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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE7C04 it is the complementary color #3183FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE7C04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE7C04 shade: #D37C00, #E48E12, #F5A025, #FFB238 and #FFC44B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE7C04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE7C04 shade: #CE7C04, #BD6A00, #AC5800, #9B4600 and #8A3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE7C04 shade: #CD7B04, #CD4504, #CD0F04 and #CD0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE7C04 shade: #CD7B04, #CDB204, #B2CD04, #7CCD04 and #46CD04

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE7C04 shade matches the following richer shades: #CD7B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE7C04 shade: #CD7B04, #BC7815, #AB7526, #9A7237 and #896F48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE7C04 shade: #CD0E04, #CD4404, #CD7904, #CDAF04 and #B5CD04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE7C04 shade: #7C4B03, #A46303, #CD7B04, #F59405 and #FBA629

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE7C04 shade: #CE7C04, #30CD04 and #2904CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE7C04 shade: #CE7C04, #04CD79 and #7904CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE7C04 shade: #CE7C04, #30CD04, #0458CD and #A104CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE7C04 shade: #CE7C04, #04CD15, #0458CD and #CD04BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 98 / 19

HEX #CE7C04

RGB 206 124 4

HSL 35.64, 0.96%, 0.41%

LAB 59.48, 24.96, 65.3

 

Complementary color

CMYK 80 / 48 / 0 / 2

HEX #3183FB

RGB 49 131 251

HSL 215.64, 0.96%, 0.59%

LAB 55.94, 17.77, -66.72

 

CMYK 0 / 41 / 100 / 17

HEX #D37C00

RGB 211 124 0

HSL 35.26, 1%, 0.41%

LAB 60.13, 27.05, 66.71

 

CMYK 0 / 38 / 92 / 11

HEX #E48E12

RGB 228 142 18

HSL 35.43, 0.85%, 0.48%

LAB 66.43, 24.86, 69.11

 

CMYK 0 / 35 / 85 / 4

HEX #F5A025

RGB 245 160 37

HSL 35.48, 0.91%, 0.55%

LAB 72.69, 22.86, 70.16

 

CMYK 0 / 30 / 78 / 0

HEX #FFB238

RGB 255 178 56

HSL 36.78, 1%, 0.61%

LAB 78.1, 18.18, 69.11

 

CMYK 0 / 23 / 71 / 0

HEX #FFC44B

RGB 255 196 75

HSL 40.33, 1%, 0.65%

LAB 82.51, 9.59, 66.1

 

CMYK 0 / 40 / 98 / 19

HEX #CE7C04

RGB 206 124 4

HSL 35.64, 0.96%, 0.41%

LAB 59.48, 24.96, 65.3

 

CMYK 0 / 44 / 100 / 26

HEX #BD6A00

RGB 189 106 0

HSL 33.65, 1%, 0.37%

LAB 53.09, 27.36, 60.79

 

CMYK 0 / 49 / 100 / 33

HEX #AC5800

RGB 172 88 0

HSL 30.7, 1%, 0.34%

LAB 46.64, 29.85, 55.6

 

CMYK 0 / 55 / 100 / 39

HEX #9B4600

RGB 155 70 0

HSL 27.1, 1%, 0.3%

LAB 40.16, 32.31, 50.4

 

CMYK 0 / 62 / 100 / 46

HEX #8A3400

RGB 138 52 0

HSL 22.61, 1%, 0.27%

LAB 33.69, 34.62, 45.21

 

CMYK 0 / 40 / 98 / 20

HEX #CD7B04

RGB 205 123 4

HSL 35.52, 0.96%, 0.41%

LAB 59.12, 25.08, 65

 

CMYK 0 / 66 / 98 / 20

HEX #CD4504

RGB 205 69 4

HSL 19.4, 0.96%, 0.41%

LAB 48.57, 51.7, 58.52

 

CMYK 0 / 93 / 98 / 20

HEX #CD0F04

RGB 205 15 4

HSL 3.28, 0.96%, 0.41%

LAB 43.26, 66.52, 55.87

 

CMYK 0 / 98 / 98 / 20

HEX #CD0404

RGB 205 4 4

HSL 0, 0.96%, 0.41%

LAB 42.88, 67.62, 55.7

 

CMYK 0 / 40 / 98 / 20

HEX #CD7B04

RGB 205 123 4

HSL 35.52, 0.96%, 0.41%

LAB 59.12, 25.08, 65

 

CMYK 0 / 13 / 98 / 20

HEX #CDB204

RGB 205 178 4

HSL 51.94, 0.96%, 0.41%

LAB 72.78, -4.51, 74.5

 

CMYK 13 / 0 / 98 / 20

HEX #B2CD04

RGB 178 205 4

HSL 68.06, 0.96%, 0.41%

LAB 77.96, -29.62, 77.36

 

CMYK 40 / 0 / 98 / 20

HEX #7CCD04

RGB 124 205 4

HSL 84.18, 0.96%, 0.41%

LAB 74.8, -50.31, 73.55

 

CMYK 66 / 0 / 98 / 20

HEX #46CD04

RGB 70 205 4

HSL 100.3, 0.96%, 0.41%

LAB 72.87, -65.4, 71.21

 

CMYK 0 / 40 / 98 / 20

HEX #CD7B04

RGB 205 123 4

HSL 35.52, 0.96%, 0.41%

LAB 59.12, 25.08, 65

 

CMYK 0 / 40 / 98 / 20

HEX #CD7B04

RGB 205 123 4

HSL 35.52, 0.96%, 0.41%

LAB 59.12, 25.08, 65

 

