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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE7715 it is the complementary color #3188EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE7715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE7715 shade: #D37710, #E48923, #F59B36, #FFAD49 and #FFBF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE7715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE7715 shade: #CE7715, #BD6502, #AC5300, #9B4100 and #8A2F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE7715 shade: #D07816, #D04616 and #D01616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE7715 shade: #D07816, #D0AA16, #C3D016, #91D016 and #5FD016

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE7715 shade matches the following richer shades: #D07816 and #E27903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE7715 shade: #D07816, #BD7728, #AB763B, #98754E and #857460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE7715 shade: #D01619, #D04416, #D07616, #D0A716 and #C6D016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE7715 shade: #854D0E, #AA6312, #D07816, #E88D26 and #ECA14C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE7715 shade: #CE7715, #4AD016 and #2B16D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE7715 shade: #CE7715, #16D076 and #7616D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE7715 shade: #CE7715, #4AD016, #1670D0 and #9B16D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE7715 shade: #CE7715, #16D019, #1670D0 and #D016CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 90 / 19

HEX #CE7715

RGB 206 119 21

HSL 31.78, 0.81%, 0.45%

LAB 58.39, 27.88, 61.2

 

Complementary color

CMYK 79 / 42 / 0 / 8

HEX #3188EA

RGB 49 136 234

HSL 211.78, 0.81%, 0.55%

LAB 56.29, 8.43, -56.73

 

CMYK 0 / 44 / 92 / 17

HEX #D37710

RGB 211 119 16

HSL 31.69, 0.86%, 0.45%

LAB 59.05, 29.89, 63.19

 

CMYK 0 / 40 / 85 / 11

HEX #E48923

RGB 228 137 35

HSL 31.71, 0.78%, 0.52%

LAB 65.36, 27.84, 63.85

 

CMYK 0 / 37 / 78 / 4

HEX #F59B36

RGB 245 155 54

HSL 31.73, 0.91%, 0.59%

LAB 71.64, 26, 63.41

 

CMYK 0 / 32 / 71 / 0

HEX #FFAD49

RGB 255 173 73

HSL 32.97, 1%, 0.64%

LAB 77.06, 21.48, 61.35

 

CMYK 0 / 25 / 64 / 0

HEX #FFBF5C

RGB 255 191 92

HSL 36.44, 1%, 0.68%

LAB 81.45, 13.11, 57.62

 

CMYK 0 / 42 / 90 / 19

HEX #CE7715

RGB 206 119 21

HSL 31.78, 0.81%, 0.45%

LAB 58.39, 27.88, 61.2

 

CMYK 0 / 47 / 99 / 26

HEX #BD6502

RGB 189 101 2

HSL 31.76, 0.98%, 0.37%

LAB 51.98, 30.08, 59.69

 

CMYK 0 / 52 / 100 / 33

HEX #AC5300

RGB 172 83 0

HSL 28.95, 1%, 0.34%

LAB 45.58, 32.51, 54.96

 

CMYK 0 / 58 / 100 / 39

HEX #9B4100

RGB 155 65 0

HSL 25.16, 1%, 0.3%

LAB 39.15, 34.89, 49.82

 

CMYK 0 / 66 / 100 / 46

HEX #8A2F00

RGB 138 47 0

HSL 20.43, 1%, 0.27%

LAB 32.78, 37.02, 44.66

 

CMYK 0 / 42 / 89 / 18

HEX #D07816

RGB 208 120 22

HSL 31.61, 0.81%, 0.45%

LAB 58.88, 28.2, 61.43

 

CMYK 0 / 66 / 89 / 18

HEX #D04616

RGB 208 70 22

HSL 15.48, 0.81%, 0.45%

LAB 49.31, 52.55, 54.21

 

CMYK 0 / 89 / 89 / 18

HEX #D01616

RGB 208 22 22

HSL 0, 0.81%, 0.45%

LAB 44.29, 66.53, 50.53

 

CMYK 0 / 42 / 89 / 18

HEX #D07816

RGB 208 120 22

HSL 31.61, 0.81%, 0.45%

LAB 58.88, 28.2, 61.43

 

CMYK 0 / 18 / 89 / 18

HEX #D0AA16

RGB 208 170 22

HSL 47.74, 0.81%, 0.45%

LAB 71.02, 1.26, 70.8

 

CMYK 6 / 0 / 89 / 18

HEX #C3D016

RGB 195 208 22

HSL 64.19, 0.81%, 0.45%

LAB 80.05, -23.72, 77.42

 

CMYK 30 / 0 / 89 / 18

HEX #91D016

RGB 145 208 22

HSL 80.32, 0.81%, 0.45%

LAB 76.79, -43.73, 73.43

 

CMYK 54 / 0 / 89 / 18

HEX #5FD016

RGB 95 208 22

HSL 96.45, 0.81%, 0.45%

LAB 74.57, -60.02, 70.68

 

CMYK 0 / 42 / 89 / 18

HEX #D07816

RGB 208 120 22

HSL 31.61, 0.81%, 0.45%

LAB 58.88, 28.2, 61.43

 

CMYK 0 / 46 / 99 / 11

HEX #E27903

RGB 226 121 3

HSL 31.75, 0.97%, 0.45%

LAB 61.52, 34.89, 68.11

 

CMYK 0 / 42 / 89 / 18

HEX #D07816

RGB 208 120 22

HSL 31.61, 0.81%, 0.45%

LAB 58.88, 28.2, 61.43

 

