13, #13CD3B, #1347CD and #CD13A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 91 / 19

HEX #CE9C13

RGB 206 156 19

HSL 43.96, 0.83%, 0.44%

LAB 67.24, 7.81, 68.38

 

Complementary color

CMYK 79 / 58 / 0 / 7

HEX #3163EC

RGB 49 99 236

HSL 223.96, 0.83%, 0.56%

LAB 46.49, 32.29, -73.68

 

CMYK 0 / 26 / 93 / 17

HEX #D39C0E

RGB 211 156 14

HSL 43.25, 0.88%, 0.44%

LAB 67.77, 9.94, 69.88

 

CMYK 0 / 24 / 86 / 11

HEX #E4AE21

RGB 228 174 33

HSL 43.38, 0.78%, 0.51%

LAB 74.11, 8.11, 71.64

 

CMYK 0 / 22 / 79 / 4

HEX #F5C034

RGB 245 192 52

HSL 43.52, 0.91%, 0.58%

LAB 80.38, 6.52, 72.16

 

CMYK 0 / 18 / 72 / 0

HEX #FFD247

RGB 255 210 71

HSL 45.33, 1%, 0.64%

LAB 85.91, 2.2, 71.05

 

CMYK 0 / 11 / 65 / 0

HEX #FFE45A

RGB 255 228 90

HSL 50.18, 1%, 0.68%

LAB 90.54, -5.93, 68.34

 

CMYK 0 / 24 / 91 / 19

HEX #CE9C13

RGB 206 156 19

HSL 43.96, 0.83%, 0.44%

LAB 67.24, 7.81, 68.38

 

CMYK 0 / 27 / 100 / 26

HEX #BD8A00

RGB 189 138 0

HSL 43.81, 1%, 0.37%

LAB 60.78, 9.78, 65.83

 

CMYK 0 / 30 / 100 / 33

HEX #AC7800

RGB 172 120 0

HSL 41.86, 1%, 0.34%

LAB 54.24, 12.07, 60.47

 

CMYK 0 / 34 / 100 / 39

HEX #9B6600

RGB 155 102 0

HSL 39.48, 1%, 0.3%

LAB 47.59, 14.47, 55.02

 

CMYK 0 / 39 / 100 / 46

HEX #8A5400

RGB 138 84 0

HSL 36.52, 1%, 0.27%

LAB 40.81, 16.99, 49.5

 

CMYK 0 / 24 / 91 / 20

HEX #CD9B13

RGB 205 155 19

HSL 43.87, 0.83%, 0.44%

LAB 66.88, 7.91, 68.05

 

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

CMYK 0 / 73 / 91 / 20

HEX #CD3713

RGB 205 55 19

HSL 11.61, 0.83%, 0.44%

LAB 46.66, 57.23, 53.12

 

CMYK 0 / 91 / 91 / 20

HEX #CD1313

RGB 205 19 19

HSL 0, 0.83%, 0.44%

LAB 43.5, 66.15, 50.93

 

CMYK 0 / 24 / 91 / 20

HEX #CD9B13

RGB 205 155 19

HSL 43.87, 0.83%, 0.44%

LAB 66.88, 7.91, 68.05

 

CMYK 0 / 0 / 91 / 20

HEX #CCCD13

RGB 204 205 19

HSL 60.32, 0.83%, 0.44%

LAB 79.92, -18.5, 78.07

 

CMYK 25 / 0 / 91 / 20

HEX #9ACD13

RGB 154 205 19

HSL 76.45, 0.83%, 0.44%

LAB 76.42, -39.06, 73.81

 

CMYK 49 / 0 / 91 / 20

HEX #68CD13

RGB 104 205 19

HSL 92.58, 0.83%, 0.44%

LAB 73.97, -56.46, 70.78

 

CMYK 74 / 0 / 91 / 20

HEX #36CD13

RGB 54 205 19

HSL 108.71, 0.83%, 0.44%

LAB 72.56, -68.03, 69.03

 

CMYK 0 / 24 / 91 / 20

HEX #CD9B13

RGB 205 155 19

HSL 43.87, 0.83%, 0.44%

LAB 66.88, 7.91, 68.05

 

CMYK 0 / 27 / 100 / 13

HEX #DFA300

RGB 223 163 0

HSL 43.86, 1%, 0.44%

LAB 70.79, 11.31, 74.43

 

CMYK 0 / 24 / 91 / 20

HEX #CD9B13

RGB 205 155 19

HSL 43.87, 0.83%, 0.44%

LAB 66.88, 7.91, 68.05

 

CMYK 0 / 21 / 80 / 27

HEX #BB9325

RGB 187 147 37

HSL 44, 0.67%, 0.44%

LAB 62.98, 4.7, 59.25

 

CMYK 0 / 18 / 67 / 34

HEX #A98A37

RGB 169 138 55

HSL 43.68, 0.51%, 0.44%

LAB 58.87, 2.44, 47.37

 

CMYK 0 / 13 / 51 / 41

HEX #968249

RGB 150 130 73

HSL 44.42, 0.35%, 0.44%

LAB 55, -0.15, 33.45

 

