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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE9752 it is the complementary color #3168AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE9752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE9752 shade: #D3974D, #E4A960, #F5BB73, #FFCD86 and #FFDF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE9752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE9752 shade: #CE9752, #BD853F, #AC732C, #9B6119 and #8A4F06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE9752 shade: #CE9650, #CE7450, #CE5250 and #CE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE9752 shade: #CE9650, #CEB850, #C2CE50, #A0CE50 and #7ECE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE9752 shade matches the following richer shades: #CE9650, #E0983E and #F29A2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE9752 shade: #CE9650, #BB9462, #A99274, #979086 and #858E99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE9752 shade: #CE5250, #CE7450, #CE9550, #CEB750 and #C3CE50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE9752 shade: #9E6C2D, #BF8236, #CE9650, #D7A970 and #E0BD90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE9752 shade: #CE9752, #6FCE50 and #6350CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE9752 shade: #CE9752, #50CE95 and #9550CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE9752 shade: #CE9752, #6FCE50, #5089CE and #AE50CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE9752 shade: #CE9752, #50CE56, #5089CE and #CE50C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 60 / 19

HEX #CE9752

RGB 206 151 82

HSL 33.39, 0.56%, 0.56%

LAB 66.42, 13.24, 43.87

 

Complementary color

CMYK 72 / 40 / 0 / 32

HEX #3168AD

RGB 49 104 173

HSL 213.39, 0.56%, 0.44%

LAB 43.61, 5.6, -42.15

 

CMYK 0 / 28 / 64 / 17

HEX #D3974D

RGB 211 151 77

HSL 33.13, 0.6%, 0.56%

LAB 66.91, 15.01, 47.07

 

CMYK 0 / 26 / 58 / 11

HEX #E4A960

RGB 228 169 96

HSL 33.18, 0.71%, 0.64%

LAB 73.36, 13.81, 45.65

 

CMYK 0 / 24 / 53 / 4

HEX #F5BB73

RGB 245 187 115

HSL 33.23, 0.87%, 0.71%

LAB 79.72, 12.77, 44.26

 

CMYK 0 / 20 / 47 / 0

HEX #FFCD86

RGB 255 205 134

HSL 35.21, 1%, 0.76%

LAB 85.32, 9.08, 41.91

 

CMYK 0 / 13 / 40 / 0

HEX #FFDF99

RGB 255 223 153

HSL 41.18, 1%, 0.8%

LAB 90.01, 1.72, 38.36

 

CMYK 0 / 27 / 60 / 19

HEX #CE9752

RGB 206 151 82

HSL 33.39, 0.56%, 0.56%

LAB 66.42, 13.24, 43.87

 

CMYK 0 / 30 / 67 / 26

HEX #BD853F

RGB 189 133 63

HSL 33.33, 0.5%, 0.49%

LAB 59.85, 14.53, 45.28

 

CMYK 0 / 33 / 74 / 33

HEX #AC732C

RGB 172 115 44

HSL 33.28, 0.59%, 0.42%

LAB 53.18, 16.06, 46.56

 

CMYK 0 / 37 / 84 / 39

HEX #9B6119

RGB 155 97 25

HSL 33.23, 0.72%, 0.35%

LAB 46.43, 17.87, 47.35

 

CMYK 0 / 43 / 96 / 46

HEX #8A4F06

RGB 138 79 6

HSL 33.18, 0.92%, 0.28%

LAB 39.59, 20.02, 46.91

 

CMYK 0 / 27 / 61 / 19

HEX #CE9650

RGB 206 150 80

HSL 33.33, 0.56%, 0.56%

LAB 66.15, 13.64, 44.55

 

CMYK 0 / 44 / 61 / 19

HEX #CE7450

RGB 206 116 80

HSL 17.14, 0.56%, 0.56%

LAB 58.22, 32.03, 35.1

 

