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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE90FACE it is the complementary color #316F05CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE90FACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE90FACE shade: #D390F5CE, #E4A2FFCE, #F5B4FFCE, #FFC6FFCE and #FFD8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE90FACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE90FACE shade: #CE90FACE, #BD7EE7CE, #AC6CD4CE, #9B5AC1CE and #8A48AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE90FACE shade: #CD8FFA, #EA8FFA, #FA8FEC, #FA8FD0 and #FA8FB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE90FACE shade: #CD8FFA, #B18FFA, #948FFA and #8F8FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE90FACE shade matches the following richer shades: #CD8FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE90FACE shade: #CD8FFA, #CC98F0, #CAA2E7, #C9ABDD and #C7B5D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE90FACE shade: #948FFA, #B18FFA, #CD8FFA, #EA8FFA and #FA8FED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE90FACE shade: #AB40F6, #BC68F8, #CD8FFA, #DFB6FC and #F0DEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE90FACE shade: #CE90FA, #FA8FA6 and #8FFAA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE90FACE shade: #CE90FA, #FACD8F and #8FFACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE90FACE shade: #CE90FA, #FA8FA6, #BBFA8F and #8FFAE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE90FACE shade: #CE90FA, #FA988F, #BBFA8F and #8FF1FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 34 / 0 / 2

HEX #CE90FACE

RGBA 206 144 250 0.81

HSLA 275.09, 0.91%, 0.77%, 0.81

LABA 69.45, 42.41, -44.04, 0.81

 

Complementary color

CMYK 45 / 0 / 77 / 46

HEX #316F05CE

RGBA 49 111 5 0.81

HSLA 95.09, 0.91%, 0.23%, 0.81

LABA 41.27, -37.48, 45.12, 0.81

 

CMYK 11 / 33 / 0 / 3

HEX #D390F5CE

RGBA 211 144 245 0.81

HSLA 279.8, 0.83%, 0.76%, 0.81

LABA 69.74, 42.78, -40.81, 0.81

 

CMYK 9 / 30 / 0 / 0

HEX #E4A2FFCE

RGBA 228 162 255 0.81

HSLA 282.58, 1%, 0.82%, 0.81

LABA 75.8, 40.2, -36.69, 0.81

 

CMYK 3 / 24 / 0 / 0

HEX #F5B4FFCE

RGBA 245 180 255 0.81

HSLA 292, 1%, 0.85%, 0.81

LABA 81.44, 35.84, -27.85, 0.81

 

CMYK 0 / 18 / 0 / 0

HEX #FFC6FFCE

RGBA 255 198 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 86.44, 29.52, -20.16, 0.81

 

CMYK 0 / 12 / 0 / 0

HEX #FFD8FFCE

RGBA 255 216 255 0.81

HSLA 300, 1%, 0.92%, 0.81

LABA 90.59, 20.08, -13.92, 0.81

 

CMYK 14 / 34 / 0 / 2

HEX #CE90FACE

RGBA 206 144 250 0.81

HSLA 275.09, 0.91%, 0.77%, 0.81

LABA 69.45, 42.41, -44.04, 0.81

 

CMYK 15 / 37 / 0 / 8

HEX #BD7EE7CE

RGBA 189 126 231 0.81

HSLA 276, 0.69%, 0.7%, 0.81

LABA 62.94, 43.21, -43.94, 0.81

 

CMYK 15 / 40 / 0 / 14

HEX #AC6CD4CE

RGBA 172 108 212 0.81

HSLA 276.92, 0.55%, 0.63%, 0.81

LABA 56.34, 44.04, -43.82, 0.81

 

CMYK 16 / 43 / 0 / 20

HEX #9B5AC1CE

RGBA 155 90 193 0.81

HSLA 277.86, 0.45%, 0.55%, 0.81

LABA 49.65, 44.87, -43.67, 0.81

 

CMYK 17 / 47 / 0 / 26

HEX #8A48AECE

RGBA 138 72 174 0.81

HSLA 278.82, 0.41%, 0.48%, 0.81

LABA 42.9, 45.65, -43.44, 0.81

 

