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Color name
HEX #CE9A30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE9A30 it is the complementary color #3165CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE9A30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE9A30 shade: #D39A2B, #E4AC3E, #F5BE51, #FFD064 and #FFE277

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE9A30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE9A30 shade: #CE9A30, #BD881D, #AC760A, #9B6400 and #8A5200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE9A30 shade: #CE9A30, #CE6F30, #CE4530 and #CE3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE9A30 shade: #CE9A30, #CEC530, #ADCE30, #82CE30 and #58CE30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE9A30 shade matches the following richer shades: #CE9A30, #E3A11B and #F7A807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE9A30 shade: #CE9A30, #B99345, #A58C59, #90856E and #7C7E82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE9A30 shade: #CE4530, #CE6F30, #CE9930, #CEC430 and #AECE30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE9A30 shade: #8B6820, #AD8128, #CE9A30, #D6AA51 and #DEBB73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE9A30 shade: #CE9A30, #45CE30 and #5A30CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE9A30 shade: #CE9A30, #30CE99 and #9930CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE9A30 shade: #CE9A30, #45CE30, #3065CE and #B930CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE9A30 shade: #CE9A30, #30CE4A, #3065CE and #CE30B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 77 / 19

HEX #CE9A30

RGB 206 154 48

HSL 40.25, 0.62%, 0.5%

LAB 66.86, 9.71, 59.61

 

Complementary color

CMYK 76 / 51 / 0 / 19

HEX #3165CF

RGB 49 101 207

HSL 220.25, 0.62%, 0.5%

LAB 44.89, 20.25, -59.81

 

CMYK 0 / 27 / 80 / 17

HEX #D39A2B

RGB 211 154 43

HSL 39.64, 0.66%, 0.5%

LAB 67.38, 11.7, 62.12

 

CMYK 0 / 25 / 73 / 11

HEX #E4AC3E

RGB 228 172 62

HSL 39.76, 0.75%, 0.57%

LAB 73.77, 10.17, 61.65

 

CMYK 0 / 22 / 67 / 4

HEX #F5BE51

RGB 245 190 81

HSL 39.88, 0.89%, 0.64%

LAB 80.09, 8.85, 60.74

 

CMYK 0 / 18 / 61 / 0

HEX #FFD064

RGB 255 208 100

HSL 41.81, 1%, 0.7%

LAB 85.65, 4.83, 58.69

 

CMYK 0 / 11 / 53 / 0

HEX #FFE277

RGB 255 226 119

HSL 47.21, 1%, 0.73%

LAB 90.31, -2.95, 55.32

 

CMYK 0 / 25 / 77 / 19

HEX #CE9A30

RGB 206 154 48

HSL 40.25, 0.62%, 0.5%

LAB 66.86, 9.71, 59.61

 

CMYK 0 / 28 / 85 / 26

HEX #BD881D

RGB 189 136 29

HSL 40.13, 0.73%, 0.43%

LAB 60.35, 11.38, 59.62

 

CMYK 0 / 31 / 94 / 33

HEX #AC760A

RGB 172 118 10

HSL 40, 0.89%, 0.36%

LAB 53.76, 13.34, 58.27

 

CMYK 0 / 35 / 100 / 39

HEX #9B6400

RGB 155 100 0

HSL 38.71, 1%, 0.3%

LAB 47.08, 15.62, 54.69

 

CMYK 0 / 41 / 100 / 46

HEX #8A5200

RGB 138 82 0

HSL 35.65, 1%, 0.27%

LAB 40.31, 18.16, 49.18

 

CMYK 0 / 25 / 77 / 19

HEX #CE9A30

RGB 206 154 48

HSL 40.25, 0.62%, 0.5%

LAB 66.86, 9.71, 59.61

 

CMYK 0 / 46 / 77 / 19

HEX #CE6F30

RGB 206 111 48

HSL 23.92, 0.62%, 0.5%

LAB 56.79, 32.91, 49.83

 

