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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE9AF2 it is the complementary color #31650D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE9AF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE9AF2 shade: #D39AED, #E4ACFF, #F5BEFF, #FFD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE9AF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE9AF2 shade: #CE9AF2, #BD88DF, #AC76CC, #9B64B9 and #8A52A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE9AF2 shade: #CF9CF2, #E69CF2, #F29CE7, #F29CD0 and #F29CB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE9AF2 shade: #CF9CF2, #B79CF2, #A09CF2 and #9C9CF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE9AF2 shade matches the following richer shades: #CF9CF2 and #D093FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE9AF2 shade: #CF9CF2, #CDA5E9, #CBAEE0, #CAB7D7 and #C8C0CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE9AF2 shade: #A09CF2, #B79CF2, #CE9CF2, #E59CF2 and #F29CE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE9AF2 shade: #AB53E9, #BD77ED, #CF9CF2, #E0C0F7 and #F2E5FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE9AF2 shade: #CE9AF2, #F29CAE and #9CF2AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE9AF2 shade: #CE9AF2, #F2CE9C and #9CF2CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE9AF2 shade: #CE9AF2, #F29CAE, #C0F29C and #9CF2DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE9AF2 shade: #CE9AF2, #F2A39C, #C0F29C and #9CEBF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 36 / 0 / 5

HEX #CE9AF2

RGB 206 154 242

HSL 275.45, 0.77%, 0.78%

LAB 71.31, 35.29, -36.77

 

Complementary color

CMYK 51 / 0 / 87 / 60

HEX #31650D

RGB 49 101 13

HSL 95.45, 0.77%, 0.22%

LAB 37.82, -32.99, 40.09

 

CMYK 11 / 35 / 0 / 7

HEX #D39AED

RGB 211 154 237

HSL 281.2, 0.7%, 0.77%

LAB 71.61, 35.75, -33.55

 

CMYK 11 / 33 / 0 / 0

HEX #E4ACFF

RGB 228 172 255

HSL 280.48, 1%, 0.84%

LAB 78, 34.87, -33.27

 

CMYK 4 / 25 / 0 / 0

HEX #F5BEFF

RGB 245 190 255

HSL 290.77, 1%, 0.87%

LAB 83.68, 30.55, -24.43

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 15 / 36 / 0 / 5

HEX #CE9AF2

RGB 206 154 242

HSL 275.45, 0.77%, 0.78%

LAB 71.31, 35.29, -36.77

 

CMYK 15 / 39 / 0 / 13

HEX #BD88DF

RGB 189 136 223

HSL 276.55, 0.58%, 0.7%

LAB 64.77, 36.03, -36.63

 

CMYK 16 / 42 / 0 / 20

HEX #AC76CC

RGB 172 118 204

HSL 277.67, 0.46%, 0.63%

LAB 58.12, 36.81, -36.49

 

CMYK 16 / 46 / 0 / 27

HEX #9B64B9

RGB 155 100 185

HSL 278.82, 0.38%, 0.56%

LAB 51.37, 37.63, -36.35

 

CMYK 17 / 51 / 0 / 35

HEX #8A52A6

RGB 138 82 166

HSL 280, 0.34%, 0.49%

LAB 44.51, 38.47, -36.17

 

CMYK 14 / 36 / 0 / 5

HEX #CF9CF2

RGB 207 156 242

HSL 275.58, 0.77%, 0.78%

LAB 71.86, 34.5, -35.91

 

CMYK 5 / 36 / 0 / 5

HEX #E69CF2

RGB 230 156 242

HSL 291.63, 0.77%, 0.78%

LAB 74.2, 41.44, -32.11

 

CMYK 0 / 36 / 5 / 5

HEX #F29CE7

RGB 242 156 231

HSL 307.67, 0.77%, 0.78%

LAB 75.09, 43.15, -24.63

 

CMYK 0 / 36 / 14 / 5

HEX #F29CD0

RGB 242 156 208

HSL 323.72, 0.77%, 0.78%

LAB 74.32, 39.34, -13.22

 

CMYK 0 / 36 / 24 / 5

HEX #F29CB8

RGB 242 156 184

HSL 340.47, 0.77%, 0.78%

LAB 73.62, 35.74, -1.04

 

CMYK 14 / 36 / 0 / 5

HEX #CF9CF2

RGB 207 156 242

HSL 275.58, 0.77%, 0.78%

LAB 71.86, 34.5, -35.91

 

CMYK 24 / 36 / 0 / 5

HEX #B79CF2

RGB 183 156 242

HSL 258.84, 0.77%, 0.78%

LAB 69.65, 27.44, -39.52

 

CMYK 34 / 36 / 0 / 5

HEX #A09CF2

RGB 160 156 242

HSL 242.79, 0.77%, 0.78%

LAB 67.77, 21, -42.59

 

CMYK 36 / 36 / 0 / 5

HEX #9C9CF2

RGB 156 156 242

HSL 240, 0.77%, 0.78%

LAB 67.47, 19.93, -43.09

 

CMYK 14 / 36 / 0 / 5

HEX #CF9CF2

RGB 207 156 242

HSL 275.58, 0.77%, 0.78%

LAB 71.86, 34.5, -35.91

 

CMYK 17 / 41 / 0 / 2

HEX #D093FB

RGB 208 147 251

HSL 275.19, 0.93%, 0.78%

LAB 70.35, 41.58, -43.17

 

CMYK 14 / 36 / 0 / 5

HEX #CF9CF2

RGB 207 156 242

HSL 275.58, 0.77%, 0.78%

LAB 71.86, 34.5, -35.91

 