CMYK 0 / 60 / 61 / 19

HEX #CE5250

RGB 206 82 80

HSL 0.95, 0.56%, 0.56%

LAB 51.54, 49.02, 26.75

 

CMYK 0 / 61 / 61 / 19

HEX #CE5050

RGB 206 80 80

HSL 0, 0.56%, 0.56%

LAB 51.2, 49.92, 26.31

 

CMYK 0 / 27 / 61 / 19

HEX #CE9650

RGB 206 150 80

HSL 33.33, 0.56%, 0.56%

LAB 66.15, 13.64, 44.55

 

CMYK 0 / 11 / 61 / 19

HEX #CEB850

RGB 206 184 80

HSL 49.52, 0.56%, 0.56%

LAB 74.81, -4.52, 54.37

 

CMYK 6 / 0 / 61 / 19

HEX #C2CE50

RGB 194 206 80

HSL 65.71, 0.56%, 0.56%

LAB 79.72, -20.7, 59.45

 

CMYK 22 / 0 / 61 / 19

HEX #A0CE50

RGB 160 206 80

HSL 81.9, 0.56%, 0.56%

LAB 77.4, -34.18, 56.24

 

CMYK 39 / 0 / 61 / 19

HEX #7ECE50

RGB 126 206 80

HSL 98.1, 0.56%, 0.56%

LAB 75.55, -46.33, 53.67

 

CMYK 0 / 27 / 61 / 19

HEX #CE9650

RGB 206 150 80

HSL 33.33, 0.56%, 0.56%

LAB 66.15, 13.64, 44.55

 

CMYK 0 / 32 / 72 / 12

HEX #E0983E

RGB 224 152 62

HSL 33.33, 0.72%, 0.56%

LAB 68.5, 19.14, 56.18

 

CMYK 0 / 36 / 82 / 5

HEX #F29A2C

RGB 242 154 44

HSL 33.33, 0.88%, 0.56%

LAB 70.99, 24.95, 66.35

 

CMYK 0 / 27 / 61 / 19

HEX #CE9650

RGB 206 150 80

HSL 33.33, 0.56%, 0.56%

LAB 66.15, 13.64, 44.55

 

CMYK 0 / 21 / 48 / 27

HEX #BB9462

RGB 187 148 98

HSL 33.71, 0.4%, 0.56%

LAB 63.86, 8.23, 31.93

 

CMYK 0 / 14 / 31 / 34

HEX #A99274

RGB 169 146 116

HSL 33.96, 0.24%, 0.56%

LAB 61.87, 3.99, 19.09

 

CMYK 0 / 5 / 11 / 41

HEX #979086

RGB 151 144 134

HSL 35.29, 0.08%, 0.56%

LAB 60.11, 0.78, 6.23

 

CMYK 13 / 7 / 0 / 40

HEX #858E99

RGB 133 142 153

HSL 213, 0.09%, 0.56%

LAB 58.63, -0.92, -6.95

 

CMYK 0 / 60 / 61 / 19

HEX #CE5250

RGB 206 82 80

HSL 0.95, 0.56%, 0.56%

LAB 51.54, 49.02, 26.75

 

CMYK 0 / 44 / 61 / 19

HEX #CE7450

RGB 206 116 80

HSL 17.14, 0.56%, 0.56%

LAB 58.22, 32.03, 35.1

 

CMYK 0 / 28 / 61 / 19

HEX #CE9550

RGB 206 149 80

HSL 32.86, 0.56%, 0.56%

LAB 65.9, 14.18, 44.27

 

CMYK 0 / 11 / 61 / 19

HEX #CEB750

RGB 206 183 80

HSL 49.05, 0.56%, 0.56%

LAB 74.55, -4, 54.08

 

CMYK 5 / 0 / 61 / 19

HEX #C3CE50

RGB 195 206 80

HSL 65.24, 0.56%, 0.56%

LAB 79.8, -20.29, 59.55

 