CMYK 0 / 37 / 79 / 26

HEX #BD7728

RGB 189 119 40

HSL 31.81, 0.65%, 0.45%

LAB 56.25, 21.12, 52.02

 

CMYK 0 / 31 / 65 / 33

HEX #AB763B

RGB 171 118 59

HSL 31.61, 0.49%, 0.45%

LAB 53.95, 14.78, 40.1

 

CMYK 0 / 23 / 49 / 40

HEX #98754E

RGB 152 117 78

HSL 31.62, 0.32%, 0.45%

LAB 51.78, 8.61, 26.72

 

CMYK 0 / 13 / 28 / 48

HEX #857460

RGB 133 116 96

HSL 32.43, 0.16%, 0.45%

LAB 49.88, 3.31, 13.49

 

CMYK 0 / 89 / 88 / 18

HEX #D01619

RGB 208 22 25

HSL 359.03, 0.81%, 0.45%

LAB 44.31, 66.58, 49.21

 

CMYK 0 / 67 / 89 / 18

HEX #D04416

RGB 208 68 22

HSL 14.84, 0.81%, 0.45%

LAB 49.01, 53.36, 53.99

 

CMYK 0 / 43 / 89 / 18

HEX #D07616

RGB 208 118 22

HSL 30.97, 0.81%, 0.45%

LAB 58.44, 29.27, 61.09

 

CMYK 0 / 20 / 89 / 18

HEX #D0A716

RGB 208 167 22

HSL 46.77, 0.81%, 0.45%

LAB 70.25, 2.85, 70.2

 

CMYK 5 / 0 / 89 / 18

HEX #C6D016

RGB 198 208 22

HSL 63.23, 0.81%, 0.45%

LAB 80.28, -22.46, 77.69

 

CMYK 0 / 42 / 89 / 48

HEX #854D0E

RGB 133 77 14

HSL 31.76, 0.81%, 0.29%

LAB 38.42, 19.06, 43.31

 

CMYK 0 / 42 / 89 / 33

HEX #AA6312

RGB 170 99 18

HSL 31.97, 0.81%, 0.37%

LAB 48.9, 23.24, 52.6

 

CMYK 0 / 42 / 89 / 18

HEX #D07816

RGB 208 120 22

HSL 31.61, 0.81%, 0.45%

LAB 58.88, 28.2, 61.43

 

CMYK 0 / 39 / 84 / 9

HEX #E88D26

RGB 232 141 38

HSL 31.86, 0.81%, 0.53%

LAB 66.78, 27.47, 64.27

 

CMYK 0 / 32 / 68 / 7

HEX #ECA14C

RGB 236 161 76

HSL 31.88, 0.81%, 0.61%

LAB 72.12, 20.09, 54.13

 

CMYK 0 / 42 / 90 / 19

HEX #CE7715

RGB 206 119 21

HSL 31.78, 0.81%, 0.45%

LAB 58.39, 27.88, 61.2

 

CMYK 64 / 0 / 89 / 18

HEX #4AD016

RGB 74 208 22

HSL 103.23, 0.81%, 0.45%

LAB 73.95, -65.13, 69.9

 

CMYK 79 / 89 / 0 / 18

HEX #2B16D0

RGB 43 22 208

HSL 246.77, 0.81%, 0.45%

LAB 28.49, 63.64, -87.35

 

CMYK 0 / 42 / 90 / 19

HEX #CE7715

RGB 206 119 21

HSL 31.78, 0.81%, 0.45%

LAB 58.39, 27.88, 61.2

 

CMYK 89 / 0 / 43 / 18

HEX #16D076

RGB 22 208 118

HSL 150.97, 0.81%, 0.45%

LAB 73.93, -62.39, 32.98

 

CMYK 43 / 89 / 0 / 18

HEX #7616D0

RGB 118 22 208

HSL 270.97, 0.81%, 0.45%

LAB 35.94, 69.19, -74.77

 

CMYK 0 / 42 / 90 / 19

HEX #CE7715

RGB 206 119 21

HSL 31.78, 0.81%, 0.45%

LAB 58.39, 27.88, 61.2

 

CMYK 64 / 0 / 89 / 18

HEX #4AD016

RGB 74 208 22

HSL 103.23, 0.81%, 0.45%

LAB 73.95, -65.13, 69.9

 

CMYK 89 / 46 / 0 / 18

HEX #1670D0

RGB 22 112 208

HSL 210.97, 0.81%, 0.45%

LAB 47.38, 11.3, -56.4

 

CMYK 25 / 89 / 0 / 18

HEX #9B16D0

RGB 155 22 208

HSL 282.9, 0.81%, 0.45%

LAB 41.37, 73.89, -65.68

 

CMYK 0 / 42 / 90 / 19

HEX #CE7715

RGB 206 119 21

HSL 31.78, 0.81%, 0.45%

LAB 58.39, 27.88, 61.2

 

CMYK 89 / 0 / 88 / 18

HEX #16D019

RGB 22 208 25

HSL 120.97, 0.81%, 0.45%

LAB 73.12, -72.29, 68.32

 

CMYK 89 / 46 / 0 / 18

HEX #1670D0

RGB 22 112 208

HSL 210.97, 0.81%, 0.45%

LAB 47.38, 11.3, -56.4

 

CMYK 0 / 89 / 1 / 18

HEX #D016CD

RGB 208 22 205

HSL 300.97, 0.81%, 0.45%

LAB 49.97, 81.79, -49.63

 

Description

Color code: HEX #CE7715 | qconv.com Color code: HEX #CE7715 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 119 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 119 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 90 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 90% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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