CMYK 0 / 36 / 89 / 26

HEX #BC7815

RGB 188 120 21

HSL 35.57, 0.8%, 0.41%

LAB 56.27, 19.57, 58.54

 

CMYK 0 / 32 / 78 / 33

HEX #AB7526

RGB 171 117 38

HSL 35.64, 0.64%, 0.41%

LAB 53.51, 14.21, 49.45

 

CMYK 0 / 26 / 64 / 40

HEX #9A7237

RGB 154 114 55

HSL 35.76, 0.47%, 0.41%

LAB 50.9, 9.21, 38.15

 

CMYK 0 / 19 / 47 / 46

HEX #896F48

RGB 137 111 72

HSL 36, 0.31%, 0.41%

LAB 48.45, 4.83, 25.53

 

CMYK 0 / 93 / 98 / 20

HEX #CD0E04

RGB 205 14 4

HSL 2.99, 0.96%, 0.41%

LAB 43.21, 66.64, 55.85

 

CMYK 0 / 67 / 98 / 20

HEX #CD4404

RGB 205 68 4

HSL 19.1, 0.96%, 0.41%

LAB 48.41, 52.11, 58.44

 

CMYK 0 / 41 / 98 / 20

HEX #CD7904

RGB 205 121 4

HSL 34.93, 0.96%, 0.41%

LAB 58.66, 26.15, 64.7

 

CMYK 0 / 15 / 98 / 20

HEX #CDAF04

RGB 205 175 4

HSL 51.04, 0.96%, 0.41%

LAB 71.99, -2.94, 73.93

 

CMYK 12 / 0 / 98 / 20

HEX #B5CD04

RGB 181 205 4

HSL 67.16, 0.96%, 0.41%

LAB 78.17, -28.38, 77.61

 

CMYK 0 / 40 / 98 / 51

HEX #7C4B03

RGB 124 75 3

HSL 35.7, 0.95%, 0.25%

LAB 36.6, 15.78, 44.81

 

CMYK 0 / 40 / 98 / 36

HEX #A46303

RGB 164 99 3

HSL 35.78, 0.96%, 0.33%

LAB 48.04, 20.32, 55.2

 

CMYK 0 / 40 / 98 / 20

HEX #CD7B04

RGB 205 123 4

HSL 35.52, 0.96%, 0.41%

LAB 59.12, 25.08, 65

 

CMYK 0 / 40 / 98 / 4

HEX #F59405

RGB 245 148 5

HSL 35.75, 0.96%, 0.49%

LAB 69.9, 28.68, 74.45

 

CMYK 0 / 34 / 84 / 2

HEX #FBA629

RGB 251 166 41

HSL 35.71, 0.96%, 0.57%

LAB 74.79, 22.33, 71

 

CMYK 0 / 40 / 98 / 19

HEX #CE7C04

RGB 206 124 4

HSL 35.64, 0.96%, 0.41%

LAB 59.48, 24.96, 65.3

 

CMYK 77 / 0 / 98 / 20

HEX #30CD04

RGB 48 205 4

HSL 106.87, 0.96%, 0.41%

LAB 72.43, -69.25, 70.66

 

CMYK 80 / 98 / 0 / 20

HEX #2904CD

RGB 41 4 205

HSL 251.04, 0.96%, 0.41%

LAB 26.64, 66.89, -88.69

 

CMYK 0 / 40 / 98 / 19

HEX #CE7C04

RGB 206 124 4

HSL 35.64, 0.96%, 0.41%

LAB 59.48, 24.96, 65.3

 

CMYK 98 / 0 / 41 / 20

HEX #04CD79

RGB 4 205 121

HSL 154.93, 0.96%, 0.41%

LAB 72.94, -61.58, 30.14

 

CMYK 41 / 98 / 0 / 20

HEX #7904CD

RGB 121 4 205

HSL 274.93, 0.96%, 0.41%

LAB 35.12, 71.73, -74.37

 

CMYK 0 / 40 / 98 / 19

HEX #CE7C04

RGB 206 124 4

HSL 35.64, 0.96%, 0.41%

LAB 59.48, 24.96, 65.3

 

CMYK 77 / 0 / 98 / 20

HEX #30CD04

RGB 48 205 4

HSL 106.87, 0.96%, 0.41%

LAB 72.43, -69.25, 70.66

 

CMYK 98 / 57 / 0 / 20

HEX #0458CD

RGB 4 88 205

HSL 214.93, 0.96%, 0.41%

LAB 40.27, 25, -66.22

 

CMYK 21 / 98 / 0 / 20

HEX #A104CD

RGB 161 4 205

HSL 286.87, 0.96%, 0.41%

LAB 41.33, 76.47, -63.96

 

CMYK 0 / 40 / 98 / 19

HEX #CE7C04

RGB 206 124 4

HSL 35.64, 0.96%, 0.41%

LAB 59.48, 24.96, 65.3

 

CMYK 98 / 0 / 90 / 20

HEX #04CD15

RGB 4 205 21

HSL 125.07, 0.96%, 0.41%

LAB 72.06, -72.48, 68.08

 

CMYK 98 / 57 / 0 / 20

HEX #0458CD

RGB 4 88 205

HSL 214.93, 0.96%, 0.41%

LAB 40.27, 25, -66.22

 

CMYK 0 / 98 / 8 / 20

HEX #CD04BC

RGB 205 4 188

HSL 305.07, 0.96%, 0.41%

LAB 47.88, 80.64, -43.13

 

Description

Color code: HEX #CE7C04 | qconv.com Color code: HEX #CE7C04 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 124 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 124 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 98 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 98% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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