CMYK 0 / 32 / 72 / 38

HEX #9E6C2D

RGB 158 108 45

HSL 33.45, 0.56%, 0.4%

LAB 49.72, 13.81, 41.97

 

CMYK 0 / 32 / 72 / 25

HEX #BF8236

RGB 191 130 54

HSL 33.28, 0.56%, 0.48%

LAB 59.26, 16.55, 48.98

 

CMYK 0 / 27 / 61 / 19

HEX #CE9650

RGB 206 150 80

HSL 33.33, 0.56%, 0.56%

LAB 66.15, 13.64, 44.55

 

CMYK 0 / 21 / 48 / 16

HEX #D7A970

RGB 215 169 112

HSL 33.2, 0.56%, 0.64%

LAB 72.22, 9.82, 35.75

 

CMYK 0 / 16 / 36 / 12

HEX #E0BD90

RGB 224 189 144

HSL 33.75, 0.56%, 0.72%

LAB 78.61, 6.24, 27.42

 

CMYK 0 / 27 / 60 / 19

HEX #CE9752

RGB 206 151 82

HSL 33.39, 0.56%, 0.56%

LAB 66.42, 13.24, 43.87

 

CMYK 46 / 0 / 61 / 19

HEX #6FCE50

RGB 111 206 80

HSL 105.24, 0.56%, 0.56%

LAB 74.89, -51.05, 52.75

 

CMYK 52 / 61 / 0 / 19

HEX #6350CE

RGB 99 80 206

HSL 249.05, 0.56%, 0.56%

LAB 42.53, 40.86, -62.93

 

CMYK 0 / 27 / 60 / 19

HEX #CE9752

RGB 206 151 82

HSL 33.39, 0.56%, 0.56%

LAB 66.42, 13.24, 43.87

 

CMYK 61 / 0 / 28 / 19

HEX #50CE95

RGB 80 206 149

HSL 152.86, 0.56%, 0.56%

LAB 74.84, -48.09, 18.22

 

CMYK 28 / 61 / 0 / 19

HEX #9550CE

RGB 149 80 206

HSL 272.86, 0.56%, 0.56%

LAB 47.73, 51.55, -54.27

 

CMYK 0 / 27 / 60 / 19

HEX #CE9752

RGB 206 151 82

HSL 33.39, 0.56%, 0.56%

LAB 66.42, 13.24, 43.87

 

CMYK 46 / 0 / 61 / 19

HEX #6FCE50

RGB 111 206 80

HSL 105.24, 0.56%, 0.56%

LAB 74.89, -51.05, 52.75

 

CMYK 61 / 33 / 0 / 19

HEX #5089CE

RGB 80 137 206

HSL 212.86, 0.56%, 0.56%

LAB 56.14, 2.4, -41.21

 

CMYK 16 / 61 / 0 / 19

HEX #AE50CE

RGB 174 80 206

HSL 284.76, 0.56%, 0.56%

LAB 50.91, 57.47, -49

 

CMYK 0 / 27 / 60 / 19

HEX #CE9752

RGB 206 151 82

HSL 33.39, 0.56%, 0.56%

LAB 66.42, 13.24, 43.87

 

CMYK 61 / 0 / 58 / 19

HEX #50CE56

RGB 80 206 86

HSL 122.86, 0.56%, 0.56%

LAB 73.88, -58.5, 48.65

 

CMYK 61 / 33 / 0 / 19

HEX #5089CE

RGB 80 137 206

HSL 212.86, 0.56%, 0.56%

LAB 56.14, 2.4, -41.21

 

CMYK 0 / 61 / 3 / 19

HEX #CE50C7

RGB 206 80 199

HSL 303.33, 0.56%, 0.56%

LAB 55.05, 64.1, -38.14

 

Description

Color code: HEX #CE9752 | qconv.com Color code: HEX #CE9752 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 151 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 151 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 60 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 60% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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