CMYK 12 / 29 / 0 / 9

HEX #CDA5E9

RGB 205 165 233

HSL 275.29, 0.61%, 0.78%

LAB 73.4, 27.09, -28.65

 

CMYK 9 / 22 / 0 / 12

HEX #CBAEE0

RGB 203 174 224

HSL 274.8, 0.45%, 0.78%

LAB 75.05, 19.67, -21.25

 

CMYK 6 / 15 / 0 / 16

HEX #CAB7D7

RGB 202 183 215

HSL 275.63, 0.29%, 0.78%

LAB 76.88, 12.64, -13.6

 

CMYK 3 / 7 / 0 / 19

HEX #C8C0CE

RGB 200 192 206

HSL 274.29, 0.13%, 0.78%

LAB 78.71, 5.38, -6.01

 

CMYK 34 / 36 / 0 / 5

HEX #A09CF2

RGB 160 156 242

HSL 242.79, 0.77%, 0.78%

LAB 67.77, 21, -42.59

 

CMYK 24 / 36 / 0 / 5

HEX #B79CF2

RGB 183 156 242

HSL 258.84, 0.77%, 0.78%

LAB 69.65, 27.44, -39.52

 

CMYK 15 / 36 / 0 / 5

HEX #CE9CF2

RGB 206 156 242

HSL 274.88, 0.77%, 0.78%

LAB 71.76, 34.2, -36.07

 

CMYK 5 / 36 / 0 / 5

HEX #E59CF2

RGB 229 156 242

HSL 290.93, 0.77%, 0.78%

LAB 74.09, 41.14, -32.28

 

CMYK 0 / 36 / 4 / 5

HEX #F29CE8

RGB 242 156 232

HSL 306.98, 0.77%, 0.78%

LAB 75.13, 43.33, -25.13

 

CMYK 27 / 64 / 0 / 9

HEX #AB53E9

RGB 171 83 233

HSL 275.2, 0.77%, 0.62%

LAB 52.65, 61.09, -61.56

 

CMYK 20 / 50 / 0 / 7

HEX #BD77ED

RGB 189 119 237

HSL 275.59, 0.77%, 0.7%

LAB 61.76, 48.26, -49.12

 

CMYK 14 / 36 / 0 / 5

HEX #CF9CF2

RGB 207 156 242

HSL 275.58, 0.77%, 0.78%

LAB 71.86, 34.5, -35.91

 

CMYK 9 / 22 / 0 / 3

HEX #E0C0F7

RGB 224 192 247

HSL 274.91, 0.77%, 0.86%

LAB 81.98, 21.28, -22.93

 

CMYK 4 / 9 / 0 / 1

HEX #F2E5FC

RGB 242 229 252

HSL 273.91, 0.79%, 0.94%

LAB 92.55, 8.5, -9.54

 

CMYK 15 / 36 / 0 / 5

HEX #CE9AF2

RGB 206 154 242

HSL 275.45, 0.77%, 0.78%

LAB 71.31, 35.29, -36.77

 

CMYK 0 / 36 / 28 / 5

HEX #F29CAE

RGB 242 156 174

HSL 347.44, 0.77%, 0.78%

LAB 73.36, 34.37, 4.09

 

CMYK 36 / 0 / 29 / 5

HEX #9CF2AC

RGB 156 242 172

HSL 131.16, 0.77%, 0.78%

LAB 88.71, -40.03, 25.78

 

CMYK 15 / 36 / 0 / 5

HEX #CE9AF2

RGB 206 154 242

HSL 275.45, 0.77%, 0.78%

LAB 71.31, 35.29, -36.77

 

CMYK 0 / 15 / 36 / 5

HEX #F2CE9C

RGB 242 206 156

HSL 34.88, 0.77%, 0.78%

LAB 84.7, 5.76, 29.58

 

CMYK 36 / 0 / 15 / 5

HEX #9CF2CE

RGB 156 242 206

HSL 154.88, 0.77%, 0.78%

LAB 89.41, -33.67, 9.21

 

CMYK 15 / 36 / 0 / 5

HEX #CE9AF2

RGB 206 154 242

HSL 275.45, 0.77%, 0.78%

LAB 71.31, 35.29, -36.77

 

CMYK 0 / 36 / 28 / 5

HEX #F29CAE

RGB 242 156 174

HSL 347.44, 0.77%, 0.78%

LAB 73.36, 34.37, 4.09

 

CMYK 21 / 0 / 36 / 5

HEX #C0F29C

RGB 192 242 156

HSL 94.88, 0.77%, 0.78%

LAB 90.37, -30.8, 36.44

 

CMYK 36 / 0 / 8 / 5

HEX #9CF2DF

RGB 156 242 223

HSL 166.74, 0.77%, 0.78%

LAB 89.81, -30.09, 0.95

 

CMYK 15 / 36 / 0 / 5

HEX #CE9AF2

RGB 206 154 242

HSL 275.45, 0.77%, 0.78%

LAB 71.31, 35.29, -36.77

 

CMYK 0 / 33 / 36 / 5

HEX #F2A39C

RGB 242 163 156

HSL 4.88, 0.77%, 0.78%

LAB 74.49, 28.41, 15.6

 

CMYK 21 / 0 / 36 / 5

HEX #C0F29C

RGB 192 242 156

HSL 94.88, 0.77%, 0.78%

LAB 90.37, -30.8, 36.44

 

CMYK 36 / 3 / 0 / 5

HEX #9CEBF2

RGB 156 235 242

HSL 184.88, 0.77%, 0.78%

LAB 88.4, -22.4, -11.08

 

Description

Color code: HEX #CE9AF2 | qconv.com Color code: HEX #CE9AF2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 154 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 154 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 36 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 36% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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