CMYK 18 / 43 / 0 / 2

HEX #CD8FFA

RGB 205 143 250

HSL 274.77, 0.91%, 0.77%

LAB 69.13, 42.66, -44.55

 

CMYK 6 / 43 / 0 / 2

HEX #EA8FFA

RGB 234 143 250

HSL 291.03, 0.91%, 0.77%

LAB 72.25, 50.9, -39.43

 

CMYK 0 / 43 / 6 / 2

HEX #FA8FEC

RGB 250 143 236

HSL 307.85, 0.91%, 0.77%

LAB 73.56, 53.08, -29.63

 

CMYK 0 / 43 / 17 / 2

HEX #FA8FD0

RGB 250 143 208

HSL 323.55, 0.91%, 0.77%

LAB 72.58, 48.62, -15.75

 

CMYK 0 / 43 / 28 / 2

HEX #FA8FB3

RGB 250 143 179

HSL 339.81, 0.91%, 0.77%

LAB 71.71, 44.55, -0.96

 

CMYK 18 / 43 / 0 / 2

HEX #CD8FFA

RGB 205 143 250

HSL 274.77, 0.91%, 0.77%

LAB 69.13, 42.66, -44.55

 

CMYK 29 / 43 / 0 / 2

HEX #B18FFA

RGB 177 143 250

HSL 259.07, 0.91%, 0.77%

LAB 66.44, 34.96, -48.97

 

CMYK 41 / 43 / 0 / 2

HEX #948FFA

RGB 148 143 250

HSL 242.8, 0.91%, 0.77%

LAB 64.03, 27.49, -52.93

 

CMYK 43 / 43 / 0 / 2

HEX #8F8FFA

RGB 143 143 250

HSL 240, 0.91%, 0.77%

LAB 63.66, 26.28, -53.54

 

CMYK 18 / 43 / 0 / 2

HEX #CD8FFA

RGB 205 143 250

HSL 274.77, 0.91%, 0.77%

LAB 69.13, 42.66, -44.55

 

CMYK 18 / 43 / 0 / 2

HEX #CD8FFA

RGB 205 143 250

HSL 274.77, 0.91%, 0.77%

LAB 69.13, 42.66, -44.55

 

CMYK 15 / 37 / 0 / 6

HEX #CC98F0

RGB 204 152 240

HSL 275.45, 0.75%, 0.77%

LAB 70.58, 35.36, -36.82

 

CMYK 13 / 30 / 0 / 9

HEX #CAA2E7

RGB 202 162 231

HSL 274.78, 0.59%, 0.77%

LAB 72.34, 27.38, -29.21

 

CMYK 9 / 23 / 0 / 13

HEX #C9ABDD

RGB 201 171 221

HSL 276, 0.42%, 0.77%

LAB 74.04, 20.06, -21.16

 

CMYK 6 / 15 / 0 / 17

HEX #C7B5D4

RGB 199 181 212

HSL 274.84, 0.26%, 0.77%

LAB 76.03, 12.14, -13.26

 

CMYK 41 / 43 / 0 / 2

HEX #948FFA

RGB 148 143 250

HSL 242.8, 0.91%, 0.77%

LAB 64.03, 27.49, -52.93

 

CMYK 29 / 43 / 0 / 2

HEX #B18FFA

RGB 177 143 250

HSL 259.07, 0.91%, 0.77%

LAB 66.44, 34.96, -48.97

 

CMYK 18 / 43 / 0 / 2

HEX #CD8FFA

RGB 205 143 250

HSL 274.77, 0.91%, 0.77%

LAB 69.13, 42.66, -44.55

 

CMYK 6 / 43 / 0 / 2

HEX #EA8FFA

RGB 234 143 250

HSL 291.03, 0.91%, 0.77%

LAB 72.25, 50.9, -39.43

 

CMYK 0 / 43 / 5 / 2

HEX #FA8FED

RGB 250 143 237

HSL 307.29, 0.91%, 0.77%

LAB 73.6, 53.25, -30.12

 