CMYK 0 / 67 / 77 / 19

HEX #CE4530

RGB 206 69 48

HSL 7.97, 0.62%, 0.5%

LAB 49, 52.99, 41.86

 

CMYK 0 / 77 / 77 / 19

HEX #CE3030

RGB 206 48 48

HSL 0, 0.62%, 0.5%

LAB 46.24, 60.57, 38.93

 

CMYK 0 / 25 / 77 / 19

HEX #CE9A30

RGB 206 154 48

HSL 40.25, 0.62%, 0.5%

LAB 66.86, 9.71, 59.61

 

CMYK 0 / 4 / 77 / 19

HEX #CEC530

RGB 206 197 48

HSL 56.58, 0.62%, 0.5%

LAB 78.03, -12.88, 69.96

 

CMYK 16 / 0 / 77 / 19

HEX #ADCE30

RGB 173 206 48

HSL 72.53, 0.62%, 0.5%

LAB 78.02, -31.06, 69.03

 

CMYK 37 / 0 / 77 / 19

HEX #82CE30

RGB 130 206 48

HSL 88.86, 0.62%, 0.5%

LAB 75.51, -47.31, 65.79

 

CMYK 57 / 0 / 77 / 19

HEX #58CE30

RGB 88 206 48

HSL 104.81, 0.62%, 0.5%

LAB 73.82, -60, 63.58

 

CMYK 0 / 25 / 77 / 19

HEX #CE9A30

RGB 206 154 48

HSL 40.25, 0.62%, 0.5%

LAB 66.86, 9.71, 59.61

 

CMYK 0 / 29 / 88 / 11

HEX #E3A11B

RGB 227 161 27

HSL 40.2, 0.79%, 0.5%

LAB 70.8, 14.46, 70.42

 

CMYK 0 / 32 / 97 / 3

HEX #F7A807

RGB 247 168 7

HSL 40.25, 0.94%, 0.5%

LAB 74.7, 19.05, 77.55

 

CMYK 0 / 25 / 77 / 19

HEX #CE9A30

RGB 206 154 48

HSL 40.25, 0.62%, 0.5%

LAB 66.86, 9.71, 59.61

 

CMYK 0 / 21 / 63 / 27

HEX #B99345

RGB 185 147 69

HSL 40.34, 0.46%, 0.5%

LAB 63.02, 5.47, 45.79

 

CMYK 0 / 15 / 46 / 35

HEX #A58C59

RGB 165 140 89

HSL 40.26, 0.3%, 0.5%

LAB 59.41, 2.4, 30.67

 

CMYK 0 / 8 / 24 / 44

HEX #90856E

RGB 144 133 110

HSL 40.59, 0.13%, 0.5%

LAB 55.92, 0.25, 13.92

 

CMYK 5 / 3 / 0 / 49

HEX #7C7E82

RGB 124 126 130

HSL 220, 0.02%, 0.5%

LAB 52.75, 0.07, -2.44

 

CMYK 0 / 67 / 77 / 19

HEX #CE4530

RGB 206 69 48

HSL 7.97, 0.62%, 0.5%

LAB 49, 52.99, 41.86

 

CMYK 0 / 46 / 77 / 19

HEX #CE6F30

RGB 206 111 48

HSL 23.92, 0.62%, 0.5%

LAB 56.79, 32.91, 49.83

 

CMYK 0 / 26 / 77 / 19

HEX #CE9930

RGB 206 153 48

HSL 39.87, 0.62%, 0.5%

LAB 66.61, 10.25, 59.38

 

CMYK 0 / 5 / 77 / 19

HEX #CEC430

RGB 206 196 48

HSL 56.2, 0.62%, 0.5%

LAB 77.77, -12.38, 69.72

 

CMYK 16 / 0 / 77 / 19

HEX #AECE30

RGB 174 206 48

HSL 72.15, 0.62%, 0.5%

LAB 78.08, -30.65, 69.11

 

