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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE93FF3F it is the complementary color #316C003F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE93FF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE93FF3F shade: #D393FA3F, #E4A5FF3F, #F5B7FF3F, #FFC9FF3F and #FFDBFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE93FF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE93FF3F shade: #CE93FF3F, #BD81EC3F, #AC6FD93F, #9B5DC63F and #8A4BB33F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE93FF3F shade: #CE94FF, #EB94FF, #FF94F6, #FF94D9 and #FF94BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE93FF3F shade: #CE94FF, #B294FF, #9594FF and #9494FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE93FF3F shade matches the following richer shades: #CE94FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE93FF3F shade: #CE94FF, #CE9DF6, #CDA5EE, #CCAEE5 and #CBB7DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE93FF3F shade: #9494FF, #B094FF, #CD94FF, #EA94FF and #FF94F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE93FF3F shade: #A941FF, #BC6BFF, #CE94FF, #E1BDFF and #F4E6FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE93FF3F shade: #CE93FF, #FF94B0 and #94FFA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE93FF3F shade: #CE93FF, #FFCD94 and #94FFCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE93FF3F shade: #CE93FF, #FF94B0, #C6FF94 and #94FFE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE93FF3F shade: #CE93FF, #FF9794, #C6FF94 and #94FBFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 11 / 0 / 0

HEX #CE93FF3F

RGBA 206 147 255 0.25

HSLA 272.78, 1%, 0.79%, 0.25

LABA 70.32, 41.88, -45.39, 0.25

 

Complementary color

CMYK 14 / 0 / 25 / 14

HEX #316C003F

RGBA 49 108 0 0.25

HSLA 92.78, 1%, 0.21%, 0.25

LABA 40.21, -36.47, 45.53, 0.25

 

CMYK 4 / 10 / 0 / 0

HEX #D393FA3F

RGBA 211 147 250 0.25

HSLA 277.28, 0.91%, 0.78%, 0.25

LABA 70.61, 42.22, -42.19, 0.25

 

CMYK 3 / 9 / 0 / 0

HEX #E4A5FF3F

RGBA 228 165 255 0.25

HSLA 282, 1%, 0.82%, 0.25

LABA 76.45, 38.61, -35.67, 0.25

 

CMYK 1 / 7 / 0 / 0

HEX #F5B7FF3F

RGBA 245 183 255 0.25

HSLA 291.67, 1%, 0.86%, 0.25

LABA 82.11, 34.26, -26.83, 0.25

 

CMYK 0 / 5 / 0 / 0

HEX #FFC9FF3F

RGBA 255 201 255 0.25

HSLA 300, 1%, 0.89%, 0.25

LABA 87.12, 27.95, -19.13, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFDBFF3F

RGBA 255 219 255 0.25

HSLA 300, 1%, 0.93%, 0.25

LABA 91.3, 18.51, -12.86, 0.25

 

CMYK 5 / 11 / 0 / 0

HEX #CE93FF3F

RGBA 206 147 255 0.25

HSLA 272.78, 1%, 0.79%, 0.25

LABA 70.32, 41.88, -45.39, 0.25

 

CMYK 5 / 11 / 0 / 2

HEX #BD81EC3F

RGBA 189 129 236 0.25

HSLA 273.64, 0.74%, 0.72%, 0.25

LABA 63.82, 42.69, -45.33, 0.25

 

CMYK 5 / 12 / 0 / 4

HEX #AC6FD93F

RGBA 172 111 217 0.25

HSLA 274.53, 0.58%, 0.64%, 0.25

LABA 57.22, 43.53, -45.25, 0.25

 

CMYK 5 / 13 / 0 / 6

HEX #9B5DC63F

RGBA 155 93 198 0.25

HSLA 275.43, 0.48%, 0.57%, 0.25

LABA 50.54, 44.39, -45.15, 0.25

 