CMYK 30 / 74 / 0 / 4

HEX #AB40F6

RGB 171 64 246

HSL 275.27, 0.91%, 0.61%

LAB 50.66, 71.94, -72.06

 

CMYK 24 / 58 / 0 / 3

HEX #BC68F8

RGB 188 104 248

HSL 275, 0.91%, 0.69%

LAB 59.31, 58.11, -59.12

 

CMYK 18 / 43 / 0 / 2

HEX #CD8FFA

RGB 205 143 250

HSL 274.77, 0.91%, 0.77%

LAB 69.13, 42.66, -44.55

 

CMYK 12 / 28 / 0 / 1

HEX #DFB6FC

RGB 223 182 252

HSL 275.14, 0.92%, 0.85%

LAB 79.71, 27.35, -29.08

 

CMYK 5 / 12 / 0 / 1

HEX #F0DEFD

RGB 240 222 253

HSL 274.84, 0.89%, 0.93%

LAB 90.72, 11.68, -12.81

 

CMYK 18 / 42 / 0 / 2

HEX #CE90FA

RGB 206 144 250

HSL 275.09, 0.91%, 0.77%

LAB 69.45, 42.41, -44.04

 

CMYK 0 / 43 / 34 / 2

HEX #FA8FA6

RGB 250 143 166

HSL 347.1, 0.91%, 0.77%

LAB 71.37, 42.91, 5.78

 

CMYK 43 / 0 / 35 / 2

HEX #8FFAA3

RGB 143 250 163

HSL 131.21, 0.91%, 0.77%

LAB 90.25, -48.73, 32.33

 

CMYK 18 / 42 / 0 / 2

HEX #CE90FA

RGB 206 144 250

HSL 275.09, 0.91%, 0.77%

LAB 69.45, 42.41, -44.04

 

CMYK 0 / 18 / 43 / 2

HEX #FACD8F

RGB 250 205 143

HSL 34.77, 0.91%, 0.77%

LAB 84.98, 7.98, 36.8

 

CMYK 43 / 0 / 18 / 2

HEX #8FFACD

RGB 143 250 205

HSL 154.77, 0.91%, 0.77%

LAB 91.06, -40.98, 12.01

 

CMYK 18 / 42 / 0 / 2

HEX #CE90FA

RGB 206 144 250

HSL 275.09, 0.91%, 0.77%

LAB 69.45, 42.41, -44.04

 

CMYK 0 / 43 / 34 / 2

HEX #FA8FA6

RGB 250 143 166

HSL 347.1, 0.91%, 0.77%

LAB 71.37, 42.91, 5.78

 

CMYK 25 / 0 / 43 / 2

HEX #BBFA8F

RGB 187 250 143

HSL 95.33, 0.91%, 0.77%

LAB 92.1, -37.88, 44.99

 

CMYK 43 / 0 / 9 / 2

HEX #8FFAE3

RGB 143 250 227

HSL 167.1, 0.91%, 0.77%

LAB 91.58, -36.26, 1.37

 

CMYK 18 / 42 / 0 / 2

HEX #CE90FA

RGB 206 144 250

HSL 275.09, 0.91%, 0.77%

LAB 69.45, 42.41, -44.04

 

CMYK 0 / 39 / 43 / 2

HEX #FA988F

RGB 250 152 143

HSL 5.05, 0.91%, 0.77%

LAB 72.74, 35.71, 20.44

 

CMYK 25 / 0 / 43 / 2

HEX #BBFA8F

RGB 187 250 143

HSL 95.33, 0.91%, 0.77%

LAB 92.1, -37.88, 44.99

 

CMYK 43 / 4 / 0 / 2

HEX #8FF1FA

RGB 143 241 250

HSL 185.05, 0.91%, 0.77%

LAB 89.7, -26.58, -13.38

 

Description

Color code: HEX #CE90FACE | qconv.com Color code: HEX #CE90FACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 144 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 144 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 34 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 34% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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