CMYK 0 / 8 / 31 / 48

HEX #84795B

RGB 132 121 91

HSL 43.9, 0.18%, 0.44%

LAB 51.08, -0.72, 18.01

 

CMYK 0 / 74 / 91 / 20

HEX #CD3513

RGB 205 53 19

HSL 10.97, 0.83%, 0.44%

LAB 46.41, 57.92, 52.95

 

CMYK 0 / 50 / 91 / 20

HEX #CD6613

RGB 205 102 19

HSL 26.77, 0.83%, 0.44%

LAB 54.58, 36.37, 58.83

 

CMYK 0 / 26 / 91 / 20

HEX #CD9813

RGB 205 152 19

HSL 42.9, 0.83%, 0.44%

LAB 66.12, 9.53, 67.48

 

CMYK 0 / 1 / 91 / 20

HEX #CDCA13

RGB 205 202 19

HSL 59.03, 0.83%, 0.44%

LAB 79.19, -16.58, 77.54

 

CMYK 23 / 0 / 91 / 20

HEX #9ECD13

RGB 158 205 19

HSL 75.16, 0.83%, 0.44%

LAB 76.67, -37.49, 74.1

 

CMYK 0 / 24 / 91 / 49

HEX #81620C

RGB 129 98 12

HSL 44.1, 0.83%, 0.28%

LAB 43.4, 4.75, 47.71

 

CMYK 0 / 25 / 91 / 35

HEX #A77E0F

RGB 167 126 15

HSL 43.82, 0.84%, 0.36%

LAB 55.25, 6.64, 58.14

 

CMYK 0 / 24 / 91 / 20

HEX #CD9B13

RGB 205 155 19

HSL 43.87, 0.83%, 0.44%

LAB 66.88, 7.91, 68.05

 

CMYK 0 / 23 / 87 / 8

HEX #EAB41F

RGB 234 180 31

HSL 44.04, 0.83%, 0.52%

LAB 76.21, 7.5, 74.08

 

CMYK 0 / 19 / 71 / 7

HEX #EDC045

RGB 237 192 69

HSL 43.93, 0.82%, 0.6%

LAB 79.69, 3.82, 65.07

 

CMYK 0 / 24 / 91 / 19

HEX #CE9C13

RGB 206 156 19

HSL 43.96, 0.83%, 0.44%

LAB 67.24, 7.81, 68.38

 

CMYK 83 / 0 / 91 / 20

HEX #22CD13

RGB 34 205 19

HSL 115.16, 0.83%, 0.44%

LAB 72.26, -70.64, 68.66

 

CMYK 62 / 91 / 0 / 20

HEX #4E13CD

RGB 78 19 205

HSL 259.03, 0.83%, 0.44%

LAB 30.62, 65.55, -81.97

 

CMYK 0 / 24 / 91 / 19

HEX #CE9C13

RGB 206 156 19

HSL 43.96, 0.83%, 0.44%

LAB 67.24, 7.81, 68.38

 

CMYK 91 / 0 / 26 / 20

HEX #13CD98

RGB 19 205 152

HSL 162.9, 0.83%, 0.44%

LAB 73.59, -54.39, 14.73

 

CMYK 26 / 91 / 0 / 20

HEX #9813CD

RGB 152 19 205

HSL 282.9, 0.83%, 0.44%

LAB 40.49, 73.42, -65.39

 

CMYK 0 / 24 / 91 / 19

HEX #CE9C13

RGB 206 156 19

HSL 43.96, 0.83%, 0.44%

LAB 67.24, 7.81, 68.38

 

CMYK 83 / 0 / 91 / 20

HEX #22CD13

RGB 34 205 19

HSL 115.16, 0.83%, 0.44%

LAB 72.26, -70.64, 68.66

 

CMYK 91 / 65 / 0 / 20

HEX #1347CD

RGB 19 71 205

HSL 223.23, 0.83%, 0.44%

LAB 36.09, 36.64, -73.06

 

CMYK 8 / 91 / 0 / 20

HEX #BD13CD

RGB 189 19 205

HSL 294.84, 0.83%, 0.44%

LAB 46.57, 79.01, -55.26

 

CMYK 0 / 24 / 91 / 19

HEX #CE9C13

RGB 206 156 19

HSL 43.96, 0.83%, 0.44%

LAB 67.24, 7.81, 68.38

 

CMYK 91 / 0 / 71 / 20

HEX #13CD3B

RGB 19 205 59

HSL 132.9, 0.83%, 0.44%

LAB 72.31, -69.55, 57.86

 

CMYK 91 / 65 / 0 / 20

HEX #1347CD

RGB 19 71 205

HSL 223.23, 0.83%, 0.44%

LAB 36.09, 36.64, -73.06

 

CMYK 0 / 91 / 20 / 20

HEX #CD13A4

RGB 205 19 164

HSL 313.23, 0.83%, 0.44%

LAB 47.14, 76.09, -30.13

 

Description

Color code: HEX #CE9C13 | qconv.com Color code: HEX #CE9C13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 156 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 156 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 91 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 91% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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