CMYK 6 / 15 / 0 / 7

HEX #8A4BB33F

RGBA 138 75 179 0.25

HSLA 276.35, 0.41%, 0.5%, 0.25

LABA 43.79, 45.22, -44.98, 0.25

 

CMYK 19 / 42 / 0 / 0

HEX #CE94FF

RGB 206 148 255

HSL 272.52, 1%, 0.79%

LAB 70.54, 41.34, -45.05

 

CMYK 8 / 42 / 0 / 0

HEX #EB94FF

RGB 235 148 255

HSL 288.79, 1%, 0.79%

LAB 73.59, 49.58, -40.07

 

CMYK 0 / 42 / 4 / 0

HEX #FF94F6

RGB 255 148 246

HSL 305.05, 1%, 0.79%

LAB 75.51, 53.77, -32.02

 

CMYK 0 / 42 / 15 / 0

HEX #FF94D9

RGB 255 148 217

HSL 321.31, 1%, 0.79%

LAB 74.48, 49.07, -17.77

 

CMYK 0 / 42 / 26 / 0

HEX #FF94BC

RGB 255 148 188

HSL 337.57, 1%, 0.79%

LAB 73.59, 44.9, -3.11

 

CMYK 19 / 42 / 0 / 0

HEX #CE94FF

RGB 206 148 255

HSL 272.52, 1%, 0.79%

LAB 70.54, 41.34, -45.05

 

CMYK 30 / 42 / 0 / 0

HEX #B294FF

RGB 178 148 255

HSL 256.82, 1%, 0.79%

LAB 67.92, 33.66, -49.35

 

CMYK 42 / 42 / 0 / 0

HEX #9594FF

RGB 149 148 255

HSL 240.56, 1%, 0.79%

LAB 65.58, 26.24, -53.2

 

CMYK 42 / 42 / 0 / 0

HEX #9494FF

RGB 148 148 255

HSL 240, 1%, 0.79%

LAB 65.51, 26, -53.32

 

CMYK 19 / 42 / 0 / 0

HEX #CE94FF

RGB 206 148 255

HSL 272.52, 1%, 0.79%

LAB 70.54, 41.34, -45.05

 

CMYK 19 / 42 / 0 / 0

HEX #CE94FF

RGB 206 148 255

HSL 272.52, 1%, 0.79%

LAB 70.54, 41.34, -45.05

 

CMYK 16 / 36 / 0 / 4

HEX #CE9DF6

RGB 206 157 246

HSL 273.03, 0.83%, 0.79%

LAB 72.15, 34.51, -37.64

 

CMYK 14 / 31 / 0 / 7

HEX #CDA5EE

RGB 205 165 238

HSL 272.88, 0.68%, 0.79%

LAB 73.59, 28.13, -31.08

 

CMYK 11 / 24 / 0 / 10

HEX #CCAEE5

RGB 204 174 229

HSL 272.73, 0.51%, 0.79%

LAB 75.31, 21.02, -23.56

 

CMYK 8 / 17 / 0 / 14

HEX #CBB7DC

RGB 203 183 220

HSL 272.43, 0.35%, 0.79%

LAB 77.12, 13.96, -15.94

 

CMYK 42 / 42 / 0 / 0

HEX #9494FF

RGB 148 148 255

HSL 240, 1%, 0.79%

LAB 65.51, 26, -53.32

 

CMYK 31 / 42 / 0 / 0

HEX #B094FF

RGB 176 148 255

HSL 255.7, 1%, 0.79%

LAB 67.75, 33.13, -49.64

 

CMYK 20 / 42 / 0 / 0

HEX #CD94FF

RGB 205 148 255

HSL 271.96, 1%, 0.79%

LAB 70.44, 41.06, -45.21

 

CMYK 8 / 42 / 0 / 0

HEX #EA94FF

RGB 234 148 255

HSL 288.22, 1%, 0.79%

LAB 73.48, 49.29, -40.25

 