CMYK 0 / 25 / 77 / 45

HEX #8B6820

RGB 139 104 32

HSL 40.37, 0.63%, 0.34%

LAB 46.3, 6.71, 43.7

 

CMYK 0 / 25 / 77 / 32

HEX #AD8128

RGB 173 129 40

HSL 40.15, 0.62%, 0.42%

LAB 56.82, 8.47, 51.89

 

CMYK 0 / 25 / 77 / 19

HEX #CE9A30

RGB 206 154 48

HSL 40.25, 0.62%, 0.5%

LAB 66.86, 9.71, 59.61

 

CMYK 0 / 21 / 62 / 16

HEX #D6AA51

RGB 214 170 81

HSL 40.15, 0.62%, 0.58%

LAB 71.99, 6.33, 50.97

 

CMYK 0 / 16 / 48 / 13

HEX #DEBB73

RGB 222 187 115

HSL 40.37, 0.62%, 0.66%

LAB 77.46, 3.41, 40.96

 

CMYK 0 / 25 / 77 / 19

HEX #CE9A30

RGB 206 154 48

HSL 40.25, 0.62%, 0.5%

LAB 66.86, 9.71, 59.61

 

CMYK 67 / 0 / 77 / 19

HEX #45CE30

RGB 69 206 48

HSL 112.03, 0.62%, 0.5%

LAB 73.3, -64.3, 62.89

 

CMYK 56 / 77 / 0 / 19

HEX #5A30CE

RGB 90 48 206

HSL 255.95, 0.62%, 0.5%

LAB 35.49, 56.51, -74.48

 

CMYK 0 / 25 / 77 / 19

HEX #CE9A30

RGB 206 154 48

HSL 40.25, 0.62%, 0.5%

LAB 66.86, 9.71, 59.61

 

CMYK 77 / 0 / 26 / 19

HEX #30CE99

RGB 48 206 153

HSL 159.87, 0.62%, 0.5%

LAB 74.24, -52.18, 15.15

 

CMYK 26 / 77 / 0 / 19

HEX #9930CE

RGB 153 48 206

HSL 279.87, 0.62%, 0.5%

LAB 43.27, 66.29, -61.44

 

CMYK 0 / 25 / 77 / 19

HEX #CE9A30

RGB 206 154 48

HSL 40.25, 0.62%, 0.5%

LAB 66.86, 9.71, 59.61

 

CMYK 67 / 0 / 77 / 19

HEX #45CE30

RGB 69 206 48

HSL 112.03, 0.62%, 0.5%

LAB 73.3, -64.3, 62.89

 

CMYK 77 / 51 / 0 / 19

HEX #3065CE

RGB 48 101 206

HSL 219.87, 0.62%, 0.5%

LAB 44.79, 19.76, -59.41

 

CMYK 10 / 77 / 0 / 19

HEX #B930CE

RGB 185 48 206

HSL 292.03, 0.62%, 0.5%

LAB 48.11, 72.22, -53.39

 

CMYK 0 / 25 / 77 / 19

HEX #CE9A30

RGB 206 154 48

HSL 40.25, 0.62%, 0.5%

LAB 66.86, 9.71, 59.61

 

CMYK 77 / 0 / 64 / 19

HEX #30CE4A

RGB 48 206 74

HSL 129.87, 0.62%, 0.5%

LAB 73.07, -65.58, 52.8

 

CMYK 77 / 51 / 0 / 19

HEX #3065CE

RGB 48 101 206

HSL 219.87, 0.62%, 0.5%

LAB 44.79, 19.76, -59.41

 

CMYK 0 / 77 / 13 / 19

HEX #CE30B4

RGB 206 48 180

HSL 309.87, 0.62%, 0.5%

LAB 50.13, 72.46, -34.87

 

Description

Color code: HEX #CE9A30 | qconv.com Color code: HEX #CE9A30 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 154 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 154 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 77 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 77% 19% C M Y K

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