CMYK 0 / 42 / 3 / 0

HEX #FF94F8

RGB 255 148 248

HSL 303.93, 1%, 0.79%

LAB 75.59, 54.11, -32.99

 

CMYK 34 / 75 / 0 / 0

HEX #A941FF

RGB 169 65 255

HSL 272.84, 1%, 0.63%

LAB 51.19, 73.15, -76.23

 

CMYK 26 / 58 / 0 / 0

HEX #BC6BFF

RGB 188 107 255

HSL 272.84, 1%, 0.71%

LAB 60.27, 58.17, -61.45

 

CMYK 19 / 42 / 0 / 0

HEX #CE94FF

RGB 206 148 255

HSL 272.52, 1%, 0.79%

LAB 70.54, 41.34, -45.05

 

CMYK 12 / 26 / 0 / 0

HEX #E1BDFF

RGB 225 189 255

HSL 272.73, 1%, 0.87%

LAB 81.63, 24.82, -27.72

 

CMYK 4 / 10 / 0 / 0

HEX #F4E6FF

RGB 244 230 255

HSL 273.6, 1%, 0.95%

LAB 93.03, 9.19, -10.37

 

CMYK 19 / 42 / 0 / 0

HEX #CE93FF

RGB 206 147 255

HSL 272.78, 1%, 0.79%

LAB 70.32, 41.88, -45.39

 

CMYK 0 / 42 / 31 / 0

HEX #FF94B0

RGB 255 148 176

HSL 344.3, 1%, 0.79%

LAB 73.27, 43.34, 3.05

 

CMYK 42 / 0 / 36 / 0

HEX #94FFA2

RGB 148 255 162

HSL 127.85, 1%, 0.79%

LAB 91.88, -49.6, 35.02

 

CMYK 19 / 42 / 0 / 0

HEX #CE93FF

RGB 206 147 255

HSL 272.78, 1%, 0.79%

LAB 70.32, 41.88, -45.39

 

CMYK 0 / 20 / 42 / 0

HEX #FFCD94

RGB 255 205 148

HSL 31.96, 1%, 0.79%

LAB 85.53, 10.45, 35.05

 

CMYK 42 / 0 / 20 / 0

HEX #94FFCD

RGB 148 255 205

HSL 151.96, 1%, 0.79%

LAB 92.67, -41.92, 14.33

 

CMYK 19 / 42 / 0 / 0

HEX #CE93FF

RGB 206 147 255

HSL 272.78, 1%, 0.79%

LAB 70.32, 41.88, -45.39

 

CMYK 0 / 42 / 31 / 0

HEX #FF94B0

RGB 255 148 176

HSL 344.3, 1%, 0.79%

LAB 73.27, 43.34, 3.05

 

CMYK 22 / 0 / 42 / 0

HEX #C6FF94

RGB 198 255 148

HSL 91.96, 1%, 0.79%

LAB 94.17, -35.72, 45.34

 

CMYK 42 / 0 / 11 / 0

HEX #94FFE2

RGB 148 255 226

HSL 163.74, 1%, 0.79%

LAB 93.15, -37.54, 4.19

 

CMYK 19 / 42 / 0 / 0

HEX #CE93FF

RGB 206 147 255

HSL 272.78, 1%, 0.79%

LAB 70.32, 41.88, -45.39

 

CMYK 0 / 41 / 42 / 0

HEX #FF9794

RGB 255 151 148

HSL 1.68, 1%, 0.79%

LAB 73.24, 38.59, 18.49

 

CMYK 22 / 0 / 42 / 0

HEX #C6FF94

RGB 198 255 148

HSL 91.96, 1%, 0.79%

LAB 94.17, -35.72, 45.34

 

CMYK 42 / 2 / 0 / 0

HEX #94FBFF

RGB 148 251 255

HSL 182.24, 1%, 0.79%

LAB 92.8, -28.99, -11.33

 

Description

Color code: HEX #CE93FF3F | qconv.com Color code: HEX #CE93FF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 147 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 147 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 11 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 11% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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